La Cloche Art Show announces its 2026 Featured Artist Robert Potvin

The organizers of the 47th La Cloche Art Show have named Robert Potvin as the Artist of Distinction for the 2026 exhibition. Potvin, a self-taught acrylic painter and elected member of the Society of Canadian Artists, is recognized for his depictions of Northern Ontario landscapes and vanishing ways of life. The announcement comes as the community prepares for the 2025 edition of the juried show, which remains a staple of the regional art scene in Whitefish Falls.

Artistic lineages and lively spirits at new art exhibition in Limerick

A multi-generational art exhibition opened at The People's Museum in Limerick on a December evening, featuring works by Michael Collins, Clare Hartigan, Barbara Hartigan, Oisín Cleary, Teresa Collins, and Martin Finnin. The launch, supported by wine from Rocky of The Commercial pub, drew a community crowd and continued with an after-party, blending family ties and artistic disciplines across decades.

Space 204 welcomes back 2024 Hamblet Award Recipient, Chidinma Onukwuru in January 2026

Space 204 and the Vanderbilt University Department of Art will host a solo exhibition by Chidinma Onukwuru, the 2024 Hamblet Award recipient, from January 8–29, 2026. Titled "It’s Frightening Having This Much Presence," the show explores Igbo spirituality, ancestral ties, and the continuity of traditional Nigerian ceramic techniques, with an opening reception on January 8.

Pat Guthrie Special Exhibitions Teaching Gallery Fall 2025

The Pat Guthrie Special Exhibitions Teaching Gallery at the University of Wyoming Art Museum is hosting its Fall 2025 exhibition, which integrates artworks from the museum's collection into four university courses: GEOL 1101 on the Anthropocene, ENGL 4999 on place and public memory, HP 3165-04 on Inuit environmental dilemmas, and HP 1020 on dreams and reality. Featured works include prints by Katsushika Hokusai, Martin Stupich, Dana Claxton, and Linda Connor, each paired with course themes to foster interdisciplinary learning.

Interview with the curators who brought Italy to London Craft Week

Intervista alle curatrici che hanno portato l’Italia alla Craft Week di Londra

Amalia di Lanno and Valeria Zerbo, founders of the London-based curatorial platform Avant Craft, are bringing Italian ceramics to the London Craft Week for the first time. Their exhibition, "Contemporary Perspectives on Italian Ceramics," showcases a selection of independent Italian artists and designers who explore ceramics as a material investigation, sculptural experimentation, and cultural continuity. The show opens on May 14 with a "Meet a Master" event featuring artist Riccardo Monachesi, marking the official kickoff of Avant Craft.

"Our regime does not represent our culture". Interview on the Belarusian project during the Venice Biennale

“Il nostro regime non rappresenta la nostra cultura”. Intervista sul progetto bielorusso durante la Biennale di Venezia

The article is an interview with Daniella Kaliada, curator of the Belarusian project "Official. Unofficial." presented at the Venice Biennale in the church of San Giovanni Evangelista. Organized by the Belarus Free Theatre, an independent underground group, the exhibition features site-specific paintings by Sergey Grinevich, a sound installation by Olga Podgayskaya, and large-scale sculptures by Vladimir Tsesler. The project includes a sphere of banned books crushed by a bulldozer, testimonies of recently released political prisoners, and sculptures made from prison bars, all addressing censorship and political trauma without direct representation of suffering.

New National Galleries of Scotland chair to lead opening of Edinburgh’s The Art Works

The National Galleries of Scotland has appointed Catherine Muirden as the new Chair of the Board, effective 1 November 2025, for a four-year term. Muirden brings extensive experience from corporate roles at Barclays, Marks & Spencer, the John Lewis Partnership, and The Co-operative Group, alongside two decades of arts board service in Scotland, including as Vice Chair of Scottish Ballet and Chair of the Fruitmarket Gallery. She succeeds Benny Higgins, who led the board through a period of significant challenges. Director-General Anne Lyden expressed enthusiasm for working with Muirden to advance The Art Works, a new state-of-the-art facility in North Edinburgh that will serve as a community space, conservation center, and art storage hub, enabling broader public access to Scotland's national collection.

Ari Emanuel to buy Frieze from Endeavor

Endeavor has announced the sale of Frieze, the leading art fair and media brand, to a new company founded by Ari Emanuel, Endeavor's former chief executive. The deal, reportedly valued at nearly $200 million, includes all seven Frieze art fairs, the magazine Frieze, and its gallery sharing initiative No.9 Cork Street in London. Emanuel, who co-founded Endeavor, created an as-yet-unnamed global events company backed by investors including Apollo Global Management and Redbird Capital Partners. The acquisition is expected to close in the third quarter of 2025, and Frieze's leadership, including CEO Simon Fox, will remain in place.

AKKA Venice Project: Beyond the Exhibition

Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.

On Showing My Paintings in Auschwitz

Artist and Holocaust survivor Yehudis Barmatz-Harris has installed a series of paintings within the barracks of Auschwitz-Birkenau, marking a profound personal and artistic return to the site of her family's trauma. The works, which utilize materials like salt and organic textures, are placed directly on the wooden bunks where prisoners once slept, creating a visceral dialogue between contemporary Jewish life and the void left by the Shoah.

Missoula Art Museum opens new exhibit on buffalo’s tribal significance Friday

The Missoula Art Museum has launched "Buffalo Is Our Good Medicine," a collaborative exhibition by artists Aspen and Cameron Decker. The show features a diverse array of media, including traditional ledger art, sculpture, hide paintings, and multimedia installations that center on the buffalo's vital role within tribal communities. Many of the works utilize hides harvested from the Yellowstone herd, blending historical storytelling with contemporary artistic practices.

DIA's first major Anishinaabe art exhibit in 30 years ends this weekend

The Detroit Institute of Arts (DIA) is closing its major exhibition, "Anishinaabe Art: Honoring Tradition, Inspiring Innovation," this weekend. The show, which opened in October, is the museum's first significant survey of Anishinaabe art in three decades, featuring over 80 works from the 19th century to the present.

The Infinite Artistry of Japanese Ceramics

The Metropolitan Museum of Art in New York is presenting "The Infinite Artistry of Japanese Ceramics," an exhibition featuring approximately 350 works that trace Japan's ceramic history from 12,000-year-old pottery to contemporary pieces. The show draws primarily from the museum's Harry G. C. Packard Collection, marking the 50th anniversary of that landmark acquisition, and includes five rotations of artworks running from January 2026 through August 2027. The exhibition places ceramics in dialogue with lacquers, textiles, paintings, and prints to explore broader cultural contexts.

New gallery opens with nod to North Bay’s artistic past

Bloch Bauers Gallery of Fine Art has officially opened in downtown North Bay, Ontario, at 222 McIntyre St. W. The new space features regional, Indigenous, and Inuit art, along with works from private estates and consignments. The opening event included speeches, a ribbon cutting, and the unveiling of the "Lawrence Nickle Collection." A self-portrait by longtime local art teacher Ernest "Ernie" Taylor drew particular attention from attendees, including Nipissing MPP Vic Fedeli and Mayor Peter Chirico, who praised the gallery's connection to the city's artistic heritage. Co-owner and curator Joey Nadeau noted the months of preparation behind the opening and emphasized the importance of showcasing Indigenous art, including works by painter Stephen Snake.

These colors will enchant you. An exhibition of Niehliubka weavers opened at the Art Museum

On May 7, the National Art Museum of Belarus opened the exhibition "Harmony of the World of Niehliubka Weavers," showcasing traditional weaving from the village of Niehliubka in the Vetka District. The display features about 50 textile works from the museum's collection, along with tools, rare costume elements, and photographs provided by the Belarusian State Museum of Folk Architecture and Rural Life and the Vetka Museum of Old Believer and Belarusian Traditions named after Shklyarau. This tradition, which originated in the 17th century, includes towels, clothing, and interior items made with original weaving and embroidery techniques.

Danny Foley: Rising star of the Cork art world

Emerging artist Danny Foley has launched his solo exhibition, "Beyond Eye Sea," at the Lavit Gallery in Cork after winning the prestigious Cork Arts Society Student of the Year Award. The exhibition features an immersive installation comprising a stop-motion animation, paintings, and large-scale paper collages that explore themes of shapeshifting and fluid artistic processes. Foley, a graduate of the Crawford College of Art & Design, developed the work during a residency at the Backwater Artists Group, utilizing a technique of layering water-based materials to create evolving visual narratives.

First Mvskoke-owned and operated art gallery opens in Jenks

The Muscogee (Creek) Nation has opened the first Mvskoke-owned and operated art gallery in the Greater Tulsa area, Mvskoke Waters Gallery, in Jenks, Oklahoma, on December 13. The inaugural exhibition, “Mvskokvlke: Road of Strength,” features nearly two dozen Mvskoke artists from across the country, including George Alexander, Joy Harjo, and Sterlin Harjo, and includes a tribute to the late artist Mary Edward Smith. Co-curated by Bobby C. Martin and Carly Treece, the show celebrates Mvskoke resilience, strength, and cultural continuity.

Mango Tango Art Gallery Presents: “Gone but Not Forgotten,” Opening Saturday

Mango Tango Art Gallery in St. Thomas, Virgin Islands, is opening a commemorative exhibition titled “Gone but Not Forgotten” on Saturday, November 22, from 5:30 to 8:30 p.m. The show honors three beloved local artists—Kathy Carlson, Max Johnson, and Smokey Pratt—whose lives and works shaped the Caribbean art scene. The evening will feature live music by Neko Crush, appetizers, and spirits. Carlson and Johnson, both East Coast natives who studied at the Art Students League of New York, created lush floral paintings and portraits inspired by their Caribbean travels. Johnson also painted New England landscapes. Carlson was a respected educator who taught math at Antilles High School, while Johnson had a career in advertising at J. Walter Thompson. Pratt, a chef, musician, and gallery co-owner, contributed humorous cartoons and played in the blues duo 2 Blue Shoes. The exhibition runs for one month.

New art exhibition at the M features queer Indigenous artists, cultural teachings

The Minnesota Museum of American Art in St. Paul has opened “Queering Indigeneity,” a new exhibition curated by artist Penny Kagigebi and supporting curator Ben Gessner. Featuring works by 16 queer and two-spirit Indigenous artists, the show includes a birch bark basket by Kagigebi that retells an Ojibwe story about two-spirit ancestors, a glass mosaic by Sharon Day, beaded soundwave portraits by Ryan Young, and an abstract quilt by Delia Touché. The exhibition opens Thursday in the Nancy and John Lindahl Gallery.

Cultural Cities at the Heart of New Municipal Conquests

Villes culturelles, au cœur des nouvelles conquêtes municipales

Municipal elections across France have resulted in a wave of new and re-elected mayors, many of whom campaigned on strong cultural platforms. Key victories include Emmanuel Grégoire in Paris, Catherine Trautmann in Strasbourg, Grégory Doucet in Lyon, Yann Galut in Bourges, and Arnaud Deslandes in Lille, each outlining specific cultural visions ranging from continuity and private-public partnerships to fostering urban and street culture.

Svolta per il Museo del Fumetto che chiuse a Milano: nuova sede in un’ex biblioteca di Monza

The Franco Fossati Foundation's Museo del Fumetto (Comics Museum), which was evicted from Milan due to a €180,000 debt to the city, has found a new permanent home in Monza. The Monza city council approved the foundation's proposal on April 30, paving the way for the renovation of a former library in the Cederna district, which has been abandoned for years. The archive of 500,000 pieces will be temporarily stored in Desio while the Monza building is refurbished with €850,000 from the municipality and additional funds from the foundation.

‘Scattered Memories’: Fragments That Refuse to Fade

The Goethe-Institut Sudan, in collaboration with the Humboldt Forum Berlin, presents 'Scattered Memories,' a transcontinental exhibition at the Goethe-Institut Kairo from 1 to 3 May 2026. The show features Sudanese artists working across collage, film, music, performance, food, and storytelling to explore themes of loss, remembrance, and cultural memory. Public programs include discussions, guided tours, and a traditional coffee corner, transforming the exhibition into a space for communal gathering and exchange.

Holding Us Together: Images of Care, Continuity, and Black Life

The exhibition 'Kinship & Community' has opened, drawing from the Texas African American Photography Archive to present a living archive of everyday gestures and images of Black life. The show positions photography as both a witness to and a participant in the formation of community memory, focusing on themes of care and continuity.

Tide of Returns: Reclaiming Memory Through Oceanic Ritual

Thyssen-Bornemisza Art Contemporary (TBA21) Academy has opened its 2026 program at Ocean Space in Venice with the exhibition 'Tide of Returns'. Developed by the Repatriates Collective, the show features artists, filmmakers, and Indigenous communities from across the globe, transforming the former Church of San Lorenzo into an immersive environment. It moves beyond conventional restitution debates by presenting repatriation as a living, tidal process expressed through ritual, memory, and community care, using materials like sand from Anindilyakwa Country and returned shell dolls.

Local artists highlighted at library exhibition

The Rochester Folk Art Guild highlighted local artists and makers at an exhibition held at the Central Library of Rochester and Monroe County on April 25, 2026. The event allowed the public to interact directly with craftsmen and learn about the traditions and experiences that influenced their work.

Louisville exhibit explores history and heritage across the African diaspora

The Kentucky Center for African American Heritage in Louisville has launched "Celebrating the Black Experience," a traveling exhibition showcasing diverse artistic mediums from across the African diaspora. Featuring works ranging from hand-built porcelain to traditional hand-quilted textiles, the show highlights personal narratives, cultural identity, and the preservation of generational legacies. Notable contributions include Debra Harley’s completed quilts started by her great-great-grandmother and J. Everett Young’s return to physical painting and drawing from digital art.

Exhibition by textile artist Kadi Pajupuu to be opened at the Riigikogu

Textile artist Kadi Pajupuu has opened a solo exhibition titled "Sinane" (This Very) at the Art Gallery of Toompea Castle, the seat of the Estonian Parliament. Inaugurated by Riigikogu President Lauri Hussar, the showcase features experimental works that blend archaic Estonian linguistic themes with modern material technologies. The exhibition highlights Pajupuu’s innovative weaving techniques, including her patented RailReed and MultiWeave systems, which allow for adjustable warp density and three-dimensional textile structures.

Young At Art exhibition opens Saturday in Hilo

The 38th annual Young At Art (YAA) exhibition has opened at the Wailoa Center in Hilo, showcasing 125 juried artworks created by K-12 students from 18 schools across Hawaii Island. This year's theme, "SHIFT," prompted young artists to explore concepts of change and transition through various mediums. The event marks a significant return to a centralized venue and a new collaboration between the East Hawaii Cultural Center (EHCC) and the Wailoa Center, following years of decentralized satellite displays during the pandemic.

Generational San Antonio Art on Display at Culture Commons Gallery

The City of San Antonio's Department of Arts & Culture has opened a new exhibition titled 'Built on Legacy: Artists of San Antonio' at the Culture Commons Gallery. The show features 23 artists, both living and deceased, whose work in prints, sculpture, and installation represents the evolution of the city's art scene over the last fifty years.

Afghanistan’s heritage comes to the fore in acclaimed Doha show

A new exhibition at the Museum of Islamic Art (MIA) in Doha, titled *Empire of Light: Visions and Voices from Afghanistan*, highlights Afghanistan’s art and history from pre-Islamic times to the present day. Running until 30 May and timed to Art Basel Qatar week, the show draws primarily from MIA’s collection, with loans from Qatari institutions and international lenders such as the National Museum of Asian Art at the Smithsonian. It includes historical objects like a 13th-century ewer and a 9th-century Qur’an folio, as well as contemporary works such as Khadim Ali’s *Un-Safe Heaven* (2025), a textile piece embroidered by Afghan men and women. No objects come from Afghan museums, but large-scale wooden models and glass vessels were produced in Afghanistan with help from the Aga Khan Trust for Culture.