Here's how Maurizio Cattelan's telephone confessions ended up

Ecco come sono finite le confessioni al telefono di Maurizio Cattelan

Maurizio Cattelan has launched a new performance project called "Hotline," a telephone confessional service running from April 2 to 22, where anyone could call a toll-free number or send a WhatsApp voice message to confess their sins directly to the artist. On April 23, Cattelan responded in a live-streamed event, symbolically absolving selected participants. The project coincides with the release of limited-edition reproductions of his iconic 1999 work "La Nona Ora" (depicting Pope John Paul II struck by a meteorite), sold through Avant Arte in an edition of 666 miniature resin sculptures priced at €2,310 each, with some given as gifts to participants.

According to an AI, El Greco would actually be the sole author of the 'Baptism of Christ' in Toledo, long considered a workshop work

Selon une IA, Greco serait en réalité l’unique auteur du « Baptême du Christ » de Tolède, longtemps considéré comme une œuvre d’atelier

A new study published in Science Advances uses an AI tool called Patch to analyze the monumental painting "Le Baptême du Christ" (1608–1614) by El Greco, long believed to be a workshop piece completed by his son Jorge Manuel Theotocópuli. By mapping the 3D microtopography of the brushstrokes and comparing them with El Greco's authenticated "Christ on the Cross" at the Cleveland Museum of Art, the AI found consistent painterly gestures across the entire work, suggesting the master himself painted it despite tremors from neurological disorders in his old age.

Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus

An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). The author, who previously identified and exhibited twenty-seven drawings in 2014, now adds thirty-two more sheets—twenty-two of which are previously unpublished. This collection represents a first attempt to reconstruct a dismembered album of Honthorst's drawings. The research is based on direct observation, digital microscopy, and various lighting techniques, and is intended as a preliminary step toward a forthcoming catalogue raisonné of the artist's drawings to be published by R.S.V.P. Editions in Brussels.

A Dismembered Album by Gerard van Honthorst (1592-1656): Unpublished Drawings and Reconstruction of a Corpus

Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus

An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). Following the 2014 exhibition of twenty-seven drawings identified by the author, this study adds thirty-two more sheets—twenty-two of which are previously unpublished—as a preliminary step toward reconstructing a dismembered album. The research, conducted with direct observation and advanced imaging techniques (digital microscopy, ultraviolet, raking light), aims to restore the album's original order and shed light on the role of drawing in Honthorst's workshop and creative process.

Two 17th-Century Dutch Still Lifes Acquired by the Getty

Deux natures mortes hollandaises du XVIIe siècle acquises par le Getty

The J. Paul Getty Museum in Los Angeles has acquired two 17th-century Dutch still-life paintings by Pieter Claesz and Jan Davidsz. de Heem, masters of the genre. The works, including de Heem's "Vase en verre avec fleurs et fruits," were purchased on the New York art market and fill a gap in the museum's Dutch still-life collection, which previously lacked examples by these two artists.

Federal President praises Emder Kunsthalle: 'Extraordinary quality'

Bundespräsident lobt Emder Kunsthalle: "Außerordentliche Qualität"

German President Frank-Walter Steinmeier praised the Emder Kunsthalle on its 40th anniversary, calling its collection of "extraordinary quality." The museum was founded in 1986 by Henri Nannen, the late founder of Stern magazine, and his wife Eske Nannen. Steinmeier spoke at a ceremony attended by 500 guests, including his wife Elke Büdenbender and Lower Saxony's Minister President Olaf Lies. The anniversary exhibition "Bilder, die wir lieben" (Pictures We Love) showcases 200 works from the collection, which has grown to around 1,700 pieces, including pieces by Gabriele Münter, Paula Modersohn-Becker, Max Beckmann, and Franz Marc.

L’œuvre « indocile » du photographe Guido Guidi exposée au BAL

The article announces the exhibition of photographer Guido Guidi's work at Le BAL in Paris, curated by Simona Antonacci, Pippo Ciorra, and Antonello Frongia, with scenography by Cyril Delhomme. The show, titled "Col tempo, 1956-2024," runs from February 20 to May 24, 2026, and was previously presented in a larger version at the MAXXI museum in Rome. Guidi, now 85, is described as the last of a generation of Italian photographers—alongside Luigi Ghirri and Ugo Mulas—who radically redefined photographic language through patient, obstinate reflection on the act of seeing.

« Le monde entier semble s’être mis en mouvement, animé par une soif d’expériences culturelles »

The article explores the transformation of cultural travel for artists and art lovers, contrasting the arduous, unknown journeys of historical figures like Eugène Delacroix, Paul Gauguin, and Ella Maillart with today's accessible, curated experiences. It describes how contemporary artists such as Ólafur Elíasson, JR, and Marina Abramović now use travel itself as a medium, creating works that engage with climate change, social issues, and presence. Destinations like the Venice Biennale, AlUla in Saudi Arabia, Naoshima in Japan, and Le Voyage à Nantes are highlighted as hubs where art and travel merge into immersive, sensory experiences.

Christo and Jeanne-Claude’s Iconic California Installation Returns in a Museum Show

The Museum of Sonoma County is commemorating the 50th anniversary of Christo and Jeanne-Claude's iconic 1976 installation "Running Fence" with an exhibition featuring blueprints, original construction materials, and documentary photographs. The temporary work, which stretched nearly 25 miles across Sonoma and Marin counties in California, required four years of negotiations with ranchers, 18 public hearings, and the first-ever Environmental Impact Report for a public artwork, ultimately costing $2.25 million funded by the artists through preparatory drawing sales.

Venice Biennale jury ‘will not award artists from countries facing war crimes charges’

The jury of the Venice Biennale has announced it will not award prizes to artists from countries whose leaders face charges of crimes against humanity by the International Criminal Court, a decision widely seen as targeting Russia and Israel. The five-member jury, appointed by the late curator Koyo Kouoh, stated its commitment to human rights and will exclude artists from nations whose governments are under ICC investigation when selecting winners of the Golden and Silver Lion awards for the 2026 edition, which opens on 9 May. The move follows controversy over Russia’s participation in the biennale, with the European Commission threatening to suspend a €2m grant due to Russia’s involvement, and Italy’s far-right government opposing the decision.

Nations Charged With Crimes Against Humanity Will Not Be Considered for Venice Biennale Awards

The jury for the 2026 Venice Biennale announced it will not consider contributions from countries whose leaders are charged with crimes against humanity for the Golden and Silver Lion awards, effectively excluding Israel and Russia. The decision, framed as a commitment to human rights and aligned with curator Koyo Kouoh's vision, comes amid broader controversy over participating pavilions, including American artists declining to represent the US and the EU withdrawing a $2.3 million grant over Russia's involvement.

Gulistan at GNAMC of Rome

Chinese artist Gulistan, based in Beijing, presents her solo exhibition "Time Garden" at the National Gallery of Modern and Contemporary Art (GNAMC) in Rome. Curated by Gabriele Simongini and supported by the Foundation for Chinese Art in Italy and the International Federation of Women Artists 923 Art Space, the show explores a fusion of Eastern and Western aesthetics through painting, drawing on the legacy of the Silk Road. The exhibition features series such as "Fragments of Time," "The Nature of Memory," and "Memory of the Portraits," blending Chinese ink traditions with classical Western portraiture and archaeological motifs.

Untitled (Second Night), 2021 by Louise Lawler, Dye sublimation print on museum box, 121.9 x 182.2 cm (2)

This article is a promotional description for an art platform that partners with leading galleries to showcase artists, artworks, and exhibitions. It highlights a membership model vetted by industry peers, offering visibility and access to influential galleries, collectors, and auction houses. The piece also mentions a specific artwork by Louise Lawler, "Untitled (Second Night), 2021," a dye sublimation print on a museum box.

A new sensual exhibit from Mexico City is now on display at the Museum of Sex

The Museum of Sex in New York is hosting "The Life Force: Portraits from the Amparo & Manuel Foundation," a new exhibition opening April 23 that brings 45 works from a Mexico City-based collection to the U.S. for the first time. Featuring artists such as Amoako Boafo, Tracey Emin, and Bert Stern, the show explores themes of vulnerability, desire, and the tension between Eros and Thanatos—the life instinct and death drive—through painting, sculpture, drawing, and photography.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

'Sachlichkeit' at Galerie Albrecht, Berlin, Germany on 2 May–27 Jun 2026

Galerie Albrecht in Berlin presents 'Sachlichkeit', an exhibition running from 2 May to 27 June 2026, that explores the concept of objectivity in art. The show features works by Kate Diehn-Bitt, a forgotten representative of the New Objectivity movement, alongside Michael Langner, associated with 'German Pop', as well as Rafael Cidoncha, Emese Kazár, and Sabine Herrmann. The exhibition examines how these artists portray people and objects with empathy, realism, and sometimes surreal distortion, ranging from Diehn-Bitt's empathetic portraits to Langner's automobile studies and Kazár's commentary on women's lives.

Stories That Shape Us: Building Stories Reflections

Staff at the National Building Museum share their favorite children's books in celebration of World Book Day, as part of the exhibition 'Building Stories.' Each staff member selects a book that has influenced their imagination or professional work, ranging from century-old illustrated alphabets like C.B. Falls' 'ABC Book' to contemporary picture books such as Christian Robinson's 'Another' and Tony Hillery's 'Harlem Grown.' The selections highlight how storytelling and the built environment intersect, with books like 'Goodnight Moon,' 'Eloise,' and 'The Snowy Day' offering personal and professional insights.

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

The Clay Studio organizes "Radical Americana" exhibitions across Philadelphia

The Clay Studio has organized "Radical Americana," a sprawling exhibition series featuring 45 artists across 22 sites in the Philadelphia area. Curated by Jennifer Zwilling, the project includes a central "welcome hub" at The Clay Studio and 25 satellite exhibitions at venues such as the Museum for Art in Wood, Cliveden, and the Historical Society of Pennsylvania. Artists were prompted to reflect on the Declaration of Independence and envision a better future, resulting in works that explore feminism, social justice, and LGBTQ rights through media including ceramics, wood, fiber, metal, glass, paper, and bookmaking. Notable participant Roberto Lugo presents "American Crib: What's Happening?" at The Clay Studio, blending Puerto Rican heritage with historical references.

Treasures from the worlds of fashion and art collide at an extraordinary new exhibition in Lisbon

A new exhibition titled 'Art & Fashion' has opened at Lisbon's Calouste Gulbenkian Museum, curated by Eloy Martínez de la Pera Celada. It juxtaposes masterpieces from the museum's permanent collection—spanning ancient Egyptian artifacts to Rembrandt and Impressionist works—with historic and contemporary fashion pieces, including garments from Charles Frederick Worth, Yohji Yamamoto, Dries Van Noten, Alexander McQueen, and Sarah Burton's debut at Givenchy. The show is organized by regional provenance and temporarily replaces the museum's usual display while its Brutalist building undergoes renovation.

MAD, 제시카 리히텐스타인 개인전 'Jessica Lichtenstein: Rewilding'(5/30, 2026-4/18, 2027)

The Museum of Arts and Design (MAD) in New York will present "Jessica Lichtenstein: Rewilding," the artist's first solo museum exhibition, from May 30, 2026, to April 18, 2027. The immersive installation transforms the third-floor gallery into a lush, overgrown terrain featuring thousands of digitally rendered female nudes that form forests, ruins, and flowering canopies. The exhibition is divided into four sections—Secret Garden, After the Fall, Leave Your Thoughts Here, and Shadow Play—and includes site-specific works like the 2026 piece "Secret Garden" and a 70-foot-long modular sculpture titled "Leave Your Thoughts Here" (2025).

Tourist Damages Florence’s Neptune Fountain in Pre-Wedding Stunt

A 28-year-old tourist in Florence climbed the Neptune Fountain in Piazza della Signoria and caused €5,000 ($5,800) in damage while attempting to touch the statue's genitals as part of a pre-wedding challenge. Police intervened, and specialists from the Fabbrica di Palazzo Vecchio later found damage to a horse's legs and a frieze. The woman has been reported to judicial authorities but is presumed innocent until a verdict.

Andrea Pazienza is alive! A major exhibition opening at MAXXI shouts it

Andrea Pazienza è vivo! Lo urla una importante mostra in apertura al MAXXI

The MAXXI museum in Rome is opening a major exhibition titled "Non sempre si muore" dedicated to Andrea Pazienza, the legendary Italian underground comic artist. Curated by Giulia Ferracci and Oscar Glioti, the show opens on April 24, 2026, and runs until September 27, 2026. It features over 500 original drawings, including a monumental mural Pazienza created live at the 1987 Fiera del Fumetto in Naples, recently restored by the museum. The exhibition is the second chapter of a larger research project by MAXXI, following the earlier show "La matematica del segno" at MAXXI L'Aquila, which focused on Pazienza's formative years. The title quotes a phrase Pazienza said in 1988 to British host Clive Griffiths shortly before his death, underscoring the enduring vitality of his work.

Art world news selected by Artbox on Sky Arte

Le novità del mondo dell’arte selezionate da Artbox su Sky Arte

The new episode of Artbox, a weekly program on Sky Arte airing April 28, surveys current exhibitions across Italy. It features Isaac Julien's show "Museum Dreams" at gres art 671 in Bergamo, running until October 4, where the British artist presents five multi-screen video installations from the late 1990s to today. The episode also covers the exhibition "Etruschi e Veneti. Acque, culti e santuari" at Palazzo Ducale in Venice, exploring water cults through ancient artifacts including recent finds from San Casciano dei Bagni; the show "Giovanni Antonio Bazzi detto il Sodoma. Alla conquista del Rinascimento" at Museo Accorsi-Ometto in Turin; and a profile of Spanish artist Almudena Romero, who uses photosynthesis to create images on leaves. Regular segments include a feature on Symbolism by Maria Vittoria Baravelli and an arts news roundup.

Jorge Nava | Untitled (2022) | Art & Prints

This article presents Jorge Nava's 2022 painting "Untitled," an oil-on-linen work measuring 180 × 180 cm, offered by Arma Gallery in Madrid. Nava, a Spanish artist born in Gijón in 1980, studied at the University of the Basque Country and Kunsthochschule Berlin Weissensee under Professor Katherina Grosse. His career includes participation in international fairs such as ARCO, CIRCA in Puerto Rico, Scope Art Fair in New York, and Photo Miami Art Basel, as well as exhibitions at Alzueta Gallery and the Barjola Museum. His work belongs to collections including the María Cristina Masaveu Peterson Foundation and private collections across Europe and North America.

Exhibition | Lee Mingwei, 'Lorsque la Beauté Paraît' at Perrotin, Paris Marais, France

Perrotin gallery in Paris is presenting 'When Beauty Appears', the second solo exhibition by Taiwanese artist Lee Mingwei and his first at the gallery's Paris location. The show features seven interactive works created between 1995 and 2025, including 'La fleur en chemin (The Moving Garden)', 'The Mending Project', and 'The Copyist’s Paradox', which invite visitors to engage directly with the art through simple gestures like offering a flower or mending an object.

Artist Hong Seung-hye opens first solo exhibition in three years, traces inspiration from 'organic geometry'

Korean artist Hong Seung-hye opens her first solo exhibition in three years, titled "On the Move," at Kukje Gallery Busan. The show traces her decades-long exploration of "organic geometry," a concept she coined after a 1997 Photoshop glitch where pixels appeared to move organically on her screen. The exhibition brings together recent works across multiple mediums, including video, sculpture, and audio, such as "Snoopy in Space" (2019), "Light Upon" (2021), "MOVE" (2022), and the new video "Emotical Practice" (2025). Hong draws inspiration from music and choreography, and she expresses wariness about artificial intelligence, preferring to control every aspect of her work herself.

The Long-Awaited Reopening of the Musée Bonnat

La réouverture attendue du Musée Bonnat

After fifteen years of closure, the Musée Bonnat (now renamed Bonnat-Helleu) in Bayonne, France, has finally reopened. The closure was initially due to structural problems, including collapsing skylights and leaks, and even before that, much of the collection had been inaccessible. The renovated museum now features a new extension built from a former school, housing the public reception area, an exhibition space, a courtyard with a café terrace, and storage. The galleries display the museum's full holdings, including Rubens sketches, terracottas from the Paul Cailleux collection, and works by Léon Bonnat himself.

When archaeology was dominated by men | Letters

A reader named Elke Bachler writes a letter to The Guardian challenging a sentence in a review of Thomas Laqueur's book *The Dog's Gaze*. The review described a prehistoric scene as showing "a boy and a dog" standing together in wonder before cave art. Bachler argues there is no evidence the child was a boy, noting that archaeology has historically been dominated by men who interpreted evidence through contemporary gender roles.

$450 Million Worth of Newhouse Trophies Come to Christie’s

Christie’s will hold a special evening sale in May featuring 16 artworks from the collection of the late Condé Nast chief S.I. Newhouse Jr., valued at a combined $450 million. The works are considered museum-quality trophies from one of the most significant private collections assembled in recent decades.