A Joan Mitchell diptych and a rare stack by Donald Judd: our pick of the May auctions

The Art Newspaper highlights five major lots from New York's May 2025 auctions. Phillips offers Joan Mitchell's diptych 'Plain' (1989), estimated at $5-7 million, from the collection of late Miami art patron Tina Hills. Christie's presents Donald Judd's rare copper and red Plexiglas 'Untitled (Stack)' (1969), estimated at $10-15 million, from the Minimalist collection of the late Henry S. McNeil Jr. Sotheby's leads with Jean-Michel Basquiat's 'Museum Security (Broadway Meltdown)' (1983), estimated above $45 million, and Mark Rothko's 'Brown and Blacks in Reds' (1957), estimated at $70-100 million from the collection of late dealer Robert Mnuchin.

No Attitude, Nowhere: Conviction, Zero Meaning

Keine Haltung, nirgends Gesinnung, null Bedeutung

The article critiques the current state of the art world and broader culture, arguing that right-wing calls for depoliticized art are intensifying while the progressive art establishment silently tolerates a culture war that restricts free expression. It uses the 2025 Met Gala as a prime example, describing the event as a heartless display of wealth and power aligned with Trump-era capitalism, where celebrities and artists perform progressive values while participating in a spectacle sponsored by anti-union figures like Jeff Bezos. The author draws on Hannah Arendt's ethics lectures to suggest that moral norms have collapsed overnight, and that the commercial art world now legitimizes anti-democratic tendencies through its silence.

Venice Biennale: The Must-Sees Off the Official Program

Biennale de Venise, les immanquables du off

The article highlights must-see exhibitions taking place in Venice alongside the official Biennale, curated by the magazine L'Œil. It features three major shows: "Le pli et le temps" at Fondazione dell’Albero d’Oro, exploring the fold as a material and temporal concept through the work of Patrick Saytour and Piero Manzoni; "Lorna Simpson. Third Person" at Punta della Dogana, a major European survey of Simpson's paintings, collages, and films organized by the Pinault Collection; and "Picasso, Morandi, Parmiggiani. Still Lifes" at Galleria di Piazza San Marco, a dialogue between three masters of still life, co-organized by Tornabuoni gallery and the Musée national Picasso-Paris.

5 must-see art galleries in Berlin

5 galeries d’art incontournables à Berlin

Beaux Arts Magazine highlights five must-see art galleries in Berlin, a city better known for its nightlife than its art scene. The article profiles Konrad Fischer Galerie, a historic gallery founded in 1967 that champions Minimalist and Arte Povera artists, now housed in a converted power station; and Sprüth Magers, a gallery founded by Monika Sprüth and Philomene Magers that focuses on contemporary art, particularly female artists. Other galleries are mentioned as part of a broader guide to Berlin's art offerings, which also includes major museums like the Pergamon Museum, Neues Museum, Alte Nationalgalerie, Neue Nationalgalerie, and the Hamburger Bahnhof.

From Cannes to Nice, via Grasse and Saint-Paul-de-Vence… 8 Refreshing Exhibitions on the Côte d’Azur

De Cannes à Nice, en passant par Grasse et Saint-Paul-de-Vence… 8 expos rafraîchissantes sur la Côte d’Azur

Beaux Arts Magazine highlights eight refreshing exhibitions across the French Riviera from spring to summer 2026. Featured shows include a Carole Benzaken survey at La Malmaison in Cannes, a hotel biennial at the Canopy by Hilton Cannes, a group exhibition on media theorist Nathalie Magnan at Villa Arson in Nice, and a dialogue between Henri Matisse and Yves Saint Laurent at the Musée Matisse in Nice. Other stops include Ellsworth Kelly at Fondation Maeght in Saint-Paul-de-Vence, and shows in Grasse featuring painter Jean-Honoré Fragonard, photography, and costumes.

In Venice, the Monumental Farewell of Georg Baselitz at the Cini Foundation

À Venise, l’adieu monumental de Georg Baselitz à la fondation Cini

The Fondazione Giorgio Cini on Venice's San Giorgio Maggiore island has opened "Georg Baselitz. Eroi d'Oro," an exhibition of the late German artist's final works, just one week after his death in 2026. The show, presented alongside the Venice Biennale, features monumental self-portraits and portraits of his wife Elke, painted over gold-leaf backgrounds. Created in the last two years of his life, these works represent Baselitz's ultimate creative gesture, synthesizing six decades of experimentation with his signature inverted figures and expressionist color, supported by Galerie Thaddaeus Ropac.

Julio Le Parc, artist committed to movement and light, 1028–2026

Julio Le Parc, the Argentine artist known for his pioneering work in kinetic and Op Art, has died at age 98. Le Parc moved to Paris in 1958, where he developed a systematic, machine-like approach to abstraction, creating grid-based paintings and later sculptures using Plexiglas. He introduced light into his work in 1968 and became known for installations involving distorted mirrors and labyrinths that disoriented viewers. A founding member of the activist Groupe de Recherche d’Art Visuel (GRAV), he was briefly expelled from France after the 1968 social unrest. He received the International Grand Prize for Painting at the 1966 Venice Biennale and had major retrospectives at the Serpentine Galleries (2025), Palais de Tokyo (2013), and Daros Foundation (2014).

VALIE EXPORT, pioneering artist who centred the female body, 1940–2026

VALIE EXPORT, the pioneering Austrian feminist artist known for her provocative performances centered on the female body, has died at age 85. Born in Linz in 1940, she adopted the name VALIE EXPORT in 1967 and quickly rose to prominence with iconic actions such as *TAP and TOUCH Cinema* (1968) and *Action Pants: Genital Panic* (1968), which challenged passive representations of women. Her work spanned photography, film, and expanded cinema, and she participated in major international exhibitions including documenta 6 and 12, and the Venice Biennale, where she and Maria Lassnig became the first women to represent Austria in 1980.

Alan Saret, Author of Transcendent Wire Sculptures, Dead at 81

Sculptor Alan Saret, known for his ethereal wire sculptures and "Gang Drawings," died on May 26 in Brooklyn at age 81. His death was announced by the gallery Karma, which represented him. Saret created cloudlike organic forms from brass, copper, and steel wire, responding to Minimalism with a nature-attuned spirit. He studied under Robert Morris at Hunter College, assisted architect Paolo Soleri, and was included in Harald Szeemann's landmark 1969 exhibition "When Attitudes Become Form" at Kunsthalle Bern. After a rocky career that included a three-year stay in India and a decade-long hiatus from showing work, Karma secured representation of the artist in 2022, finally bringing him the notice he deserved.

Husband of Gallerist Brent Sikkema Found Guilty of Ordering His Killing

A federal jury in Manhattan found Daniel Sikkema guilty of hiring a hit man to murder his estranged husband, esteemed New York gallerist Brent Sikkema. The killing occurred in January 2024, when Brent Sikkema was stabbed to death in his Rio de Janeiro vacation home. The hit man, Alejandro Triana Trevez, a former security guard for the couple, testified that Daniel paid him over $10,000 for the murder. Daniel Sikkema, who denied the charges, now faces a mandatory life sentence and has said he will appeal.

VALIE EXPORT, Icon of Feminist Art, Dead at 85

VALIE EXPORT, the radical Austrian performance artist, filmmaker, and sculptor widely regarded as the most significant feminist artist of the postwar era, died in Vienna on May 14, just three days before her 85th birthday. Her death was confirmed by Thaddaeus Ropac gallery, which represents her. Known for provocative works such as *Tapp und Tastkino* (1968), in which she invited passersby to touch her bare breasts through a miniature theater, EXPORT faced hate mail, death threats, and indecency charges but remained undeterred in her mission to challenge patriarchal norms through the female body and sexual agency.

Art Dubai’s 20th edition rallies its local art community amid regional tensions.

Art Dubai, the UAE's premier art fair, opened its 20th edition as a scaled-down "Special Edition" from May 14–17 at Madinat Jumeirah, after being postponed due to the Iran–Israel war. For the first time, entry was free, and the lineup was pared to 50 galleries, most from the region, including Abu Dhabi, Beirut, Jeddah, Ramallah, and Dubai.

11 Contemporary Emirati Artists To Know

The article highlights 11 contemporary Emirati artists, providing an overview of their practices and significance within the Gulf's evolving art scene. It contextualizes this list against recent major events in the region, including the debut of Art Basel Qatar in early February and the subsequent U.S. attacks on Iran, which caused turmoil across the Gulf, disrupted airline operations, and forced Art Dubai to scale back its event to a smaller fair in mid-May. Artists and galleries in the Gulf also had to temporarily close.

‘Keith Haring in 3D’ Highlights the Artist’s Prolifically Art-Filled Life

An exhibition titled 'Keith Haring in 3D' has opened at the Crystal Bridges Museum of American Art, focusing on the artist's prolific career and his belief in art as an accessible, public experience. The show highlights Haring's subway drawings, his rapid-fire chalk works on black paper, and his engagement with the 1980s New York City street art scene, including figures like Fab 5 Freddy, Lady Pink, and Jean-Michel Basquiat. It features works from the collection of Larry Warsh and is curated by Glenn Adamson, with a rare surviving subway drawing on display.

Philadelphia opens its Van Gogh Sunflowers display with a very rare loan from London’s National Gallery

The Philadelphia Museum of Art is opening a special display, "Van Gogh’s Sunflowers: A Symphony in Blue and Yellow" (June 6–October 11), that brings together two of Van Gogh's iconic Sunflowers paintings: the Philadelphia museum's own version (January 1889) and a rare loan of London's National Gallery's version with a yellow background (August 1888). This marks the first time the London painting has crossed the Atlantic, and only its fifth loan abroad since 1924. The reunion was reciprocated after Philadelphia lent its Sunflowers to London's 2024 exhibition "Van Gogh: Poets & Lovers."

How Gedi Sibony Makes a Show, By Transforming Street Finds Into Magical ‘Frozen Moments’

Gedi Sibony's latest exhibition, "The Invisible Point," opened at Greene Naftali in New York, marking his eighth solo show at the gallery since 2008. The show features his signature assemblage sculptures crafted from street finds and discarded materials—including wooden bookshelves from trash dumps, broken plant stands, wire scraps, and a broomstick—alongside restrained, barely-there paintings. The press release, just four sentences long, describes his process as "powered by an intuitive momentum" and the works as "objects drafted from remnants and castoffs." Sibony's practice extends a tradition from Cubist collage through artists like Louise Nevelson, Robert Rauschenberg, and Richard Tuttle.

Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time

Rock musician Jack White, formerly of the White Stripes, has mounted an exhibition of his visual art at Damien Hirst's Newport Street Gallery in London. The show features customised amplifiers by Ai Weiwei and Hirst, furniture inspired by Mondrian, and works referencing American folk music, including a series based on a statuette called Ukulele Joe. The review is scathing, describing White's art as derivative, glib, and at the intellectual level of a 12-year-old visiting Tate Modern for the first time.

Inside the Crystal Bridges Museum of American Art's major expansion

Crystal Bridges Museum of American Art in Bentonville, Arkansas, will open a major expansion on June 6, adding 114,000 square feet to its campus. Designed by Safdie Architects, the $100 million project includes 29,000 square feet of new galleries, ceramics and digital-art studios, a community lounge, and an outdoor playscape. The expansion will display 200 previously unseen works from the permanent collection, including new acquisitions, and features the exhibition "Keith Haring in 3D" running through January 2027.

Sotheby’s Buoyant $303.4 Million Modern Art Evening Sale: By the Numbers

Sotheby’s modern art evening sale on Tuesday night generated $303.4 million, with a 97.6% sell-through rate and a hammer total of $256.5 million. The top lot was Henri Matisse’s *La Chaise Lorraine* (circa 1919), which sold for $48.4 million after a prolonged bidding war. The house withdrew three lots before the sale to improve optics, and 85% of the lots were guaranteed, mostly by third parties. Asian collectors were active at seven-figure price points, contrasting with sparse high-end bidding at Christie’s the previous night.

A $433 Million Boost for the Market

Sotheby's May 2026 auctions in New York generated $433.1 million in sales over under three hours, a 132.7 percent increase compared to the same period last spring, despite offering fewer lots. This strong performance signals a top-heavy recovery in the art market after three years of contraction. Separately, the Neue Galerie will merge with the Metropolitan Museum of Art in 2028, and Art Dubai continues despite disruptions from the U.S.-Iran war.

The Works, Trends, and Artists Artnet Specialists Can’t Stop Thinking About

Artnet Auctions has three sales currently live: Post-War and Contemporary Art (through May 20), Contemporary Editions (through May 29), and Private Sales for immediate purchase. Three Artnet specialists highlight key lots: Robert Rauschenberg's 'Corridor (Hoarfrost)' (1978), Emily Mason's 'Express Report' (1988), and Andy Warhol's 'Double Mickey Mouse' (1981). The specialists discuss market trends, including the growing importance of artist foundations in supporting scholarship and market health, the rapid revaluation of post-war women abstractionists like Mason, and shifts in the prints market as consignors leverage demand.

With new Costume Institute exhibition and galleries, the Met makes powerful statement about fashion's place in museums

The Metropolitan Museum of Art has opened a major new Costume Institute exhibition titled "Costume Art," which runs until January 10, 2027, in the newly designed Condé M. Nast Galleries by Peterson Rich Office. Curated by Andrew Bolton with Stephanie Kramer, Ayaka Iida, and Emily Mushaben, the show features nearly 400 objects from all 19 of the museum's collecting departments, organized around body typologies such as the "Classical Body" and "Aging Body." The exhibition marks a significant institutional commitment to fashion as a central curatorial concern, with the 12,000-square-foot space adjacent to the Great Hall.

Frank Stella’s eye-dazzling collection of Navajo weavings to go on view

An exhibition of Navajo (Diné) weavings from the collection of the late artist Frank Stella opens on 15 May at Peter Pap Rugs at Arader Galleries in New York City, running until 10 June. The show features 40 weavings from the 19th and early 20th centuries, acquired by Stella over four decades for their optical effects and resonance with his own work. Organized by dealer Peter Pap in collaboration with Stella’s widow Harriet McGurk, the exhibition also includes geometric drawings by Stella from the 1960s, on loan from the Frank Stella Estate.

Melding Chinese lacquer with European abstraction

A collateral exhibition titled "Alchemical Universe" at the Palazzo Soranzo Van Axel in Venice features 35 lacquer paintings by Chinese-German artist Su Xiaobai. Curated by Stephen Little of the Los Angeles County Museum of Art (Lacma) and designed by architect Kulapat Yantrasast, the show spans Su's early experiments to recent works created for Venice, including suspended temple tiles and floor pieces on mirrored Murano glass. Su, who was advised by Gerhard Richter in 2003 to focus on lacquer, now works exclusively in the medium, layering and scoring tree sap to create contemplative abstract works.

Radiohead Brings Its Strange Visual Universe to Life in an Immersive Spectacle

Radiohead has launched "Motion Picture House," an immersive audiovisual installation at Brooklyn Navy Yards in New York, on view through June. The exhibition draws from the band's albums *Kid A* (2000) and *Amnesiac* (2001), featuring glitching televisions, cryptic posters, stick-figure sculptures, and alien landscapes. It culminates in a 75-minute film, *KID A MNESIA*, directed by Sean Evans, originally released in 2021. The show debuted at Coachella Festival and will travel to Chicago, Mexico City, and San Francisco through early 2027.

What ‘Costume Art’ Gets Wrong About the Body

The Metropolitan Museum of Art's Costume Institute spring exhibition, featuring nearly 400 objects, pairs garments and ensembles with Western figurative artworks from the museum's permanent collection in dyadic, associative displays. The show eschews traditional art-historical timelines and context in favor of visual and thematic parallels—comparing, for example, Rudi Gernreich's Pubikini with an Egyptian statuette, or Ying Gao's sound-responsive dress with a David Hockney drawing. The exhibition is sponsored by Jeff and Lauren Sánchez Bezos.

12 Art Books to Kick Off Summer

Hyperallergic's Lakshmi Rivera Amin presents a curated list of 12 art books for summer reading, including a novel lampooning the art world, Megan O'Grady's meditation on art and living, Kory Stamper's exploration of color lexicography, Nan Goldin's reissued photo essay, and Jennifer Higgie's prose poetry novel. The roundup also features Vincenzo Latronico's 'Perfection,' Nina Burleigh's satirical 'Turn Around, Don’t Drown,' and a graphic novel by Naoki Matayoshi and Shinsuke Yoshitake, among others.

20 superb exhibitions to visit during the Ascension weekend in Paris

20 superbes expos à visiter pendant le week-end de l’Ascension à Paris

Beaux Arts Magazine has curated a list of 20 must-see exhibitions in Paris for the Ascension long weekend (May 14–17, 2026). Highlights include Hilma af Klint's first major French retrospective at the Grand Palais, a Lee Miller survey at the Musée d'Art moderne de Paris, an Alexander Calder show at the Fondation Louis Vuitton, a Matisse exhibition focusing on his late works at the Grand Palais, and a Giovanni Segantini display at the Musée Marmottan Monet. The article also offers recommendations for family-friendly outings, free exhibitions, and evening openings.

The 5 Best Booths at Frieze New York 2026

Frieze New York 2026 opened its VIP day at The Shed on May 13, following the Venice Biennale's opening week. Now in its 15th edition, the fair anchors New York Art Week, a series of concurrent fairs, gallery openings, auctions, and parties that take over the city each May. The article highlights the five best booths at the fair, curated by Artsy Editorial.

As the Country Turns 250, Why Won’t Its Museums Meet the Moment?

As the United States approaches its 250th anniversary in 2026, the official America 250 (A250) commission has been taken over by a MAGA-aligned events company that previously produced Trump rallies, including the January 6 insurrection. The new contractors have received over $26 million in no-bid federal contracts and have rolled out commemorative programming that critics say whitewashes history, including a video projection on the Washington Monument that celebrates Christopher Columbus and skips over slavery, Indigenous peoples, and women. Meanwhile, the National Park Service plans to exhibit a statue of Caesar Rodney, a slaveholding signer of the Declaration of Independence, on Pennsylvania Avenue.