The McNay Art Museum in San Antonio, Texas, is highlighted as the state's first modern art museum, uniquely housed in a 1929 Spanish Colonial Revival-style mansion. Founded in 1954 by collector Marion Koogler McNay, the institution manages a collection of over 20,000 objects, including masterworks by Pablo Picasso, Henri Matisse, and Georgia O'Keeffe, set across 25 acres of landscaped gardens.
Artist Tammie Dupuis presents her installation "Continuality" at the Linfield Art Gallery, a show that centers on the sacred feminine and Indigenous spirituality. The exhibition features a large-scale lodge titled "Broken Made Whole," constructed from red-and-white quilted fabric to represent U.S. reservations, alongside circular paintings that utilize non-Eurocentric perspectives to explore the relationship between women and the lunar cycle.
New Jersey-based artist Hadieh Afshani is featured in the 334th installment of Hyperallergic's 'A View From the Easel' series, which profiles artists in their workspaces. Afshani describes her studio practice at Mana Contemporary in Jersey City, where she balances her art with caring for her baby, working around his feeding and sleeping rhythms. She emphasizes the importance of natural light, a sink for fluid processes, and the supportive community of fellow artists and mothers.
A roundup of summer art exhibitions across Maine highlights dozens of artists showing at galleries and pop-up spaces from Rockport to Portland. Notable shows include Alexandre Gallery's pop-up featuring charcoal works by the late Cooper Union-trained artist Emily Nelligan, who spent decades depicting Cranberry Island; Karma's annual summer pop-up at artist Ann Craven's deconsecrated church in Thomaston; and solo exhibitions at Caldbeck Gallery, Courthouse Gallery, and Cove Street Arts. Other venues such as Carver Hill Gallery, Corey Daniels Gallery, Dowling Walsh, and Moss Galleries present group and solo shows spanning landscape painting, mythical imagery, and works addressing social resistance.
Inuk artist Laakkuluk Williamson has opened her first solo exhibition, titled *Nuliaminik Neqilik*, at Mimosa House gallery in London. The show draws on a Greenlandic tale of a cannibal and his seventh wife, Masaannaaq, as a metaphor for Inuit resistance against colonial powers. It features beadwork, photography, film, vocal performances, and enlarged replicas of historic Inuit objects from the British Museum. The exhibition opened with an immersive performance at the British Museum and was curated by fellow Inuk artist Taqrilik Partridge. After its London run, the show will travel to the Nuuk Art Museum in Greenland and then to Ottawa.
Montreal artist Abbas Akhavan's installation "Entre chien et loup" transforms the Canadian pavilion at the 2026 Venice Biennale into a living climate system, featuring a humid, Amazon-like environment with a pond of Victoria water lilies. The seeds were sourced from the Royal Botanic Gardens, Kew, and germinated at the Orto Botanico di Padova, with the lilies growing and blooming over the course of the biennale.
Citi Wealth's report, "State of the Art Market 2026: Don’t Call It A Comeback," finds that the global art market entered 2026 with renewed optimism, but confidence is highly selective and concentrated at the high and accessible ends. The November 2025 Modern and Contemporary Art auctions in New York surged 77% year-on-year to $2.2 billion, driven by the record-breaking $236.4 million sale of Gustav Klimt's *Portrait of Elisabeth Lederer* from the Leonard Lauder collection. However, numerous galleries closed in 2025, including BLUM gallery and Venus Over Manhattan, and traditional hubs like London and New York face slow growth while emerging regions gain influence.
Administrators' filings for Stephen Friedman Gallery reveal a total debt of £7.8 million following its closure in February. Three prominent artists—Alexandre Diop, Deborah Roberts, and Kehinde Wiley—are among the unsecured creditors owed a combined £795,000, expected to recover only eight to nine pence per pound. The largest secured creditor is Coutts & Company, owed £3.1 million, followed by Pentland Group with £1.4 million outstanding. The gallery also owes £505,113 to the Pollen Estate for its Cork Street lease, £550,000 to HMRC, and significant sums to shipping and storage firms, including Crozier (£256,470) and Gander & White (£86,772). Art fairs Frieze and Art Basel Qatar are owed £71,227 and £18,763 respectively.
Gallery Weekend Berlin returns for its 22nd edition from May 1 to 3, 2026, featuring 50 galleries across 66 locations throughout the city. The event showcases both established and emerging artists from over 30 countries, with highlights including Martine Syms's pop-up boutique at Sprüth Magers, Göksu Kunak's performance-based exhibition at Ebensperger, and a new sector called Perspectives featuring James Turrell. Other notable presentations include Wynnie Mynerva's exploration of love and colonialism at Société, Monty Richthofen's city-wide performance at Dittrich & Schlechtriem, and Hanna Stiegeler's intimate screenprinted canvases at Sweetwater.
ArtReview's Art Lovers Movie Club presents Elisabeth Brun's film 'Big Tech Blues' (2025), an auto-documentary that follows a small village in northern Norway as it resists the installation of a SpaceX Starlink 'Gateway' transmission site. The film blends personal essay, documentary footage, and interviews with residents who protest the hub over concerns about noise pollution, radiation, and environmental impact on the rural coastline. Brun contrasts slick Starlink promotional material with slow, intimate scenes of the landscape and community organizing on Facebook, highlighting the irony of using digital tools to fight digital infrastructure.
The Venice Biennale's 2024 edition is embroiled in political controversy surrounding its national pavilions, particularly those of Russia, South Africa, and Israel. The Russian pavilion's readmission amid the war in Ukraine drew sharp criticism from the artistic community and led the European Union to withdraw approximately two million euros in funding. The Israeli pavilion, which remained empty in 2024 to protest hostage situations, now features a proposal by sculptor Belu-Simion Fainaru, prompting protests from the Art Not Genocide Alliance and over 200 artists demanding its exclusion. The curatorial team, appointed by the late curator Koyo Kouoh, resigned collectively nine days before the opening, and the Biennale's directorship canceled the opening ceremony, postponing awards to November. Demonstrations led by Art Not Genocide Alliance, Pussy Riot, and FEMEN surrounded the Russian pavilion during the press opening, and a strike by cultural workers is planned for May 8th.
The 2026 Met Gala took place on the first Monday of May, opening the Costume Institute's spring exhibition 'Costume Art' at the Metropolitan Museum of Art. The dress code 'Fashion is Art' prompted celebrities to treat the body as a canvas, with attendees like Hunter Schafer, Madonna, Rachel Zegler, Angela Bassett, Kendall Jenner, Troye Sivan, and Emma Chamberlain referencing specific artworks—from Gustav Klimt's *Mada Primavesi* to the *Winged Victory of Samothrace*—and historical fashion pieces.
Raffaella Cortese opened a small 12-square-meter space in Albisola Superiore, Italy, in June 2022, described as "more a think tank than an exhibition space." The venue, located near the Ligurian sea, honors the town's legacy as a center for contemporary ceramics from the 1950s to the 1970s, hosting artists like Lucio Fontana and Asger Jorn. The space alternates works from Cortese's Milan gallery with collaborations from emerging galleries, such as Fanta-MLN of Milan (presenting Noah Barker's installation "lux principum" in 2023) and Gian Marco Casini Gallery of Livorno (featuring Clarissa Baldassarri's "Exposure value" in 2024). A future collaboration with Triangolo gallery of Cremona is scheduled for May–September 2026, showcasing Nicole Colombo's sculpture "Rosario (to the moon and back)."
Un Guillon-Lethière pour Worcester
The Worcester Art Museum has acquired Guillaume Guillon-Lethière's painting "Lucien Bonaparte contemplant Alexandrine de Bleschamp Jouberthon" (1802), which depicts the second brother of Napoleon with his second wife. The work had been on loan to the museum from London dealers Lowell Libson and Johnny Yarker, who had purchased it at a Christie's New York auction in October 2019 after it resurfaced in a Portland sale in 2005. The painting was featured prominently in the 2024-2025 Louvre exhibition "Guillon-Lethière. Né à la Guadeloupe," where it was reunited with a portrait of its patron Lucien Bonaparte.
Un tableau de Gerard van Honthorst à Utrecht
The Centraal Museum in Utrecht has acquired a painting by Gerard van Honthorst, titled *Extase de Marie-Madeleine* (c. 1618-1620), purchased from Cantore Galleria. The work was previewed at TEFAF Maastricht, where the museum also announced a major retrospective dedicated to the artist, titled "Gerard van Honthorst - En tout point différent de Rembrandt," which opened on April 25.
Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.
Sculptor and author Barbara Chase-Riboud has publicly declined an invitation to represent the United States at the 2026 Venice Biennale, stating it was "not the moment" for her to do so. She was among the artists initially considered by the newly formed American Arts Conservancy (AAC), which is organizing the US pavilion after both she and photographer William Eggleston turned down the opportunity.
À la BnF, des merveilles de cartes pour imaginer des mondes nouveaux
The Bibliothèque nationale de France (BnF) is presenting an exhibition of extraordinary maps that blend imagination with cartography, tracing the evolution of maps from ancient tools of navigation to fantastical creations that fueled exploration and myth. The show features rare works including Renaissance sea monsters, cosmological paintings, and literary maps from Tolkien's Middle-earth and George R.R. Martin's Westeros, alongside contemporary artists like Alighiero Boetti, Sergio Aquindo, and Michael Druks who use maps to express personal and political visions.
5 expos à Avignon et ses environs pour rayonner du printemps à l’été
A series of five art exhibitions are scheduled from spring to autumn 2026 in and around Avignon, France. The program includes a refreshed permanent display of 1980s art at the Collection Lambert featuring Jean-Michel Basquiat and Nan Goldin, a solo show by Julien Prévieux critiquing artificial intelligence at Le Grenier à Sel, a photography exhibition of South Korean landscapes by Michael Kenna at Galerie Rousset, and other shows focusing on artists from Asia and the Middle East.
Ressentir la nature d’après Nicolas Poussin
An exhibition titled "Le sentiment de la nature. L’art contemporain au miroir de Poussin" has opened at the NMNM – Villa Paloma in Monaco. Curated by Guillaume de Sardes, it places Nicolas Poussin's 1651 painting *L'Orage* in dialogue with works by over twenty contemporary artists, including Sarah Moon, Christo and Jeanne-Claude, Thomas Demand, Pierre Thoretton, Ange Leccia, Marine Wallon, and Claudio Parmiggiani.
Marilyn Monroe, idole iconique
The Cinémathèque française in Paris is presenting an exhibition dedicated to Marilyn Monroe to mark the centenary of her birth. The show explores her evolution from actress to a globally reproduced image, featuring portraits by renowned photographers and examining her enduring cultural presence.
Ndéyé Kouagou has opened her first solo exhibition in Italy at Collezione Maramotti, presented in conjunction with the Fotografia Europea 2026 festival. The exhibition, titled 'Ghosts of the Moment', features recent works and new commissions that showcase her language-driven practice, blending text, performance, and image to explore unstable meaning and contemporary subjectivity.
Isabel Adair recounts her visits to commercial art galleries in London and Cambridge, describing the experience of viewing Eva Pade's exhibition at Galerie Thaddeus Ropac in Mayfair and the abstract works at Byard Art near King's College. She highlights the contrast between the polished, elite atmosphere of a high-end Mayfair gallery and the more accessible, profit-driven local gallery, while noting the freedom and openness of these spaces to the public.
Maddy Inez, a Los Angeles-based ceramic artist, discusses her practice in an interview with Phillip Edward Spradley. Her work draws on California's natural environment and histories of displacement, using ceramics to explore maternal lineage, oral history, and plant-based knowledge. A key inspiration is a midwifery certificate belonging to her great-great-great grandmother from the era of enslavement. Inez's upcoming solo exhibition at Megan Mulrooney opens May 16, 2026.
Beyoncé attended the 2026 Met Gala in a translucent gown by Olivier Rousteing, adorned with a bejeweled skeleton motif. Online sources suggest the design was inspired by 'Visitor,' a 1944 lithograph by Louisiana artist Caroline Durieux, who was a professor at Tulane University and LSU. The artwork, held by the LSU Museum of Art, depicts a skeleton in a translucent frock, echoing the gown's aesthetic. Art collector Jeremy K. Simien noted Durieux's influence and the potential value boost to the print from the Beyoncé connection.
The Charles H. MacNider Art Museum in Mason City, Iowa, has opened its 46th Annual Cerro Gordo Photo Show in the Center Space Gallery, sponsored by the Safford and Lena Lock Photo Endowment Fund. Sixty-two entries were submitted by residents of Cerro Gordo County and students at North Iowa Area Community College, with 36 photographs by 20 artists selected for exhibition. An opening reception and awards ceremony will be held on May 7, 2026, with cash prizes including $125 for Best in Show. The exhibition runs through July 11, 2026, and admission is free.
The 46th Annual Cerro Gordo Photo Show has opened at the Charles H. MacNider Art Museum's Center Space Gallery in Mason City, Iowa. The exhibition features 36 photographs by 20 artists from Cerro Gordo County and North Iowa Area Community College, selected by a panel of judges from 62 entries. Artists include Alec Heggen, Brad Janson, Wendy Janson, Dennis Nettifee, Margo Underwood, Lisa Wolf, and many others from Clear Lake, Mason City, and Plymouth. The show is sponsored by the Safford and Lena Lock Photo Endowment Fund, with an opening reception and awards ceremony scheduled for May 7, offering cash prizes including $125 for Best in Show.
Angela de la Cruz's exhibition "Upright" at Ikon Gallery in Birmingham (until 6 September) marks her first UK institutional show since her 2010 Camden Arts Centre survey, which earned her a Turner Prize nomination. The exhibition features her signature painterly sculptures and sculptural paintings that blur boundaries between mediums, including works like "Still Life with Table" (2000), "Limp" (2000), and "Bloated 111 (Blue)" (2012), which combine Minimalist language with anthropomorphic, emotional qualities. De la Cruz, who has been based in the UK since the late 1980s, continues to create work that channels influences from art history, literature, and personal experience, even after a paralyzing stroke in 2005.
Future Fair, held at Chelsea Industrial in New York from May 13–16, 2026, brought together 69 exhibitors from nine countries. Unlike traditional art fairs with segmented booths, the fair emphasized interconnectedness and interpersonal connection, featuring artist-run booths and family-led presentations. Notable participants included Nanor Hakimian showing her brother Garo's paintings, Olivia Janna Genereaux exhibiting with her son Hans Silas Jovine, and artists Cloe Galasso, John Vitale, and Miles Ingrassia. The fair also highlighted its profit-sharing model, dedicating 15% of proceeds plus exhibitor donations to subsidize emerging galleries.
The 1-54 Contemporary African Art Fair, now open at the Starrett-Lehigh Building in Manhattan, presents a smaller edition than previous years but continues to offer unexpected, tactile works. Highlights include Rommulo Vieira Conceição's Pop-art-inspired wall installation at Aura gallery, Kendra Frorup's mixed-media piece at the Current: Baha Mar Gallery, and Eymric Moderne's gold-leaf and glass bird painting at TM Arthouse. The fair also features posthumous works by Marcel Gotène at Loeve and Co and Sophia Bounou's enigmatic paintings at Blond Contemporary.