Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
Brooklyn Creative Reuse (BCR), a nonprofit founded by jeweler Stephanie O'Brien, has opened a permanent brick-and-mortar store in Industry City, Brooklyn, after launching as a pop-up in February 2025. The store sells donated, pre-loved and unused art supplies at a price-per-pound rate, making materials affordable for low-income artists, educators, and hobbyists. Its opening party on April 18 drew large crowds, and BCR has already diverted over 1,000 pounds of art supplies from landfills in its first year.
Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.
ArtHouse Jersey has launched an open call for entries to its new Portrait Award, a competition open to artists aged 16 and over who live in or have a strong connection to the Channel Islands. The award is free to enter, with a deadline of September 30, 2026, and offers a top prize of £1,500 plus two runner-up prizes of £500 each. Selected works will be exhibited at Capital House in St Helier from January to April 2027, alongside works by international artists. All forms of portraiture—painting, photography, mixed media—are eligible, provided they are original and completed within the last three years.
The article highlights three cultural destinations in Palm Beach County, Florida, as part of the MOSAIC (Month of Shows, Art, Ideas and Culture) celebration in May. Visitors can enjoy discounted admission to Morikami Museum and Japanese Gardens in Delray Beach, free admission to the Schmidt Boca Raton History Museum, and reduced entry to the Schoolhouse Children’s Museum in Boynton Beach, which hosts a weekly "Artist of the Week" series with hands-on art activities for families.
The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.
The State Library of Santa Scolastica in Subiaco, Rome, is hosting an exhibition titled 'Libri d’artista. Guido Strazza for Subiaco' from April 30 to June 2, 2026, dedicated to the artist's books of Guido Strazza. Curated by Simona Ciofetta with scientific coordination by Stefano Petrocchi, the show is part of Subiaco's initiatives as Italian Book Capital 2025. It explores the artist's book as an autonomous art form blending text, image, and materials, featuring limited-edition works and engravings by Strazza, including his 1980 portfolio 'Insects'.
The New York Times Art section has published a guide to viewing rare books in London, covering illuminated manuscripts, antique tomes, and first editions available at various venues across the British capital. The article provides practical advice for accessing these collections, including details on public viewing hours, special exhibitions, and notable institutions that house rare book holdings.
Alleanza culturale tra Roma e New York. Le due città siglano il primo accordo tra grandi centri storici
Rome and New York have signed the first cultural cooperation agreement between their historic centers, Municipio I Roma Centro and Manhattan. The protocol was formalized during the Forum Cultura Roma Centro at the Temple of Vibia Sabina and Hadrian, aiming to establish an international network based on collaboration between cultural institutions and governance models. It includes exchanges, youth programs, artistic initiatives, and public art projects involving museums, archives, libraries, universities, and educational entities.
Il confine tra mondo interiore e realtà nella fotografia di Gak Yamada in mostra in Friuli
Japanese artist Gak Yamada's exhibition 'Cosmic Prayer' is on view until June 14 at Die Gelbe Wand, a new exhibition space in Pordenone, Italy, which will be the Italian Capital of Culture in 2027. The show traces Yamada's shift from photography as representation to an experiential medium, featuring series such as 'HIGAN' (where urban landscapes dissolve), 'Red' (where chemical decomposition reveals dominant red tones), and the latest 'Flower of the Universe,' inspired by cosmic connectivity. Yamada, who once abandoned photography entirely to paint, immerses prints in water to alter their chemical stability, with Fujifilm papers dissolving quickly and Kodak papers slowly, producing varied chromatic and material effects.
Stefano Boeri Architetti has been commissioned to transform a former ATAC bus depot in Rome's Prati-Delle Vittorie district into a multifunctional hub called Depositi delle Vittorie. The project, owned by the family behind the Fondazione Memmo, will convert the 16,000-square-meter disused site into a mixed-use complex featuring commercial, cultural, and leisure spaces, along with a 8,000-square-meter rooftop park suspended 15 meters high that will host art installations. Construction is set to begin in late 2027 and conclude by 2030.
On May 14, 2026, the Salt Lake Art Museum (SLAM) hosted a launch event for X5, a new convergence platform, inside the historic B'nai Israel Temple in Salt Lake City. The event featured an interactive moment where attendees drew on the museum's bare walls before they are painted over. The following day, the Salt Lake Art Show opened at the Mountain America Expo Center in Sandy, serving as X5's first public activation. X5 Vice Chair Joe Ross outlined the platform's three clusters—industry/STEM, culture, and capital/workforce—positioning it as a successor to Sundance's economic impact in Utah.
The article guides readers through the Gallery Weekend Berlin in the western part of the city, specifically along Fasanenstraße and Savignyplatz. It highlights classic modern works, major contemporary names, and paintings that oscillate between pathos, poetry, and doubt. The route includes a stop at the gallery of Wolfgang Werner, which is celebrating its 35th anniversary in Berlin, and references the area's long tradition of art dealing, with institutions like the Literaturhaus and auction house Grisebach.
Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.
A major exhibition of Indian art titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms” has opened at the Arthur M. Sackler Gallery of the National Museum of Asian Art in Washington, D.C. Running from April 18 to July 26, 2026, the show features 48 rare paintings created for Hindu kings in the Pahari region of north India between the 1620s and 1830s. Curators highlight the diversity of styles—from lyrical and naturalistic to boldly colored and abstracted—and emphasize the collaborative nature of the artist communities that produced these works. The exhibition includes pieces acquired from art historian Catherine Glynn Benkaim and Ralph Benkaim, some never publicly exhibited before, alongside loans from the Cleveland Museum of Art.
The Plains Art Museum in Fargo, North Dakota, is preparing to break ground on a major renovation and expansion of its permanent collection facility, working with architecture firms Olson Kundig and JLG. The project will create an open storage concept design, adding a fourth gallery and allowing public access to the museum's basement collection storage, where over 6,000 artworks are housed. This follows the museum's history of adaptive reuse, having transformed a 1904 International Harvester warehouse into its main building in 1997 and adding the Katherine Kilbourne Burgum Center for Creativity in 2012.
The Carnegie Museums of Pittsburgh have launched a $500 million comprehensive campaign, the largest in their history, to fund capital projects across all four of their institutions: the Carnegie Museum of Art, Carnegie Museum of Natural History, Carnegie Science Center, and The Andy Warhol Museum. The campaign, which has already raised $325 million, will support renovations, new exhibitions, and expanded educational programming, including a major overhaul of the Carnegie Museum of Natural History's dinosaur hall and a new wing for the Carnegie Museum of Art.
Frank O’Hara, the poet and curator at the Museum of Modern Art, was a central figure in the mid-20th-century effort to promote American high art globally as a cultural counterpart to U.S. military and economic power. The article examines how O’Hara’s work, alongside the Abstract Expressionists and other artists, helped establish New York as the capital of the art world, projecting American cultural influence abroad through exhibitions, poetry, and institutional support.
The Lower Adirondack Regional Arts Council (LARAC) will present a two-person exhibition titled "Show IV: Meet Me in the Woods" featuring artists Noah Bonesteel and Katie Langford at the Lapham Gallery in Glens Falls, New York, from May 22 to June 24. The show includes an opening reception on May 22 and an Artists Talk on June 4, both free and open to the public. Bonesteel, a painter and printmaker, uses abstract, layered compositions inspired by Adirondack ecology, while Langford, an oil painter, brings a narrative, plein air approach to the region's landscapes.
Paula Punkstiņa's exhibition "The Arrows of Concerns" opened at Kim? Contemporary Art Centre in Riga, running from March 14 to May 19, 2026. Curated by Zane Onckule, the show presents 33 images documenting the artist's work, with photography by Ansis Starks.
Photo London 2026, the upcoming edition of the capital's premier photography fair, is being promoted with a special feature in which four artists present London through their own photographic perspectives. The article also covers feminist photo collage, a project by Thomas Duffield exploring father-son relationships, and an interview with the director of The Photographer's Gallery.
A new open call for artists and architects under 35 has been launched in Rome, inviting proposals for a public artwork in dialogue with the iconic Gazometro (gasometer) in the Ostiense district. The initiative is promoted by Spazio Taverna in collaboration with Eni and ROAD – Rome Advanced District, and was announced on May 21 during the event "ON THE ROAD – Distretti di Innovazione." Participants are asked to design a monument, pavilion, or installation that engages with the former industrial complex, now a creative hub hosting the cultural program Arte al Gazometro since 2024. A jury including Marco Bassan, Ludovico Pratesi, Mattia Voltaggio, Claudio Quaternato, and Lorenza Baroncelli will select the winner, who will receive a €3,000 prize; the ten finalists will be published on Artribune and gain access to a Masterclass at the School of Vision. Submissions are open from May 21 to July 31, 2026, with results announced in September.
The Luine Archaeological Park in Valcamonica, Italy, closed on April 1, 2026, after the municipality of Darfo Boario Terme, led by Mayor Dario Colossi, failed to renew the management contract held by Zamenhof Art and ArchExperience. The park, which houses rock engravings dating back to the end of the Paleolithic period (about 13,000 years ago), is a UNESCO World Heritage site and a unique part of the Camunian park system. Weeks after the closure, the park remains in limbo with no clear reopening date, while multimedia installations and digital content created by the former managers are being removed. The story has received little media attention beyond local outlets.
Le spire del drago, il fiore e la nuvola. Il Museo del Tappeto Antico di Brescia guarda alla Cina
The Museo Internazionale del Tappeto Antico (MITA) in Brescia, Italy, has opened a new exhibition titled "Le trame del dragone. Tappeti cinesi delle dinastie imperiali" (The Dragon's Wefts: Chinese Carpets of the Imperial Dynasties). The show presents around forty antique Chinese carpets from the MITA collection, the world's most important private collection of antique rugs, assembled by Romain Zaleski and housed in a glass cube designed by OBR. Curated by Giovanni Valagussa, the exhibition traces the history of Chinese carpet-making from the 15th to the 19th century, highlighting two main typologies: red-ground rugs from the Xinjiang region with geometric and floral motifs, and gold-and-blue rugs from the Ming and Qing capitals featuring dragon and auspicious symbols. The exhibition is free and runs until June.
Sarzana non è riuscita a diventare Capitale della Cultura 2028 ma rilancia: “Il dossier sarà realizzato ugualmente”
Sarzana, a city in Liguria, Italy, failed to win the title of Italian Capital of Culture for 2028, which was awarded to Ancona. However, instead of shelving its candidacy dossier, the city has decided to implement its strategic cultural plan, titled "L'Impavida," as its official cultural governance program for 2026-2028. The plan treats culture as a permanent infrastructure, integrating urban planning, tourism, welfare, and economic development, and was developed through a decade-long process involving co-design with associations and citizens.
Albany Center Gallery is seeking artists and vendors for its third annual Summer Art Fest, a free outdoor art festival taking place July 18 at Quackenbush Square and Clinton Market Collective in downtown Albany. The event features a curated pop-up gallery, a new vendor market, a kids' art corner, interactive activities, and live artmaking. Submissions are free, with a deadline of June 10, and guidelines are available on the gallery's website. Last year's festival drew over 1,000 attendees from the Capital Region.
Capital Walls, a mural program in Albany, New York, has transformed the city's streets over the past decade by commissioning large-scale public artworks from local and national artists. The initiative has produced dozens of murals that have become landmarks, revitalizing neighborhoods and fostering community engagement with visual art.
Dib Bangkok, a major new contemporary art museum, has opened in Thailand's capital. Conceived by the late Thai businessman and art collector Petch Osathanugrah and realized by his son Purat 'Chang' Osathanugrah, the museum is housed in a converted 1980s warehouse redesigned by LA-based Thai architect Kulupat Yansantrast of WHY Architecture. It features 7,000 square meters of gallery space across 11 galleries, a central courtyard, an outdoor sculpture garden, and a penthouse. The inaugural exhibition, titled '(In)visible Presence,' presents 81 works by 40 artists exploring memory and the unseen, curated by director Miwako Tezuka.