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Tate Britain has announced that French-Algerian artist Zineb Sedira will create the next Tate Britain Commission, her largest project to date, set to run from May 2026 to January 2027 in the museum's Duveen Galleries. Curated by Jessica Vaughan, the commission will feature a new site-specific work responding to the architecture and history of Tate Britain. Sedira, who represented France at the 2022 Venice Biennale with her acclaimed pavilion “Dreams Have No Titles,” is known for exploring themes of diaspora, memory, and identity through photography, video, and installation.
Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.
The Fondazione Sandretto Re Rebaudengo has opened a new art space on the island of San Giacomo in the northern Venetian lagoon, acquired in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo. The island, previously abandoned, has been transformed into a laboratory for art and sustainability, with a gradual opening plan that initially aligns with the Venice Biennale. The inaugural program launched on May 7, 2026, includes a solo exhibition by Matt Copson curated by Hans Ulrich Obrist, a group show titled 'Don’t have hope, be hope!', and a photographic documentation of the restoration process by Giovanna Silva and Antonio Fortugno.
Dietro ogni grande artista… c’è una grande galleria. Un punto sulla Biennale Arte 2026
The 61st Venice Biennale, titled "In Minor Keys" (May 9 – November 22, 2026), features over 90% living artists, a significant shift from recent editions focused on historical rediscoveries. Curated by the late Koyo Kouoh (1967–2025), the first African woman to lead the Biennale, the exhibition includes 111 artists, with a majority of women (64 vs. 48 men) and the highest percentage of African-born artists ever (20%). Notable participants include Nick Cave, Carsten Höller, Alfredo Jaar, and Kader Attia, with a focus on mid-career and established figures rather than emerging or deceased artists.
Pedro Friedeberg, the Mexico-based artist and designer famed for his iconic Mano Silla (Hand Chair) created in 1962, has died at age 90. A key figure in 20th-century Mexican art, his singular work blended intricate, fantastical architecture with ornament and irony, creating a unique visual universe that defied easy categorization within movements like Surrealism or geometric abstraction.
South African visual activist Zanele Muholi has won the prestigious 2026 Hasselblad Award, one of the highest honors in photography. The award, which includes a cash prize and a major exhibition at the Hasselblad Foundation in Gothenburg, Sweden, recognizes Muholi's decades-long dedication to documenting and celebrating Black LGBTQIA+ communities in South Africa and beyond. Their powerful portraits and self-portraits challenge historical erasure and create a profound visual archive of resistance and existence.
The Saatchi Gallery in London is hosting 'Textile Art Redefined,' a group exhibition featuring 15 artists who push the boundaries of fiber and fabric. Curated by Helen Adams, the show includes diverse works ranging from Ian Berry’s immersive installations made of recycled denim to Kenny Nguyen’s undulating silk wall pieces and Anne von Freyburg’s textile reinterpretations of Rococo paintings. The exhibition coincides with the release of Adams' new book, 'Textile Fine Art,' which explores the medium's evolution from functional craft to a celebrated pillar of contemporary art.
DEL AMOR QUE MUEVE EL SOL Y LAS OTRAS ESTRELLAS. ENTREVISTA A AMALIA CROSS
The Museo de la Solidaridad Salvador Allende (MSSA) in Santiago has inaugurated a major collection-based exhibition titled "Del amor que mueve el sol y las otras estrellas," curated by art historian Amalia Cross. The show revisits the museum's unique history—from its origins during Salvador Allende’s presidency and the international "Operation Truth" to its period of exile following the 1973 coup and its eventual return to Chile. Featuring works by global icons such as Alexander Calder, Lygia Clark, and Yoko Ono, the exhibition emphasizes movement and collective action across various mediums including sculpture, video, and installation.
The article reports that the May 2025 marquee auctions at Christie's and Sotheby's are being driven by a resurgence of major single-owner collections, reversing a period of trophy scarcity in the secondary market. Key collections include the $130 million Robert E. Mnuchin collection at Sotheby's, the personal collection of gallerist Marian Goodman at Christie's, and the S.I. Newhouse collection expected to generate around $450 million, featuring Jackson Pollock's 'Number 7A (1948)' and Constantin Brancusi's 'Danaïde (1913)'. The article notes that the ultra-high tier above $10 million rose 30% year-on-year, and single-owner collections in New York auctions totaled $730.9 million, an 89.9% increase from Q1 2025.
Swansea has been confirmed as the only Welsh stop on the British Art Show 10 national tour, with the exhibition taking place at the Glynn Vivian Art Gallery from February 12 to May 16, 2027. Titled 'A Chorus of Strangers,' the show will also feature venues including the new home for Elysium Gallery and potentially Y Storfa, and will explore themes of Moments of Being, Ways of Living, and States of Nature across various media. Curated by Ekow Eshun, the tour launches in Coventry in October 2026 before visiting Swansea, Bristol, Sheffield, and Newcastle-Gateshead.
Artsy's December 2025 edition of "Artists on Our Radar" highlights five emerging visual artists who have gained attention through new gallery representation, exhibitions, auctions, or art fairs. Featured artists include British painter Imogen Allen, known for gauzy, nature-inspired works with a Gerhard Richter-like blur effect; Brazilian painter Elian Almeida, who reimagines marginalized figures in Brazilian visual culture through vibrant, narrative paintings; and nomadic American artist ektor garcia, who works with unconventional materials like wire, clay, and leather. The article details their recent exhibitions, gallery affiliations, and career milestones.
Numéro magazine lists the must-see exhibitions during Art Basel Paris art week. Highlights include a major minimal art exhibition at the Bourse de Commerce – Pinault Collection featuring Sol LeWitt, Agnes Martin, and Lygia Pape; a historic Gerhard Richter retrospective at the Fondation Louis Vuitton with nearly 300 works; the Fondation Cartier's new space near the Louvre designed by Jean Nouvel, showcasing artists like Ron Mueck and Junya Ishigami; and a carte blanche exhibition at the Palais de Tokyo curated by Naomi Beckwith exploring the influence of French theory on American art.
This article is a seasonal preview of the best art and architecture exhibitions opening in autumn 2025, primarily in London and other UK venues. It highlights major shows including Mona Hatoum's dialogue with Giacometti at the Barbican, a Picasso exhibition at Tate Modern, Kerry James Marshall's first major European retrospective at the Royal Academy, and the Turner Prize 2025 at Cartwright Hall Art Gallery in Bradford. Other featured exhibitions cover Hilary Lloyd's work on Dennis Potter, Marie Antoinette's image through art and fashion at the V&A, Basel Abbas and Ruanne Abou-Rahme's new commission at Nottingham Contemporary, and a Lee Miller retrospective at Tate Britain.
Documenta has selected an all-women artistic team for its upcoming edition, marking a historic shift for the prestigious quinquennial exhibition. In other art industry news, Sotheby's will open its new global headquarters in the Breuer Building on November 8, Christie's London will auction the collection of Danish businessman Ole Faarup in October, and Bob Ross's market has surged with record auction prices. Several galleries announced new artist representations and relocations, including François Ghebaly adding Brooklin A. Soumahoro and Latitude Gallery moving to Tribeca. The Whitney Museum made three curatorial appointments, the Harvard Art Museums acquired a Heinz Mack sculpture, and Claudia Gould was named executive director of the Shaker Museum. The Helen Frankenthaler Foundation added new board members, and Maëlle Ebelle was appointed inaugural director of the Liu Shiming Art Foundation.
This article lists 20 art galleries in Sydney that are recommended for art enthusiasts. It highlights major institutions like the Art Gallery of New South Wales and the Museum of Contemporary Art, as well as smaller spaces such as China Heights, STATION, Cement Fondu, Abstract Thoughts, Campbelltown Arts Centre, and Jerico Contemporary. Each gallery is described with its unique focus, from modern and Aboriginal art to performance and emerging artists.
San Francisco's art scene is showing signs of recovery after a difficult period marked by the pandemic, federal arts grant cuts, and museum closures. June brought positive developments: the Headlands Center for the Arts raised record funds at its annual auction, the shuttered San Francisco Art Institute plans to reopen as an artist studio, and local criticism magazine SquareCylinder is returning. The article highlights nine summer exhibitions across the Bay Area, including shows by Ruby Neri, William T. Wiley, Hank Willis Thomas, Charlie Tweddle, and Shepard Fairey, ranging from public art installations to gallery retrospectives.
This article highlights 11 must-see museum exhibitions in New York for spring 2025, including shows at Amant, the American Folk Art Museum, the Guggenheim, the Hill Art Foundation, the Metropolitan Museum of Art, and MoMA PS1. Featured artists include Madalena Santos Reinbolt, Rashid Johnson, Sam Moyer, Jennie C. Jones, and Andro Eradze, with works spanning textiles, sculpture, sound installations, and mixed media.
Pat Oleszko, a 78-year-old artist known for her inflatables, costumes, and performances blending burlesque, commedia dell'arte, and protest, is the subject of her first New York solo show in 35 years at SculptureCenter, on view through April. The article features an interview where Oleszko discusses her creative process, the challenges of aging, and her desire to make work about fascism and climate change, while also noting her inclusion in the Whitney Biennial and a presentation at Art Basel Miami Beach.
Cultured magazine asked 25 photographers to each select a single image for a time capsule representing the first quarter of the 21st century. The resulting portfolio includes works by Juergen Teller (a Balenciaga ad featuring Putin, Trump, and climate imagery), Sinna Nasseri (a cat amid a California wildfire), Naima Green (a domestic scene mediated by smartphones), Lele Saveri (a critique of property ownership), and Trevor Paglen (a CIA black site in Kabul), among others.
The article reviews several notable art events and exhibitions from 2025, beginning with Cameron Rowland's controversial work "Replacement" at the Palais de Tokyo in Paris, where the French flag was replaced with the flag of Martinique, leading to the artwork being deemed potentially illegal. It also covers Johanna Fateman's review of Rowland's "Properties" at Dia Beacon, Ross Simonini's reflection on Joseph Beuys and the Eaton fire in Los Angeles, John Vincler's critiques of Cady Noland at Gagosian and Nicole Eisenman at 52 Walker, and Fateman's year-end roundup including figures like Anne Imhof, Laura Owens, and Jack Whitten.
Gallerists Christine Berry and Martha Campbell, founders of Berry Campbell gallery, have spent 13 years rediscovering and championing overlooked 20th-century female artists such as Ethel Schwabacher, Judith Godwin, Bernice Bing, and Lynne Drexler. They will present works by these artists at Art Basel Miami Beach for the second consecutive year, following a record-breaking $2 million sale of Drexler's painting at Christie's in 2025. The duo, who previously worked under Ira Spanierman, launched their gallery in 2013 and have since built a market for artists whose careers were marginalized by gender bias.
The article is a review of fall art openings in Los Angeles, written by Juliana Halpert for her Critics’ Table debut. Halpert surveys a range of exhibitions, including Calvin Marcus's show at Karma, Stanya Kahn's solo presentation, the Hammer Museum's "Made in L.A." biennial and its scrappier counterpart "Made in HelLA," Josh Smith's grim reaper paintings at David Zwirner, and Adam Alessi's show at Hoffman Donahue. She also recounts attending the Poetic Research Bureau's 25th anniversary party and fundraiser at 2220 Arts + Archives, where musician Jack Skelley performed. The review weaves a thematic thread of mortality and the macabre, noting how many shows this season engage with death, from fake blood and skulls to sinister landscapes.
Sotheby’s New York held a $433.1 million modern and contemporary art sale at its Madison Avenue headquarters, led by Mark Rothko’s *Brown and Blacks in Reds* (1957), which sold for $85.8 million. The auction opened with 11 works from the estate of legendary dealer Robert Mnuchin, totaling $166.3 million, including a second Rothko and pieces by Willem de Kooning, Franz Kline, and Pablo Picasso. The contemporary art segment followed, with Jean-Michel Basquiat’s *Museum Security (Broadway Meltdown)* (1983) selling for $52.7 million. The overall sale was described by advisers as robust but not particularly exciting, and it significantly exceeded the $186.1 million equivalent sale from last year.
The Brooklyn Museum is opening a mid-career retrospective titled “Iris van Herpen: Sculpting the Senses,” showcasing the Dutch designer’s high-tech garments. The exhibition features over a decade of van Herpen’s work, including the first 3D-printed garment sent down a runway in 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new collaborations such as an algae dress grown from living microorganisms. Organized by senior curator Matthew Yokobosky, the show originated at the Musée des Arts Décoratifs in Paris and has traveled internationally before arriving in Brooklyn, where it is augmented with objects from the museum’s collections in art, science, and natural history.
Rago/Wright is hosting two major spring sales on May 14, 2026: 'Pure Edge: American Geometric Abstraction, Selected Works from the Museo de Arte Contemporáneo de Buenos Aires' and a Post War and Contemporary Art sale. The first features 19 works from the museum's premier collection of American geometric abstraction, while the second spans 20th- and 21st-century art. Highlighted lots include Sam Gilliam's 'Sun Woman' (1970, est. $300,000–$500,000), Annie Morris's 'Stack 7 (Ultramarine Blue)' (2015, est. $150,000–$200,000), Miyoko Ito's 'Adam and Eve' (1957, est. $200,000–$300,000), and Maria Martins's 'Impossible' (1946, est. $150,000–$200,000).
A blue plaque has been unveiled on the London home of pioneering British photographer Julia Margaret Cameron at 10 Chesham Place in Belgravia, celebrating her legacy. Cameron took up photography at age 48 and created iconic portraits of figures like Alfred Tennyson, Charles Darwin, and Thomas Carlyle, as well as images of her family and neighbors. The plaque was installed by English Heritage, with family members including musician Jules Cameron, singer Jasmine van den Bogaerde (Birdy), and artist Julian Bell attending the ceremony. Cameron's great-great-great-granddaughter Jules Cameron noted that the honor feels like a continuation of her work to fix presence in light and memory.
The De Santis family, accomplished hoteliers on Lake Como, has opened Casabianca, a new hotel and art hub in a 1930 villa designed by Piero Ponci. The property features three apartment-style suites launching later this year, while its lower floors are already open to the public for €15, displaying around 50 works from the family's collection of post-war Italian art, including pieces by Arte Povera artists such as Alighiero Boetti, Mario Merz, and Jannis Kounellis. The venture is the latest in a series of heritage hotel restorations by the family, who previously revived the Grand Hotel Tremezzo and Passalacqua.
A new exhibition titled “Constellations and Drifts: Art from Latin America in the FEMSA Collection” has opened at the Museum of Contemporary Art, Monterrey (Museo de Arte Contemporáneo de Monterrey) in Mexico, running through August 9, 2026. The show features 170 works by 115 Latin American artists from the FEMSA Collection, one of the most prestigious corporate collections of Latin American art, and is organized around five curatorial themes or “constellations,” including a section centered on alchemy. Highlights include works by Diego Rivera, José Clemente Orozco, Francis Alÿs, and a new commission by Argentine artist Ad Minoliti, alongside Surrealist pieces by Remedios Varo, Leonor Fini, Leonora Carrington, and Kati Horna.