Masterpieces of Art Modeled and Printed in Ultra-High Definition: The Challenge Met by LITO

Des chefs-d’œuvre de l’art modélisés et imprimés en très haute définition : le défi relevé par LITO

Beaux Arts Magazine partnered with the Austrian printing and publishing company LITO to stage a challenge at its 500th-issue launch party. Guests were asked to identify the authentic 15th-century painting by Giovanni Bellini's circle from among four seemingly identical works, three of which were ultra-high-definition reproductions created by LITO. The company's patented modeling and printing technology replicates the texture of brushstrokes, varnish sheen, canvas grain, and even craquelure with unprecedented precision.

Artemisia Gentileschi Masterpiece Goes to Auction—Without Its Face

The Dorotheum auction house in Vienna is set to auction a rare, autograph replica of Artemisia Gentileschi’s 'St. Mary Magdalen' (c. 1620) that is missing its central focus: the saint's face. Discovered in a private German cellar in 2011 and likely mutilated during the looting of postwar Berlin, the fragment has been authenticated by experts Roberto Contini and Riccardo Lattuada. Despite the missing section, infrared analysis confirms Gentileschi’s hand, and the work is estimated to fetch between $120,000 and $170,000.

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A restoration of Jean-Antoine Watteau's 1718–19 painting *Pierrot* (also known as *Gilles*) at the Louvre has revealed that a shadowy figure on the left side of the canvas—long identified as a doctor or grifter named Crispin—bears a striking resemblance to Watteau's own self-portrait. The discovery came after conservators removed an aged yellow varnish, prompting new questions about the painting's meaning and authorship. The work is currently featured in the Louvre exhibition “A New Look at Watteau,” part of the broader program “Figures of the Fool,” running through February 3, 2025.

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Upsilon Gallery, founded by German-Argentine dealer Marcelo Zimmler, will open its first continental European location in Milan on November 18. The 200-square-meter space is situated near Via Monte Napoleone in the Quadrilatero fashion district, joining a wave of international galleries—including Thaddaeus Ropac, Cardi Gallery, and Robilant + Voena—that are betting on Milan's potential to become a global art capital. The inaugural exhibition features four canvases from Osvaldo Mariscotti's Valley series, with a bilingual catalogue edited by critics David Ebony and Alex Grimley, and coincides with twin shows in Upsilon's London and New York outposts.

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The J. Paul Getty Museum unveils Artemisia Gentileschi's long-lost painting *Hercules and Omphale* (ca. 1635–37) after three years of restoration. The work was nearly destroyed in the August 2020 Beirut port explosion, which caused severe damage to the Sursock Palace where it was housed. Senior conservator Ulrich Birkmaier led the delicate process of reassembling the canvas, removing glass shards and debris, and restoring the original colors.

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Artist Gretta Louw reflects on her year-long residency with the e-David robotic painting lab at the University of Konstanz, part of the Embodied Agents of Contemporary Visual Arts (EACVA) research group. She describes how the public conversation around AI and robotics in art is inflated and imprecise, noting that terms like "AI painting" are often misapplied to digital outputs rather than physical, materially executed works. Louw details the limitations of robotic painting, including the inability of robots to perform basic tasks like stretching canvases or mixing paints, and argues that much of what is presented as robotic painting is actually pre-programmed performance art.

These Ghosts. Clémentine Bruno  by Michela Ceruti

Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.

Simply divine: the extraordinary supernatural visions of Francisco de Zurbarán

Francisco de Zurbarán, one of the three great Spanish 17th-century painters alongside Velázquez and Murillo, is finally receiving his first solo exhibition in the UK at the National Gallery in London. The show highlights his distinctive style of religious painting, characterized by stark chiaroscuro, sculptural realism, and a meditative stillness that makes the immaterial seem tangible. Works such as his crucified Christ and The Apparition of Saint Peter to Saint Peter Nolasco exemplify his ability to depict visions and inner spirituality, often commissioned by powerful religious foundations in Seville during the Counter-Reformation.

‘It was a way of processing violences I’ve survived’: how iconoclastic musician Arca beat burnout with frenzied painting

The acclaimed Venezuelan electronic musician Arca, born Alejandra Ghersi, is transitioning into the visual arts with her first institutional exhibition at the Institute of Contemporary Arts (ICA) in London. Titled "Angels," the body of work consists of visceral, heavily textured paintings created using a chaotic mix of oils, acrylics, melted plastic, and latex. Ghersi turned to the physical medium as a therapeutic response to professional burnout, using the permanent nature of painting to process personal trauma and reconnect with the raw creative enthusiasm she felt before her music career became a global profession.

Roberto Bernardi | The Unknown Event (2025) | Available for Sale

Roberto Bernardi | L'evento sconosciuto (2025) | Available for Sale

Italian hyperrealist artist Roberto Bernardi has listed a new oil on canvas painting titled "L'evento sconosciuto" (2025) for sale through GALERIE VON&VON. The work, priced at €14,400, is being featured in conjunction with his upcoming exhibition "Unfolding," scheduled to run from April 16 to June 20, 2026. Bernardi, known for his meticulous attention to detail and photorealistic style, has a long-standing presence in the international art market and museum circuit.

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ArtTactic's year-end report reveals that the global art auction market rebounded to $4.55 billion in 2025, an 11.1% increase from 2024. Sotheby's saw a 17% sales jump and Christie's a nearly 7% rise. Historic single-owner sales, including estates of Leonard Lauder, Cindy and Jay Pritzker, and Pauline Karpidas, drove recovery with $884.9 million in total. Old Masters, Impressionist, and modern art surged 42.3% year-on-year, while contemporary and post-war art lagged. The trophy market (works over $10 million) grew 19.4% to $1.48 billion, led by Impressionist art up 80.4% to $1.04 billion, fueled by three Gustav Klimt canvases from the Lauder collection.

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Pop star Ed Sheeran is launching his debut painting collection, "Cosmic Carpark Paintings," at HENI Gallery in London's Soho district from July 11 to August 1. The series of multicolored drip and splash works was created in a disused carpark using house paint, inspired by Jackson Pollock. Sheeran, who began painting in 2019, will sell original canvases and prints for £900 ($1,200) each, with 50 percent of proceeds going to the Ed Sheeran Foundation to support youth music programs in the U.K. The exhibition was encouraged by Sheeran's friends Damien Hirst and HENI founder Joe Hage.

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Christie’s spring marquee auctions in New York brought in a combined $489 million with fees across two evening sales: the Leonard & Louise Riggio: Collected Works sale and the 20th Century sale. The Riggio collection, featuring 39 works heavy on Surrealism, modernism, and Minimalism, achieved $272 million with buyer’s premium, led by Piet Mondrian’s Composition With Large Red Plane, Bluish Gray, Yellow, Black and Blue (1922) at $47.56 million and René Magritte’s L’empire des lumières (1949) at $34.9 million. The 20th Century sale included major canvases by Monet, Rothko, and Warhol, but the hammer total of $409 million fell below the $446 million pre-sale low estimate, indicating the auction house did not meet expectations.

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British pop star Robbie Williams opened a solo exhibition titled "Radical Honesty" at Moco Museum London on May 1, 2025, drawing hundreds of fans and guests. The show features nearly two dozen canvas works and sculptures exploring modern-day anxiety and emotional vulnerability, inspired by Williams's personal experiences. It is his third collaboration with Moco Museum, which has previously presented his works in Barcelona and Amsterdam. The opening had a pop concert atmosphere, with fans waiting for hours outside the venue. Among the attendees were TV personalities Leigh Francis and Andy Goldstein, and artists Chris Levine and Philip Colbert. Williams addressed criticism of celebrity art-making, while Moco co-founder Lionel Logchines praised the humor and mental health themes in Williams's work, comparing him to Banksy.

Steve DiBenedetto’s Cosmic Sense of the Absurd

Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.

David Novros’s Portable Murals

David Novros’s latest exhibition at Paula Cooper Gallery showcases his "portable murals," intricate multi-paneled paintings that challenge the traditional concept of art as a mere object on a wall. Utilizing oil and murano on canvas, Novros assembles monochromatic, L-shaped, and horizontal panels with precise intervals that incorporate the gallery wall into the composition. These works are designed to be experienced kinesthetically, responding to shifting natural light and the viewer's physical movement through the space.

nicole wittenberg maine exhibition

Nicole Wittenberg, known for her early paintings of amateur porn, has shifted her focus to landscapes and flowers, culminating in four simultaneous exhibitions across two continents. Her first solo museum survey is at the Ogunquit Museum of American Art, while the Center for Maine Contemporary Art shows her largest canvases through September 14. In Paris, her flower paintings are on view at Le Corbusier’s Maison La Roche, and Acquavella will host her New York solo show in October. Phaidon has also published her first monograph, with essays by David Salle, Devon Zimmerman, and Suzanne Hudson.

Inside the Studio of Abdelkader Benchamma, Cartographer of Invisible Worlds

Dans l’atelier d’Abdelkader Benchamma, cartographe des mondes invisibles

French-Moroccan artist Abdelkader Benchamma is preparing for his upcoming solo exhibition, "Signs and Wonders," at Galerie Templon in Paris. Working from his sun-drenched studio in Montpellier, Benchamma has transitioned from his signature black-and-white ink drawings to large-scale canvases that incorporate celestial blues and earthy mineral tones. The new body of work draws inspiration from 15th and 16th-century manuscripts, specifically the Kitab al-Bulhan and the Book of Miracles, creating a "giant book" of visual narratives that blur the lines between abstraction and figuration.

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Artist Heidi Hahn discusses her recent exhibition "Not Your Woman" and the emotional journey behind the paintings in an interview with Thalia Stefaniuk. Originally scheduled to open at Mitchell-Innes & Nash's Chelsea gallery, the show was cancelled when the gallery suddenly closed, leaving Hahn feeling discarded and forcing her to rethink the work. The resulting large-scale canvases feature abstract, monumental female bodies rendered in muted oranges, reds, and blues—figures that are faceless, exaggerated, and more like totems or memories than recognizable women. The conversation explores themes of disappointment, failure, and the tension between wanting to be seen and wanting to disappear.

The Cape Ann Museum’s Newest Exhibition, Avery, Gottlieb & Rothko: By the Sea, Coincides With the Reopening of the Museum’s Main Campus

The Cape Ann Museum has opened a landmark exhibition titled "Avery, Gottlieb & Rothko: By the Sea," featuring 82 works by Milton Avery, Adolph Gottlieb, and Mark Rothko. The show explores the artists' formative summers on Cape Ann in the 1930s and '40s, where they escaped New York City and developed a deep artistic camaraderie. The exhibition coincides with the reopening of the museum's main campus after 20 months of renovations, and will travel to The Phillips Collection in Washington, D.C. in October—the first time a Cape Ann Museum-organized exhibition tours to a national museum.

Louisiana reunites Basquiat's 'Heads' for the first time

The Louisiana Museum of Modern Art in Denmark is hosting "Headstrong," the first museum exhibition in Scandinavia dedicated to Jean-Michel Basquiat. The show reunites 49 works on paper created between 1981 and 1984 that focus on the artist's depiction of the head—works Basquiat originally kept for himself and which were only discovered after his death. The exhibition includes the record-breaking 1982 "Untitled" painting, which previously sold for $110.5 million.

In Basel, alternative art fairs spring up in new places

In Basel, alternative art fairs are proliferating as dealers seek new ways to engage collectors outside the main Art Basel fair. Maison Clearing, a pop-up group exhibition by the New York and Los Angeles-based Clearing gallery, occupies a four-story villa in central Basel, featuring works by 46 artists including Kayode Ojo, Jasmine Gregory, and Jean-Marie Appriou. The rental cost of $2,000 per day is roughly one-third the price of a medium-sized stand at Art Basel. Meanwhile, the Basel Social Club (BSC) returns for its fourth edition in a former bank building near the Kunstmuseum, hosting over 100 spaces filled with art, performances, and hospitality offerings, including artist-led services like a hairdresser and a blood bank.

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Curator Luis Pérez-Oramas has organized a two-person exhibition at Nara Roesler's New York gallery pairing Afro-Brazilian artists Alberto Pitta, 64, and Elian Almeida, 31. The show collapses generational and medium-based boundaries, featuring Pitta's layered canvas silkscreens with symbolic folk elements alongside Almeida's colorful explorations of Brazil's history in paint. A functioning coffee cart by Pitta, elevated to artwork status, greets visitors. The exhibition runs through early January.

Rising Artist Veronica Fernandez’s Uneasy Monument to Childhood Imagination

Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.

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Musician Scotty Ramon, better known as Kid Cudi, has launched his debut solo painting exhibition titled "Echoes of the Past" at Ruttkowski;68 gallery in Paris. The show features a series of striking, flat-palette canvases centered around an avatar named Max, who navigates scenes of psychological struggle and liberation. To accompany the visual works, Ramon composed a 10-minute percussive score that plays on a loop in the gallery, intended to transport viewers into his creative psyche.

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Christie’s Post-War and Contemporary Art day sale on Thursday achieved $88.7 million, with an 88% sell-through rate by lot and 90% by value. The standout lot was Lynne Drexler’s 1960 painting *Keller Fair II*, which sold for $2,027,000—shattering her previous auction record by nearly $500,000 and far exceeding its $800,000–$1.2 million estimate. The work, a dense abstraction from Drexler’s early 1960s period, was described by advisors and dealers as a rare, exceptional example.

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Haitian-American artist Patrick Eugène has been selected by Dior to reinterpret the iconic Lady Dior handbag for the 10th-anniversary edition of its Dior Lady Art initiative. He is one of ten international participants and one of only two U.S.-based artists in the milestone edition, which will premiere at Art Basel Paris later this month before becoming available at Dior boutiques worldwide. Eugène's design draws on his Haitian roots, incorporating leather and textile patchwork, wooden beads, macramé, raffia embroidery, and straw weaving, with a standout feature of woven leather side panels inlaid with pearls referencing Haiti's historic nickname, the "Pearl of the Antilles." The collaboration will also anchor special activations during Art Basel Miami Beach in December.

Scholar Attributes Long-Suspected ‘Workshop Copy’ Painting to Rembrandt

A painting in a private UK collection, long considered a workshop copy of Rembrandt's 'Old Man with a Gold Chain' at the Art Institute of Chicago, has been newly attributed to Rembrandt himself by scholar Gary Schwartz. Schwartz argues the quality and lack of corrections suggest Rembrandt, not a pupil, created the canvas replica while the original process was still fresh.

Angela de la Cruz review – wonky chairs and busted pianos are monuments to resilience

Angela de la Cruz's solo exhibition "Upright" at Birmingham's Ikon gallery presents a collection of broken and mended artworks. Her canvases are crumpled, folded, and snapped, while sculptures are assembled from precarious junk like a three-legged chair on a stool and a piano stacked atop another. The works, though appearing on the verge of collapse, are all repaired and propped back up, reflecting a state of post-collapse resilience.

art doron langberg paintings israel

The article reviews Doron Langberg's exhibition "Landscapes" at Jeffrey Deitch in New York, featuring large-scale oil-on-linen paintings that reflect on the artist's identity as a Jewish Israeli painter after October 7, 2023, and the subsequent conflict in Gaza. The works depict three personally significant locations: Yokneam in Israel, Drohobych in Ukraine (where the artist's father survived the Holocaust), and a queer beach community on Fire Island. Langberg's accompanying statement asserts that Palestinians deserve justice and liberation, framing painting as a means to confront atrocity.