Digital Art Pioneer Nancy Burson Collapses the Border Between Mysticism and Quantum Physics

Nancy Burson, a pioneering digital artist, presents her latest solo exhibition "Light Matter" at Heft Gallery in New York, featuring "Quantum Entanglement" paintings that appear as white dots on black canvases but reveal jittering forms and depth when viewed through a phone camera. The 78-year-old artist, known for her 1980s composite portraits blending faces of businessmen and movie stars, continues her exploration of perception and technology, claiming a special gift to perceive the universe's emergent energy grid. The exhibition runs through May 2.

While the world is ending outside

Während draußen die Welt untergeht

The ninth edition of the art festival "Various Others" opened in Munich amid rain, with galleries, institutions, and off-spaces presenting their exhibitions. Highlights include Jana Schröder's large-format paintings at Jahn und Jahn, juxtaposed with Willem de Kooning's works on newspaper; André Butzer's solo show at Galerie Christine Mayer, featuring his transition from monochrome 'N-Bilder' back to color; and Anselm Reyle's solo exhibition at Walter Storms in collaboration with Galerie Dirimart. Two standout shows are inspired by Persian miniature painting: Elif Saydam's 'Glory' at Galerie Rüdiger Schöttle, where silver and gold leaf works will oxidize over centuries, and another exhibition exploring bodies in transitional states—pupating, oxidizing, and escaping fixed forms.

Gozo Yoshimasu Wins £200,000 Serpentine x FLAG Art Foundation Prize

Tokyo-based poet and artist Gozo Yoshimasu has won the inaugural Serpentine x FLAG Art Foundation Prize, receiving £200,000 (approximately $272,000) along with solo exhibitions at Serpentine Galleries in London in fall 2027 and at the FLAG Art Foundation in New York in spring 2028. Yoshimasu, 87, emerged from the avant-garde scene of 1960s Tokyo and is known for blending poetry with performance, photography, audio recordings, and moving image. His work has been featured in the Shanghai Biennale, the Bienal de São Paulo, and major surveys such as “Poet Slash Artist” at Factory International. The prize was selected by a jury including Serpentine artistic director Hans Ulrich Obrist, FLAG Foundation director Jonathan Rider, MoMA curator Michelle Kuo, Museum MACAN director Venus Lau, and artist Rirkrit Tiravanija.

Venice Biennale 2026 Highlights: Off-Site Exhibitions

ArtReview editors highlight off-site pavilions and exhibitions at the 61st Venice Biennale, running from 9 May through 22 November 2026. Featured works include Li Yi-Fan's film *Screen Melancholy* at Palazzo delle Prigioni, which uses motion capture and a free-trial videogame engine to explore digital alienation and the 'enshittosphere,' and Roberto Diago's installation *Free Men* at the Pavilion of Cuban Republic, comprising rusted iron heads, fragmented wooden figures, and text works critiquing political oppression in Cuba.

What’s Gone Wrong in the Glasgow Art Scene?

Rachel Ashenden surveys the precarious state of Glasgow's visual arts scene in March 2026, following the liquidation and closure of the Centre for Contemporary Arts (CCA) after years of mismanagement, a winter shutdown in 2024, and a protest by Arts Workers for Palestine Scotland that led to arrests. She visits artists and organizers across the city, including Rae-Yen Song's exhibition at Tramway, which evolved from a research show at the now-closed CCA, and speaks with Transmission co-founder Alastair Strachan about the city's artist-led legacy.

The 2026 Venice Biennale Is Quintessential Biennial Art

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Swiss-Cameroonian curator Koyo Kouoh, opened in 2026. The main exhibition at the Arsenale and Giardini features works by artists such as Éric Baudelaire, Maria Magdalena Campos Pons, Mohammed Z. Rahman, Sohrab Hura, and Rose Salane, among others. The exhibition centers on themes of mourning, colonial history, slavery, and healing, with works like Baudelaire's video installation linking the flower trade to the transatlantic slave trade, and a tribute section honoring artists Beverly Buchanan and Issa Samb.

Beverly Buchanan’s Anti-Monuments

Beverly Buchanan's outdoor sculptures, such as 'Marsh Ruins' (1981) and 'Unity Stones' (1983), are quietly eroding in landscapes across Georgia, Florida, and North Carolina. These anti-monuments, made from tabby concrete and stone, blend into their surroundings while subtly referencing the region's layered histories, including Indigenous shell middens, plantation ruins, and the 1803 slave revolt on St. Simons Island. Buchanan, who died in 2015, is now receiving renewed attention: her work will be featured at the Venice Biennale this spring, and a touring retrospective is currently at Frac Lorraine in Metz, following a posthumous show at the Brooklyn Museum in 2016–17.

Who is Yto Barrada, France's representative at the Venice Biennale with a world-spanning work?

Qui est Yto Barrada, représentante de la France à la Biennale de Venise avec une œuvre-monde ?

Yto Barrada, the artist representing France at the 2026 Venice Biennale, has created a multidisciplinary installation titled "Saturne" for the French Pavilion. The work centers on textiles and natural dyeing, weaving together themes of postcolonial history, migration, craft transmission, and the symbolism of Saturn—from its astronomical mystery to its mythological role as the devourer of children. The installation features wool curtains, Aubusson tapestry, goat skins, wasp-nest sculptures, masks, muzzles, a color chart, and video, all housed in a renovated pavilion designed with the help of numerous artisans. Barrada, born in Paris in 1971 and raised in Tangier, founded the Cinémathèque de Tanger and later The Mothership, a research center focused on textiles and natural dyes. The exhibition is curated by Myriam Ben Salah.

Hirshhorn Museum Collection Tops 13,000 as Major 50th-Anniversary Acquisitions Announced

The Hirshhorn Museum and Sculpture Garden in Washington, DC, acquired 314 works in 2025, bringing its collection to over 13,000 pieces. The acquisitions, announced in conjunction with the museum's 50th anniversary, include major works by Lorna Simpson, Sarah Sze, Mickalene Thomas, and Adam Pendleton, as well as photographs by Graciela Iturbide, Danny Lyon, Ezra Stoller, and Joel-Peter Witkin. The museum also received 176 works by Adam Pendleton as part of a multiyear gift from collectors Doug and Toni Gordon.

10 Artists to Follow if You Like Iris van Herpen

Artsy Editorial profiles 10 contemporary artists whose work aligns with the visionary, technology-driven approach of fashion designer Iris van Herpen. The article highlights van Herpen's career milestones, including her 2011 invitation to join the Chambre Syndicale de la Haute Couture, and her ongoing fusion of traditional craftsmanship with cutting-edge technology to create wearable art. It then presents a curated list of artists who similarly explore themes of organic form, digital fabrication, and the intersection of art and fashion.

Nan Goldin will present major London exhibition at the Hayward in 2026.

American artist and activist Nan Goldin will present a major exhibition titled "You Never Did Anything Wrong" at London's Hayward Gallery from November 24, 2026, through March 7, 2027. This marks her first institutional presentation in the U.K. since 2002 and will conclude the Southbank Centre's 75th anniversary year.

11 Must-See Shows During New York Art Week 2026

New York Art Week 2026 is set to be a packed event, with major art fairs including Frieze, TEFAF, and Independent all scheduled within a single week this May. The art world will arrive directly from the Venice Biennale, and New York galleries are opening their major spring exhibitions to coincide with the influx of curators and collectors.

10 Must-See Shows During the Venice Biennale 2026

The 2026 Venice Biennale is embroiled in multiple controversies, including the cancellation and reinstatement of Australia's representative artist Khaled Sabsabi, ongoing calls to bar Israel from participating, criticism over allowing Russia to participate, and mounting voices to exclude the U.S. in response to President Donald Trump's actions in Iran. Despite these disputes, the article highlights that many of the city's most exciting shows will take place away from the main Biennale venues.

Beijing Oomph 2026

Beijing Oomph 2026 is a curated guide to the best contemporary art exhibitions across galleries and institutions in Beijing, timed to coincide with the Beijing Dangdai art fair and Gallery Weekend at the end of May. The article highlights Zhi Wei's exhibition "Folly" at Beijing Commune as a key show, reflecting the city's vibrant art scene during this concentrated period of gallery openings and events.

Niklaus Stoecklin at Hauser & Wirth, Basel

Hauser & Wirth Basel is presenting a focused exhibition of works by Swiss artist Niklaus Stoecklin (1896–1982), featuring paintings and drawings spanning from the 1920s to the 1970s. The show includes several rarely seen pieces, highlighting Stoecklin's distinctive approach to depicting life—people, animals, trees, stones, and space—as he described it.

Art Movements: Michelle Millar Fisher Heads to Cooper Hewitt

Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.

Collateral Events Not to Miss at 61st Venice Biennale

The article highlights several collateral events not to miss at the 61st Venice Biennale, including "The Spirits of Maritime Crossing 2026" at Palazzo Rocca Contarini Corfù, featuring 20 artists from Southeast Asia, Ireland, and Serbia, anchored by Marina Abramović's performance piece "Sea Punishing" (2006). Other notable exhibitions include a seven-decade survey of Korean artist Lee Ufan at San Marco Art Centre, "TURANDOT: To the Daughters of the East" at ACP Palazzo Franchetti featuring 11 female artists from Central Asia, Li Yi-Fan's "Screen Melancholy" at Palazzo delle Prigioni, and Nalini Malani's "Of Woman Born" at Magazzini del Sale.

The Essential Works of Rirkrit Tiravanija

ArtAsiaPacific profiles Rirkrit Tiravanija, a pioneering figure in relational aesthetics known for participatory works centered on communal dining and shared rituals. The article traces his career from his first solo exhibition "untitled 1990 (pad thai)" at Paula Allen Gallery in New York, where he cooked and served pad thai to visitors, to his current major retrospective "The House That Jack Built" at Pirelli HangarBicocca in Milan, running through July 26. Tiravanija, born in Buenos Aires in 1961 and raised across multiple countries, has received numerous accolades including the Hugo Boss Prize (2004) and a nomination in the Established Artist category at the 2026 Art Basel Awards. He is also preparing to present a tent-like structure at the Qatari pavilion for the 2026 Venice Biennale, featuring contributions by Sophia Al-Maria, Tarek Atoui, Alia Farid, and Fadi Kattan.

Frieze New York, the Cranach in Hitler’s Munich apartment, Ajamu X—podcast

This episode of The Art Newspaper's podcast covers several art-world stories. Ben Sutton and Kabir Jhala discuss the current edition of Frieze New York, alongside other concurrent fairs like Esther and Tefaf, and preview the upcoming New York auctions. Ben Luke interviews Martin Bailey about a Lucas Cranach the Elder painting, 'Cupid Complaining to Venus' (1526-27), which once hung in Adolf Hitler's Munich apartment, with a newly published photograph from the 1940s. The episode also features a segment on Ajamu X's 'Glamour Posse' series from the early 1990s, part of the touring exhibition 'Gender Stories' opening at the Walker Art Gallery in Liverpool, with comments from gallery head Charlotte Keenan.

Louvre Reveals Architects for $1 Billion Expansion

The Louvre has announced an international team of architects—New York's Selldorf Architects and Studios Architecture Paris—to lead its "Nouvelle Renaissance" expansion, a project estimated to cost over €1 billion ($1.2 billion). The plan, first announced by French President Emmanuel Macron in early 2025, includes a new entrance to accommodate three million additional visitors annually and a dedicated 33,000-square-foot exhibition space for Leonardo da Vinci's *Mona Lisa*. The museum's new director, Christophe Leribault, is moving forward with the project despite significant budget uncertainty, with cost estimates ranging from €270 million to €1.1 billion.

Landmark Works Lead Cowley Abbott’s Sale of Indigenous and International Art

Cowley Abbott is staging its major spring sale, 'Select Masterworks of Indigenous and International Art,' at the Globe and Mail Centre in Toronto on May 27. The auction features a diverse range of works, including Pierre-Auguste Renoir's 'Paysage du Midi' (ca. 1900), Vincent van Gogh's 'Homme à la Pipe: Portrait du Docteur Gachet' (1890), Philip Russell Goodwin's 'Camping – Canadian Club' (1916), Emily Carr's 'Wind' (1936), and Lawren Stewart Harris's 'Above Coldwell Bay, North Shore, Lake Superior (Lake Superior Sketch XV)' (1925), with estimates ranging from CA$150,000 to CA$700,000.

Hulda Guzmán review – lizards and ghosts gather for an art freakout in the rainforest

Hulda Guzmán's first institutional exhibition in Europe, "Please Awake – Asked Nature Kindly," is on view at Turner Contemporary in Margate, UK. The show features the Dominican artist's ultra-colorful, psychedelic jungle paintings that blend art historical references—from Japanese ukiyo-e prints to pointillism and symbolism—with personal mythology, demons, spirits, and lush tropical landscapes. The works are drawn from her life in the Dominican rainforest, where she lives and works in a studio built by her architect father.

Louis Vuitton revives Keith Haring collaboration at lavish New York show

Louis Vuitton staged a lavish fashion show at the Frick Collection in New York, reviving a collaboration with the estate of artist Keith Haring. The collection, designed by Nicolas Ghesquière, featured Haring's signature motifs on classic LV handbags and was presented in the museum's marble galleries. The event also marked a three-year sponsorship deal, with Louis Vuitton funding exhibitions, public access, and a curatorial position at the Frick, including rebranded free entry evenings as Louis Vuitton Free Fridays.

Marian Goodman’s $35.1 M. Richter ‘Candle’ Leads Christie’s Tepid $162.7 M. Trio of Postwar and Contemporary Sales

Christie’s New York held a trio of postwar and contemporary art evening sales on Wednesday night, totaling $162.7 million with fees, just meeting expectations. The auction was led by a Gerhard Richter painting, *Kerze (Candle)*, which sold for $35.1 million, and featured a collection of eight Richter works from the estate of revered dealer Marian Goodman, which collectively hammered at $66 million. Other highlights included a Donald Judd stack from the estate of collector Henry S. McNeil, selling for $12.8 million, and a Richter *Mohn (Poppy)* that achieved $20.1 million. Only one lot, an Ed Ruscha canvas, failed to sell.

Gerhard Richter ‘Candle’ From Estate of Revered Dealer Marian Goodman Falls Short of a Record at $35.1 M.

A Gerhard Richter painting, *Kerze (Candle)* (1982), from the estate of the late dealer Marian Goodman sold at Christie’s on Wednesday evening for $35.1 million (with fees), falling short of the artist’s $46.3 million record set over a decade ago. The lot, estimated at $35–$50 million, was guaranteed by a third party and drew a hammer price of $30 million after less than two minutes of subdued bidding. Goodman, who represented Richter for decades until he left for David Zwirner in 2022, had purchased the work directly from the artist in 1989 and held it for nearly 40 years. The painting was one of eight Richter works from Goodman’s estate offered in the combined “Marian’s Richters & 21st Century Evening Sale.”

Behind Christie’s $1 B. Blockbuster Result, the Market Still Looks Uneven

Christie’s New York achieved over $1 billion in sales during a two-part evening auction, led by Jackson Pollock’s *Number 7A, 1948* which sold for $181.2 million. The sale, the first billion-dollar night since the Paul G. Allen collection in 2022, also saw records for other works and active bidding from a small group of buyers, including dealer Jeffrey Deitch. However, the blockbuster results mask a more cautious middle market, where works priced between $100,000 and $1 million remain slow to sell.

How Janette Beckman Captured Music History in Real Time

A new exhibition at Seattle's Museum of Pop Culture (MoPOP) titled 'Rebels + Icons: The Photography of Janette Beckman' showcases over 500 images by British photographer Janette Beckman, spanning four decades. The show features her early, pre-fame portraits of music and cultural icons including Public Enemy, Joe Strummer, Keith Haring, Salt-N-Pepa, and John Lydon, captured at the dawn of punk and hip-hop movements. Beckman, who began her career photographing unknown punk bands for Melody Maker, also documented the first hip-hop show in London in 1982, capturing figures like Fab 5 Freddy and Afrika Bambaataa before they became legends. The retrospective includes her fashion work and street photography, highlighting her ability to gain trust quickly with subjects.

Sold-out Phillips auction in New York brings in $115.2m, more than double 2025 result

Phillips’s marquee spring auction in New York achieved a sold-out result, bringing in $91.73 million hammer ($115.2 million with fees), more than double the equivalent sale from a year ago. The top lot was Andy Warhol’s *Sixteen Jackies* (1964), which sold for $13.5 million ($16.2 million with fees), while a Jackson Pollock drip painting that had failed to sell in a previous auction found a buyer at $7.4 million. Fierce bidding occurred for contemporary works by artists with tightly controlled primary markets, such as Salman Toor, whose *Two Friends* (2020) surpassed its high estimate.

Megadealer Larry Gagosian Is the Subject of Unauthorized Documentary In the Works from Director Barry Avrich

Director Barry Avrich is producing an unauthorized documentary titled "Shadow Man: Inside The Secret World of Larry Gagosian" about the legendary art dealer. The film, confirmed by Avrich via email, promises to feature interviews with former employees and artists sharing insider stories about Gagosian's rise from selling posters on LA streets to running a global gallery empire with 18 locations. Avrich previously directed art-world documentaries including "Made You Look: A True Story About Fake Art" about the Knoedler & Co. forgery scandal and "Blurred Lines: Inside the Art World."

One Erased Vermeer, Two Books, and No Consensus

Two new books examine the legacy of Johannes Vermeer from contrasting angles. Ruth Bernard Yeazell's "Vermeer's Afterlives" (Princeton University Press) explores how the artist's open-ended, figureless interiors have inspired later creators, from painter George Deem to novelist Tracy Chevalier. Andrew Graham-Dixon's "Vermeer: A Life Lost and Found" restores the historical and religious context of 17th-century Delft, arguing that modern readings have overlooked the original meanings of Vermeer's works.