Trevor Paglen’s New Book Says AI Is Rewriting What Images Do

Artist Trevor Paglen has published a new book, *How to See Like a Machine: Images After AI*, which argues that generative AI and computer vision are fundamentally changing how images function in culture. Drawing on his decade-long practice, Paglen contends that images are no longer merely representations for human interpretation but have become operational tools—'activations' that trigger automated responses and shape reality. He cites examples such as surveillance cameras at grocery stores, the Samsara navigation system in trucks, and the ImageNet database to illustrate how machine vision systems normalize surveillance in service of capital, a phenomenon he terms 'machine realism.'

Auctioneer Kimberly Pirtle Leaves Sotheby’s to Launch Hybrid Art-Philanthropy Advisory

Kimberly Pirtle, a fast-rising auctioneer at Sotheby’s, has left the company to launch Gabriel Advisory Group, a hybrid art advisory and cultural philanthropy firm. The new practice works across primary and secondary markets, advising collectors on acquisitions while also guiding philanthropic strategy and institutional engagement, drawing on Pirtle’s experience in Sotheby’s collectors group and her work with benefit auctions for organizations including the Pratt Institute, the Bronx Museum of the Arts, the Queens Museum, and the Gordon Parks Foundation. Pirtle is also maintaining a role as a VIP consultant with Frieze.

Buffalo AKG Art Museum Director Janne Sirén to Depart After 13 Years

Janne Sirén, director of the Buffalo AKG Art Museum in Upstate New York, will step down in October after 13 years. His tenure included a major $230 million expansion in 2023 that doubled the museum's square footage and drew a record 340,000 visitors in the following year. However, his departure follows local media reports that he used a museum loan to help finance his $710,000 home, with the Erie County Comptroller’s Office alleging he failed to repay it and that the loan may violate state nonprofit laws. The museum defended the loan as common in executive recruitment and stated it operates in full compliance with the law.

Aspen AIR Festival to Feature Lucy Raven, Camille Henrot, Los Thuthanaka, Morgan Bassichis, and More

The Aspen AIR Festival returns for its second edition from July 27-31 in Aspen, Colorado, featuring performances, exhibitions, and talks under the theme “Figures in a Landscape.” Returning artists include Matthew Barney, who will present sculptures related to his TACTICAL parallax performance, and Lucy Raven, who will show her film Murderers Bar with a new score by Deantoni Parks. New commissions include Camille Henrot’s operatic work Commedia dell’arte, a performance by Los Thuthanaka blending Andean sounds with electronics, and a piece by Kali Malone and Stephen O’Malley originally created for the Holy See Pavilion at the Venice Biennale. The festival also includes talks by Adrián Villar Rojas, Lyle Ashton Harris, Ivan Cheng, Morgan Bassichis, and a keynote by filmmaker Julie Dash.

Saudi Arabia Museum of Contemporary Art Gets $490 M. from Powerful Real Estate Firm

The forthcoming Saudi Arabia Museum of Contemporary Art has received a $490 million construction grant from Diriyah Company, a real estate firm chaired by Crown Prince Mohammed bin Salman. Designed by Dubai-based Godwin Austen Johnson, the museum will span 883,000 square feet—larger than the Louvre in Paris—and will be located in Diriyah, with additional exhibitions in Riyadh. The grant supports Saudi Arabia's Vision 2030 plan to diversify the economy away from oil.

Major Greek contemporary art non-profit Neon to close after 14 years

Neon, a major Greek contemporary art non-profit founded by businessman and patron Dimitris Daskalopoulos, is closing after 14 years, stating it has fulfilled its cultural and social mission. Between 2012 and 2026, the organization presented 44 exhibitions across museums, historical sites, and public spaces, commissioning 105 works by Greek and international artists. Notable projects include donating Antony Gormley's sculpture 'RULE II' (2019) to the island of Delos—the first contemporary work permanently installed at an ancient site—and funding the €1.4m renovation of the Lenorman Street Tobacco Factory in Athens into a cultural center. Neon will present its final exhibition, the third installment of 'Michael Rakowitz & Ancient Cultures,' later this year at the Old Acropolis Museum.

Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

'The museum is not a space for the elite': Portuguese building firm’s new museum puts workers first

A new museum called Muzeu—Thought and Contemporary Art DST has opened in Braga, northern Portugal, housed in a former courthouse and built by the DST Group, a Portuguese industrial conglomerate. The inaugural exhibition, titled "Let Us Be Realistic, Let Us Demand the Impossible," features over 100 works by 96 artists including Alex Katz, Francesco Clemente, Franz West, and Nan Goldin. The museum prioritizes workers, opening first exclusively for company employees on 24 April, then to the public on Freedom Day (25 April), with free admission for the first week and closure on International Workers' Day (1 May).

Daft Punk’s Thomas Bangalter to Co-Headline ‘Immersive Experience’ at Art Basel

Thomas Bangalter, formerly of the electronic music duo Daft Punk, is scheduled to co-headline an immersive experience called 'WAREHOUSE ARTEFACTS' at the Art Basel fair in Basel, Switzerland. The event, produced by Nordstern Basel nightclub in cooperation with Art Basel and Fondation Beyeler, will also feature house music producer Rampa and conceptual artist Julian Charrière.

How Wayne McGregor’s epic ballets draw on help from his artistic friends

Choreographer Wayne McGregor’s upcoming production at the Royal Opera House, 'Alchemies', highlights his career-long commitment to cross-disciplinary collaboration with visual artists and designers. The program features a world premiere with costumes by fashion designer Saul Nash, alongside revivals of 'Yugen' and 'Untitled, 2023'. These works incorporate significant contributions from the art world, including set designs by ceramicist Edmund de Waal and previous collaborations with figures like Tacita Dean and Olafur Eliasson.

Stealing the show: Mona Lisa heist inspires Andrew Lloyd Webber musical

Renowned composer Andrew Lloyd Webber has announced he is developing a new musical based on the 1911 theft of Leonardo da Vinci’s Mona Lisa. The production will dramatize the true story of Vincenzo Peruggia, a Louvre employee who stole the masterpiece and kept it hidden for over two years before attempting to sell it to an antiques dealer in Florence. Lloyd Webber, the creative force behind global hits like Cats and Phantom of the Opera, is currently in the writing phase of the project.

Tokyo Architect Kengo Kuma Beats Out Renzo Piano and Selldorf to Design National Gallery’s £350 M. New Wing

The National Gallery in London has appointed Tokyo-based architect Kengo Kuma to design a new £350 million wing as part of its ambitious £750 million "Project Domani" expansion. Kuma, known for the V&A Dundee, beat out high-profile Pritzker Prize winners Renzo Piano and Norman Foster for the commission. The project involves the demolition of St. Vincent House to create 15,000 square feet of new exhibition space dedicated to 20th and 21st-century art, along with new pedestrian zones and a roof garden.

Closure of DePaul Art Museum leaves collection in limbo

DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) effective June 30, citing a projected $27.4m budget deficit for 2026. Despite an open letter signed by over 3,000 students and faculty, the administration is moving forward with the shutdown of the $7.8m facility that has served as a cultural anchor since 2011. Director Laura-Caroline de Lara had successfully raised funds to keep the museum operational through the current season, but the university's leadership remains committed to the closure as part of a broader cost-cutting initiative.

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Galerie Francesca Pia, a fixture of the Swiss art scene for 35 years, has announced it will close its doors at the end of October. Founded in Bern in 1990 before moving to Zurich's prestigious Löwenbräukunst-Areal district, the gallery will conclude its operations following a final exhibition with American artist Wade Guyton. The closure marks the end of a significant tenure for a dealership that was a regular participant at Art Basel for over two decades.

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Salvador Dalí’s largest ever painting, a monumental 13-panel stage set created for the ballet "Bacchanale," is set to lead Bonhams’s fourth annual Surrealist sale in Paris on March 26. Measuring 65 by 100 feet, the work was originally commissioned for the Ballet Russes de Monte Carlo and features Dalí's signature paranoiac-critical imagery, including a central depiction of Mount Venus. The set, which premiered at the Metropolitan Opera in New York in 1939, is estimated to fetch between $236,000 and $350,000.

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DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.

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A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.

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Performance artist Pat Oleszko, known for her satirical costumes and public interventions, is receiving significant institutional recognition in New York. At 78, she is featured in the 2026 Whitney Biennial and is the subject of a solo exhibition, "Fool Disclosure," at SculptureCenter, her first institutional solo show in the city in over 35 years.

M HKA Remains Museum, SMAK Plan Scrapped

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The government of Belgium's Flanders region has reversed its controversial plan to close the M HKA contemporary art museum in Antwerp and transfer its collection to the SMAK museum in Ghent. Under a new plan called "M HKA 2.0," the museum will retain its collection, its museum status, and continue its programming, while SMAK will be operated by the regional government.

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A new TV series titled "The Artist" on The Network offers a chaotic, irreverent take on art history, centering on a widow (Janet McTeer) who may have murdered her robber-baron husband. The show features historical figures like Edgar Degas and Thomas Edison, blending campy soap-opera drama with accurate art-historical references, including real artworks by Monet, Manet, Cassatt, and Degas. The final episodes air December 25 on a free ad-sponsored platform created by director Aram Rappaport.

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New York's Metropolitan Opera is considering selling two monumental Marc Chagall murals, 'The Sources of Music' and 'The Triumphs of Music' (1966), valued at $55 million by Sotheby's, to address a severe financial crisis. The Met has already drawn $120 million from its endowment, reduced performances, and struck a controversial $100 million deal to perform in Saudi Arabia, which has drawn scrutiny over human rights abuses. The murals, which hang in the Grand Tier, would remain in place even if sold, and the Met is also exploring naming rights and theater leasing.

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Joseph Atsus, a 51-year-old Pennsylvania man, was sentenced to 48 months in prison, supervised release, and $1 million in restitution for his role in a multi-state museum theft ring that operated from 1999 to 2019. The ring stole millions in art and memorabilia from 20 institutions, including Andy Warhol's silkscreen *Le Grande Passion* (1984) and Jackson Pollock's oil painting *Springs Winter* (1949) from the Everhart Museum in Scranton, Pennsylvania, in 2005. Atsus is the sixth member of the eight-person ring to be sentenced; co-conspirator Nicholas Dombek received 108 months, while others received sentences ranging from six to 96 months. Many stolen works remain missing, and some, including a painting valued at $125,000, were destroyed to avoid evidence recovery.

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When the Eaton Fire swept through Altadena in January 2025, artist Diana Thater lost decades of raw footage, master tapes, installation manuals, and ephemera stored in her garage. Her husband, artist T. Kelly Mason, managed to save a server and several hard drives, but much of her earlier archive—never digitized—was destroyed. In the aftermath, Thater began working with the Canyon Media Art Conservation Center (CMACC), a nonprofit conservation lab opening in 2026 that specializes in time-based media art. Led by conservator Cass Fino-Radin, CMACC is helping Thater locate surviving versions of her works in museums and private collections to rebuild and preserve her archive.

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Pilar Tompkins Rivas, chief curator and deputy director of curatorial and collections at the Lucas Museum of Narrative Art in Los Angeles, has left her post, as first reported by the Los Angeles Times. Her departure is the latest in a series of leadership exits at the institution, which is set to open on September 22, 2026. The museum was founded by George Lucas and Mellody Hobson, and Rivas was one of six women of color appointed to high-ranking roles in 2020 by then director and CEO Sandra Jackson-Dumont, who left in February. The museum laid off 15 employees in May, and CEO duties are now held on an interim basis by Jim Gianopulos, while Lucas himself oversees curatorial content.

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More than 150 unionized workers at Britain's Tate museums, represented by the Public and Commercial Services Union (PCS), will strike from November 26 to December 2 over what they call inadequate pay raises. The strike follows a vote where 98% of members supported action, with 88% turnout. Staff at Tate Britain, Tate Modern, Tate Liverpool, and Tate St. Ives were offered a 2-3% salary increase, which the union argues is below the government's Civil Service Pay Remit Guidance maximum of 3.25%. The action coincides with the opening of the major exhibition "Turner & Constable: Rivals & Originals" at Tate Britain on November 27.

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The Wadsworth Atheneum Museum of Art in Hartford, Connecticut, has appointed Allison Blais as its new president and CEO, effective January 2026. Blais, currently executive vice president and chief strategy and operations officer at New York’s 9/11 Memorial & Museum, will succeed Jeffrey N. Brown, who held the role for five years. The announcement was made by board chair Duffield Ashmead IV MD, who praised Blais's experience with large-scale capital projects and stakeholder engagement. Blais, a Connecticut native, expressed her long familiarity with the Wadsworth and her enthusiasm for working with museum director Matthew Hargraves.

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A painting of Saint Francis of Assisi, stolen from the Church of San Francisco de Asis in Teotihuacán, Mexico, in 2001, has been recovered and returned to the church. The six-foot-tall work, painted in 1747 by an unknown artist, was among 18 artworks taken in a nighttime theft. It resurfaced in 2018 when it was consigned to Mexico City auction house Morton Subastas, whose due diligence with the Art Loss Register flagged it as stolen. The painting, valued at 280,000 Mexican pesos ($15,000), was returned to the church in a ceremony led by Padre Teodoro García Romero.

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New York's Performa biennial postponed a new work by artist Lina Lapelytė, titled *The Speech (NYC)*, just one day before its scheduled debut because the planned venue, Federal Hall National Memorial, was closed due to the U.S. government shutdown. The piece involves 100 children making primal sounds and was to be performed on Wednesday at the historic site, which is operated by the National Park Service. Performa rescheduled the performance for November 17 and is seeking an alternative venue.

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Miami's Frost Museum of Science has filed a lawsuit against the Florida Department of Transportation seeking the removal of a giant digital billboard on the grounds of the Pérez Art Museum Miami (PAMM). The 1,800-square-foot sign, which advertises luxury brands like Tiffany and Yves Saint Laurent alongside PAMM programming, was built under a 2023 city commission exception that allowed billboards nearly twice the legal size limit. That exception was later overturned amid controversy over campaign contributions from the billboard's operator, Orange Barrel Media, to the commissioner who introduced it. PAMM argues the sign was approved by all relevant authorities, while Frost Science claims it violates state law, degrades the museum environment, and jeopardizes federal highway funding.

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German police have dismantled an international forgery ring attempting to sell fake artworks attributed to masters including Rembrandt, Pablo Picasso, and Frida Kahlo. The suspected ringleader, a 77-year-old German man from Bavaria, was arrested after trying to sell two counterfeit Picasso paintings, one a portrait of Dora Maar. Investigators, who code-named the operation “Dora Maar,” conducted raids across Germany, Switzerland, and Liechtenstein, seizing 19 fake works with asking prices ranging from $460,000 to $16 million. A 74-year-old accomplice is accused of producing forged expert reports to authenticate the fakes.