The 2025 Sobey Art Award exhibition is opening tonight at the National Gallery of Canada. The Sobey Art Award is Canada's most prestigious prize for contemporary visual artists under 40, and this year's exhibition will showcase the works of the shortlisted artists from across the country.
Two exhibitions are currently on view at the Estevan Art Gallery and Museum (EAGM) in Saskatchewan, Canada. One features prairie landscape and wildlife photography by Nicola Dare, while the other presents colorful, fantastical sculptures and drawings by Kristin Teetaert in a show titled "A Selection of Specimens." Both exhibitions run through the end of May, offering visitors contrasting artistic experiences from realistic nature imagery to imaginative, biomorphic forms.
The Nicholas Metivier Gallery in Toronto has officially announced the representation of Tom Wilson Tehohàhake, a multidisciplinary artist, musician, and Order of Canada appointee. Wilson’s latest paintings are set to make their debut with the gallery at the upcoming Dallas Art Fair in April 2026. His work is characterized by vibrant, intricate patterns that incorporate elements of Mohawk beadwork and excerpts from his own literary writings.
The Salmon Arm Art Gallery is set to host "A.R.E.N.A. babies," an immersive installation by local artist Scott Kwah that explores the trauma and resilience of Sixties Scoop survivors. The exhibition's centerpiece features 18 hand-cast concrete figures seated on vintage chairs, utilizing childlike voices to create a sensory space for reflecting on the forced adoption of Indigenous children into non-Indigenous families.
Canada's monument to the victims of communism in Ottawa, officially opened a year ago, will no longer include individual names on its Wall of Remembrance after a federal government report revealed that many of the unvetted "victims" had ties to Nazi or fascist groups. Originally designed by architect Paul Raff to feature 553 entries, the Department of Canadian Heritage reversed its decision following alarms raised by Jewish groups and independent media outlets like Ricochet and The Maple, which found that more than half of the 550 names should be removed. The department stated that the wall will now feature only thematic content aligned with Canadian values of democracy and human rights.
The West Kelowna Art Exhibition will take place on Sunday, Oct. 19, 2025, from 10 a.m. to 4 p.m. at the Westbank Lions Community Centre in West Kelowna, Canada. The free event features local artists displaying original artwork in various mediums, an artisan marketplace for handmade goods, and live smooth jazz music. Most artwork will be available for purchase.
Marga Sánchez Romero, a professor of Prehistory at the University of Granada and a leading voice in feminist archaeology in Spain, argues in an interview that prehistory has been misrepresented as a sequence of violence and hierarchies. She emphasizes that new questions are reshaping our understanding of the past, highlighting that care, cooperation, and solidarity were as crucial as conflict in human evolution. The conversation covers biases in archaeological interpretation, the famous Viking tomb of Birka, the origins of inequality, and the role of museums in creating more inclusive narratives.
The Canadian Museum for Human Rights in Winnipeg announced plans for an exhibition titled 'Palestine Uprooted: Nakba, Past and Present,' scheduled to open in June 2026. The show will document the lived experience of the Nakba—the mass displacement of Palestinians beginning with the 1948 Arab-Israeli war—through video testimonials, objects, art, text, and photography, focusing on personal stories of Palestinian Canadians. The announcement has drawn both strong support and criticism, with museum CEO Isha Khan emphasizing the exhibition is not a historical retrospective or commentary on current Israel-Palestine relations.
The New Art Dealers Alliance (NADA) has announced the 12th edition of NADA New York, taking place from May 13 to 17, 2026, at the Starrett-Lehigh Building in West Chelsea. The fair will feature over 121 galleries, art spaces, and non-profit organizations from 15 countries and 46 cities, including 45 NADA Members and 51 first-time exhibitors such as Brigitte Mulholland (Paris), The Address (Brescia), and Central Server Works (Los Angeles). Returning initiatives include the TD Curated Spotlight, organized by Anthony Elms of the Mattress Factory, and NADA Presents, a series of conversations and performances. Highlights include solo presentations by Malcolm McCormick, Jonathan Torres, Effie Wanyi Li, Xiaoyi Gao, and others.
Alserkal Avenue in Dubai has launched "Deja Vu," a multi-gallery exhibition bringing together 20 UAE-based galleries at the Concrete venue, running until May 8. Curated by Zaina Zaarour with co-curators Kevin Jones and Nada Raza, the show features works including German artist Michael Sailstorfer's installation of a car fuel tank, reflecting anxieties around fuel prices and geopolitical uncertainty. The exhibition emerged from urgent community meetings after the Iran war disrupted the spring art season, which typically includes Art Dubai and collector visits. Participating galleries include 16 from Alserkal Avenue, plus Nika Project Space, Total Arts at The Courtyard, Tabari Artspace, and Iris Projects, with many works priced under $10,000 to facilitate sales.
Surrey Art Gallery in British Columbia is hosting a series of events throughout May 2026, centered on the exhibition "In the Shadow of the Pavilions: Expo 86 and Contemporary Art." Highlights include a Family Art Jam on May 3, an artist talk with Leah Murray on May 7, a symposium titled "Expo Lines: Expo 86 and Contemporary Art" on May 9, and a curator’s tour with Jordan Strom on May 28. The events explore the artistic legacy of Vancouver’s 1986 world’s fair, which drew 22 million visitors, and feature works by over 50 artists including Bill Reid, Robert Davidson, Debra Sparrow, and Paul Wong.
The Contact Photography Festival, Canada's largest photography event, opens Friday in Toronto with over 160 exhibitions across eclectic venues including artist-run centers, commercial galleries, cafes, and a laundromat. Highlights include a towering portrait by Haitian-born artist Thandiwe Muriu on Spadina Ave., and a multi-site exhibition by Turner Prize-nominee Sin Wai Kin, featuring billboards and a two-channel video titled 'The Time of Our Lives.' The festival lost its long-time lead sponsor Scotiabank in 2024, resulting in a reduced budget and less public programming, but organizers remain committed to championing lens-based art.
The Power Plant Contemporary Art Gallery in Toronto has opened a new interactive exhibition titled "Colourful Parachutes: Imagining Alternative Futures Through the Power of Play," running until September 7. The show features 10 international and local artists and breaks the traditional gallery rule of "do not touch" by inviting visitors to play, climb, and alter the artworks. Curated with children in mind, the exhibition includes works like Harold Offeh's immersive installation "The Mothership Collective 2.0," which uses music, video, and interactive elements to encourage imaginative thinking about the future.
Nalini Malani's latest installation, *Of Woman Born*, opens at the Magazzini del Sale in Venice during the Venice Biennale. Commissioned by the Kiran Nadar Museum of Art, the work projects hand-drawn animations onto the crumbling brick walls of a 15th-century salt warehouse, creating a cave-like environment where images flicker like ancient cave paintings. The installation draws on tens of thousands of drawings and incorporates mythology, literature, and sound, with a central focus on the myth of Orestes to explore themes of violence, displacement, and gender politics. Malani has also extended her recurring 'Skipping Girl' figure across Venice via posters and public signage to guide viewers to the exhibition.
The Robert McLaughlin Gallery in Oshawa, Ontario, will launch its summer exhibition season on June 13, 2026, featuring five new displays. The season includes solo shows by artists Stephen Andrews, Oliver Husain, and Austin Henderson. Andrews presents 'The sum of the parts,' a display of 125 drawings examining media coverage of the Iraq and Afghanistan wars. Husain offers an immersive video installation titled 'I ♥ Snail,' exploring the history of IMAX cinema. Henderson, the RBC emerging artist in residence, debuts works investigating queer history and the HIV/AIDS epidemic in Canada through his family history. A free public event with curator remarks, artist-led tours, and a complimentary shuttle from OCAD University in Toronto will mark the opening.
The Vancouver Art Gallery, in partnership with Canada's National Observer, will open "Future Geographies: Art in the Century of Climate Change" on May 10, 2026. The exhibition, co-created by publisher Linda Solomon Wood and curator Eva Respini, features over 35 international artists including Ed Burtynsky, Huma Bhabha, Jean Shin, Clarissa Tossin, and Josh Kline. Works explore climate change through photography, sculpture, installation, and film, avoiding a doom-and-gloom tone in favor of poetic and thought-provoking approaches.
The Southern Plains Indian Museum in Anadarko, Oklahoma, announced the opening of its 2025 fall exhibition, "Newly Acquired Contemporary Works from the Southern Plains Indian Museum Collection," running from September 8, 2025, through January 8, 2026. The exhibition features two- and three-dimensional works by 14 Native American artists from the Southwest, Northern Plains, and Southern Plains, including Jack Anquoe Jr., Beth Bush, Nocona Burgess, and others, showcasing oil and acrylic paintings, ledger drawings, beadwork, quillwork, silverwork, pottery, and textiles.
The Heller Museum at Hebrew Union College in New York presents “Children of Ruth: Artists Choosing Judaism,” an international group exhibition featuring 17 artists who converted to Judaism. Curated by Nancy Mantell and Susan H. Picker, the show includes works by artists from New Zealand, Japan, Hong Kong, Norway, the Netherlands, Canada, and the United States, exploring their diverse spiritual journeys through various media. Featured artists include Tetsuya Noda, whose print “Diary: June 11, 1971: Bet Din for Conversion” depicts his conversion ceremony; Yona Verwer, whose “Immersion VIII” portrays her mikvah experience; and Carolyn Carson, whose “Daughters of Ruth” addresses antisemitism and belonging.
Untitled Art, Miami Beach has announced the 157 exhibitors for its 2025 edition, running December 3–7 on Miami Beach. The fair introduces a new “Artist Spotlight” section organized by artist Petra Cortright, alongside its main Galleries section and the reimagined Nest section curated by Jonny Tanna. Notable first-time exhibitors include Meliksetian | Briggs, PALMA, and Soho Revue in the main section, while several galleries have switched from NADA and Art Basel Miami Beach, including Kavi Gupta returning after a lawsuit hiatus. The fair also features Allison Glenn as curator of site-specific Special Projects.
Christiana Ine-Kimba Boyle, a former director at Lehmann Maupin, Canada, and Pace, has launched Gladwell Projects, a nomadic gallery with a staff of one. The gallery's second show, "The Spirituality of Color," opens October 3 in a Harlem townhouse, featuring works by Sam Gillam, Kylie Manning, and others. Its first show, "The Metroplex," was held in collector Christie Williams's Dallas home during the Dallas Art Fair, resulting in acquisitions by the Dallas Art Museum. Ine-Kimba Boyle aims to present blue-chip rigor at a smaller, community-focused scale, part of a "Domestic Interventions" series in private homes.
Artists Enclave, a Denton arts networking organization based at UNT CoLab, hosted the "Tierra Verde" Juried Exhibition throughout August 2025. The show featured over 60 artworks by Texas artists exploring the intersection of art and activism, with pieces addressing environmental issues, protests, political beliefs, and social stigmas such as menstruation. The exhibition opened on Aug. 1 with a reception attended by over 175 guests, featuring live music by Rachel Yeatts, and awarded prizes to artists including Aileen Khuu, Jose Angel Hernandez, Anadara Braun-Good, Lauren Doorish, and Genie Baranoff.
Labour Day in Ottawa on September 1, 2025, will see most grocery stores, malls like Bayshore and Place d'Orléans, LCBO locations, and all Ottawa Public Library branches closed. However, several national museums including the National Gallery of Canada, along with the agriculture, aviation, history, nature, science, and war museums, will remain open. Some grocery stores such as Metro on Rideau and Bank streets, Whole Foods at Lansdowne Park, and select Beer Store locations will operate, while Rideau Centre and Tanger Outlets will be open with varying store hours. Municipal services like green bin and garbage collection are suspended for the day, and city beaches will no longer have lifeguards.
The Thunder Bay Art Gallery's new waterfront building, originally budgeted at $38 million in 2023, is now projected to cost approximately $75 million. Executive director Matthew Hills expressed confidence the project will be completed despite the cost doubling, citing $46 million in secured funds and ongoing negotiations with provincial and federal governments. Construction is underway, and the gallery is expected to open by early 2027, replacing its current cramped space on the Confederation College campus.
Matthew Hills, executive director of the Thunder Bay Art Gallery, gave local media a tour of the partially-completed facility on the city's north-side waterfront, confirming the opening has been delayed from 2025 to 2027. Inflation, supply-chain issues, and trade wars have driven the project cost to $74.7 million, with a $22.6 million funding shortfall. City council recently released $5 million to prevent a construction shutdown, and Hills said a phased opening in 2026 is under consideration. Current funding includes $37 million from the federal Canada Cultural Spaces Fund, $5.7 million from Ontario, $5.2 million from the city, and $4.9 million in private donations.
Canada's first cat museum, Le Miaousée, is launching with a pop-up exhibition in Montreal's Little Italy district from September 12-28, 2025. Founded by cultural entrepreneur Aqeela Nahani, the museum aims to celebrate the bond between cats and humans while supporting rescue cat charities. The debut show, titled 'Miaoutréal: The History of Montreal’s Cats,' will feature archival photographs dating back to the 1860s, cat-themed events, contemporary art by local artists including Sylvain Amblard, Andréanne Lupien, and Linda Luttinger, and a tribute to animal rescue organizations such as the Montreal Society for the Prevention of Cruelty to Animals. A permanent museum is planned for 2026, which will include rotating exhibits, a cat lounge for adoptable cats, and a boutique.
Michelle Fung reflects on the realities of working as an artist in Hong Kong, dispelling the romantic myth of the bohemian artist. She describes the city's high cost of living, lack of affordable studio space, and the need for artists to take on multiple jobs—from teaching to selling secondhand handbags—to survive. Fung notes that while Hong Kong offers a vibrant art scene with over 70 galleries and a dozen museums, most artists cannot rely on gallery sales alone. She also critiques the Hong Kong Arts Development Council's grant system, which covers project expenses but provides minimal artist fees, contrasting it with more generous systems in Canada and the Netherlands.
Sara Nadal-Melsió, the former associate director of the Whitney Museum's Independent Study Program (ISP), has spoken out about her termination in June 2025, which occurred shortly after the museum's director Scott Rothkopf announced a suspension of the 50-year-old program. In an essay published in Hyperallergic, Nadal-Melsió describes her dismissal as retaliation for her public protest against the Whitney's cancellation of a pro-Palestinian performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance." She characterizes the museum's actions as part of a broader pattern of institutional obfuscation, corporate culture, and disregard for workers' rights.
The Buffalo AKG Art Museum has opened a new exhibition titled 'Northern Lights,' featuring over 70 paintings of Nordic and Canadian landscapes created between 1880 and 1930. The show includes works by Edvard Munch, best known for 'The Scream,' and was curated by Helga Christoffersen. The exhibition opened on a First Friday with pay-as-you-wish admission and will run through January 2026. Consuls general of Canada and Finland joined museum staff at a press conference to highlight the cross-border significance of the collection.
Artist Beata May will present her solo exhibition 'Où est Vénus? – Where is Venus' at Espace 22 in Monaco from 9th to 22nd August, organized by Unchained.Art. The two-week pop-up is curated by Christina Hiltscher, with the first week featuring May's solo works, including the piece 'Icon III', and the second week expanding to include six additional international artists responding to May's central question.
Artnet News published part two of a two-part series featuring advice from 11 experienced collectors. Among them are comedian Cheech Marin, who began collecting Chicano art in the 1980s and opened the Cheech Marin Center for Chicano Art and Culture in Riverside, California in 2022, and Kiran Nadar, founder of the Kiran Nadar Museum of Art in India, who with her husband has amassed over 15,000 works. Marin emphasizes trusting instincts, building relationships with artists, seeing art in person, and warns about storage space becoming an addiction. Nadar advises staying open and curious, and not hesitating to explore the unfamiliar.