Bronze Age State Metal-Working Center Unearthed Near China’s Yangtse River

Archaeologists at the Shenduntou site near the Yangtze River have unearthed a significant Bronze Age metal-working center dating back to the Zhou dynasty. The excavation, led by Nanjing Normal University, revealed approximately 1,000 artifacts including clay molds, arrowheads, and knives, alongside evidence of furnaces and protective earthen walls. These findings confirm the existence of a high-level workshop dedicated to large-scale bronze production within the ancient Wu kingdom.

gavin newsom no clue california college of the arts close

California College of the Arts (CCA) announced it will close in 2027, shocking students and the art world. Governor Gavin Newsom reportedly had "no clue" and received "no heads up" about the closure, according to text messages reported by the San Francisco Standard. CCA president David Howse disputed this, stating Newsom was notified the Monday before the announcement. A meeting between CCA leadership and the governor's office is scheduled. The school, founded in 1907, is the last nonprofit standalone art school in San Francisco and plans to sell its campus to Vanderbilt University.

ancient rome new orleans tombstone

A 2nd-century Roman gravestone inscribed for a sailor named Sextus Congenius Verus was discovered in March 2025 by Daniella Santoro and Aaron Lorenz while doing yard work at their New Orleans home. University of New Orleans archaeologist D. Ryan Gray, working with colleagues at the University of Innsbruck and Tulane University, traced the stone to a missing object from a museum in Civitavecchia, Italy. Researchers believe it was brought to the U.S. as a souvenir by a member of the 34th division of the Fifth Army after the liberation of Rome in 1944. The FBI’s Art Crime Team is now involved in repatriating the headstone to Italy.

huge olmec heads mesoamerica

A farmer in southern Mexico discovered the first Olmec head in the late 1850s while clearing land for corn cultivation. Since then, 17 colossal stone heads have been unearthed, primarily at the San Lorenzo Tenochtitlan archaeological site in Veracruz. Carved by the Olmec civilization between 1200 and 400 B.C.E., these basalt monuments range from 3.5 to 11.5 feet tall and weigh up to 45 tons. Each head features unique facial expressions and is thought to depict individual Olmec rulers, possibly serving as funerary monuments. The heads are now held by institutions such as the National Museum of Anthropology in Mexico City and the Xalapa Museum of Anthropology.

In La Défense, a Plunge Between Art and Science into Abyssal Wonder

À La Défense, une plongée entre art et science d’un émerveillement abyssal

The exhibition "Sous l’horizon" (Under the Horizon) has opened in the Salle des colonnes, a massive underground space beneath the La Défense business district in Paris. Guided by a poetic narrative from writer Mariette Navarro and the voice of singer Emily Loizeau, visitors navigate a darkened 1,000-square-meter environment equipped with headlamps and audio headsets. The immersive journey features works by artists including Antoine Bertin, Ugo Schiavi, Jérémie Brugidou, and Shivay La Multiple, exploring the mysteries of the deep sea through bioluminescence, oceanic soundscapes, and futuristic sculptures.

Innovative London drawing fair with no stands stages its second edition

Tracing Time, a London drawing fair organized by Trois Crayons, returns for its second edition from 26 June to 5 July at No. 9 Cork Street. The selling exhibition features drawings spanning 500 years, with 35 participating galleries—double the number from its debut—including works by Giovanni Domenico Tiepolo, Gustav Klimt, and Françoise Gilot. Unlike traditional fairs, it operates without stands: dealers pay a flat fee for logistics, retain 100% of sales, and the space functions as a social hub without booths or dealers present.

Sotheby’s London Notches $63.3 Million Contemporary Sale, as Francis Bacon Portrait Soars

Sotheby's London held a contemporary evening sale on Thursday, totaling £47.6 million ($63.3 million), a significant increase from the £37.6 million ($49.2 million) achieved in the same Frieze-timed sale last year. The auction featured 27 lots, with a sell-through rate of 89%, and was led by Francis Bacon's *Portrait of a Dwarf* (1975), which sold for £13 million ($17.5 million), well above its high estimate. Tom Eddison, Sotheby's co-head of contemporary art, took the rostrum for his first marquee evening auction, guiding measured bidding that saw confident competition, including a cross-Channel contest for the top lot, ultimately won by Johan Nauckhoff for a client.

Rare Atlas Owned by Queen Mary I Heads to Market—With $1.6 Million Price Tag

A rare 16th-century atlas, once owned by Queen Mary I of England, is being offered for $1.6 million at the New York Antiquarian Book Fair. The volume, which contains unique early maps of Britain, was acquired by dealer Barry Lawrence Ruderman Antique Maps Inc. for $227,000 just two years ago and is now presented as a major artifact of Tudor history.

Indigenous Artist Honors Grandmothers at All My Relations Arts

Danielle SeeWalker, a Húŋkpapȟa Lakȟóta artist from the Standing Rock Sioux Nation, presents her solo exhibition *Uŋči Said So* at All My Relations Arts in Minneapolis, running through June 6. The show features vibrant expressionist portraits of grandmothers and matriarchs, neon signs with Lakȟóta words, and painted buffalo-hide drum heads, all inspired by memories, stories, and the artist's own heritage. SeeWalker incorporates distinctive motifs such as obscured faces with one realistic eye, braided hair symbolizing Native identity, and censored sections representing the repression of Native voices.

New art exhibition of large-scale wool felt sculptures on display at SJU

Artist Nicole Havekost has opened a solo exhibition titled "Totemic" at the Alice R. Rogers and Target Gallery at Saint John's University. The show features large-scale wool felt sculptures, ranging from six to ten feet tall, that explore the human body's dichotomy between controlled and uncontrollable elements. The figurative works, which lack heads, hands, and feet, evoke themes of mothering, caretaking, and exhaustion.

These artists want your help distracting fossil fuel executives

The Brooklyn non-profit space Pioneer Works is hosting an exhibition titled "How to Get to Zero" by artists Tega Brain and Sam Lavigne, featuring climate-focused interactive installations. The centerpiece, "Cold Call" (2023), invites visitors to don headsets and call fossil fuel executives, following a script designed to keep them on the line as long as possible to disrupt their productivity. Another work, "Offset" (2023-25), parodies carbon offset markets by allowing visitors to purchase credits for dissident acts like deflating SUV tires, with proceeds going to activists. The exhibition also includes "Perfect Sleep" (2021), an anti-productivity phone app that encourages rest to reduce carbon footprints, and "Synthetic Messenger" (2021), where cell phones click on climate news ads to boost journalism engagement.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

88-Year-Old “Father of a Lost Technique” Exhibits Over 60 Years’ Worth of Amazing Glass Art

88-year-old Swedish glass artist Bertil Vallien, known as the "father of a lost technique" for perfecting glass sand-casting, presents his first solo exhibition in Brooklyn at the Robert Lehman Gallery. Titled "Starman: Sixty Years of Exploring Glass Art," the show features 35 works spanning his 64-year career, including his signature glass heads, transparent boats, surreal sculptures, and colorful vases. Vallien has worked with the Swedish heritage brand Kosta Boda since 1963 and is credited with popularizing black glass and pushing the boundaries of the medium.

Who let the dogs out? Beeple unleashes uncanny robot canines at Art Basel Miami Beach

Digital artist Mike Winkelmann, known as Beeple, is presenting a new installation titled *Regular Animals* (2025) at Art Basel Miami Beach's Zero 10 digital art section. The work features robotic canines with hyper-realistic heads resembling tech billionaires Elon Musk, Jeff Bezos, and Mark Zuckerberg, as well as historical figures Pablo Picasso and Andy Warhol, and Beeple himself. Each robot costs $100,000 (in an edition of two plus one artist's proof), and all were sold during the VIP preview, except the Bezos piece. The robots excrete certificates of authenticity that include QR codes for purchasing accompanying NFTs, and they continuously photograph their surroundings, with images reinterpreted in the style of each dog's humanoid counterpart.

Augmented reality enjoys growing appeal as a tool for the art trade

Augmented reality (AR) headsets like the Apple Vision Pro and Meta Quest II are gaining traction as tools for the art trade, according to experts interviewed in this article. Gallerists Will Shott and Hal Bromm see potential for virtual tours, studio visits, and previewing artworks in situ, while adviser India Price notes that seeing works at scale in one's own space could boost buyer confidence. However, Martin Murphy of Ringling College of Art and Design argues that practical barriers—such as device personalization and generational divides—may limit adoption among traditional collectors.

A giugno 2026 a Pietrasanta apre il Museo Igor Mitoraj. Opere dell’artista ma anche mostre

The article announces the opening of the Museo Igor Mitoraj in Pietrasanta, Italy, scheduled for June 6, 2026, after several years of delays. The museum is the first space entirely dedicated to the Polish sculptor Igor Mitoraj, who died in 2014 and was known for transforming Tuscan marble into works blending classical forms with fragmented, contemporary themes. Designed by OBR, Politecnica, and Studio Lumine, the museum results from collaboration between the Italian Ministry of Culture, the Municipality of Pietrasanta, and the artist's heirs, united in the Fondazione Museo Igor Mitoraj. Frank Boehm, director of the foundation, envisions the space as a research-oriented center that will engage with different artistic languages and contemporary issues, not limited to Mitoraj's work alone.

Wereldmuseum Amsterdam ponders space to ‘respectfully’ house human remains

The Wereldmuseum Amsterdam has announced it will no longer publicly exhibit any human remains from its colonial-era collection, which includes around 4,000 body parts such as skulls and a preserved Surinamese newborn. At the opening of the exhibition "Unfinished past: return, keep, or…?", director of content Wayne Modest suggested the museum may create a dedicated space for "ritual practices" where descendants can respectfully engage with ancestral remains until a permanent repatriation solution is found. The exhibition features contemporary artworks, including Pansee Atta's "To Make One Particle," which reproduces each body part as a small wooden token, and draws on a four-year research program called Pressing Matter.

Statues Also Breathe: A Chorus of Clay and Memory, Where the Missing Return as Form.

The exhibition 'Statues Also Breathe' has opened at the Museum of African Contemporary Art Al Maaden (MACAAL) in Marrakech. Curated by Meriem Berrada, the installation features 108 terracotta heads created by artist Prune Nourry in collaboration with artisans and students. The work draws inspiration from the historic sculptural tradition of Ife in Nigeria while directly addressing the ongoing trauma of the 2014 kidnapping of the Chibok schoolgirls, using portraiture to represent the missing.

Historic Watch Recovered From Titanic’s Wealthiest Passenger Heads to Auction

A Patek Philippe pocket watch recovered from the body of John Jacob Astor IV, the wealthiest passenger aboard the RMS Titanic, is heading to auction. The watch, sold by Tiffany & Co. in 1904, will be the leading lot in a Freeman's Auction sale in Chicago on April 22, carrying an estimate of $300,000 to $500,000. A gold pencil found with it will also be sold.

ancient greek marble workshop discovery paros

Archaeologists on the Greek island of Paros have uncovered a Hellenistic marble workshop at the site of Floga in Parikia. The dig, overseen by the Cyclades Archaeological Society and directed by Sofia Detoratou, revealed a large number of unfinished marble statues—mainly of Aphrodite—along with clay heads, molds, seals, and a thick layer of marble dust, indicating organized sculpture production. The site shows evidence of settlement from the late 5th century B.C.E., with the workshop emerging around the end of the 3rd century B.C.E.

Sandro Miller’s Golden Tribute

Photographer Sandro Miller's exhibition "Steppenwolf 50: Through the Eye of Sandro Miller" is on view at the Art Center Highland Park through June 13. The show features a series of portraits and composites created in 2012 that celebrate 50 years of Steppenwolf Theatre Company. Works include large-scale composites like "Orgasmic Theatre" with 25 actors, a tribute to the late John Mahoney, and a collaboration with the late artist Tony Fitzpatrick. The exhibition also presents a grid of 45 black-and-white photographs capturing raw emotional moments from rehearsals and performances, along with diptychs and individual framed portraits of Steppenwolf actors.

Heron Marsh Gallery at Paul Smith's VIC calling for art

The Heron Marsh Gallery, located at the Paul Smith’s College Visitor Interpretive Center (VIC), has issued an open call for artists to participate in an upcoming exhibition. The gallery is seeking submissions that align with the natural themes of the Adirondack region, specifically highlighting the "Fiddleheads and Ferns" feature scheduled for May at the Adirondack Artists Guild.

Roberta Weir and Jerry Garcia exhibit to open at Vallejo Art Walk

The City Arts Gallery in Vallejo will open a special exhibition featuring the work of local artist Roberta Weir and limited edition prints by Grateful Dead musician Jerry Garcia. The show, opening during the Vallejo Art Walk on February 13, highlights Weir's four-decade career in oil painting and Garcia's lesser-known visual art, stemming from their mentorship and friendship that began when Garcia visited Weir's Berkeley gallery in the late 1980s.

Arboretum poppies, a tribute to late Wyndmoor artist

The Morris Arboretum & Gardens in Philadelphia recently displayed supersized red poppies at its entrance, reproductions of the colossal sculptures "Papaver Rubrum Giganteum" created by the late artist Gary G. Miller. Originally installed at the arboretum in May 2008, the installation featured 300 handmade aluminum poppies with 20-inch flower heads on 10-foot stems. Miller, a sculpture and photography teacher at Germantown Friends School and a facilitator at Woodmere Art Museum, was killed by a drunk driver in 2013. To commemorate his work, the Chestnut Hill Community Association organized an exhibition titled "Papaver Rubrum Giganteum Redux," featuring photographs of the poppies in a pop-up space from September 27 to October 4.

Crosscurrents Art Exhibition Open at Stifel Center; Winners Announced

The annual Crosscurrents art exhibition has opened at Oglebay Institute’s Stifel Fine Arts Center in Wheeling, West Virginia, running through July 12. Now in its 46th year, the show features 92 works selected from over 250 submissions by artists across six states and Washington, D.C. Pittsburgh-based artist Michael Lotenero served as juror, awarding Best in Show to Asha Cabaca for “Unit,” with second and third prizes going to Jade-Lynn Lewis and Jesse Baggett, respectively.

How Two Men with Hard Heads Broke Through Murano’s Glass Ceiling

Edoardo Pandolfo and Francesco Palù, the founders of the glass brand 6:AM, are revitalizing the traditional glassmaking industry of Murano with a contemporary, "punk" sensibility. By collaborating with master artisans and pushing the technical boundaries of the medium, the duo creates avant-garde pieces that challenge the island's historical aesthetic while maintaining its rigorous craftsmanship standards.

CUBA PRESENTS FREE MEN AT THE VENICE BIENNALE

Cuba presents Roberto Diago's installation "Hombres Libres (Free Men)" at the 61st Venice Biennale, curated by Nelson Ramirez de Arellano Conde and commissioned by Daneisy García Roque. The work, on view from May 9 to November 22, 2025, features a group of sculpted heads made from oxidized metals, wood, plastics, and reclaimed materials that advance toward viewers, bearing scars that evoke a history of pain and resistance.

Art Review: "The Rip in Her Sleeve" and "Iliana Arocho: Drawings" at Maiden Lane Gallery in Kingston

Maiden Lane Gallery in Kingston is hosting two concurrent exhibitions curated by Matt Moment: "The Rip in Her Sleeve," featuring pigment print photographs by Alicia Schirrmeister and Ruth Lauer Manenti, and "Iliana Arocho: Drawings," a solo show of ethereal drawings and metalpoint works by Iliana Arocho. The shows occupy two floors of a brick building that serves as an outpost for Headstone Gallery, run by Lauren Aitken and Chase Folsom, marking Moment's first collaboration with the gallery as a guest curator.

Art of Manga Exhibition Heads to Brooklyn Museum in October

The "Art of Manga" exhibition, organized by the Fine Arts Museums of San Francisco, will make its East Coast debut at the Brooklyn Museum in New York from October 3, 2026, to January 31, 2027. Featuring over 600 pieces of art, the show highlights works from renowned manga artists including Hirohiko Araki, Rumiko Takahashi, Gengoroh Tagame, Jiro Taniguchi, Kazumi Yamashita, and Fumi Yoshinaga. The exhibition previously ran at the de Young Museum in San Francisco from September 2025 to January 2026.

Double-edged sword: arms and armour play a small—but mighty—role at Frieze Masters

At Frieze Masters, dealer Peter Finer presents a stand filled with historical arms and armour, including a gilded horse-and-rider suite priced at £1.8 million, an Italian Renaissance sword with a Medusa hilt, and a late 16th-century crossbow. Prices range from £6,500 to seven figures. Finer, whose dealership was founded in 1967, is the sole specialist in this category at the fair, with clients ranging from major museums to niche collectors, such as a Viking sword enthusiast. Other scattered examples include a silver-gilt Shield of Achilles at Koopman Rare Art and Bronze Age spearheads at Rupert Wace.