After 14 years with Pace, Yoshitomo Nara's work now represented by David Zwirner

Japanese artist Yoshitomo Nara, renowned for his kawaii-inspired paintings and sculptures, has switched gallery representation from Pace Gallery to David Zwirner after 14 years. David Zwirner, which has locations in New York, Hong Kong, London, Los Angeles, and Paris, will hold its first solo exhibition with Nara at an unspecified future date in New York. Nara will continue to work with his international agent, Equivalence Art Agency, and Pace Gallery will maintain a relationship with the artist. Nara's career includes major solo shows at institutions like the Albertina Modern in Vienna, the Hayward Gallery in London, and the Los Angeles County Museum of Art.

9 Contemporary Artists Conjuring Ghosts

Maxwell Rabb profiles nine contemporary artists who explore ghostly and spectral themes in their work, coinciding with two major museum exhibitions: Kunstmuseum Basel's "Ghosts: Visualizing the Supernatural" (through March 2026) and Tacoma Art Museum's "Haunted." The article traces the historical evolution of ghost imagery in art from Renaissance depictions to 19th-century psychological forms by Goya and Fuseli, through 20th-century surrealist and post-war treatments, and highlights living artists such as Xie Lei and Mariann Metsis who use haunting as a metaphor for memory, loss, and the unseen.

A brush with… Christopher Wool—podcast

This episode of "A brush with…" podcast features an in-depth conversation with artist Christopher Wool, who discusses his career spanning painting, photography, and sculpture. Wool reflects on early influences including the Art Ensemble of Chicago, Dan Flavin, Jean-Michel Basquiat, Dieter Roth, and Toni Morrison's novel *The Bluest Eye*, which inspired one of his text paintings. He also explains the title of his recent exhibition "See Stop Run" and how jazz has consistently inspired his work. The podcast is sponsored by Bloomberg Connects, which highlights museums that have shown Wool's work, including the Guggenheim, MoCA Los Angeles, and SFMOMA.

A brush with… Christopher Wool—podcast

Christopher Wool is the subject of the latest episode of 'A brush with…' podcast, where he discusses his career spanning painting, photography, and sculpture. Born in Chicago in 1955 and working between New York and Marfa, Texas, Wool emerged in the late 1970s when painting's validity was questioned amid the rise of conceptual and photographic art. He reflects on influences including the Art Ensemble of Chicago, Dan Flavin, Jean-Michel Basquiat, Dieter Roth, and Toni Morrison's 'The Bluest Eye', which inspired one of his text paintings. The episode also covers his recent show 'See Stop Run' in New York and Marfa, and his current exhibition at Gagosian in London.

Picasso’s ‘Guernica’ Could Leave Madrid for the First Time in Over 30 Years

The Basque regional government has formally requested a temporary loan of Pablo Picasso's 'Guernica' from Madrid's Museo Reina Sofía to the Guggenheim Museum Bilbao for a period from October 2026 to June 2027. This would mark the painting's first movement since 1992 and is timed to coincide with the 90th anniversary of the bombing of Guernica. The request faces strong opposition from the Reina Sofía, which has released a conservation report stating the monumental canvas is too fragile to travel.

The Whitney Biennial Is for the Faint-Hearted

A critical review of the 2026 Whitney Biennial argues that the exhibition is timid and fails to directly confront the urgent political crises of the moment, including domestic authoritarianism, state violence, and immigration policies. The reviewer finds the show somber, fearful, and overly focused on mood and introspection, suggesting it represents a retreat from meaningful political engagement.

Art Problems: Do I Need to Go to Art Fairs?

Art critic Paddy Johnson addresses the common dilemma faced by unrepresented artists regarding the necessity of attending major art fairs. While acknowledging that fairs can be physically exhausting and prohibitively expensive, Johnson argues that their true value lies in strategic information gathering and long-term career planning rather than immediate sales or representation.

Beer With a Painter: Tom Burckhardt

Artist Tom Burckhardt discusses his creative process and upbringing in a studio interview, highlighting his upcoming work and the influence of his New York School lineage. The son of artists Yvonne Jacquette and Rudy Burckhardt, he explores the concept of "mouthfeel" in painting—a textural quality that parallels culinary experiences—while utilizing humor and skepticism to challenge artistic pretension.

Nine Lessons on My Path From Engagement to Leadership

The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.

Opportunities in April 2026

Hyperallergic has published its monthly list of opportunities for artists, writers, and art workers, featuring a curated selection of upcoming deadlines for residencies, fellowships, grants, and open calls. The list includes programs from institutions like the Banff Centre for Arts and Creativity, the Center for Craft, the Tulsa Artist Fellowship, and Light Work, offering financial support, studio space, and community.

The Best April Fools’ Jokes in the Art World This Year

Hyperallergic compiled a list of notable April Fools' Day pranks executed by major arts and cultural institutions in 2025. The jokes included the Morgan Library and Museum pretending to give its ornate interior a cheap "Landlord Special" makeover, the New York Public Library announcing it would replace its iconic lion statues with beaver sculptures, and the Brooklyn Museum and Brooklyn Botanic Garden proposing a whimsical, amusement park-style tunnel connecting their campuses.

Brian Eno and 200+ Artists Urge British Museum to “Stop Erasing Palestine”

Brian Eno and 200+ Artists Urge British Museum to “Stop Erasing Palestine”

Over 200 artists and cultural groups, led by musician Brian Eno, have published an open letter demanding the British Museum stop what they call the "erasure of Palestine." The letter accuses the museum of altering wall texts in its Middle East Galleries, such as replacing "Palestinian descent" with "Canaanite descent," following pressure from the pro-Israel group UK Lawyers for Israel. The signatories also criticize the institution's past ties to the Israeli embassy and sponsor BP, issuing demands for an expert review of labels and an apology for hosting an Israeli embassy gala.

ArtReview Asia Spring 2026 Issue Out Now

The Spring 2026 issue of ArtReview Asia has been published, featuring a cover profile of artist Li Yi-Fan. The issue includes an in-depth look at Li's work, which explores the relationship between humans and machines through video installations and performance lectures, ahead of his representation of Taiwan at the Venice Biennale. Other articles examine the contemporary art scene in Bangkok, urban redevelopment in Colombo, a colonial-era plant hunting exhibition in London, and Taiwan's museum boom.

A Titanic Face-to-Face Brings Together the Vibrant Bodies of Rodin and Michelangelo at the Louvre

Un face-à-face titanesque réunit les corps vibrants de Rodin et Michel-Ange au Louvre

The Louvre has mounted an exhibition that places the works of Auguste Rodin in direct dialogue with those of Michelangelo, focusing on the profound influence of the Renaissance master on the 19th-century sculptor. Key sculptures like Rodin's 'Adam' and 'The Age of Bronze' are juxtaposed with Michelangelo's 'Dying Slave' and 'Rebellious Slave', highlighting shared themes of contorted male forms and masterful use of contrapposto.

LACMA, Lucas Museum, Dataland… Los Angeles engaged in a crazy race for culture

LACMA, Lucas Museum, Dataland… Los Angeles engagée dans une folle course à la culture

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building, a massive, controversial structure designed by Pritzker Prize-winning architect Peter Zumthor. The $835 million project, funded in part by philanthropist David Geffen, spans Wilshire Boulevard and replaces four older modernist pavilions, sparking a decade-long debate over its design, cost, and the loss of the previous buildings.

A New Exhibition at the British Museum Dismantles the Popular Understanding of Samurai

The British Museum has opened a major exhibition titled 'Samurai,' which challenges the widespread, simplified portrayal of samurai as solely honor-bound, hyper-violent warriors. The show, curated by Rosina Buckland, presents them as a complex social class who were also bureaucrats, administrators, and cultural figures, emphasizing their roles during periods of peace and governance.

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The Ruth Foundation for the Arts has named five artists as recipients of its 2026 Ruth Awards: Yuji Agematsu, Ranu Mukherjee, Will Rawls, Ellen Sebastian Chang, and Anna Martine Whitehead. Each winner receives an unrestricted $100,000 grant disbursed over two years. The artists work across diverse media—from Agematsu's miniature street-detritus sculptures and Rawls's multidisciplinary choreography to Mukherjee's painting and film installations, Sebastian Chang's decades-spanning theater and film work, and Whitehead's performance art. The awards are open to artists across North America and are now in their third year.

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The Pérez Art Museum Miami (PAMM) has announced two major gifts totaling $7 million for its Caribbean Cultural Institute (CCI). The Mellon Foundation contributed an additional $2 million, while the Green Family Foundation (GFF) donated $5 million, leading to the institute's renaming as the Green Family Foundation Caribbean Cultural Institute. The funds will support operating expenses and the endowment of the CCI, which was originally established in 2019 with a $1 million Mellon grant. The Green Family Foundation, founded by Steven J. Green and Dorothea Green, has deep philanthropic roots in Miami, including ties to Florida International University and local art initiatives. Current CCI fellows include artist M. Florine Démosthène, writer Rianna Jade Parker, and anthropologist Celia Irina González.

Hunt Slonem | Me (2022) | For Sale

Hunt Slonem's painting "Me" (2022), a small oil-on-wood work from his signature Bunnies series, is listed for sale at $8,000 through OA Fine Art in Paris and Hong Kong. The piece measures 10 × 8 inches, is hand-signed and dated by the artist, and comes with a certificate of authenticity. Slonem, born in 1951, is known for Neo-Expressionist paintings featuring repeated birds, bunnies, and butterflies, influenced by Andy Warhol's Pop art seriality.

Inside LACMA’s Visionary New Galleries Floating Above Los Angeles

The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million concrete-and-glass structure designed by Pritzker Prize-winning architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot horizontal gallery space floats 30 feet above ground and features a non-chronological layout intended to encourage wandering. The interior is characterized by pigment-infused concrete walls, floor-to-ceiling windows with specialized metal curtains by Reiko Sudō, and a lack of traditional white-cube galleries.

'If I love something, I buy it': Los Angeles-based Rina Mark on the art she collects and why

Los Angeles-based collector Rina Mark discusses her four-decade history of acquiring art, highlighted by her deep connection to the legendary printmaking studio Gemini G.E.L. Mark, a former LACMA docent, reveals a spontaneous approach to collecting, often purchasing works on instinct. Her collection features a strong emphasis on iconic West Coast and Pop artists, including John Baldessari, Roy Lichtenstein, and Ed Ruscha, whose work "Pico and Sepulveda" she recently acquired due to its personal connection to her college years.

Art market 2026 predictions: underwhelming rebound and another Frieze fair

The article presents five predictions for the art market in 2026, following a relatively improved but still cautious end to 2025. Key forecasts include a subdued market rebound, a shift toward smaller and cheaper artworks, the continued expansion of Frieze fairs (possibly into India), a consolidating Art Basel, and a resurgence of London's art-world clout. The predictions are informed by trends such as declining demand for art as investment, gallery closures and geographic pruning, and the thematic direction of the 2026 Venice Biennale, curated by the late Koyo Kouoh under the title "In Minor Keys."

Black and Indigenous artists stand out in Portland Art Museum exhibition

The Portland Art Museum is currently featuring an installation by artist Christopher Myers titled *Let the Mermaids Flirt With Me* (2022), which serves as the centerpiece of the exhibition *Global Icons, Local Spotlight*. The work consists of stained glass lightboxes arranged in an octagonal structure, depicting Black life and water symbolism, including images of a Black mermaid, fire hydrant scenes, and references to the water spirit Mami Wata. The installation incorporates objects like gas cans, oars, life jackets, and votive candles, transforming the space into a shrine-like environment.

Uman’s kaleidoscopic journeys

The article profiles Somali-born, self-taught artist Uman, whose vibrant, pattern-filled paintings are currently the subject of her first institutional solo exhibition, 'Uman: After all the things…', at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut. The show, curated by Amy Smith-Stewart, features works like *Zam Zam Bom Bom* (2023) and *Melancholia in a Fall Breeze* (2025), alongside a large-scale mural and a sculptural streetlamp. The article also reveals Uman's plan to relocate from upstate New York to the south of France next spring, marking the end of a 20-year chapter in her adopted home.

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Wong Ping and Heidi Lau have been named joint winners of the third edition of the Sigg Prize, a biennial award stewarded by Hong Kong's M+ museum since 2018. This marks the first time the prize has recognized two artists simultaneously. Wong, based in Hong Kong, won for his animated narrative *Debts in the Wind* (2025), a lo-fi, darkly humorous commentary on a local land dispute over a golf course. Lau, born in Macau and now based in New York, won for *Pavilion Procession* (2025), an altar-like ceramic installation with a robotic spider inspired by the ancient Chinese text *Shanhaijing*. Both artists were selected from a shortlist of six, all born after the 1980s and '90s.

‘It’s not much but, at the same time, it’s very much’: the enduring impact of Sade’s style

The article discusses the enduring style of Sade Adu, frontwoman of the British group Sade, following the band's announcement of their induction into the 2026 Rock and Roll Hall of Fame. It highlights how Adu's signature look—scraped-back hair, red lipstick, hoop earrings, and simple black dresses or denim—has become iconic and influential, with her outfits featured in exhibitions like V&A East's 'The Music is Black' and referenced by celebrities such as Drake. The piece traces the origins of her style to her fashion design studies at Saint Martin's School of Art and her early work with designer Fiona Dealey.

After three years, investigations and now a $4.4m lawsuit, Australia’s most controversial art exhibition finally opens

The National Gallery of Australia has finally opened 'Ngura Puḻka – Epic Country,' a landmark exhibition of 30 large-scale paintings by Indigenous artists from the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands. The show’s debut comes after a three-year delay caused by explosive allegations in the media suggesting that white studio assistants had improperly intervened in the creation of the artworks. These claims sparked multiple independent investigations, a $4.4 million defamation lawsuit, and a previous last-minute cancellation of the exhibition in 2023.

Hans Ulrich Obrist Reveals the One Artist Who Refused to Let Him Into Their Studio

Hans Ulrich Obrist, the artistic director of London's Serpentine Galleries, revealed in an interview with the Wall Street Journal that he has never been able to secure a studio visit with the reclusive painter Jasper Johns. Obrist, known for his extensive artist interviews and visits, stated that Johns, now 95, "doesn't see anyone," making him the one artist who has consistently refused Obrist's requests.

Olfactory Objects: Scent, Attention, and the Post-Immersive Turn

The article is a table of contents for Issue 43 of Contemporary Art Review LA, listing a series of essays, interviews, and reviews focused on contemporary art in Los Angeles and beyond. Key features include an essay on scent and the 'post-immersive turn' in art, an interview with artist Kelly Wall, and reviews of exhibitions at venues like the Orange County Museum of Art, Karma gallery, and Château Shatto.

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David A. Ross, a prominent museum director and chair of the MFA Art Practice program at New York's School of Visual Arts, resigned after ARTnews revealed his numerous appearances in the newly released Jeffrey Epstein files. The documents, released by the Justice Department, show correspondence between Ross and Epstein dating back to 1995, including emails where Ross offered support to Epstein after his 2008 arrest and discussed a controversial exhibition concept proposed by Epstein.