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Lithuanian, Latvian, and Estonian Pavilions Stage Pro-Ukraine Procession During Venice Biennale

On May 6, 2026, the Lithuanian, Latvian, and Estonian pavilions at the Venice Biennale organized a procession in solidarity with Ukraine, walking approximately one and a half miles from the Lithuanian Pavilion in the Fucina del Futuro to the Estonian pavilion. The action honored Ukrainian cultural workers creating under war conditions and those who have died. It is one of several political protests at the contentious 2026 Biennale, including demonstrations by Pussy Riot and FEMEN at the Russian pavilion, a "Solidarity Drone Chorus" opposing Israel's inclusion, and a planned 24-hour strike by the Art Not Genocide Alliance.

Nahmad Seeks to Reopen Modigliani Restitution Case With New Witnesses

David Nahmad's lawyers are asking a New York court to reconsider its April 3 decision in the restitution case over Amedeo Modigliani's *Seated Man with a Cane* (1918), which awarded the painting to the estate of dealer Oscar Stettiner. They cite new eyewitness testimony from Frédéric Allain, who recalls a different Modigliani—smaller, darker, and without a seated man or cane—hidden by the Van der Klip family in Paris during World War II, suggesting the wrong painting may have been the focus of the case. The filing also references a 1946 report describing the missing work as a self-portrait and a new catalogue raisonné by Marc Restellini that finds no link between the painting and Stettiner. Mondex, representing Stettiner's heirs, rejects the claims, asserting that *Seated Man with a Cane* bears Stettiner's name and was in the family's possession from 1944 to 1996.

Treasures From Matthew Perry’s Estate Head to Auction for a Good Cause

Heritage Auctions will sell a trove of artifacts from Matthew Perry's estate starting June 5, including scripts and memorabilia from the sitcom *Friends*, artworks by Banksy and Mel Bochner, and personal items like a 3D portrait of his invented superhero "Mattman." Proceeds benefit the Matthew Perry Foundation, a nonprofit focused on ending addiction stigma and expanding access to evidence-based care, founded after the actor's death in 2023.

How Tasmania became one of the world’s most exciting art destinations

Helen Ochyra reports on how Tasmania, particularly Hobart, has emerged as a leading global art destination, driven largely by MONA (Museum of Old and New Art). The privately funded museum, founded by art collector David Walsh, recently opened a $100 million AUD wing housing a towering concrete amphitheatre by German artist Anselm Kiefer. Beyond MONA, Hobart hosts the provocative winter festival Dark Mofo, the science-and-culture Beaker Street Festival, and the inaugural Island Readers & Writers Festival, cementing its reputation for cutting-edge arts and culture.

'First-of-its kind' Houston park reveals 6 murals by local artists

Untitled Art, the contemporary art fair, is returning to Houston for its second edition this October. To kick off plans, the fair has commissioned two artist projects that will be unveiled at the city's 39th annual Art Car Parade.

Venice Biennale Jury Bars Israel and Russia from Official Prizes

The international jury of the 61st Venice Biennale announced on April 23 that it will not consider the Israeli and Russian pavilions for official prizes, including the Golden Lion for national participation. The five-member, all-women panel—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—said it would exclude countries whose leaders are currently charged with crimes against humanity by the International Criminal Court, a criterion that applies to Israel and Russia due to ICC arrest warrants for Benjamin Netanyahu and Vladimir Putin. The decision comes amid mounting controversy over the Biennale's decision to host both pavilions, with Russia returning after its artists withdrew in 2022 over the Ukraine invasion and Israel reopening after its 2024 pavilion remained closed pending a Gaza ceasefire. The European Commission had also threatened to suspend a €2 million grant over the Russian pavilion's reopening.

Adam Budak dismissed as director of MOCAK amid controversy

Adam Budak has been dismissed as director of the Museum of Contemporary Art in Krakow (MOCAK), effective from 12 May, with his employment ending on 30 June. The city of Krakow cited improper performance of duties related to work organization and team management, following an investigation triggered by a complaint signed by 37 employees. Budak disputes the decision, calling it baseless and made under time pressure, and is considering an appeal. Artists including Paulina Ołowska and Robert Knoke have rallied in support, with several artists withdrawing from MOCAK's 2026–27 programme in solidarity.

Goen Choi and Hyeree Ro on Representing South Korea at the 61st Venice Biennale

Goen Choi and Hyeree Ro are representing South Korea at the 61st Venice Biennale, which runs from 9 May to 22 November 2026. In an interview with ArtReview, Choi describes his sculptural installation "Meridian," featuring ruptured copper pipes that traverse the Korean Pavilion in the Giardini, exploring unseen infrastructures and unstable relations between fixed structures. Ro presents "Bearing," a membranelike waxed fabric installation with eight stations for mourning, remembering, and mending, inspired by Korean gardens and temples. Both artists respond to the Biennale's theme "In Minor Keys," emphasizing subtle forces, low vibrations, and contemplative spaces.

Pussy Riot and Topless Activists Rally Against Russian Pavilion at Venice Biennale

On May 6, 2026, the art collective Pussy Riot and the Ukrainian feminist group FEMEN staged a protest outside the Russian Pavilion at the 61st Venice Biennale. Approximately 50 activists released pink smoke and blue-and-yellow flares evoking the Ukrainian flag, while FEMEN members staged a topless protest with anti-war slogans like “RUSSIA KILLS, BIENNALE EXHIBITS.” Italian police and Biennale security blocked access to the pavilion, and some Pussy Riot activists were tackled after entering. The protest targeted Russia’s participation in the Biennale for the first time since its full-scale invasion of Ukraine in 2022, with activists condemning the event for lending legitimacy to Russian officials and artists aligned with the government.

Sylvie Retailleau : « Pendant cinq ans, tout a été remis en jeu »

Sylvie Retailleau, former French Minister of Higher Education and current president of Universcience since January 2026, details the tense negotiations between the Grand Palais and the Palais de la découverte. She reveals that the Palais de la découverte nearly disappeared during the Grand Palais renovation, but will reopen in March 2027. Universcience ceded a 1,200 m² gallery to the Grand Palais as a financial contribution (worth about €30 million over ten years) and is lending another 350 m² gallery until June 2030 for Centre Pompidou exhibitions during its renovation. In exchange, Universcience gains full control over the programming of the Palais des enfants.

To-Do List: A night of poetry at the art museum, the rodeo comes to town and a Beatles tribute

This article is a weekly events roundup from Free Times, listing activities in the Columbia, South Carolina area from May 6-11. It includes an art exhibition by sculptor Ellen Emerson Yaghjian at Stormwater Studios, a poetry and performance night at the Columbia Museum of Art responding to Rodney McMillian's exhibition, a Beatles tribute concert, a rodeo, an oil paint-making workshop, a music concert, a historic walking tour, a teen craft workshop, and a rock concert.

How Dayanita Singh Organized a Major Show in Venice Without Institutional Funding

Dayanita Singh has organized a major exhibition titled "ARCHIVIO" at the State Archives of Venice, marking the first time the institution has opened its doors to the public for an art show. The exhibition, which runs until July 31, features collapsible wooden pillars covered with black-and-white photographs that explore Singh's 25-year relationship with Italy and her broader engagement with archival documents from both Italy and India. Singh achieved this without major institutional funding, instead relying on a "friendship economy" of bartering, negotiation, and individual patrons, and even arranged for local art students to serve as docents in exchange for professional mentorship.

Met Gala guests arrive on carpet in dramatic works of art

The 2026 Met Gala, held at the Metropolitan Museum of Art in New York, featured celebrities arriving in dramatic, custom outfits adhering to the dress code 'Fashion is art.' Notable attendees included Naomi Osaka in a Robert Wun white sculptural dress with red feathers and dripping red paint, Emma Chamberlain in a hand-painted Mugler gown by Miguel Castro Freitas, and co-chair Anna Wintour in a mint ensemble by Matthieu Blazy for Chanel. The event celebrated the opening of the Costume Institute's exhibition 'Costume Art.'

History of soccer exhibition open at Arlington museum ahead of FIFA World Cup

The Arlington Museum of Art has opened "More Than a Match," a large-scale exhibition exploring the history of soccer through World Cup memorabilia, historic jerseys, maps, and contemporary art. The show features items on loan from the National Soccer Hall of Fame, the University of Texas at Arlington's Special Collections, and the National Football Museum in Manchester, England. Highlights include a replica of the 2006 FIFA World Cup Trophy, a jersey worn by Pelé, and artworks by Andy Warhol, Kehinde Wiley, and Darío Escobar, as well as a mural by Dallas-based artist Colton Canava depicting Lionel Messi, Jude Bellingham, and Virgil van Dijk as saint-like figures. The exhibition runs through August 2, 2026, and is located near AT&T Stadium, which will host nine World Cup matches.

At Yale: the commercial empire within the British empire

The Yale Center for British Art presents 'Painters, Ports, and Profits,' an exhibition of 115 items spanning a century of art and history, focusing on the East India Company's commercial empire. The show includes paintings, prints, drawings, books, and artifacts such as a 37-foot watercolor scroll of Lucknow (1826) and works by Indian artist Gangaram Chintaman Navgire Tambat, who emerges as the artistic star with 20 pieces. It also features prints of the company's opium factory and 'The Opium Fleet Descending The Ganges' by Walter Stanhope Sherwill, highlighting the company's role in the Opium Wars with China.

As Told By: Slavs and Tatars at Rossi & Rossi

Slavs and Tatars, the research-based art collective, opened their first solo exhibition in Hong Kong titled “胡 ( هو / who) are you?” at Rossi & Rossi, running until May 9, 2026. The show gathers iconic projects and new commissions across various media, playfully probing the philosophical question of identity and belonging. Co-founder Payam Sharifi discusses works such as the handblown glass melon sculptures in "Dark Yelblow" (2025), which explore cultural stereotypes and the figure of the Other, and the "Love Me, Love Me Not" series, which recovers original place names and scripts to reveal the layered complexity of empires.

Greta Thunberg, Hugh Bonneville sign letter defending Southbank Centre chair Misan Harriman

A petition signed by Greta Thunberg, Hugh Bonneville, and other prominent figures defends Misan Harriman, the photographer and chair of London's Southbank Centre, against what the letter calls a "dishonest smear campaign." The controversy stems from two incidents: Harriman shared a social media post about a stabbing attack in Golders Green, noting that a Muslim victim received less press coverage than two Jewish victims, and later posted a video reflecting on the rise of the right-wing Reform party, citing a conversation about the Holocaust. Right-wing outlets like The Daily Telegraph accused him of equating Reform's electoral success to the Holocaust, leading to widespread backlash. Harriman denies making such equivalences, and nearly 70,000 people have filed complaints with the press regulator IPSO—the largest campaign in its history.

Brendan Fernandes animates a century-old Chicago auditorium through dance

Brendan Fernandes, a Chicago-based visual and performing artist, has created an evolving dance work titled *Score for the Murphy Auditorium* as part of his nearly year-long exhibition *In the Round* at the Driehaus Museum's newly acquired Murphy Auditorium. The piece features seven dancers moving around a 12-sided mirrored bench, with choreography inspired by the 1960s Judson Dance Theater, and includes textile works from the Fabric Workshop and Museum and a sound installation by Alex Inglizian. The auditorium, built in 1926 and designated a Chicago landmark in 2024, underwent renovation after being acquired by the Driehaus Museum in 2022.

Moyra Davey at greengrassi

Moyra Davey presents an exhibition at greengrassi gallery in London, featuring a series of new works that continue her exploration of photography, text, and everyday objects. The show includes 14 documented images, blending personal narrative with conceptual art practices.

Dirk Staschke's exhibition

Duane Reed Gallery in St. Louis is hosting a new exhibition of trompe l’oeil stoneware sculptures and tiles by artist Dirk Staschke. Staschke, a sculptor and ceramicist, draws inspiration from Dutch Vanitas still-life painting, blending traditional techniques with contemporary textures and forced perspective. His works merge painting and sculpture, featuring adapted still lives on ceramic vessels and three-dimensional framed tableaus. Staschke holds an MFA from Alfred University and a BFA from the University of Montevallo, and his work has been exhibited at the Smithsonian Museum, Icheon Museum, Crocker Museum, and Portland Art Museum.

Before the Myth, There Was Yoko Ono

The Broad museum in Los Angeles has opened "Yoko Ono: Music of the Mind," the first solo museum exhibition in Southern California dedicated to the artist, musician, and activist. Spanning seven decades, the retrospective focuses on Ono's conceptual and participatory works—such as instruction pieces from her 1964 book "Grapefruit" and interactive installations like "Wish Tree" (1996)—rather than traditional art objects. Curators organized the show around themes of human responsibility, and deliberately delay the introduction of John Lennon until the exhibition's midpoint to emphasize Ono's independent career before her marriage.

Tang Museum presents Pursuing Possibilities: Explorations in Glaze

The Tang Museum at Skidmore College will present 'Pursuing Possibilities: Explorations in Glaze,' a student-curated exhibition running from May 30 to September 12, 2026. Organized by Emily Lin, the 2025–26 Charina Endowment Fund Endowed Intern, the show features works from the Tang collection that examine the chemical composition of ceramic glazes and their expressive possibilities. Lin used X-ray fluorescence to analyze glazes and consulted with ceramics professor Matt Wilt, bringing together art history, chemistry, and studio practice.

Japan’s Art Museums and Creative Spaces Offer Travelers a Unique Cultural Journey Across Modern and Traditional Design

Travel And Tour World published an article highlighting Japan's art museums and creative spaces as a unique cultural journey for travelers, blending modern and traditional design. The piece showcases various institutions across Japan, emphasizing their architectural significance and the immersive experiences they offer, from contemporary art galleries to historic venues that reflect the country's rich aesthetic heritage.

Harwood Museum announces closing events for Pursuit of Happiness art exhibit

The Harwood Museum of Art in Taos, New Mexico, is hosting a Mystery Cabaret event on May 22 and 23, 2026, to celebrate the closing of its exhibition *Pursuit of Happiness: GI Bill in Taos*. Written and directed by local playwright John Biscello, the interactive theater experience invites guests to solve a fictional art theft, with actors, mocktails, and 1940s-era costumes. The exhibition closes May 31, after which the museum will remain closed until the opening of *Unearthing Futures / Desenterrando Futuros* on June 27.

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

United Kingdom’s Kew Gardens Transforms into an Open-Air Gallery with Henry Moore’s Monumental Nature Exhibition Featuring Thirty Sculptures, Blending Art and Nature for an Unforgettable Tourist Experience

Kew Gardens in the United Kingdom has been transformed into an open-air gallery with the exhibition "Monumental Nature," featuring thirty sculptures by British artist Henry Moore. The display integrates Moore's large-scale bronze works into the botanical landscape, offering visitors a unique blend of art and nature.

kengo kuma's first US museum emerges within vast art and nature campus in pennsylvania

Kengo Kuma & Associates has unveiled the design for its first museum in the United States, a wood-clad pavilion complex at the Brandywine Conservancy & Museum of Art in Pennsylvania. The 3,716-square-meter structure, part of a major expansion, will transform the 6-hectare campus into a 131.52-hectare public preserve and garden designed with Field Operations. Construction is planned to begin in spring 2027, with an opening in fall 2029, adding 80% more exhibition space and integrating art, ecology, and conservation.

Mr.’s New Museum Show Is All About Otaku Fantasy

Japanese Superflat artist Mr. has opened 'We’ll Meet Again', his first major museum solo exhibition in Japan in over a decade, at the Fukuoka Asian Art Museum. Running through June 21, 2026, the show features over 80 works including paintings, sculptures, installations, and video pieces, exploring themes of nostalgia, video games, manga, and the yanki subculture. Highlights include an immersive bedroom installation filled with beer cans and manga, a screening of his 2008 film 'Nobody Dies', and a new motorcycle work called 'itasha'.

Paris Diary 1

The article is a first-person diary entry from an unnamed narrator visiting Paris and Brussels. The narrator recounts working in the studio of painter Camila Oliveira Fairclough, attending a public dialogue at Almine Rech gallery in Brussels with artist Erik Lindman, and viewing an exhibition pairing Lindman's paintings with works by Robert Motherwell and two Picassos chosen by Bernard Picasso. The narrator also visits a posthumous exhibition of Didier Demozay at Galerie Bernard Jordan and sees a temporary mural by Marielle Paul in a Paris housing complex, later visiting her studio in a historic 19th-century artist building once occupied by Eugène Carrière.

How the Arts Club of Chicago Stays Contemporary in its Second Century

The Arts Club of Chicago, founded in 1916, continues to balance its historic legacy with contemporary relevance under executive director and chief curator Janine Mileaf. The club, which gave Pablo Picasso his first solo institutional exhibition in the U.S. in 1923 and hosted figures like Gertrude Stein and John Cage, now operates as both a public space and a private membership club. Mileaf’s programming emphasizes Dada and surrealist roots while showcasing experimental, site-specific works, including a recent installation by Korean artist Haegue Yang. The club maintains a close relationship with Chicago’s arts community, aiming to expose audiences to challenging and surprising art.