MAMコレクション022：ティモテウス・アンガワン・クスノ @ 森美術館
森美術館（Mori Art Museum）は、2026年4月29日から9月23日まで、インドネシア出身の現代アーティスト、ティモテウス・アンガワン・クスノ（Timoteus Anggawan Kusno）の個展「MAMコレクション022：ティモテウス・アンガワン・クスノ」を開催する。本展は同館のコレクションシリーズ第22弾で、シニア・キュレーターの德山拓一が企画。クスノの作品《ノスタルジーの解体》（2024年）や《時の空白》（2024年）などが展示され、記憶や時間、歴史の断片をテーマにしたインスタレーションが紹介される。
Graduating students at Southeast Missouri State University (SEMO) showcased their artwork in a final exhibition held on May 1, 2026, at Crisp Museum. The show featured a wide range of media including 3D works, prints, paper mache, paintings, cloth, video, quilts, and sculptures. Among the participants were painting BFA major Zachary Ross Mayfield, who presented symbolist works centered on nature and a large self-portrait that took over 200 hours to complete, and senior studio art BFA major Kaylee Shelby, whose sculptures question the ethics and aesthetics of taxidermy and human manipulation of animals.
The Edo-Tokyo Museum in Tokyo's Ryōgoku district has reopened on March 31, 2026, after four years of renovation. Its first exhibition, "In Praise of Great Edo" (April 25–May 24), showcases 160 items from the museum's collection of 350,000, including swords, armor, kimonos, ukiyo-e masterpieces by Sharaku, Utamaro, and Hokusai, and artifacts from Edo-period culture such as kabuki, sumō, and firefighting uniforms. The renovated museum features new animation, projection mapping, full-scale reconstructions like Ginza's Hattori watch store, and a multilingual smartphone guide system.
The Festival of Cats, a community arts festival celebrating feline-themed art, is returning to Margate, Kent, from May 1-4. Featuring exhibitions, events, and workshops across fine art, poetry, film, performance, and craft, the festival showcases work from 100 local artists. Originally launched in 2018 as a satellite event for Turner Contemporary's "Journeys with The Waste Land" exhibition, it was inspired by T.S. Eliot's Old Possum's Book of Practical Cats and has since grown into a Thanet-wide event attracting thousands of visitors.
The 'Hospital of Emotions' is an immersive art exhibition occupying 80 rooms across four floors of the shuttered St. Vincent Medical Center in downtown Los Angeles. Running from May 27 through July 31, the 45,000-square-foot show features over 70 artists whose works are organized into emotional departments such as grief, fear, hope, joy, and sadness. Installations incorporate the hospital's existing fixtures—surgical lights, beds, IV bags—transforming former medical spaces into interactive art experiences, including a life-size Twister game, ceramic egg-covered walls, and neon-lit beds.
Un souvenir de guerre pour Düsseldorf
The Kunstpalast museum in Düsseldorf has acquired a war-related painting by Bordeaux-born artist William Laparra, who was mobilized in 1917 into the French camouflage section during World War I. Laparra served as a brigadier-chief in the 1st group of the 10th Army at the Chantilly workshop, a unit created in 1915 by figures including Eugène Corbin, Louis Guingot, and painter Guirand de Scévola, who developed earth-toned uniforms and painted canvas to conceal artillery from German aircraft.
Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.
CUATRO VOCES LATINOAMERICANAS EN TORNO AL INTENSIVO CURATORIAL DE MONTEVIDEO
Independent Curators International (ICI) held the Montevideo Curatorial Intensive in March 2026, in partnership with the ESTE ARTE fair and the Faculty of Arts at the University of the Republic (Udelar). This was the first time the program took place in Uruguay, bringing together twelve emerging curators from Uruguay, Brazil, Argentina, Chile, Venezuela, Ecuador, Colombia, and the United States for eight days of seminars, debates, and mentorship. Led by independent curator Marina Reyes Franco, the intensive included visits to local cultural spaces such as CasaMario, SUBTE, and the Espacio de Arte Contemporáneo, as well as a trip to Punta del Este to tour galleries and artist studios. The program featured presentations by international faculty including Ionit Behar, Victoria Noorthoorn, Maya Juracán, and Keyna Eleison, and concluded with a public symposium at the Museo Nacional de Artes Visuales (MNAV).
Artist Jevon Brown, a Miamian of Bahamian, Jamaican, and Black Southern descent, discusses his multidisciplinary practice in an interview conducted in his Miami Beach apartment and studio. Brown works across textiles, silkscreen printing, fashion, and photography to explore cultural identity, belonging, queerness, and history. He describes how memories of Miami sunsets, family members like his uncle (a sneakerhead and hat collector), and ancestral references inform his creative process. Key works discussed include the "HAIREtage" series (2025), which uses materials like burlap and raffia to connect contemporary streetwear culture with African and Caribbean spirituality, and his inclusion in the exhibition "Material, Material World" at David Castillo Gallery.
Puke Ariki museum in New Plymouth, New Zealand, is hosting TUKU: Open Studio | Emerging Māori Artists, a collaborative project where senior artist Wharehoka Smith mentors early-career artists Jodie Tipa and Dwayne Duthie in creating eight manaia (spiritual guardian figures) in a public studio setting. Running from today through 12 July, the open studio prepares the museum's Temporary Gallery for the upcoming Kiingi Tuheitia Portraiture Award exhibition, which opens on 25 July and features 40 tūpuna portraits. Visitors can watch the artists at work, engage with their creative process, and participate in free public events including workshops and talks.
Mark Russell Jones, a Central Coast native, presents his large-scale ethereal paintings in an exhibition titled "Hearing the Quiet" at Indah Gallery, located within the Roblar Winery vineyard in a converted hay barn in Santa Ynez Valley. The artist describes his work as exploring the space between abstraction and representation through layering and reduction, evoking memory and atmosphere rather than fixed depictions.
North Figueroa Bookshop in Highland Park has partnered with Homeboy Art Academy to present an exhibition titled "Visualizing the Future" in the bookstore's expanded gallery space. The show features photography, cyanotype, and graphic arts by artists aged 18 to 25, including works depicting street scenes, landscapes, and portraits. The May 9 opening included music from Music Heals and food vendors, with artists and community members in attendance. The exhibition was curated by Sophia Cervantes, an artist and student at El Camino College, who aimed to provide a professional platform for young creators.
Southern Illinois University Carbondale's Sharp Museum is organizing a national juried exhibition titled "Spooks or Spoofs," centered on cryptid-themed art. The exhibition runs from August 11 to December 21, 2026, and welcomes all media except AI-generated images. Artists may submit up to three works, with a requested donation of $5–$10 per entry. The submission deadline is July 1, with jury results announced by July 14. The juror is Jeremy Efroymson, an artist, collector, and amateur cryptozoologist. The museum's curator of exhibits, T. Lance, highlighted local Illinois legends such as Bigfoot, the Big Muddy Monster, and the Enfield horror as inspiration.
The Sarasota Art Museum (SAM) will screen the 2023 documentary "Close to Vermeer" as part of its "Art on Film" series on November 21, 2024. Directed by Suzanne Raes, the 78-minute film goes behind the scenes of the largest Vermeer exhibition ever mounted, held in early 2023 at the Rijksmuseum in Amsterdam. It follows curators, conservators, collectors, and experts as they negotiate loans, conduct technical scans of paintings, and grapple with the revelation that one work may not be by Vermeer.
Digital art venue Arte Museum, operated by Seoul-based design company d'strict, has partnered with K-pop group BTS for a large-scale immersive exhibition titled "Arte Museum X BTS The City Arirang." Inspired by BTS's new album "Arirang," the exhibit debuted on Wednesday at the museum's Las Vegas branch and will run through June 17, with subsequent openings in Busan on June 5 and in New York at a later date. The show features five original media artworks—including "No. 29," "Body to Body," "Swim," "2.0," and "Into the Sun"—alongside an updated "Arirang Wave" installation, an interactive "Live Sketchbook" space, and a BTS-themed cafe. It is part of the band's "The City" project, which extends the concert experience into local venues during their "Arirang" world tour.
The Guimet Museum in Paris is presenting Europe's first-ever exhibition dedicated to the ancient Korean kingdom of Silla. The show features archaeological treasures, including gold crowns, jewelry, and Buddhist artifacts, highlighting the cultural and artistic achievements of Silla, which flourished from 57 BCE to 935 CE.
Avoncroft Museum of Historic Buildings in Worcestershire, UK, won the Permanent Exhibition of the Year category at the 2026 Museums + Heritage Awards for its exhibition 'Revealing the Hidden Stories of the Showmen Community'. The show centers on a 1910 showman's grand living wagon owned by Tom Clarke, and includes 38 historic fairground signs, swing boats, an oral history section with 25 showmen, and hand-painted signage by commercial fairground artist Amy Goodwin. The exhibition was developed by collections manager Steven Hearn, who discovered the wagon in 2022 and collaborated with the National Fairground and Circus Archive and the Fairground Heritage Trust.
The Plains Art Museum in Fargo, North Dakota, is preparing to break ground on a major renovation and expansion of its permanent collection facility, working with architecture firms Olson Kundig and JLG. The project will create an open storage concept design, adding a fourth gallery and allowing public access to the museum's basement collection storage, where over 6,000 artworks are housed. This follows the museum's history of adaptive reuse, having transformed a 1904 International Harvester warehouse into its main building in 1997 and adding the Katherine Kilbourne Burgum Center for Creativity in 2012.
An expansive exhibition at the Corning Museum of Glass highlights the women artists who were instrumental in the American Studio Glass Movement of the mid-20th century. The show, curated by Osman Can Yerebakan, brings together works that demonstrate the resilience and creative contributions of these often-overlooked figures.
A new exhibition at the Cahoon Museum of American Art in Cotuit, Massachusetts, titled "From Borough to Bay: A Legacy Illuminated," highlights the stories of seven Black families from Brooklyn who spent their summers in Osterville on Cape Cod during the 1960s and 1970s. Created by Cape Cod artist Dawn McKenzie, the show is on view through June 14, 2026.
The New Britain Museum of American Art (NBMAA) has appointed Lydia Holleck as its first Hamm Family Curatorial Fellow. This new full-time position is dedicated to researching, exhibiting, and engaging the public with artwork from the museum’s permanent collection that is currently in storage and rarely seen by visitors.
The Albrecht-Kemper Museum of Art in St. Joseph, Missouri, will host a retrospective exhibition titled "The Shape of the Prairie" for American landscape painter Keith Jacobshagen, opening May 16 and running through August 16. The show spans 50 years of Jacobshagen's career, featuring rarely exhibited sketchbook pages alongside finished oil and watercolor paintings that capture the skies and plains of his Nebraska home.
Nalini Sharma, an art patron and honorary member of the Museum of Fine Arts, Boston's Board of Advisors, discusses the museum's exhibition "Divine Color: Hindu Prints from Modern Bengal" in an exclusive video interview. The show, supported by Nalini and Raj Sharma, features nearly 40 vibrant lithographs and over 100 objects including prints, paintings, sculptures, and textiles, exploring Hindu devotional prints from 19th-century Calcutta (now Kolkata). It is the first U.S. exhibition devoted to these works, which were mass-produced using lithographic technology and deeply embedded in daily life across India and the diaspora.
Dr. Eric Singleton has been appointed as the new director of the Booth Western Art Museum, set to assume the role in mid-July. He was selected after a nationwide search led by Georgia Museums President and Board Chair Lorri McClain, who praised his extensive experience, creativity, and collaborative leadership style. Singleton currently serves as the McCasland Chair of Cowboy Culture and Curator of Native American Art and Ethnology at the National Cowboy and Western Heritage Museum, bringing over 25 years of museum experience to the Booth. He has previously worked at the Gilcrease Institute of American History & Art and the Philbrook Museum of Art, and holds a Ph.D. from Oklahoma State University.
The Bakersfield Museum of Art (RAM) has opened a new exhibition titled "Catch a Wave," featuring works that explore themes of water, movement, and coastal culture. The show includes paintings, sculptures, and mixed-media pieces by regional and national artists, aiming to evoke the sensory experience of being near the ocean.
This May, Chiang Mai's art scene offers a diverse lineup of exhibitions across galleries, museums, and independent spaces. Highlights include a group show on regional identity at Chiang Mai Art Museum, a calligraphy-focused solo exhibition by Jin Li at Makok Art Space, and 'Class 2 Canvas' at Fãr Studios featuring artist-educators. Mid-month brings two openings: Chitti Kasemkitvatana's 'Epilogue: A Diffraction Grating' at Gallery Seescape, exploring time and light, and Kailash Mani's solo show of outsider art at Head High Second Floor.
The National Museum of Korea is hosting “Islamic Art, A Journey of Radiant Light” until October 11th, featuring artifacts from the Islamic Art Museum in Doha, Qatar. The exhibition showcases calligraphy, paintings, and crafts from the 7th to 19th centuries, with highlights including two illustrations from the *Tahmasp Shahnameh*, a Persian miniature manuscript from the Safavid era that took over a decade to complete.
Amsterdam is tackling overtourism by embedding art, culture, and history directly into its public spaces, streets, and transit systems, transforming the city into an open-air museum. Led by amsterdam&partners, the initiative uses digital screens, art installations, and interactive urban furniture to guide visitors toward hidden cultural gems, encouraging spontaneous engagement with local heritage. Major institutions like the Rijksmuseum, Stedelijk Museum, and Eye Filmmuseum, along with smaller venues such as Foam Museum and STRAAT Museum, are part of a network designed to distribute cultural attention more evenly across the city.
The "Art of Manga" exhibition, organized by the Fine Arts Museums of San Francisco, will make its East Coast debut at the Brooklyn Museum in New York from October 3, 2026, to January 31, 2027. Featuring over 600 pieces of art, the show highlights works from renowned manga artists including Hirohiko Araki, Rumiko Takahashi, Gengoroh Tagame, Jiro Taniguchi, Kazumi Yamashita, and Fumi Yoshinaga. The exhibition previously ran at the de Young Museum in San Francisco from September 2025 to January 2026.
South Korea's Ministry of Culture, Sports and Tourism announced a monthlong celebration called "2026 Museum Week," running from late April to May 31, 2026, to coincide with International Museum Day on May 18. A total of 310 museums will participate under the theme "Museums uniting a divided world," with programs divided into three sections: Museum X Encounter (highlighting stories behind artifacts), Museum X Enjoy (special exhibitions and performances), and Museum X Stroll (expanding cultural access beyond Seoul). The event is hosted by the ministry and ICOM Korea, organized by the Korean Museum Association.