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San Francisco’s de Young Museum opens revamped Native American art galleries

San Francisco's de Young Museum will unveil its newly reinstalled galleries of Native American art on August 26, following a years-long overhaul led by a group of predominantly Native curators. The reimagined spaces, called the Arts of Indigenous America galleries, feature contemporary works alongside historical pieces—some over 1,000 years old—as well as recent acquisitions and new commissions. One gallery focuses on Native California with rotating regional exhibits, while another covers all of North America, with ceramics, textiles, paintings, beadwork, and basketry arranged thematically. The museum consulted the communities of origin for historical pieces, as required by the Native American Graves Protection and Repatriation Act, and invited members to help interpret the works.

Five art exhibitions to check out around Brookline this summer

Praise Shadows art gallery in Brookline's Coolidge Corner is among five venues offering free art exhibitions this summer. The gallery presents "Pigment Spells," a solo show by Boston-based artist and Boston University professor Lucy Kim, featuring resin casts of found objects covered in oil paint. Other exhibitions include David Weinberg's "Explorations" at Gallery 93 in the Brookline Senior Center, which combines photo montages with medieval manuscripts, and Gateway Arts' "Artists Assortment," a tribute to current and former artists with disabilities featuring celebrity portraits. The roundup also highlights the accessibility of these spaces, which welcome visitors without admission fees.

Museum of Contemporary Art Los Angeles acquires Kara Walker sculpture made from dissected Confederate monument

The Museum of Contemporary Art (MOCA) Los Angeles has acquired "Unmanned Drone" (2023), a significant bronze sculpture by Kara Walker. The work was created by dissecting and reassembling a decommissioned 1921 monument of Confederate General Stonewall Jackson, which was removed from Charlottesville, Virginia, following the 2017 "Unite the Right" rally. The acquisition was announced alongside more than 150 other new additions to the museum's permanent collection, including major works by Cynthia Daignault and Paul Pfeiffer.

The Big Review | Monuments, The Geffen Contemporary at Moca and The Brick, Los Angeles ★★★★★

A major exhibition titled 'Monuments' is on view at two Los Angeles venues, The Geffen Contemporary at Moca and The Brick. The show places nine decommissioned Confederate monuments, some already defaced, into dialogue with works by 19 contemporary artists, most of whom are Black. The centerpiece is Kara Walker's 'Unmanned Drone' (2023), a radical reworking of a removed statue of Confederate general Stonewall Jackson, which occupies its own venue at The Brick.

Komal Shah on ‘Making Their Mark’

Komal Shah discusses the exhibition "Making Their Mark: Works From the Shah Garg Collection" at Washington University in St. Louis' Kemper Art Museum. The show spans nearly eight decades and features nearly 70 artists, including Howardena Pindell, Joan Mitchell, Jaune Quick-to-see Smith, Katharina Grosse, Lorna Simpson, Sarah Sze, and Mary Weatherford. Shah, who established the collection with her husband Gaurav Garg, emphasizes the importance of celebrating women artists and challenging the notion that excellence is limited to men.

Heavy in more ways than one: Confederate statues hit the road for Los Angeles exhibition

The exhibition "Monuments" opens this week at the Museum of Contemporary Art (Moca) and the Brick in Los Angeles, featuring decommissioned Confederate statues alongside contemporary artworks. The show includes a double monument of Robert E. Lee and Stonewall Jackson on loan from Baltimore, which required road closures and careful logistics to install, as well as works by Kara Walker, Hank Willis Thomas, and Karon Davis that recontextualize these symbols of white supremacy. Curators Hamza Walker, Bennett Simpson, and Kara Walker collaborated on the exhibition, which runs from October 23 through May 3, 2026.

Naples, Marco Island, Everglades CVB pays tribute to local Hispanic cultures in a year-long celebration

The Naples, Marco Island, Everglades Convention and Visitors Bureau (CVB) has launched ¡ARTE VIVA!, a yearlong celebration honoring the Hispanic cultures that make up nearly 30% of the region's population. The 2025-2026 season includes Día de los Muertos events at venues like the Marco Island Center for the Arts, Naples Botanical Garden, and Artis—Naples, featuring Calaveras sculptures by Ricardo Soltero, photography by Lizette Morales, and performances by Ballet Folklorica Jaliscience. Visual arts highlights include a Joan Miró exhibition at Naples Art Institute, a permanent collection show at The Baker Museum, and a public art installation by Michelle Tricca at Lipman Farms. Musical programming features Gulfshore Opera's Carmen, Latin Grammy nominee Leslie Cartaya, and Opera Naples Festival under Ramón Tebar.

Review | Johns Hopkins exhibit elevates the artists of its city

Kriston Capps reviews a Johns Hopkins exhibition that highlights Baltimore-based artists, focusing on Derrick Adams's 2019 series "Deconstruction Worker." The series features portraits with skewed geometric forms and rich fabrics, referencing Dada, cubism, and contemporary Black artists like Mickalene Thomas and Lorna Simpson. The review positions Adams as a leading figure in contemporary painting.

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Colm Dillane, designer and artist behind KidSuper, co-hosted an intimate dinner with CULTURED magazine at his 10,000-square-foot Williamsburg studio during New York Fashion Week. Guests toured the brand's headquarters—featuring a recording studio and rooftop soccer field—before enjoying an Italian dinner prepared by Eric Madonna of Bar Madonna. Attendees included fashion tastemakers, gallerist Hannah Traore, curator Zoe Lukov, and musician Gashi, and each received a tote bag with the inaugural CULTURED at Home interiors issue and KidSuper's new book with Rizzoli, *The Misadventures of KidSuper*.

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The article describes a visit to the American Academy of Arts and Letters in New York to see two concurrent exhibitions: Sam Contis's "Phases," featuring black-and-white motion portraits and a three-channel film of teenage girls running a five-kilometer race, and Diane Simpson's "Formal Wear," a sculptural exploration of femininity's exoskeletons using industrial materials. Literary accompaniments were commissioned for both shows—Kathryn Scanlan wrote a story for Contis's exhibition, and critic Audrey Wollen contributed an essay for Simpson's—blending visual art with prose to examine themes of adolescence, identity, and self-construction.

‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.

SAD, MAD, THINKING birthday - Celebrating Studio A’s Diamond Decade

Studio A, a leading Australian supported studio for artists with intellectual disability, is celebrating its tenth anniversary with a retrospective exhibition titled "SAD, MAD, THINKING birthday." The show features iconic Archibald Prize portraits by the studio's finalists, works that inspired major public artworks, and standout pieces from across the studio's artists. It culminates in a dining room installation created in collaboration with designers and brands including Mud Australia, Canberra Glassworks, Alémais, Erth, and Armadillo.

Metro Detroit billboards feature pop art in 'open air museum'

International Outdoor, a Farmington Hills-based advertising firm, has launched an "open-air museum" across Metro Detroit featuring the work of French pop-street artist Jisbar. The initiative utilizes over 57 billboards and digital panels across three counties, displaying vibrant mashups of art history icons like the Mona Lisa with pop culture figures such as Bart Simpson and SpongeBob SquarePants. The exhibition, which runs through mid-June 2026, aims to transform the regional landscape into a public gallery accessible to commuters.

Nearly 70 Student Artists Featured in SUNY Oneonta’s Annual Juried Art Show

Nearly 70 student artists are featured in SUNY Oneonta’s 2026 Juried Student Show, now on display at the Martin-Mullen Art Gallery through May 2. The exhibition includes over 90 works in media such as painting, sculpture, ceramics, photography, digital art, and mixed media, selected by faculty from more than 100 submissions. A public reception with 17 awards will be held on April 30.

Bark Art Stuns Opening Night Crowd

The Wondai Regional Art Gallery in Queensland, Australia, opened its May 2025 exhibitions with a standout piece: a 3D bark portrait of the late actor Uncle Jack Charles by art student Charlotte Simpson, which won the People's Choice award. The show also features a rare photograph of a bee urinating, captured by Moffatdale photographer Liz Barratt, alongside works by the Tomlinson Family Collective and other local artists. The exhibitions were officially opened by South Burnett Mayor Kathy Duff and will run through May 31.

The Smithsonian National Museum of African Art Opens First & Largest Exhibition of LGBTQ+ African Art

The Smithsonian National Museum of African Art has opened "Here: Pride and Belonging in African Art," the largest exhibition of LGBTQ+ African art to date, featuring nearly 60 artworks by 30 queer artists from across Africa and its diasporas. Curated by Kevin D. Dumouchelle and Serubiri Moses, the exhibition was originally scheduled to coincide with WorldPride DC 2025 but was delayed to early winter 2026, shortly after President Donald Trump issued an executive order targeting the Smithsonian for material deemed "divisive ideology," including discussions of gender identity. Museum officials attributed the postponement to budget and fundraising challenges rather than political pressure.

THE SIMPSONS to Star in Their Own Art Exhibition This Fall

The Hilbert Museum of California Art at Chapman University will host "The Art of the Simpsons," the first-ever art exhibition dedicated to the iconic animated family. The exhibition, opening November 18, 2026, will feature original illustrations and production cels of Homer, Marge, Bart, Lisa, and other Springfield characters, celebrating the show's 39-year history and the museum's 10th anniversary.

Hilbert Museum of California Art Announces Its First Dedicated ‘Simpsons’ Exhibition

The Hilbert Museum of California Art at Chapman University has announced its first-ever dedicated exhibition of "The Simpsons," set to open on November 18. Titled "The Art of the Simpsons," the showcase will feature original illustrations and production cels of the iconic characters created by Matt Groening, drawn from the museum's extensive animation and movie art holdings. The exhibition is timed to coincide with the museum's 10th anniversary celebration in 2026.

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Grundy Art Gallery in Blackpool is celebrating its 115th birthday in 2026 with a winter exhibitions programme that includes a giant birthday cake drawing installation in the foyer, the largest-ever Grundy Open Exhibition for local artists, newly commissioned paintings by locally based artist Jayne Simpson, and a collection spotlight exhibition themed around 1926 featuring loans from Showtown History Centre. The gallery invites the public to a special launch on January 24, 2026, and the exhibitions run through March 7.

Mainframe Studio exhibition features artists from Grinnell, Iowa

Mainframe Studio in Des Moines, Iowa, partnered with the Grinnell Area Arts Council to host a special exhibition in October featuring works by 16 artists from Grinnell, a rural Iowa community. The show, displayed on the studio's third floor, included diverse mediums such as book art, sculpture, and painting, with contributors including Professor Mirzam Cristina Pérez, Professor Erik Simpson, and Professor Pascal Lafontant. Opening night on October 3 drew around 1,600 visitors, highlighting the studio's role in bridging rural and urban art scenes.