Autumn Arts: Visual Art

Seattle's galleries and museums are launching a fall season of exhibitions addressing politics, identity, and the environment, alongside works celebrating beauty. Highlights include Karey Kessler's map-inspired show 'the Where' at Shift Gallery, Ethan Murrow and Mary Finlayson exhibitions at Winston Wächter Fine Art, Anila Quayyum Agha's immersive light installation 'Geometry of Light' at the Seattle Asian Art Museum, and a politically charged neon show 'Call It What It Is' at The Factory. The city-wide Art + Culture Week returns for its second edition, featuring free events across 12 neighborhoods.

Russian Pavilion Will Be Closed to the Public During Venice Biennale: Report

The Russian Pavilion will be closed to the public for most of the 2025 Venice Biennale, opening only during the pre-opening vernissage (May 5–8) for live performances tied to the exhibition “The Tree Is Rooted in the Sky.” After May 9, the pavilion will remain closed, with digital documentation displayed in the windows. The compromise follows weeks of pressure from European cultural and political figures—including Italy’s culture minister—to shutter the pavilion due to Russia’s ongoing war in Ukraine. Plans were confirmed via email correspondence between Biennale Foundation president Pietrangelo Buttafuoco, general director Andrea Del Mercato, and Russian Pavilion commissioner Anastasia Karneeva, as reported by Italian outlets Open and La Repubblica.

Turkey Notches Another Successful Restitution After Denver Art Museum Returns 1500-Year-Old Marble Head

The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.

One Last Chance to See Dürer's Monumental Print in NYC

Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.

Manhattan D.A.’s Office Returns 17 Stolen Antiquities and Rare Books to Italy

The Manhattan District Attorney's Office returned 17 stolen antiquities and rare books, valued at over $1.5 million, to Italy and the Vatican in a restitution ceremony. The items include six rare 16th–17th century Chinese-language Jesuit books stolen from the Vatican Archives and other artifacts seized from institutions like the Morgan Library and the Metropolitan Museum of Art.

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Statues of contested historical figures are being reinstalled across the United States, signaling a reversal of the monument removals sparked by the 2020 Black Lives Matter protests. A replica of a Christopher Columbus statue, originally toppled in Baltimore, was recently mounted on the White House grounds near the Eisenhower Executive Office Building. Other planned returns include a monument to Caesar Rodney, a slave-owning Founding Father, which is set to be displayed in Washington’s Freedom Plaza this summer.

Louvre Appoints Christophe Leribault as New Director

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Christophe Leribault has been appointed as the new director of the Louvre, succeeding Laurence des Cars following her resignation. Leribault, who currently leads the Palace of Versailles and previously directed the Musée d’Orsay, returns to the institution where he once served as deputy director of graphic arts. He takes the helm during a period of intense turmoil marked by staff strikes, a high-profile $102 million heist of the French crown jewels, and systemic security failures.

France Returns Looted Talking Drum to Côte d’Ivoire

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France has officially returned the Djidji Ayôkwé, a historic "talking drum," to the Republic of Côte d’Ivoire during a ceremony at the Musée du Quai Branly in Paris. The 940-pound artifact, which was used by the Atchan people to communicate across distances and warn of colonial troop movements, was seized by French authorities in 1916 to suppress local resistance. After decades in French collections, the drum is being transferred to the Museum of Civilizations in Abidjan following a specific vote by the French parliament.

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Art Karlsruhe returns for its 23rd edition from February 5–8, 2026, at Messe Karlsruhe in Rheinstetten, Germany. The fair brings together roughly 180 galleries from 18 countries, spanning 120 years of art history with dedicated halls for classical Modernism and contemporary art. New participants include Boston's Chase Young Gallery and Tehran's Maryam Fasihi Harandi Gallery, alongside a strong German contingent. Special sculpture areas feature works by Robert Schad, Martin Hollebecq, Koloman Wagner, and Sonja Edle von Hoeßle.

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The LA Art Show will launch its 31st edition from January 7–11, 2026, at the Los Angeles Convention Center, directed by Kassandra Voyagis. Featuring over 90 exhibitors, the fair introduces a new Latin American Pavilion curated by Marisa Caichiolo, focusing on memory, migration, and identity. It also returns with its non-commercial platform DIVERSEartLA, titled “The Biennials and Art Institutions in the Contemporary Art Ecosystem,” which examines the roles of biennials and museums through five installations and a video presentation. Participating galleries include Rehs Galleries, Inc., Gallery Artwall, Teranarva, and Oliver Sears Gallery, the first Irish gallery to join the fair.

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The Cambodian government has formally requested the records and archival materials of Emma C. Bunker, a late art historian and former Denver Art Museum board member, from her family. This follows the museum's repatriation of 11 Asian artifacts to Vietnam, Cambodia, and Thailand, many of which were donated by Bunker, who had ties to Douglas Latchford, an antiquities dealer accused of smuggling looted Southeast Asian artifacts. Bunker died in 2021 without charges, but a 2022 Denver Post investigation alleged she helped Latchford use the museum as a "way station for looted art" and forged provenance records. The museum cut ties with Bunker in 2023, removing her name from its Southeast Asian gallery.

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The Netherlands will return a 3,500-year-old Pharaonic bust to Egypt, as announced by Dutch Prime Minister Dick Schoof to Egyptian President Abdel Fattah al-Sisi during the opening ceremony of the Grand Egyptian Museum (GEM) in Giza. The sculpture, depicting a high-ranking official from the reign of Pharaoh Thutmose III, was spotted for sale at an art fair in 2022 and later seized by Dutch authorities after an anonymous tip revealed it had been looted from Egypt. The art fair trader voluntarily renounced the piece, and the bust will be handed over to Egypt's ambassador to the Netherlands by year's end.

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The Vatican will return several dozen cultural objects, including an Inuit kayak, to Indigenous communities in Canada. The objects are housed in the Vatican Museum's Anima Mundi ethnographic collection and have been subject to scrutiny from Indigenous advocates who argue that cultural heritage stolen during colonial periods should be repatriated. The return follows Pope Francis's 2022 "penitential pilgrimage" to Canada, where Indigenous leaders requested the return of war clubs, masks, and wampum belts. The Vatican plans to use a "church-to-church" model, handing the objects to the Canadian Conference of Catholic Bishops, with the understanding that Indigenous communities will be the ultimate custodians. An announcement is expected in the coming weeks, with the objects potentially arriving in Canada by the end of 2025.

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The Manhattan District Attorney's office has returned 29 antiquities valued at $3 million to Greece, following seizures by its Antiquities Trafficking Unit. The objects were recovered from ongoing investigations into looting and trafficking networks run by convicted traffickers Robin Symes and Eugene Alexander. Two of the items—a Bronze Foot in the Form of a Sphinx and a Bronze Applique of a Gorgon, both from the 6th century B.C.E.—were seized from the Metropolitan Museum of Art this year, having passed through traffickers and galleries before entering the museum's collection.

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The Manhattan District Attorney's Office, led by Alvin Bragg and the Antiquities Trafficking Unit under Matthew Bogdanos, has repatriated over 30 antiquities to Spain, Italy, and Hungary. The returned objects include a 1st-century CE marble head of Alexander the Great as Helios, a 1675 Jesuit manuscript stolen during World War II, and several 6th-century Visigoth pendants trafficked by Robin Symes and sold to the Metropolitan Museum of Art in 1990. The items were seized from traffickers including Giacomo Medici, Giovanni Franco Becchina, Robin Symes, Robert Hecht, Eugene Alexander, and Edoardo Almagià, who is awaiting extradition from Italy.

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A British woman, Barbara de Dozsa, has voluntarily returned a stolen Renaissance painting by Antonio Solario to the Civic Museum of Belluno in Italy, more than 50 years after it was stolen in a 1973 heist. The work, a Madonna and Child, was purchased by her late ex-husband, Baron de Dozsa, shortly after the theft and later inherited by her. Although UK law allowed her to keep it legally, she was persuaded by art recovery specialist Christopher Marinello to return it on moral grounds, citing the painting's status on the Interpol database and the museum's role as a guardian of cultural heritage.

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South African video game studio Nyamakop unveiled its latest project, Relooted, at the Summer Game Fest in Los Angeles. The game is a side-scrolling puzzle platformer where players join a crew of thieves to steal back African artifacts from Western museums and repatriate them to their original communities. The artifacts in the game are based on real looted objects, such as the Ngadji drum held by the British Museum, and the missions involve heists from fictionalized museums. The studio spent two years researching artifacts with compelling stories of looting.

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James Rondeau is returning as director of the Art Institute of Chicago after taking a voluntary leave following an incident in April 2025 in which he reportedly undressed on a flight from Chicago to Munich. CBS News reported that police were called after a passenger—identified as Rondeau—stripped off his clothes, having consumed alcohol and prescription medication. The museum’s board conducted an independent investigation and expressed confidence in Rondeau’s leadership, allowing him to resume his role as President and Director on Monday. Rondeau issued a statement expressing regret and gratitude for the opportunity to continue his work.

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The Metropolitan Museum of Art has announced it will return three ancient sculptures to Iraq, collectively valued at $500,000. The objects include a Sumerian gypsum alabaster vessel (ca. 2600–2500 BCE) and two Babylonian terracotta sculptures (ca. 2000–1600 BCE) depicting a male and female head. The repatriation follows new information from an investigation into Robin Symes, a dealer accused of trafficking looted artifacts. The Manhattan District Attorney's Office reported that the Symes investigation has led to the seizure of 135 antiquities worth over $58 million, with two of the items seized by the Antiquities Trafficking Unit earlier this year.

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The Fowler Museum at UCLA has voluntarily returned 11 culturally significant objects to the Larrakia Community of Australia’s Northern Territory. The items, including a kangaroo tooth headband and 10 glass spearheads dating from the late 19th and early 20th centuries, were handed over in a ceremony on May 20. Half of the objects arrived at the museum in 1965 via a large donation from the Wellcome Trust, while the rest were gifts from private collectors. Since 2021, Larrakia elders have worked with AIATSIS and the Fowler Museum to identify and facilitate the return. The Larrakia community plans to open a cultural center next year to house the repatriated items.

Miami Art Week guide: Some of the top art fairs to visit

Miami Art Week, headlined by Art Basel Miami Beach, returns December 1-7, 2025, transforming Miami-Dade County into a sprawling arts celebration. The guide highlights major fairs including Art Basel (283 galleries from 43 countries), Art Miami + Context Art Miami (celebrating 35 years with 160 international galleries), Scope Art Show (featuring padel matches and 80+ galleries), and Untitled Art Fair (160 exhibitors including nonprofits for the first time). Notable new additions include Cuban gallery El Apartamento making history as the first gallery founded on the island to participate in Art Basel, and a new digital art sector called Zero 10.

How Does an Art Fair Stand Apart? TEFAF NY Has an Answer.

TEFAF New York returns to the Park Avenue Armory from May 15-19, featuring 88 dealers and galleries from 14 countries across four continents. The fair distinguishes itself from competitors like Frieze, NADA, and Independent by offering an unusually broad range of works—from Modernist paintings and contemporary sculpture to ancient artifacts, fine jewelry, and design. Notable exhibitors include Gagosian showing Kathleen Ryan’s bejeweled fruit sculptures, Thaddaeus Ropac presenting newcomer Eva Helene Pade, and Belgian dealer David Lévy pairing Keith Haring with Willem de Kooning. Design is a particular highlight this year, with galleries such as Sarah Myerscough, Gomide&Co, and Modernity Stockholm showcasing everything from Shaker-inspired chairs to Brazilian modernist furniture and Scandinavian classics.

‘Tide of Returns’: Ocean Space in Venice

The Repatriates Collective has launched 'Tide of Returns' at Ocean Space in Venice, an exhibition that redefines repatriation as a continuous process of spiritual and communal repair rather than a singular legal transaction. Set within the historic Church of San Lorenzo, the installation features immersive works such as 'From My Mother’s Country,' which utilizes thousands of handmade dolls from Namibia, and Verena Melgarejo Weinandt’s textile and video works exploring the symbolic power of water and braiding.

Parasol Unit returns with a showcase of women from Central Asia and beyond

Parasol Unit, the London non-profit exhibition space that closed in 2020 after 16 years, has relaunched with a new exhibition titled "Turandot: To the Daughters of the East" as an official collateral event of the Venice Biennale. Held at the historic Palazzo Franchetti, the show features 11 female artists from Central Asia and surrounding regions, curated by founder Ziba Ardalan. The exhibition spans video, installation, sculpture, painting, textile, and sound works by artists including Lida Abdul, Huma Bhabha, Mona Hatoum, and Tala Madani, and runs from 9 May to 31 October.

Christo and Jeanne-Claude’s Iconic California Installation Returns in a Museum Show

The Museum of Sonoma County is commemorating the 50th anniversary of Christo and Jeanne-Claude's iconic 1976 installation "Running Fence" with an exhibition featuring blueprints, original construction materials, and documentary photographs. The temporary work, which stretched nearly 25 miles across Sonoma and Marin counties in California, required four years of negotiations with ranchers, 18 public hearings, and the first-ever Environmental Impact Report for a public artwork, ultimately costing $2.25 million funded by the artists through preparatory drawing sales.

Bank of America ArtTactic Art Market Report 2026 Trends

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The US art market experienced a 23 percent increase in auction sales in 2025, reaching approximately $3.17 billion according to a joint report by Bank of America and ArtTactic. This growth was not fueled by a rise in general demand but was instead driven by high-value estate consignments, a return to established historical artists, and a heavy reliance on financial guarantees. The data indicates a shift away from the speculative flipping of 'wet paint' contemporary works, which saw negative returns for pieces held for less than five years.

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Chinese artist and dissident Ai Weiwei returned to China last month for the first time in a decade, visiting Beijing for three weeks after years of exile in Europe. His passport had been confiscated in 2015, ending travel restrictions tied to his political dissent. Upon arrival, Ai was interrogated for nearly two hours at Beijing's airport before being granted entry. He documented the trip on Instagram, including a reunion between his 17-year-old son and 93-year-old mother, and described the experience as like reconnecting a long-disconnected phone call.

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Artist Ai Weiwei returned to his native China after 10 years in exile, making a quiet three-week trip to Beijing last month. It was his first visit since authorities returned his confiscated passport in 2015, allowing him to leave China and live in Europe. During the trip, Ai was briefly interrogated at the airport but otherwise faced no interference. He shared photos and videos on Instagram, and told CNN the visit felt like a reconnection after a decade-long disconnection. The trip was partly motivated by a desire for his 17-year-old son and 93-year-old mother to meet.

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A long-lost 1970 Harry Bertoia hanging sculpture, commissioned for a mall in Flint, Michigan, has been restored and installed in the atrium of General Motors’ new global headquarters in Detroit. The 26-foot-tall work, made of brazed steel rods in Bertoia's signature "sunlit straw" technique, was discovered in 2017 in the basement of a demolished mall, damaged and covered in dust. The city of Southfield purchased it, and after extensive restoration, it now hangs in GM’s Hudson’s Detroit building.

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The U.K. Crown Prosecution Service has charged Hauser & Wirth and an art shipping firm with violating criminal sanctions by making George Condo's 2021 work on paper, *Escape from Humanity*, available to a person connected to Russia in 2022. Separately, Frida Kahlo's 1940 painting *El sueño (La cama)*, estimated at $40–60 million, will be auctioned at Sotheby's on November 20, potentially yielding a 78,400 percent return for its consignor. Qatar is also planning the first duty-free art storage unit in the Gulf.