Charlotte Meyer discovered a folder containing 35 original Rembrandt etchings while organizing her family home in Zutphen, Netherlands, during the COVID-19 pandemic. Inherited from her grandfather, who purchased them for a nominal sum in the early 20th century, the works were authenticated by the Rembrandt House Museum in Amsterdam after being stored in a drawer for decades.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has secured a major promised gift of over 150 modern and contemporary artworks from collectors Penny Cooper and Rena Rosenwasser. This significant bequest focuses exclusively on women artists, featuring works by major figures such as Louise Bourgeois, Julie Mehretu, and Kara Walker. To celebrate the acquisition, the museum is launching "Rhapsody: Works from the Cooper Rosenwasser Collection," an exhibition showcasing 65 pieces that trace the impact of second-wave feminism on artistic production.
Agnes Hsu-Tang and Oscar Tang have donated 150 works by Native American artists to the New-York Historical Society to mark the 250th anniversary of the United States. The collection features significant pieces by artists such as Fritz Scholder, Jaune Quick-to-See Smith, and T.C. Cannon, intended to bridge historical and contemporary indigenous narratives. Meanwhile, the Metropolitan Museum of Art has named Jeff Bezos and Lauren Sánchez Bezos as honorary chairs for the upcoming Met Gala, a move that follows their previous roles as major sponsors.
CORE and TBA21 Thyssen-Bornemisza Art Contemporary are launching "Get Up Stand Up: Artists for Jamaica and Los Angeles," a high-profile benefit auction scheduled for February 26 during L.A. Art Week. The event features over 20 works by major contemporary artists including Henry Taylor, Hank Willis Thomas, and Nari Ward, with a live sale led by auctioneer Simon de Pury. Proceeds will fund long-term recovery efforts following Hurricane Melissa in Jamaica and recent wildfires in Los Angeles, as well as CORE’s ongoing emergency response work.
Sotheby’s has announced the sale of the Jean and Terry de Gunzburg collection, a two-part auction series scheduled for April and May 2024 with a total estimate of $67 million to $99 million. The offering begins with a dedicated design sale featuring a historic ensemble of 15 Claude Lalanne mirrors commissioned for Yves Saint Laurent, followed by a selection of blue-chip modern and contemporary artworks.
Refik Anadol’s controversial AI installation 'Unsupervised' at the Museum of Modern Art has sparked a heated debate on the nature of art and technology, recently highlighted in a '60 Minutes' segment. While Anadol defends his work as a poetic use of 'data as pigment' that captures viewer attention for an average of 38 minutes, critics and fellow artists raise concerns about the substance and ethics of the medium. The piece, which uses MoMA’s metadata to create morphing abstractions, became a viral sensation that challenged traditional museum engagement.
Hundreds of artists, gallery owners, and collectors staged coordinated sit-ins at major Spanish museums, including the Museo Reina Sofía, to protest the country's 21 percent Value Added Tax (VAT) on art sales. Demonstrators gathered around Richard Serra’s 'Equal-Parallel/Guernica-Bengasi'—a replica of a work that famously vanished from storage—to symbolize the potential disappearance of the Spanish art sector under current fiscal pressures. The protests included demands for the resignation of the culture and finance ministers and calls for tax parity with European neighbors.
Ashley Stewart Rödder, a highly respected director at Gagosian, has passed away at the age of 42 following a prolonged illness. During her tenure at the gallery since 2019, she was instrumental in managing the careers of prominent contemporary artists including Nathaniel Mary Quinn, Stanley Whitney, Titus Kaphar, and Deana Lawson. Her career also included significant leadership roles at Salon 94 and David Zwirner, as well as board positions at the nonprofit Performa and the Children’s Art Guild.
Over 250 prominent cultural figures have signed an open letter protesting the abrupt departure of Devyani Saltzman from her role as Director of Arts and Participation at London’s Barbican Centre. Saltzman, who was appointed just last year to modernize the institution's programming, is set to leave in May following the recent arrival of new Chief Executive Abigail Pogson. High-profile signatories, including Salman Rushdie, John Akomfrah, and Isaac Julien, are demanding transparency regarding the decision-making process and the future of the position.
Brazilian authorities are targeting the art collection and luxury assets of Daniel Vorcaro, the CEO of the recently liquidated Banco Master SA, as part of a massive fraud investigation. Following the bank's collapse due to insolvency and regulatory violations, liquidators filed subpoenas in a Miami federal court to probe Vorcaro’s dealings with blue-chip galleries and auction houses. Officials believe the financier may have funneled bank funds into high-value artworks and real estate to shield his wealth.
Marilyn Minter has been named the 28th recipient of the International Artist Award by the Anderson Ranch Arts Center. The artist, celebrated for her feminist works that merge painting and photography, will be honored during the center's annual Ranch Week in July. The selection highlights Minter's meticulous technical process and her long-standing commitment to art education as a faculty member at the School of Visual Arts.
Artist Trevor Paglen has publicly noted a striking visual and conceptual overlap between his recent gallery exhibitions titled "Cardinals"—which explore UFO photography and lore—and the imagery in the trailer for Steven Spielberg's upcoming film *Disclosure Day*. Paglen suggests the film's use of cardinals as harbingers of alien life likely originated from his work, specifically a 2023 video installation profiling a former Air Force officer who claimed "Cardinals" was an internal code name for UFOs.
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The Museo de Arte Moderno de Bogotá (MAMBO) terminated the contract of its artistic director, Eugenio Viola, earlier this month. Viola claims his dismissal came after he raised concerns with the board in September 2025 about deteriorating working conditions at the museum, concerns he says were shared by other staff. The museum stated the decision resulted from a comprehensive review and that it has begun searching for a new artistic director.
Sotheby's London will auction four major works from the Lewis Collection in its March 4 Modern and Contemporary evening sale. The highlights include a 1972 self-portrait by Francis Bacon, two portraits by Lucian Freud, and a rare swimming pool scene by Leon Kossoff, all representing the School of London movement.
Peter Campus, a pioneering video artist, has a new exhibition at The Phillips Collection in Washington, D.C. The show features his early work, including the intense 1978 video 'Head of a Man with Death on His Mind,' alongside his recent 'philips quartet' (2023–24), a series of four landscape videos from his home on Long Island. The exhibition highlights his career-long themes of self-reflection, time, and mortality.
A water leak occurred in the Denon Wing of the Louvre Museum in Paris, damaging an early 19th-century painting. The leak, labeled an emergency, forced the closure of several rooms and caused two micro-tears and paint layer lifting on Charles Meynier's 1820 work 'Triumph of French Painting: Apotheosis of Poussin, Le Sueur and Le Brun'.
David A. Ross, a prominent museum director and chair of the MFA Art Practice program at New York's School of Visual Arts, resigned after ARTnews revealed his numerous appearances in the newly released Jeffrey Epstein files. The documents, released by the Justice Department, show correspondence between Ross and Epstein dating back to 1995, including emails where Ross offered support to Epstein after his 2008 arrest and discussed a controversial exhibition concept proposed by Epstein.
Artist Ai Weiwei has claimed in a new interview that he faced censorship in the West, citing a specific incident with London's Royal Academy. In late 2023, an exhibition of his new works at the Lisson Gallery was canceled after he posted a controversial tweet about the Israeli-Palestinian conflict. Subsequently, the Royal Academy held a vote on whether to revoke his honorary membership over accusations of antisemitism, which he won. Ai also claims the Academy then declined to publish an article he wrote on free speech for its magazine.
A major retrospective of Chilean artist Lotty Rosenfeld's work is on view at Columbia University's Wallach Art Gallery through March 15. The exhibition, curated by Julia Bryan-Wilson and Natalia Brizuela, focuses on Rosenfeld's clandestine, antifascist art created during the Pinochet dictatorship, highlighting her use of coded public gestures—like altering street lane dividers into crosses and Xes—to build solidarity and protest political and economic oppression.
A wave of paintings by women depicting women dominated New York galleries this fall, sparking a critical examination of contemporary feminist figuration. Artists like Emily Coan and Anna Weyant create images of idealized, often sexualized femininity, framing their work as a reclamation of beauty and personal expression.
The Museum of Fine Arts, Boston (MFA) has denied targeting Diversity, Equity, and Inclusion (DEI) staff after laying off 33 employees, including its only Muslim, Native American, and Black curators. The layoffs, effective January 30, 2026, prompted a petition with nearly 2,000 signatures and a demand from 130 staff at the Massachusetts College of Art and Design for the curators' reinstatement. MFA Director Pierre Terjanian attributed the cuts to financial deficits from the COVID-19 pandemic, stating the proportion of staff of color remained unchanged.
The House of Electronic Arts (HEK) in Basel and the Tezos Foundation have announced a year-long partnership to integrate blockchain technology into museum experiences. The collaboration includes virtual and physical exhibitions, workshops, and preservation initiatives, featuring six international digital artists. Exhibitions will be hosted on HEK's online platform virtual.hek and outdoors during Art Basel, with artworks released via the Tezos-based marketplace Objkt. The partnership also involves on-site kiosks and educational workshops on NFTs and digital ownership, as well as HEK's participation in the EU COST Action EMBARK training school on NFT preservation at ZKM in Karlsruhe.
Thaddaeus Ropac is opening a new project space in New York and has hired Emilio Steinberger as a senior director. Hauser & Wirth now represents artist Conny Maier in collaboration with Société in Berlin. Zippora Elders Tahalele has been appointed director of the Nederlands Fotomuseum. The Tulsa Artist Fellowship announced its 2026–28 cohort of ten artists and arts workers. The ADAA appointed four new board members: Elizabeth Feld, Bridget Moore, Yancey Richardson, and Melissa Timarchi. Sotheby's second sale in Saudi Arabia, 'Origins II,' totaled $19.6 million, with a record $2.1 million for Safeya Binzagr's work. The article also covers Art Basel Qatar's first edition, with comments from Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani and artistic director Wael Shawky.
An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.
The Christo and Jeanne-Claude Foundation has donated 14 artworks to two Parisian museums, the Musée Carnavalet and the Musée d'Art Moderne de Paris. The donation includes preparatory collages, silkscreens, lithographs, and a scale model related to both realized and unrealized projects by the artist duo, such as the wrapped Arc de Triomphe and Pont-Neuf, as well as early sculptures.
Icelandic artist Björn Roth, known for his collaborative installations and as a member of the artist collective The Roth Family, has died at the age of 64. His death was reported alongside other significant arts news, including the planned closure of the Kennedy Center for renovations and the permanent shuttering of Glasgow's Centre for Contemporary Arts due to financial difficulties.
The Kanal–Centre Pompidou in Brussels, a major new modern and contemporary art center housed in a converted 1930s Citroën garage, will open on November 28 with a launch program of 10 exhibitions. Its centerpiece, "A truly immense journey," will feature over 350 works from the Centre Pompidou's collection, exploring themes of migration and exchange.
Hong Kong's M+ museum has selected Pakistani American artist Shahzia Sikander's hand-painted animated film *3 to 12 Nautical Miles* (2026) for its latest M+ Facade commission, a massive LED media screen. Co-commissioned by M+ and Art Basel, the work will screen from March 23 through June 21. The animation explores entangled histories of empire and commerce, linking Imperial Britain, the Indian subcontinent, and Qing China, and chronicles the Mughal Empire's decline, the East India Company's rise, and the First Opium War.
Brendan and Celia Wilson are selling Rossett Mill, a Grade II-listed 16th-century water mill in Wrexham, Wales, for £1.5 million ($2 million). The couple purchased the derelict property 17 years ago for £660,000 and spent two years and roughly £250,000 restoring it into a four-bedroom home, sourcing reclaimed oak beams from France and preserving its historic character. The mill, which dates to 1588, once inspired an early painting by J.M.W. Turner titled *Marford Mill* (1795), created during one of his tours of Wales. The Wilsons are selling to move closer to their children.
Evan Beard, a former Navy intelligence officer and Oxford economics graduate, is launching a new secondary market gallery called Beard & Co. on New York's Upper East Side after leaving Masterworks, the $1 billion art-tech startup where he ran its secondary market gallery Level & Co. Beard's career path includes stints at Deloitte and Bank of America, where he managed art financing operations and worked with major U.S. collectors. His new gallery will employ a half-dozen staff and function as a discreet private bank for collectors, offering services such as art loans, auction guarantees, consignments, and estate planning.