Meg Molloy, founder of the Working Arts Club, discusses the systemic barriers facing working-class professionals in the art world. Launched last year, the independent network provides social and professional support for arts workers from lower socioeconomic backgrounds, a demographic often excluded by the industry's reliance on unpaid internships, low entry-level salaries, and expensive urban hubs like London.
Kirkby Gallery has announced the opening of "ECHO," a solo exhibition by environmental artist Julie Dodd featuring sculptural works crafted from recycled and reclaimed materials. The show marks Dodd's first solo exhibition in a decade and showcases her practice of transforming discarded books and everyday objects into intricate forms that mimic natural patterns. Alongside the main event, the Entrance Gallery will feature "Supporting Households in Crisis," a research-based exhibition by Patricia McDonald-Holmes exploring food insecurity and community resilience in Knowsley.
Open Studio #4 ARNALDO POMODORO. Luoghi, memorie e visioni
Fondazione Arnaldo Pomodoro has launched the fourth edition of its "Open Studio" exhibition series, titled "Luoghi, memorie e visioni." This recurring program, initiated in 2022, provides the public with intimate access to the sculptor’s creative process by showcasing lesser-known themes and archival materials from his long career. The current iteration focuses on the intersection of memory and physical space within Pomodoro's monumental practice.
Renowned artist Philippe Parreno joined Hans Ulrich Obrist for an artist talk at the Mori Art Museum in Tokyo, hosted by Fondation Beyeler and UBS. The conversation spanned Parreno's career, from his early projects like the manga-inspired 'Annlee' to his current role as Artistic Director of the 2025 Okayama Art Summit. Parreno detailed his shift into filmmaking, including a new project featuring Jennifer Lawrence, and his use of AI and technology to create 'living' art installations.
The CAMP Gallery in North Miami is hosting "Under the Red Tent," an immersive fiber art exhibition presented in collaboration with Red Thread Art Studio Miami. Featuring over 20 women artists, the show transforms the gallery into a monochromatic red environment where threads are suspended, woven, and draped to create a tactile sanctuary. The exhibition launched on International Women’s Day and functions as an evolving space that integrates a living oral history archive alongside physical textile works.
The global art calendar for April 2026 features a diverse array of exhibitions ranging from indigenous-led material studies in Los Angeles to a historical deep-dive in Prague. Key highlights include 'Several Eternities in a Day' at the Hammer Museum, which explores 'living materials' through Brown and Indigenous perspectives, and a major 40-year retrospective of Veronica Ryan’s tactile sculptures at London’s Whitechapel Gallery. Additionally, Prague’s National Gallery revisits the controversial 1969 São Paulo Biennial through the work of Jiří Kolář, examining the intersection of art and political censorship.
The Alpharetta Arts Center is hosting a solo exhibition titled “From the Artist’s Studio: Alexi Torres,” running from March 4 through April 18. Organized in partnership with Arts Alpharetta and Alpharetta Arts & Culture, the show features a diverse range of media and genres from the Atlanta-based, Cuban-born artist.
The Campbell River Art Gallery is currently hosting the 44th Annual Member’s Show, a long-standing tradition presented in partnership with the Campbell River Arts Council. Running through April 25, 2026, the exhibition features nearly 80 artworks from local creators living within the region.
Eight preservation societies have filed a lawsuit against the Trump administration to halt a planned two-year closure and renovation of the Kennedy Center in Washington, D.C. The legal action alleges that the administration is bypassing federal historic preservation and environmental laws, as well as necessary Congressional approval, to fundamentally alter the modernist landmark. The suit specifically targets the administration's lack of transparency regarding the extent of the work, which plaintiffs fear could include demolition and reconstruction.
The Palmer Museum of Art is hosting "Who Wears the Pants?! Fashion History One Leg at a Time," an exhibition exploring the intersection of gender, power, and mobility through the history of clothing. Curated by Charlene Gross and Keri Mongelluzzo, the show features 29 works from the museum's collection ranging from the seventh century to 2007. The display is organized into four thematic sections—gender, labor, mobility, and self-expression—and includes notable works such as Mary Beth Edelson’s feminist lithograph "Some Living American Women Artists/Last Supper."
Seattle’s visual arts scene is offering several high-profile exhibitions accessible to the public for free throughout April. Highlights include a major outdoor installation at the Frye Art Museum by Cornish College of the Arts graduate Chloe King, whose work investigates the construction of cultural memory, alongside five other curated presentations across the city's museum and gallery network.
Renowned Ghanaian artist El Anatsui is currently experiencing a significant professional moment with concurrent exhibitions at White Cube in Hong Kong and Seoul, timed to coincide with Art Basel Hong Kong. The artist, known for his monumental sculptures crafted from discarded liquor-bottle caps and copper wire, recently saw his 2023 work "G6" sell for $995,000 at Sotheby’s London to benefit the Royal Academy of Arts. Now living back in Ghana after decades teaching in Nigeria, Anatsui continues to explore the fluidity of his medium, which mimics the organic processes of growth and decay.