Chi sono i vincitori del XXIX Compasso d’Oro premiati all’ADI Design Museum di Milano

The XXIX edition of the Compasso d'Oro award, founded in 1954 by Gio Ponti and Rinascente, concluded at the ADI Design Museum in Milan. The jury awarded 3 Compassi d'Oro Young, 10 student project recognitions, 38 honorable mentions, and 20 Compasso d'Oro ADI prizes. Winning projects include Array sofa by Snøhetta for MDF Italia, Bilboquet lamp by Philippe Malouin for Flos, D'Antan armchair by Raffaella Mangiarotti for De Padova, and the Salone del Mobile.Milano Annual Report 2024. Career awards were given to nine figures including Giovanni Arvedi, Paola Lenti, and Alberto Meda, while three iconic products—Sedia '64 by AG Fronzoni, Tavolo Eros by Angelo Mangiarotti, and Tavolo con ruote by Gae Aulenti—received career Compassi d'Oro. The exhibition of all nominated projects runs until June 4, 2026.

Rediscovering the Eternal City of the 1500s in the drawings of Maarten van Heemskerck. The exhibition in Rome

Riscoprire la Città Eterna del ‘500 nei disegni di Maarten van Heemskerck. La mostra a Roma

A major exhibition at Palazzo Poli in Rome, hosted by the Istituto Centrale per la Grafica, showcases a selection of drawings by Dutch artist Maarten van Heemskerck (1498–1574) from his so-called 'little sketchbook,' now held at the Kupferstichkabinett in Berlin. The show, titled 'Maarten van Heemskerck e il fascino di Roma' and running until June 7, presents the artist's meticulous studies of Roman antiquities made during his four-year stay in the city from 1532, offering a rare visual record of Renaissance Rome's ancient collections before and after the 1527 Sack of Rome.

A Milano una grande mostra a Palazzo Reale racconta i Macchiaioli (e l’Italia del loro tempo)

A major exhibition at Palazzo Reale in Milan explores the Macchiaioli, the 19th-century Italian painting movement often seen as a precursor to Impressionism. The show brings together works by key figures such as Giovanni Fattori, Silvestro Lega, Telemaco Signorini, Giuseppe Abbati, and Odoardo Borrani, alongside tangential artists like Giovanni Boldini, Federico Faruffini, and Gerolamo Induno. It traces the movement's origins at Florence's Caffè Michelangiolo, its epicenter at Castiglioncello under patron Diego Martelli, and its evolution from the 1850s through the 1870s, when the group's democratic ideals and en plein air techniques challenged academic conventions.

Russian art today is blood. A tough interview with Pussy Riot

“L’arte russa oggi è il sangue”. Una dura intervista alle Pussy Riot

During the preview of the 2026 Venice Biennale, the Russian Pavilion became the site of a protest by Pussy Riot and FEMEN, who staged an action called "STORM OF VENICE." Wearing pink balaclavas and carrying radical slogans, they denounced Russia's presence at the Biennale, accusing the Kremlin and the European cultural system of complicity. The protest centered on the phrase "Blood is Russia's art." In an interview, Pussy Riot member Nadya Tolokonnikova argues that artists who represent the official Russian Pavilion become instruments of the aggressive imperial state, and that the Biennale confuses cultural dialogue with political normalization.

The documentary dedicated to Sicilian patron Antonio Presti airs on Rai Tre. Here is the video preview.

Va in onda su Rai Tre il documentario dedicato al mecenate siciliano Antonio Presti. Qui la video anteprima

On Tuesday, May 19, 2026, at 3:30 PM, RAI 3 will broadcast the documentary "Asteroide 20049 Antonio Presti," produced by Rai Documentari and dedicated to Sicilian patron Antonio Presti (born 1957). Written by Fedora Sasso and Francesco Castellani, curated by Giulietta Venneri, and directed by Fedora Sasso, the film explores Presti's four-decade career using art to intervene in marginalized areas of Sicily. The documentary's title references an asteroid named after Presti, symbolizing his vision linking cosmic and urban space. It opens at the Astrophysical Observatory of Isnello and focuses on the Catania neighborhood of Librino, where Presti created MAGMA, an open-air museum developed through collaboration with students, artists, and residents.

A New York il Metropolitan museum ingloba la Neue Galerie: ovvero la più importante collezione d’arte austriaca e tedesca fuori dall’Europa

The Metropolitan Museum of Art and the Neue Galerie in New York have announced a merger set for 2028. The Neue Galerie, founded by collector Ronald S. Lauder, will become The Met Ronald S. Lauder Neue Galerie, absorbing the most significant collection of early 20th-century Austrian and German art outside Europe, including Gustav Klimt's "Portrait of Adele Bloch-Bauer I." Lauder and his daughter Aerin Lauder Zinterhofer will donate thirteen major works from their private collection, and a fundraising campaign has been launched to support the integration.

Semiha Berksoy: The Turkish Artist Who Made Her Life a Total Work of Art

Semiha Berksoy: l’artista turca che ha reso la sua vita un’opera totale

A major retrospective titled "Aria of All Colors" at the Istanbul Modern, running until September 6, celebrates the multifaceted Turkish artist Semiha Berksoy (1911–2004). Featuring over 200 works, the exhibition showcases her pioneering career as a painter, sculptor, opera singer, actress, costume designer, and performance artist. Berksoy became the first Turkish soprano to perform on European stages after studying in Berlin, and she helped found the Ankara State Opera. Her deeply personal paintings, often depicting her mother and cultural figures, are marked by a graphic, childlike style and a recurring "line of destiny." The show includes costumes, sketches, archival footage, and even a refrigerator door painted with her daughter's portrait.

Basquiat's intense works on paper are at the center of his first exhibition in Denmark

Le intense opere su carta di Basquiat sono al centro della sua prima mostra in Danimarca

The Louisiana Museum of Modern Art in Humlebæk, Denmark, is hosting "Headstrong," a retrospective of 50 works on paper by Jean-Michel Basquiat, running until May 17. The exhibition focuses on Basquiat's depictions of the human head and body, created between 1981 and 1983, and first shown posthumously in 1990. It is the first solo museum presentation of Basquiat in Scandinavia, featuring loans from private collections and international museums, highlighting a lesser-known aspect of the artist's practice.

Working in the Arts: Opportunities from Cascina Lagoscuro, Ministry of Tourism, PhEST, Fundació Joan Miró, C2C Festival

Lavorare nell’arte: opportunità da Cascina Lagoscuro, Ministero del Turismo, PhEST, Fundació Joan Miró, C2C Festival

This article from Artribune compiles five current job and opportunity listings in Italy and Europe for creative professionals. The openings include a creative residency at Cascina Lagoscuro (a regenerative farm in northern Italy) for dancers, artists, writers, chefs, designers, educators, artisans, and activists; a national exam for tourist guide certification by Italy's Ministry of Tourism; a pop-up open call for artists and photographers from the PhEST international photography and art festival; a director search at the Fundació Joan Miró in Barcelona; and a curator training program for music curators by C2C Festival.

There is a major Paulo Nazareth exhibition to see in Venice (but the artist himself hasn't seen it)

C’è una grande mostra di Paulo Nazareth da vedere a Venezia (ma l’artista stesso non l’ha vista)

A major exhibition of Brazilian artist Paulo Nazareth, titled "Algebra," has opened at Punta della Dogana in Venice, but the artist himself is absent. Nazareth has kept a promise not to set foot in Europe until he has crossed African territories on foot, as they existed before the arbitrary divisions imposed by the 1884 Berlin Conference. He did not participate in the installation or opening, instead staging a simultaneous event in Veneza, a working-class district of Ribeirão das Neves, Brazil—a gesture he also made when invited to the 2013 Venice Biennale. The exhibition centers on structural violence and uses attention and care as strategies for healing, with the word "algebra" referring to the act of recomposing what was broken.

A Vienna una grande mostra dedicata a Daumier, l’artista della satira

The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.

Fotografia Europea returns to Reggio Emilia. Program, appointments, hundreds of widespread exhibitions

A Reggio Emilia torna la grande rassegna Fotografia Europea. Programma, appuntamenti, centinaia di mostre diffuse

Fotografia Europea, the major photography festival in Reggio Emilia, returns for its 21st edition from April 30 to June 14, 2026, under the theme "Fantasmi del quotidiano" (Ghosts of the Everyday). The official circuit features twenty exhibitions across historic venues such as Chiostri di San Pietro, Palazzo da Mosto, and Palazzo dei Musei, as well as modern spaces like Spazio Gerra and Collezione Maramotti. Highlights include works by Felipe Romero Beltrán (winner of the KBr Photo Award 2025), Mohamed Hassan, Salvatore Vitale, Marine Lanier, Ola Rindal, Tania Franco Klein, Giulia Vanelli, Frédéric D. Oberland, and Simona Ghizzoni, with curatorial contributions from Tim Clark and Luce Lebart. Over three hundred off-circuit exhibitions will also be held throughout the city.

Pussy Riot Shows Art by Russia’s Prisoners in New Protest Exhibition

Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.

Roma accoglie all’Ara Pacis 52 importanti opere dell’Impressionismo provenienti da Detroit

The Museo dell'Ara Pacis in Rome is hosting an exhibition titled 'Impressionismo e oltre' (Impressionism and Beyond), featuring 52 masterpieces on loan from the Detroit Institute of Arts. Curated by Ilaria Miarelli Mariani and Claudio Zambianchi, the show spans from the 1840s to the early 20th century, tracing the evolution of European painting through Impressionism, Post-Impressionism, and the avant-garde. Works by Degas, Renoir, Cézanne, Van Gogh, Picasso, Matisse, Modigliani, and others are displayed across thematic sections that explore the shift from academic tradition to modern visual language.

What the tenth edition of Art Monte-Carlo fair in the Principality of Monaco will be like

Come sarà la decima edizione fiera Art Monte-Carlo nel Principato di Monaco

Art Monte-Carlo, the boutique art fair in the Principality of Monaco, celebrates its tenth edition from April 29 to May 1, 2026 (preview April 28), under the High Patronage of H.S.H. Prince Albert II. The fair will host 26 international galleries of modern and contemporary art at the Grimaldi Forum, moving to new spring dates and coinciding with the Monaco Art Week (April 27–May 1). Newcomers include Italian gallery Secci, Mitterrand from Paris, A&R Fleury, Cecilia Hillström Gallery, Fabienne Levy, Giovanni Martino Projects, Lee & Bae, Ritsch-Fisch Galerie, and Monegasque galleries Hartford Fine Art – Lampronti Gallery and M.F. Toninelli Art Moderne. Returning exhibitors include Almine Rech, Cortesi, Galleria Continua, Suzanne Tarasieve, Semiose, Van de Weghe, Voena, and Wilde. A curated section features a collective exhibition titled "Earthly Delights," curated by Stefano Rabolli Pansera and inspired by Luis Buñuel, centered on a functioning bar as a conceptual and physical space. The fair also includes a public program and talks with figures such as photographer Juergen Teller, auctioneer Simon de Pury, and collector Batia Ofer, and has moved under the influence of Informa Prestige, the luxury division of events company Informa.

France reckons with Nazi-looted art in a new Paris museum gallery

France has opened a new permanent gallery at the Musée d'Orsay in Paris dedicated to displaying Nazi-looted artworks that remain unclaimed. The gallery features 13 works from the MNR (Musées Nationaux Récupération) collection, including a painting by Alfred Stevens originally destined for Hitler's planned museum in Linz. The display is the first in the museum's history to show the backs of paintings, revealing stamps, labels, and inventory marks that trace how each piece moved from private Jewish homes into Nazi hands. The museum also launched its first research unit to trace rightful heirs, led by Ines Rotermund-Reynard.

Tate Britain opens Europe’s largest James McNeill Whistler retrospective in 30 years

Tate Britain has opened the largest European retrospective of James McNeill Whistler in over 30 years, featuring 150 works across painting, drawing, printmaking, and design. The exhibition traces Whistler's career from his student days at the Imperial Academy of Arts in St Petersburg and West Point to his bohemian years in Paris and London, highlighting his pioneering nocturnes, the iconic *Arrangement in Black and Grey: Portrait of the Painter’s Mother* (known as *Whistler’s Mother*), and rarely seen sketchbooks. It reunites a familial triptych of portraits and assembles the largest-ever collection of his nocturnes, exploring his radical approach to composition and color.

Phillips Collection’s new ‘Miró and the United States’ exhibit focuses on transatlantic cultural exchange rather than conflict

The Phillips Collection in Washington, D.C., has opened a new exhibition titled 'Miró and the United States,' curated by Elsa Smithgall. The show features 75 works by Joan Miró alongside pieces by more than 30 other artists, including Alexander Calder, Rufino Tamayo, and Arshile Gorky. Rather than framing the relationship as a cultural clash between European modernism and American art, the exhibition emphasizes transatlantic artistic exchange during the mid-20th century, particularly in the shadow of World War II and the Spanish Civil War. Key works include Miró's 'Constellations' series and 'Still Life with Old Shoe' (1937), which are presented in dialogue with American contemporaries who responded to his visual language.

Art and politics clash at Venice Biennale, as world conflicts upstage exhibition's opening

The 61st Venice Biennale, the world's most prestigious art exhibition, opens under unprecedented turmoil. For the first time, its vision was shaped by the late Cameroonian curator Koyo Kouoh, who centered artists from Africa and its diaspora. However, political conflicts over Russia and Israel have overshadowed the art. All five jurors resigned after the Italian culture minister investigated their decision to withhold prizes from Russia and Israel over alleged crimes against humanity. Protests erupted at the Russian pavilion, with Pussy Riot activists denouncing Russia's participation, while the Israeli pavilion artist threatened legal action over the jury's snub. The Biennale will proceed without a jury, with visitors voting for two awards, and the fate of the Golden Lion remains uncertain.

Raghu Rai, pioneering Indian photographer, 1942–2026

Raghu Rai, the pioneering Indian photographer and photojournalist, has died at age 84. Over his career, he produced more than 30 books covering subjects such as Tibetan exile, Mother Teresa, Indira Gandhi, and Sikhs in India. His most famous work documented the 1984 Bhopal chemical disaster, first for India Today and later for Greenpeace, resulting in the book *Exposure: A Corporate Crime* and exhibitions that toured Europe, the US, and Bangladesh. Rai began his career at The Statesman in 1966, joined India Today in 1982, and became a member of Magnum Photos in 1977 under the patronage of Henri Cartier-Bresson. He was awarded the Padma Shri in 1972 for his coverage of the 1971 India-Pakistan War and the plight of Bangladeshi refugees.

The Burlington Magazine - n°1478 vol CLXVIII - May 2026

The May 2026 issue of The Burlington Magazine (n°1478, vol. CLXVIII) presents a rich array of scholarly articles, exhibition reviews, and book reviews covering European art from the medieval period to the 20th century. Highlights include Laure Boyer's study of two photographs of Victorine Meurent linked to Manet's 'Le Déjeuner sur l'herbe' and 'Olympia', Axel Moulinier's analysis of Watteau's copies after old masters, and Richard Thomson's essay on a century of Monet in print. Exhibition reviews cover shows on Monet's Étretat coast, Orazio Gentileschi, Cornelius Jonson van Ceulen, Gainsborough, Seurat, Italian Symbolism, and Iliazd. Book reviews range from medieval art and Pietro Bellotti to Helene Schjerfbeck, Roberto Matta, and contemporary jewelry at the Dallas Museum of Art.

He’s behind you! The best of Photo London – in pictures

Photo London, the UK's leading photography fair, launches its 11th edition at a new venue, Olympia in Kensington, London, running from 13–17 May 2026. The fair features a diverse array of exhibitors, including debutants like Agony and Ecstasy gallery, which showcases nostalgic works of Ibiza by Oriol Maspons and Walter Rudolph, and Hackney-based Guest Editions, presenting Laura McCluskey and Thomas Duffield. A new 'Focus' section highlights galleries from Latin America and Central and Eastern Europe, such as Ungallery (Argentina) and Galeria Monopol (Poland). Notable presentations include vintage prints by Japanese master Daido Moriyama at Akio Nagasawa Gallery, and Ketaki Sheth's series 'Twinspotting' at Photoink, which pairs Patel twins in the UK with those in India.

Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

EU imposes sanctions on Mikhail Piotrovsky, director of Russia's State Hermitage Museum

The European Union has imposed sanctions on Mikhail Piotrovsky, the director of Russia's State Hermitage Museum, as part of its 20th sanctions package adopted on 23 April. Piotrovsky, a vocal supporter of Russia's full-scale invasion of Ukraine, is cited for being a close associate of Vladimir Putin and for actively supporting the war, including justifying Russian cultural policies that incorporate Ukrainian museum items into Russia's State Museum Fund and enabling unauthorized archaeological excavations in occupied Crimea. The sanctions also target three other cultural officials involved in the Crimean digs. Meanwhile, Hermitage archaeologist Alexander Butyagin, arrested in Poland in December 2025 at Ukraine's request, was released in a prisoner exchange on 28 April.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

Israel’s foreign ministry accuses Venice Biennale's jury of ‘politicising’ exhibition

Israel’s foreign ministry has accused the Venice Biennale's jury of politicizing the exhibition after jurors announced they would not consider for prizes countries whose leaders face International Criminal Court charges for crimes against humanity. The jury’s statement, which did not name specific nations, is broadly understood to apply to Israel and Russia, both returning to the Biennale for the first time since the Gaza war and the Ukraine invasion, respectively. The Israeli ministry posted on X that the jury had decided to 'boycott' Israeli sculptor Belu-Simion Fainaru, calling it 'a contamination of the art world.' The Biennale distanced itself from the jury’s announcement, stating the jury acts autonomously, while the Russian pavilion is reportedly set to open only for a limited pre-opening period due to budget constraints amid sanctions.

Russian Pavilion Will Be Closed to the Public During Venice Biennale: Report

The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.

Why Did the Met Opera Decide to Exhume Frida Kahlo and Diego Rivera’s Marital Strife?

The Metropolitan Opera has staged Gabriela Lena Frank's first opera, *El Último Sueño de Frida y Diego*, which imagines a supernatural reunion between Frida Kahlo and Diego Rivera on Día de los Muertos. The production, conducted by Yannick Nézet-Séguin and starring Isabel Leonard and Carlos Álvarez, uses magical realism to explore the couple's turbulent relationship, though it largely sidelines their Communist activism and Kahlo's queer affairs in favor of a simplified reconciliation narrative.

How Does an Art Fair Stand Apart? TEFAF NY Has an Answer.

TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.

Who’s The Next Obsession? 12 European Collectors Reveal How They Discover New Talent

Cultured magazine asked 12 European collectors how they discover new talent, timed to the 61st Venice Biennale. Collectors like Nicole Saikalis Bay, Amélie du Chalard, Belma Gaudio, and Laurent Asscher share their personal approaches—ranging from emotional resonance and dialogue with existing works to long-term obsession with an artist before acquiring a piece. The responses reveal a diversity of methods, from instinct-driven buying to conceptual and technical evaluation.