This article is a sales listing for a collaborative artwork by Raymond Pettibon and Chris Johanson, titled "You're Not Worth Much" (2017), hand-signed by Pettibon. The listing includes a biography of Pettibon, detailing his career, exhibitions, and gallery representation by David Zwirner, as well as his influences and major museum shows.
The article highlights 34 of the best London art exhibitions to see in May 2026, focusing on three major shows: the V&A's 'Schiaparelli: Fashion Becomes Art', the first UK exhibition dedicated to designer Elsa Schiaparelli; Tate Modern's 'Tracey Emin: A Second Life', the largest retrospective of the YBA artist's 40-year career; and the Design Museum's 'NIGO: From Japan with Love', a retrospective of Japanese creative NIGO spanning over 700 objects. These exhibitions showcase fashion, contemporary art, and street culture, with the V&A show running until November, Tate Modern until August, and the Design Museum until October.
An Andy Warhol offset lithograph poster from his 1976-1977 "American Indian Series" is being offered for sale by Revolver Gallery in West Hollywood. The poster, designed to advertise Warhol's exhibition at Ace Gallery Los Angeles in February 1977, depicts Native American civil rights activist Russel Means, a member of the American Indian Movement. Warhol created three different posters for consecutive exhibitions at Flow Ace Gallery Paris (October 1976), Ace Gallery Vancouver (November 1976), and Ace Gallery Los Angeles (February 1977), with this blue version corresponding to the Los Angeles show. The work is signed by Warhol, includes a certificate of authenticity, and is priced at $2,860.
This article highlights three art exhibitions in Hong Kong for May 2026. 'Seeds of Wishes' at JPS Gallery features black-and-white and colorful drawings by thirteen-year-old artist Yat Long, created after his diagnosis with a life-threatening disease, with a related CASETiFY phone case collection. 'Dial-A-Poem Hong Kong' at M+ presents an interactive installation based on John Giorno's 1969 project, offering newly recorded poems in Cantonese, English, and Mandarin by thirty local poets. 'Fallen Angels' at Hauser & Wirth showcases Nicole Eisenman's paintings and sculptures exploring middle-class life, departing from her usual crowded scenes.
The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.
An original Andy Warhol exhibition poster from 2021 is being offered for sale by Baldwin gallery, with locations in London, Miami, and Dubai. The offset lithograph on paper measures 19.7 × 27.6 inches, is in mint condition, unsigned, and includes a Certificate of Authenticity. Priced at £650, the work ships from London with domestic shipping at £45 and international at £55, and is covered by the Artsy Guarantee.
Renowned British sculptor Antony Gormley is preparing for a major creative season, marked by two upcoming exhibitions at the Royal Museum of Fine Arts in Antwerp and Galleria Continua in San Gimignano, alongside the release of a new book dedicated to his drawings. Speaking from his David Chipperfield-designed studio in London, the artist reflects on his rigorous daily practice and his background in art history, contrasting his own ascetic, industrial aesthetic with the fleshy opulence of Flemish masters like Rubens.
Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.
Marina Xenofontos recreates an empty nightclub in her latest exhibition, transforming the gallery space into a hauntingly still environment that evokes the aftermath of a night out. The installation features meticulously crafted details such as discarded drinks, abandoned furniture, and dim lighting, capturing the melancholic atmosphere of a venue devoid of its usual crowd. The show is part of the broader Art Brussels programming, with the critic's guide highlighting it among seven must-see exhibitions during the fair.
Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.
Hyperallergic's newsletter explores the question of whether artworks can possess personhood, drawing on Lisa Siraganian's essay that references the 2010 Citizens United Supreme Court decision and Pierre Huyghe's uncanny human statues. Other featured pieces include Ed Simon's review of Elizabeth Goldring's new book on Hans Holbein the Younger, Michael Glover's introduction to George Stubbs's equine portraits at the National Gallery in London, and news of a historic $116M gift to the National Gallery of Art for an artwork lending program. The newsletter also covers Byron Kim's exhibition at James Cohan Gallery, the new V&A East museum in London, and obituaries for Desmond Morris, James Hayward, and Flo Oy Wong.
The Frist Art Museum in Nashville is opening three new exhibitions this summer. 'International Surrealism from Tate: Fifty Years of Dreams' (May 22–Aug. 30) features surrealist works from the Tate collection, including pieces by Salvador Dalí, René Magritte, and Joan Miró, marking 100 years since the first surrealist exhibition in Paris. 'Anila Quayyum Agha: Interwoven' (May 22–Aug. 30) is a mid-career retrospective of the Pakistani American artist's immersive light installations and beaded drawings. 'An Indigenous Present' (June 26–Sept. 27) showcases works by fifteen Indigenous artists, curated by artist Jeffrey Gibson and curator Jenelle Porter.
The Palazzo delle Esposizioni in Rome has opened a major retrospective of Mario Schifano, curated by Daniela Lancioni and titled simply "Mario Schifano," running until July 12. The exhibition reconstructs the career of the Italian artist (1934–1998), who worked across painting, film, and music, and highlights his role as a precursor to Arte Povera. A centerpiece is the reconstructed dining room Schifano created for the Rome home of Marella and Gianni Agnelli in 1968, featuring 14 canvases and a planned but unrealized sand-filled room with a pyramid, a detail revealed by film producer Ettore Rosboch in a conversation with the curator.
Maureen Paley presents *The Fugitive Marvels of Sunset*, the fifth solo exhibition of Canadian artist Paul P. at the gallery. The show features his signature portraits of anonymous young men, sourced from gay erotic magazines from the late 1960s to early 1980s, alongside paintings of bats, laundry, and seascapes that explore twilight and threshold moments. The exhibition draws on coded visual languages from Victorian-era dandies and post-Stonewall culture, with works also included from a recent two-person show at KW Institute for Contemporary Art, Berlin.
The article reviews the 2024 Venice Biennale, focusing on controversies over Russia's and Israel's participation. Protests erupted during opening week, leading the EU to cut funding and the International Jury to resign. As a result, awards like the Golden Lion and Silver Lion will be decided by public vote, with many pavilions and artists withdrawing in protest. The main exhibition, curated under the theme 'Minor Keys,' features standout works by Alfredo Jaar and Carrie Schneider, alongside national pavilions like Austria's provocative entry by Florentina Holzinger.
The Portland Museum of Art (PMA) is presenting two concurrent exhibitions: "Ming Smith: Jazz Requiem — Notations in Blue" (through June 7) and "Precious: The Value of Ornament" (through July 19). The Ming Smith exhibition showcases the pioneering Black photographer's emotive, manipulated images, including jazz club scenes and portraits, drawn from the museum's collection and loans from The Gund at Kenyon College. The decorative arts exhibition highlights the value of ornament in applied arts.
Galerie Lelong in Paris is presenting 'Paula Rego, Drawing from Life,' an exhibition focused on the artist's intense three-year period from 2005 to 2007, during which she devoted herself almost exclusively to drawing and lithography in her London studio. The show features works inspired by literary sources such as 'Jane Eyre,' 'Peter Pan,' and the sixteenth-century tale 'The King of Pigs,' as well as her connection with playwright Martin McDonagh. Key pieces include 'Shakespeare’s Room,' 'Scarecrow,' and 'Turtle Hands.' The exhibition is made possible with the support of Nick Willing, the artist’s son, and Cristea Roberts Gallery in London.
Kiki Smith presents her tenth solo exhibition at Galerie Lelong in Paris, titled 'Flight'. The show features bronze sculptures, two large stained-glass windows, drawings, and an imposing print, all exploring themes of continuity and unity across humans, animals, and plants. Birds such as eagles, doves, and owls carry symbolic weight, reflecting the artist's fears, desires, and dreams.
This May, galleries across India are presenting a diverse array of new art exhibitions, ranging from postcolonial installations and forgotten print histories to deeply personal paintings and sculptural storytelling. Highlights include Sri Lankan artist Shanaka Kulathunga's solo show 'Silent Stories' at Bikaner House, exploring memory and displacement; the group exhibition 'In the Telling' at Chemould Prescott Road in Mumbai, focusing on narrative-making and fragmented memory; and 'An Ancient Ballad' at Emami Art in Kolkata, drawing from mythology and folklore. Other notable shows include a retrospective of modernist A. A. Raiba at Thapar Gallery, the politically charged 'The Architecture Of The Void' at Gallery Dotwalk, and Navjot Altaf's 'Waste Archives as Landscape' at CSMVS museum in Mumbai.
Baró Galeria presents 'Eroded Horizon', Daniel Arsham's fifth collaboration with the gallery and his second exhibition at its Mallorca location, as part of Art Palma Summer 2026. The show features recent and previously unseen works across sculpture, drawing, and painting, exploring themes of time, decay, and the intersection of body and landscape. Arsham employs materials like marble, sand, bronze, and charcoal to create forms that blend ancient and futuristic aesthetics, continuing his signature fictional archaeology.
Artist Sheila Hicks is presenting a new collection of jewelry, titled "Cosmic Jewelry," at the Venice Biennale, developed with Elisabetta Cipriani Gallery, London. The collection debuted on May 6 at the Monaco & Grand Canal Hotel during the opening of the 61st International Art Exhibition of La Biennale di Venezia, alongside works by other artists such as Giorgio Vigna and Michele Oka Doner. Known for her monumental textile-based works, Hicks has translated her signature use of thread and fiber into wearable art, creating brooches and necklaces that incorporate gemstones and minerals, produced with Atelier L & L. The pieces draw from her larger-scale "Boules" and "memory bundles," reflecting a two-year process of rethinking proportion and movement for bodily adornment.
The Branch Museum of Design in Richmond has opened 'Imagining Best Products,' an exhibition exploring the architectural and graphic design legacy of the former retailer Best Products. The show, curated by architect Don O’Keefe with Harvard Graduate School of Design students, features original drawings by James Wines, items from a 1979 MoMA exhibition, and building models. It coincides with the demolition of Best Products' old headquarters in Henrico, which is being razed for a new arena-anchored development, though the timing is coincidental.
Lubaina Himid has been selected to represent Great Britain at the Venice Biennale, taking over the British Pavilion. The announcement came just before Christmas 2024, shortly before the opening of her first solo exhibition in China at the UCCA Center for Contemporary Art in Beijing, which features major works including 'Naming the Money' (2004). Himid, who was born in Zanzibar and raised in London, is a Turner Prize-winning artist known for centering Black narratives and marginalized histories through theatrical, life-size cut-out figures.
Gladstone Gallery has announced its representation of The Estate of Anna Zemánková, a self-taught Czech artist known for her influential abstract works that explore psychological and spiritual realms. The gallery will collaborate with Cavin-Morris Gallery and plans to present a solo booth of Zemánková's work at TEFAF New York from May 14–19, 2026, following a spring 2025 exhibition in New York featuring her botanical drawings and works on paper. Zemánková, a key figure in Art Brut, created untitled, biomorphic works rooted in the subconscious, often compared to artists like Kunz and Hilma af Klint.
This article from a Seattle arts publication rounds up May visual art events, including the Seattle Art Book Fair (May 9–10) at Washington Hall featuring over 85 artists and free admission; Timothy White Eagle's exhibition "Once Wild River" (May 9–June 21) at Mini Mart City Park, culminating his EPA artist-in-residency; "Monochrome: Calder and Tara Donovan" (May 13–Jan 17, 2027) at the Seattle Art Museum, where Donovan responds to Alexander Calder's black works; "Rebels + Icons: The Photography of Janette Beckman" opening May 15 at MoPOP, the largest collection of her iconic musician portraits; and Drie Chapek's "Then Is Now" (May 21–June 27).
Gallery Weekend Berlin took place from late April into early May, drawing large crowds despite ongoing concerns about the city's declining art-market relevance. The weekend kicked off with early previews on Wednesday, including Alex Heide's solo exhibition "the darkroom beams horizons" at the new space Klix, and continued with events at Sprüth Magers, the Between Bridges Foundation, and the hidden venue CHB Fine Arts, which featured works by Nairy Baghramian, Jack O'Brien, Sofia Duchovny, Ilya Lipkin, and Mania Godarzani-Bakhtiari. Friday, coinciding with May Day, saw gallery visits at Molitor and KOW, where Ketuta Alexi-Meskhishvili and Candice Breitz presented solo shows.
Hundreds of visitors attended the opening of 'Forever Tomorrow: Chinese Art Now' at Auckland Art Gallery, the first major survey of Chinese contemporary art on this scale in Auckland. The exhibition features over 60 works by 42 artists, including Ai Weiwei, Xu Zhen, Xiao Lu, and Cao Fei, spanning photography, sculpture, installations, and new media. Key works include Ai Weiwei's 'Dropping a Han Dynasty Urn' and Xu Zhen's monumental sculpture combining Buddhist and Greek motifs. The show runs through an unspecified period and has drawn diverse audiences, including Chinese New Zealanders and previous visitors to China.
William Turnbull Origins, an exhibition dedicated to the Scottish-born artist William Turnbull, is now on view in New York, highlighting his early and mid-career works that emphasize elemental, abstract forms. The show focuses on his sculptures and paintings from the 1940s through the 1960s, drawing attention to his exploration of primitive and organic shapes.
A new exhibition in Turin, Italy, titled "Gaza, The Future Has an Ancient Heart," brings together over 80 ancient artefacts from Palestine with contemporary works by Levantine artists. Organized by Fondazione Merz in collaboration with the Egizio archaeology museum and the MAH – Museum of Art and History Geneva, the show features objects dating from the Bronze Age to the Ottoman period, originally intended for a museum in Palestine but held in Geneva since 2007 due to conflict. Contemporary artists including Mirna Bamieh, Samaa Emad, Khalil Rabah, Vivien Sansour, Wael Shawky, Dima Srouji, and Akram Zaatari contribute works that explore archaeology, history, and memory, with Emad's "Genocide Kitchen" documenting recipes created amid war and shortages in Gaza.
Paula Cooper Gallery in New York will present an exhibition of large-scale sculptures and drawings by Mark di Suvero from May 2 through July 17. The show features the debut of the kinetic sculpture 'Avanti!' (c. late 1990s), a human-intervention piece with a suspended beam that viewers can rock with their body weight, alongside the 1986 work 'Nelly' and the stainless steel 'Tables Turn’d' (2004), as well as a selection of works on paper including interactive "sliding drawings."