Highlights from New York’s Upstate Art Weekend 2025

Upstate Art Weekend (UAW) returns for its sixth edition, running until July 21, 2025, with over 155 participants across galleries, studios, museums, and art centers in New York's Hudson Valley and Catskill Mountains. Founded in 2020 by Helen Toomer as a pandemic-era initiative, the event now supported by Space Design + Production and Bloomberg Connects offers highlights such as 'Eclectic Cream' at Army of Frogs Studio, 'Muskeg and Collateral Magic' at Mother-in-Law's Gallery, 'The Rose' at the Center for Photography at Woodstock, tours at Hessel Museum of Art, and 'Peculiar Manufactures' at Jesse Bransford House.

Treasure House Fair hopes to be the flagship summer event London desperately needs

Thomas Woodham-Smith and Harry Van der Hoorn are staging the third edition of the Treasure House Fair at London’s Royal Hospital Chelsea, running until 1 July. The fair, which launched hastily in 2023 after the collapse of Masterpiece London, features 72 exhibitors spanning ancient to contemporary art, design, jewellery, antiques, and even a meteorite. Woodham-Smith reports a mood of optimism despite global turmoil, with strong ticket sales and a 40% share of new exhibitors, including many from outside the UK.

Esther fair brings global galleries to Manhattan’s Estonian House

The Esther art fair, founded by Estonian dealers Olga Temnikova and Margot Samel, is holding its second edition at the Beaux-Arts Estonian House in Manhattan through May 10. The boutique fair features 25 galleries from the US, Europe, and Asia, including James Fuentes, Sargent’s Daughters, Pangée Gallery, Kogo Gallery, Ivan Gallery, Sophie Tappeiner, and Bank. New additions include on-site fashion designers Julia Heuer and Laivi creating custom t-shirts. Participation fees have risen from $1,500 to $2,500, allowing the founders to hire staff, but the fair remains vulnerable to global shifts such as US trade policies and immigration crackdowns that affect art shipping and artist travel.

Stars feiern Mode und Kunst bei Met-Gala

The Met Gala, hosted by Anna Wintour at the Metropolitan Museum of Art in New York, raised millions for the museum's Costume Institute. This year's event featured celebrities like Beyoncé, Nicole Kidman, and Heidi Klum, with a dress code of "Fashion is Art." Beyoncé and Kidman brought their daughters for the first time, while Klum dressed as a stone statue. The gala opened the "Costume Art" exhibition and was co-sponsored by Jeff Bezos and Lauren Sánchez Bezos, drawing protests over Bezos's involvement.

Where are the Louvre Jewels?

Wo sind die Louvre-Juwelen?

Six months after a high-profile heist at the Louvre, investigators remain in pursuit of stolen jewelry valued at approximately €88 million. While four suspects are currently in custody, the bulk of the Second Empire-era treasures remains missing, leading to fears that the pieces may have been dismantled or melted down. The investigation has shifted focus toward how the thieves obtained a sensitive 2018 security audit that detailed vulnerabilities in the museum's defenses.

Galleries condemned, bones exploding… The National Museum of Natural History is in a serious state of disrepair, warns its president

Galeries condamnées, ossements qui explosent… Le Muséum national d’Histoire naturelle est dans un grave état de vétusté, alerte son président

The president of the Muséum national d’Histoire naturelle in Paris, Gilles Bloch, has issued a public alarm about the institution's severe state of disrepair. He warns that 74% of the museum complex is in grave danger, with urgent repairs costing an estimated €500 million needed to prevent collapse and reopen closed galleries. The deterioration includes mold-infested herbariums, flooded archives, and mineralized bones exploding due to heat and humidity, threatening the museum's world-class collection of over 70 million specimens.

Meloni takes control of Italian museums

Meloni reprend en main les musées italiens

Italy’s culture ministry under Prime Minister Giorgia Meloni has appointed 14 new directors for so-called “second-tier” museums, reinforcing a shift away from the international “super-director” model introduced by the 2014 Franceschini reform. All appointees are Italian except for French director Axel Hémery, who was reappointed at the Pinacoteca di Siena due to his strong performance. The move follows the earlier ousting of foreign directors at top-tier museums, with only two foreign-born directors—Eike Schmidt and Gabriel Zuchtriegel—remaining, both of whom hold Italian citizenship.

Middletown Arts Center presents Garden State Watercolor Society's Annual Juried Exhibition 2026

The Middletown Arts Center is currently hosting the Garden State Watercolor Society’s 56th Annual Open Juried Exhibition alongside the 8th Annual Art Installation Exhibition. Juried by Joseph Gyurcsak, the main showcase features 64 selected watercolor paintings, while a special installation titled "Revolution as Reinvention" presents 55 miniature works exploring the history of artistic rebellion. The exhibition is open to the public through May 30, 2026, with a digital version available online.

Required Reading

This week's Required Reading roundup from Hyperallergic covers a diverse range of art-world stories. French photographer JR has unveiled "La Caverne du Pont Neuf Paris" (2026), an optical illusion installation that transforms the pathway across the Seine into a black-and-white mountain range cave, paying homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge. Other highlights include architecture scholar Karrie Jacobs investigating a New York waterfront walking initiative for The Nation, curator Tara Contractor writing in Apollo about James McNeill Whistler's use of metallic pigments influenced by Japanese traditions, and Rob Corsini interviewing Amelia Abraham about their new book celebrating photography of queer nightlife for Dazed.

Highlights and Hidden Gems at Dumbo Open Studios

DUMBO Open Studios celebrated its 10th anniversary with over 175 artists across 21 buildings participating in the weekend event. The open studios, jointly managed by Team Dumbo and real estate developer Two Trees, featured a wide range of work, with a noted highlight being works on paper from artists like Bianca Fields, Amy Cutler, and Jason Karolak. Despite rainy weather, the event fostered impromptu conversations and community, with more than half of surveyed artists reporting sales and expectations of future exhibition opportunities.

The Museum Breathing Life Into New York's Downtown Performance Scene

The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.

DHS Appropriates Japanese Artist’s Work in Racist X Post

The U.S. Department of Homeland Security (DHS) used a painting by Japanese artist Hiroshi Nagai in a social media post without his permission. The agency cropped his 2017 untitled beach scene and overlaid it with the text "America After 100 Million Deportations," accompanied by a caption about national peace. Nagai, 78, expressed being "at a loss" and disappointed that a government agency would use his work to promote a political message he does not endorse.

May You Live in Interesting Times — The IFPDA Print Fair Asks, Do Bad Times Really Inspire Great Art?

The 2026 IFPDA Print Fair, featuring over 80 exhibitors at New York's Park Avenue Armory, explores the provocative theme of whether societal crises and 'bad times' inspire great art. The fair presents a historical survey of printmaking as a medium for dissent and therapy, showcasing works from Francisco Goya's anti-war etchings to Kara Walker's critiques of racial injustice, German Expressionist responses to post-WWI turmoil, and contemporary pieces addressing ongoing conflicts.

In ‘Piercing the Veil,’ Marina Kappos Gets to Know the Spectre of Grief

Artist Marina Kappos opens her solo exhibition 'Piercing the Veil' at SHRINE gallery in New York City, running from May 15 to June 27. The show features her signature acrylic-on-wood-panel paintings that use thin layers of pigment to create gauzy, prismatic effects. Inspired by the sculptural figures of grieving women she encountered at Père Lachaise Cemetery in Paris, Kappos explores themes of loss, memory, presence and absence, and the threshold between life and death. Works like 'Veil Study (Eclipse)' (2026) and 'Quantum Study (Green Entanglement)' (2025) depict hazy landscapes and keyhole-shaped portals that invite viewers to contemplate the unknown and the spiritual.

“Where it doesn’t reach” at Lo Brutto Stahl, Paris

Lo Brutto Stahl in Paris is hosting a group exhibition titled "Where it doesn’t reach," featuring the works of Hélène Janicot, Park McArthur, and the late conceptual artist Bas Jan Ader. The show creates a dialogue between contemporary sculpture and installation by Janicot and McArthur and historical lens-based media by Ader. Notably, the exhibition's reach extends beyond the Parisian gallery space to include a presence in Basel.

May First Friday 2026: 20+ events, exhibition openings in Lancaster city this Friday

Lancaster city's May First Friday 2026 features over 20 events, including exhibition openings, concerts, and performances. Highlights include a new exhibition 'Hybrids' by artist Jeremy Waak at Curio Gallery & Creative Supply, the Demuth Museum's 'Demuth Invitational: American Reflections' tied to the U.S. 250th anniversary, and the Lancaster Living Poetry Museum II with performers embodying poets at venues like the Lancaster Public Library and Lancaster Art Vault. Other offerings include salsa dancing at Binns Park, works by York County painters at The Framing Concept, and a show inspired by Yayoi Kusama at Friendship Heart Gallery + Market.

Meet the Art Market’s Most Bankable Artists

The article, part of the Artnet Intelligence Report 'The Year Ahead 2025,' identifies the most bankable artists across five market categories based on auction results. It highlights Jean-Siméon Chardin's *Le Melon entamé* (1760) as the top-priced European Old Masters work, Pablo Picasso's *La Statuaire* (1925) as third-highest in Impressionist and Modern, David Hockney's *A Lawn Being Sprinkled* (1967) as third-highest in Postwar, Yoshitomo Nara's *I Want to See the Bright Lights Tonight* (2017) as second-highest in Contemporary, and Jonas Wood's *Still Life with Cat and Fruit* (2020) as fifth-highest in Ultra-Contemporary.

Seen in Venice, Bought in Venice

"In Venedig gesehen, in Venedig gekauft"

The article reports on multiple developments surrounding the Venice Biennale. Iran has withdrawn from the Biennale, citing political and economic crises, with logistical challenges such as no flights or postal service making participation nearly impossible. Artist Anish Kapoor has called for the exclusion of the United States from the Biennale, criticizing its "abhorrent policy of hate" and "ongoing warmongering." A memorial installation by Derrick Adams for the late curator Koyo Kouoh, who was set to lead the main exhibition, will be displayed near the Arsenale. Additionally, the Biennale faces a funding cut from the EU due to Russia's continued participation despite the Ukraine war, leading to the resignation of the jury and the culture minister's withdrawal.

Wer vertritt wen in Venedig?

Kunsthalle Mainz Facing the End?

Kunsthalle Mainz vor dem Aus?

The Kunsthalle Mainz is facing potential closure by the end of the year following the withdrawal of funding by the Mainzer Stadtwerke. The crisis is compounded by the departure of director Stefanie Böttcher, who is moving to the Kunsthalle Kiel, and the fact that her position has not been advertised for replacement. Despite its international reputation and successful recent exhibitions, such as the current Britta Marakatt-Labba retrospective, the institution lacks a secured financial future and a leadership succession plan.

Stories in Copper and Vinyl

Geschichten in Kupfer und Vinyl

The UCCA Center for Contemporary Art in Beijing is hosting "Hundreds and Thousands," the first institutional retrospective of the late American conceptual artist Rutherford Chang. The exhibition showcases Chang’s career-long obsession with collecting and cataloging mass-produced objects, most notably featuring his collection of over 3,700 first-pressings of the Beatles’ "White Album." Other significant works include a 31-kilogram copper cube created from 10,000 pre-1982 pennies and a digital archive of over 2,000 of the artist's own Game Boy Tetris sessions.

Elisabetta Sirani, de Bologne à Melbourne

The National Gallery of Victoria in Melbourne has acquired a painting by the 17th-century Bolognese artist Elisabetta Sirani. The work, a private devotional piece, depicts the infant Jesus holding a swallow, a symbol of Resurrection in Christian iconography. The acquisition adds a significant example of Sirani's work to the museum's collection.

Venice Biennale 2026: The Pavilions Not to Be Missed

Biennale de Venise 2026 : les pavillons à ne surtout pas manquer

The 61st Venice Biennale, curated by Koyo Kouoh as an invitation to slow down and reconnect with emotions, features a constellation of contemplative and powerful proposals across the city. Notable national pavilions include the Holy See transforming a monastic garden into an immersive sound experience by Soundwalk Collective, Canada exploring colonial heritage through giant water lilies by Abbas Akhavan, and Austria electrifying the Giardini with radical performances by Florentina Holzinger. Other highlights include Spain dissecting collective memory through postcards, Poland imagining new forms of language between human and underwater worlds, and India's pavilion exploring notions of home.

For the 61st Venice Biennale, a quest for beauty despite a troubled world

Pour la 61e Biennale de Venise, une quête de beauté malgré un monde troublé

Koyo Kouoh, the Swiss-Cameroonian curator who was set to become the first African woman to direct the Venice Biennale, died suddenly on May 10, 2025, at age 57, just weeks before the opening of the 61st edition she had conceived. Titled "In Minor Keys," the exhibition at the Giardini and Arsenale will proceed posthumously based on her detailed directives, featuring 111 artists including Laurie Anderson, Wangechi Mutu, and Kader Attia, with a focus on beauty, resilience, and radical emotional connection amid global turmoil.

In Rodez, the haunting shadows of Sugimoto and Soulages meet in a cosmic exhibition

À Rodez, les ombres envoûtantes de Sugimoto et de Soulages se rencontrent dans une exposition cosmique

The Musée Soulages in Rodez is hosting a major exhibition titled "Hiroshi Sugimoto. Reprendre la mélodie," which creates a visual dialogue between the Japanese photographer and the late French master of black, Pierre Soulages. Curated and scenographed by Sugimoto himself, the show pairs iconic series such as "Theaters," "Seascapes," and the colorful "Opticks" with Soulages’ "Outrenoir" paintings. The exhibition highlights their shared fascination with the horizon, the origins of humanity, and the architectural presence of art within a space.

Extraterrestrial Art Created During Space Observatory Residencies on View in Mouans-Sartoux

À Mouans-Sartoux s’expose l’art extra-terrestre créé lors des résidences de l’Observatoire de l’espace

The Espace de l’art concret in Mouans-Sartoux is hosting a landmark exhibition featuring "extraterrestrial" artworks created through the Observatoire de l’espace’s residency program. Since 2006, this cultural laboratory of the French National Centre for Space Studies (CNES) has invited artists like Renaud Auguste-Dormeuil, Stéphane Thidet, and Victoire Thierrée to produce works in zero-gravity environments. These creations are born aboard parabolic flights on the Airbus A310 Zero G or via stratospheric balloons, where physical laws like gravity and atmospheric pressure are suspended.

The Frigos in Danger

Les frigos en danger

The article reports on the deteriorating condition of Les Frigos, a historic artist studio complex in Paris that has been left neglected and abandoned. Once a vibrant hub for contemporary artists, the site now faces an uncertain future due to lack of maintenance and institutional support.

Venice Biennale, no prize for Russia or Israel

Biennale de Venise, pas de prix pour la Russie ou Israël

The Venice Biennale has announced that neither Russia nor Israel will receive awards at this year's edition. The decision reflects ongoing geopolitical tensions and controversies surrounding the participation of these nations in the prestigious international art exhibition.

Contemporary Architecture

Architecture contemporaine

Two buildings in Nancy, France, have been awarded the "Architecture Contemporaine Remarquable" (Remarkable Contemporary Architecture) label. The Foyer du Groupe des Étudiants du Cours Léopold, built in the 1930s, and the Faculty of Science and Technology of Lorraine, built in the 1970s, received this official designation.

US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE

The United States Pavilion at the 61st Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," which opened with no clear funding just ten days prior. Unlike previous pavilions supported by major foundations like Ford and Mellon, Allen's show relies on a $375,000 US government contribution and public donations via the American Arts Conservancy. The selection process was unconventional: the State Department, which took over after Trump's NEA budget cuts, imposed restrictions on DEI policies and required proposals promoting "American exceptionalism." Curator Jeffrey Uslip directly approached Allen without a formal proposal, leading the artist's two galleries—Olney Gleason and Mendes Wood DM—to drop him when he accepted the commission.