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A 1969 Fender Competition Mustang guitar owned by Nirvana frontman Kurt Cobain is being auctioned by Christie's in March, with an estimated price of $2.5–$5 million. The guitar was used on the albums *Nevermind* and *In Utero*, as well as in the music video for "Smells Like Teen Spirit" and numerous live performances. It is part of the Jim Irsay Collection, assembled by the late Indianapolis Colts owner, which includes instruments from John Lennon, Jimi Hendrix, Prince, and others.

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The Matthiesen Gallery in London has filed a lawsuit in the Southern District of New York alleging fraud, breach of contract, and other counts over a Gustave Courbet painting, *Mother and Child on a Hammock*. The gallery claims that Thomas Austin Doyle, a convicted con man, orchestrated a scheme to defraud director Patrick Matthiesen, selling the painting—valued at $650,000—through artist and dealer Shalva Sarukhanishvili to Jill Newhouse Gallery for $115,000, which then sold it to top collector Jon Landau for $125,000. The lawsuit also names Landau, who allegedly viewed the work multiple times at TEFAF fairs knowing its retail price, yet refuses to return it. Doyle has a long criminal history, including prior convictions for art fraud and theft.

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A jury trial is underway in Kingston, New York, to determine who will control the estate of Billy Name, the artist and photographer who lived with Andy Warhol in the 1960s and documented the Factory scene. Name died in 2016, and two competing wills have emerged: one from 2011 naming his niece Suzette Linich as executor, and another from 2015 naming his agent Dagon James. Linich argues Name lacked mental capacity when signing the later will, while James insists Name was lucid and fit.

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Greenpeace activists scaled a Shell-operated gas rig in the North Sea and unfurled a 315-square-foot canvas titled "Butchered," designed by artist Anish Kapoor. The activists sprayed crimson paint made from beetroot powder and pond dye across the canvas, creating a blood-like stain intended to symbolize environmental destruction. The work, described as the first fine art exhibited from a working gas rig, was erected during the UK's fourth heat wave of the summer to protest fossil fuel companies' role in climate change.

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Romania has secured a 'long-term hold' on El Greco's painting *Saint Sebastian* (1610–1614), which was pulled from a Christie’s New York Old Masters sale in February after the Romanian government claimed the work was unlawfully taken from its national collection. The painting, valued at $7–9 million, was consigned by Russian billionaire Dmitry Rybolovlev, who acquired it in 2010 from Swiss dealer Yves Bouvier. Romania has initiated litigation through Paris to recover the work, arguing it was illegally removed in 1947 by King Michael I as he fled the Communist takeover.

Tracking the Biggest Market Players at the Venice Biennale

The 61st Venice Biennale is underway, and while it is officially a non-commercial exhibition, market forces are increasingly influential behind the scenes. Artnet News host Margaret Carrigan reports on auction houses actively participating in opening week, and highlights Sotheby’s upcoming single-owner sale in London featuring works from billionaire Joe Lewis’s collection, expected to exceed $200 million. Meanwhile, Whitechapel Gallery has created a new economist-in-residence position to address ongoing financial strain in museums.

Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

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The historic San Francisco Art Institute campus, which shuttered in 2023 following bankruptcy, is being revitalized as the California Academy of Studio Arts (CASA). Founded by billionaire philanthropist Laurene Powell Jobs, the new center will offer a free, unaccredited, year-long studio program for up to 30 emerging visual artists. The initiative aims to foster an experimental environment inspired by Black Mountain College, providing mentorship, workshops, and public engagement platforms.

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The inaugural edition of Art Basel Qatar concluded in Doha, marking a significant new chapter for the Gulf art market. The fair adopted a smaller, curated format and was notably overseen by Egyptian artist Wael Shawky, who served as its artistic director, bringing a curatorial perspective to the commercial event.

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Nahmad Contemporary is presenting a new exhibition at Tarmak22 in Gstaad, Switzerland, focusing on Pablo Picasso's 1963–65 series 'Le Peintre et Son Modèle' ('The Painter and His Model'). The show features 14 paintings that explore the artist's gaze, power dynamics, and the relationship between painter and sitter. Uniquely, British supermodel Naomi Campbell contributes her personal reflections on the works, drawing from her own experience of being photographed and observed throughout her career.

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Artist Nan Goldin is donating proceeds from the sale of her 2007 photograph *Ava twirling* to support children from Gaza, inspired by a benefit exhibition and sale titled “Colors That Survived.” The exhibition, curated by children’s educator and YouTube star Rachel Accurso (Ms. Rachel), features prints of drawings by children from Gaza, priced at $200 each in a limited edition of 20, and has already sold out, raising over $65,000. Goldin’s photograph is being auctioned online through January 19, with bidding starting at $15,000. The fundraiser is organized by Artists Support, a charitable initiative founded in 2020, and also involves the team behind the docudrama *The Voice of Hind Rajab*, which won the Grand Jury Prize at the Venice Film Festival.

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Galerie de l'Institut, a family-run Parisian gallery specializing in prints since 1954, is currently staging "Picasso. Dessin. 1903–1972," a major exhibition showcasing Pablo Picasso's prints and works on paper spanning nearly seven decades. The gallery, led by siblings Marc Lebouc and Anne-Gaëlle Lebouc (the second generation), with the third generation (Louis Lebouc) now involved, has expanded its focus from prints to include unique works and strengthened its online presence through platforms like Artnet. The exhibition marks both Picasso's 144th anniversary and the opening of the gallery's third space.

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The Panama Papers leak has revealed that the 1997 sale of the Victor and Sally Ganz collection at Christie's New York was secretly orchestrated by billionaire currency trader Joseph Lewis. Lewis had already purchased the top works from the collection through a Christie's subsidiary, Spink & Son, months before the auction, and structured a guarantee that shared profits above $168 million. The sale, which set a private collection auction record at $206 million, included Pablo Picasso's "Women of Algiers (version O)" fetching $31.9 million. The documents also confirm that a Modigliani painting involved in a Nazi restitution case belongs to the Nahmad family.

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Johnny Depp has directed a new film titled "Modigliani – Three Days on the Wing of Madness," based on a play by Dennis McIntyre, which dramatizes 72 hours in the life of Italian painter Amedeo Modigliani. The film stars Riccardo Scamarcio as Modigliani and follows the artist's struggles with relationships, money, police, and a meeting with a collector, set against his bohemian life in early 20th-century Paris. It marks Depp's first directorial effort since 1997's "The Brave."

Theresa Hak Kyung Cha’s Art Speaks in a Language Left for Us to Translate

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is concluding "Multiple Offerings," the most comprehensive retrospective of Theresa Hak Kyung Cha’s work in 25 years. The exhibition traces the multidisciplinary career of the Korean American artist, who explored themes of exile, diaspora, and the fluidity of language through poetry, film, and performance before her tragic death in 1982. Curated by Victoria Sung, the show features over 100 works paired with pieces by mentors and contemporary artists influenced by her legacy.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

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James Rondeau, director of the Art Institute of Chicago, has given his first detailed interview about a 2023 incident where he removed his clothes on a flight from Chicago to Munich after consuming alcohol and prescription medication. The event led to police involvement and a voluntary six-week leave before the museum's board reinstated him, expressing confidence in his leadership.

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Actress and comedian Ego Nwodim will co-chair the Whitney Museum of American Art’s annual Art Party on January 27, 2026. The event, hosted by the Whitney Contemporaries, will take place at the museum’s Gansevoort Street building and feature DJ sets by Raúl de Nieves and The Dare. Nwodim joins co-chairs including artists Martine Gutierrez and Emma Safir, as well as Whitney Contemporaries Steven Beltrani, Micaela Erlanger, and Alexander Hankin. The evening will offer after-hours gallery access, cocktails, and dancing, with proceeds supporting the Whitney’s exhibitions, education, and public programs.

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Christie’s will auction an 1804 oil portrait of George Washington by Gilbert Stuart, estimated at $500,000 to $1 million, during its “We the People: America at 250” sale in early 2025. The painting was commissioned by President James Madison and served as a model for the engraving on the one-dollar bill. It was recently deaccessioned by Clarkson University, a technical school in upstate New York, which decided to sell the work to coincide with the 250th anniversary of the United States, with proceeds supporting the university’s educational mission.

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The Thomas Kinkade Family Foundation has publicly condemned the Department of Homeland Security (DHS) for using Kinkade's painting *Morning Pledge* in a July 1 social media post on X that included the phrase “Protect the Homeland.” The foundation stated it did not authorize the use of the artwork and that the post promotes division and xenophobia, which is antithetical to its mission. It has requested the post's removal and is consulting legal counsel. This follows similar complaints from artist Morgan Weistling, whose painting *New Life in A New Land* was used by DHS without permission, and criticism over DHS's use of John Gast's *American Progress* (1872), owned by the Autry Museum of the American West.

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Major art collectors Warren Stephens, Ken Griffin, Paul Singer, and Charles and Helen Schwab were among the top individual donors to President Donald Trump’s 2025 inauguration fundraising committee, according to data from the Federal Election Commission and Open Secrets. Stephens, a major donor to the Arkansas Museum of Fine Art, gave $4 million, the largest individual contribution, while Griffin, Singer, and the Schwabs each donated $1 million or more. The article also details additional political donations from these collectors, including Griffin's $100 million in conservative election spending, and notes that many large corporations like Amazon and BlackRock also contributed.

Gods, emperors and eagles restored in Blenheim Palace roof-rescue mission

Blenheim Palace is nearing the completion of a £12m conservation project, the most extensive in the 300-year history of the UNESCO World Heritage site. Led by Donald Insall Associates, the initiative involved a massive logistical effort, including the construction of 31 miles of scaffolding and a one-acre protective tent to repair rotting timbers, crumbling stonework, and leaking roofs. The restoration also addressed the palace's iconic Baroque skyline, featuring statues of gods, emperors, and a 30-tonne marble bust of Louis XIV.

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A Swiss artificial intelligence firm, Art Recognition, has claimed with high certainty that two versions of the painting 'Saint Francis of Assisi Receiving the Stigmata' (ca. 1428-32), held by the Royal Museums of Turin and the Philadelphia Museum of Art, are not by the hand of Northern Renaissance master Jan van Eyck. The company's CEO, Carina Popovici, stated the A.I. model determined the works were not authentic with 91% and 86% certainty, respectively, though the museums involved have not officially commented.

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The Zero Art Fair, running through Saturday at the Flag Art Foundation in Chelsea, New York, offers visitors the unusual option of taking artworks home for free. Co-founded by artists Jennifer Dalton and William Powhida, the fair operates on a model where buyers can either purchase a piece outright or acquire it at no cost, with the condition that their name appears on a public registry and they agree to lend the work for exhibitions. If no paying buyer emerges after five years, the free acquirer keeps the work permanently. The fair's first edition took place during Upstate Art Week in a Hudson Valley barn, and this second edition is supported by sponsors including collector Glenn Fuhrman's Flag Art Foundation and Gagosian gallery.

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Art critic Ben Davis shares a personal three-and-a-half-step method for getting the most out of visiting an art exhibition alone. The process begins with a quick walkthrough of the entire show to build a cognitive map of the space and note artworks that immediately stand out. The second step involves a systematic, slower tour to read wall texts, examine individual works, and uncover connections and hidden details, with special attention to time-based media like video art.

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The Italian artist who sails from the Island of Elba to Saint Helena: talking about power and making a film

L’artista italiano che parte dall’Isola d’Elba in barca a vela per raggiungere Sant’Elena: si parla di potere e si gira un film

Italian artist Luca Vitone (born Genoa, 1964) has launched a project titled "Pro Tempore," which involves a two-month sailing journey from the Island of Elba—Napoleon Bonaparte's first place of exile—to the remote island of Saint Helena, where Napoleon died in exile. The voyage, aboard the boat Adriatica, includes four intermediate stops (Balearic Islands, Algeciras, Canary Islands, Cape Verde) and is funded by the 14th edition of the Italian Council grant, in partnership with the Fondazione Oelle. The project explores the concept of temporary power and uses Napoleon's biography and the sea as metaphors for control and instability.

Gerhard Richter Supports New Admission Fee for Cologne Cathedral

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Cologne Cathedral, Germany’s most-visited landmark and a UNESCO World Heritage site, has announced it will begin charging tourists an admission fee starting this fall. The decision comes as the institution faces rising operating costs and depleted financial reserves following the pandemic, despite its recent surge in popularity on platforms like TikTok.

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A controversial AI-generated Christmas mural installed at Riverside Walk, a mall in Kingston upon Thames, southwest London, was removed after public backlash. The artwork, rumored to be by YBA artist Mat Collishaw, featured nightmarish imagery including deformed snowmen, monstrous Santas, and distorted figures, sparking outrage on Reddit and in local media. The private developers behind the installation claimed it was inspired by Pieter Brueghel the Elder, but the council denied involvement in its planning or funding.

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A California antiquities dealer, Aaron Mendelsohn, surrendered a 2,000-year-old bronze statue of a Roman emperor, known as the Nude Emperor, to New York prosecutors. The statue, valued at $1.33 million, was purchased in 2007 from a defunct New York gallery but is believed to have been looted in the late 1960s from a Roman shrine in Bubon, Turkey. In a deal filed in New York Criminal Court, Mendelsohn relinquished claims to the statue without admitting wrongdoing, and prosecutors withdrew an arrest warrant. The statue was repatriated to Turkey in a restitution ceremony on Monday, alongside dozens of other objects, including an $800,000 marble head of Demosthenes seized from the Metropolitan Museum of Art.