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The Istanbul International Arts and Culture Festival, co-founded by curator Demet Müftüoğlu-Eşeli and filmmaker Alphan Eşeli, returns for its 15th edition with the theme “What Is Really Real?” Over three days in October, the festival brings together creative minds from film, technology, photography, literature, and visual art for panels, screenings, workshops, and exhibitions. In an interview with Cultured, the founders and artist José Parlá discuss the urgency of questioning authenticity in a digitally mediated world, touching on memory, dreams, and the blurred line between the artificial and the real.

Jones Walker of Taos: Where art feels like home

Interior designers Tony Walker and Max Jones have established Jones Walker of Taos, a gallery on Bent Street that emphasizes a welcoming, domestic atmosphere. After relocating from Dallas in 2018, the duo transitioned from award-winning interior design careers to gallerists, curating a diverse collection of local talent that includes descendants of Taos Pueblo and Spanish carving families. The gallery showcases a mix of modern and traditional paintings, carvings, pottery, and weaving, focusing on authentic regional craftsmanship that appeals to both local residents and international collectors.

Venice Biennale opens without a jury amid strife over Russian and Israeli participation

The Venice Biennale, one of the world's most prestigious contemporary art exhibitions, opens its most contested edition in memory without a jury after the jury resigned in protest over the participation of Israel and Russia, both under investigation by the International Criminal Court for human rights abuses. Protests have erupted outside the Israeli and Russian pavilions, with demonstrators clashing with police, while feminist groups from Ukraine and Russia converged on the Russian Pavilion and Palestinians remembered artists killed in Gaza. The Biennale has replaced the jury with a public vote via email, with winners announced at the close on November 22.

Exhibition | Carlo D'Anselmi, 'Secrets and Mountains' at Fabienne Levy, Lausanne, Switzerland

Carlo D'Anselmi's solo exhibition 'Secrets and Mountains' opens at Fabienne Levy in Lausanne, Switzerland. The show presents a new body of work created during the artist's first stay in Switzerland, overlooking the French Alps, where he observed the transition from winter into spring. His dreamlike paintings blend figures, animals, and landscapes, exploring memory, light, nature, and the shifting boundary between reality and fiction. D'Anselmi holds an MFA from the New York Studio School and is represented by Thierry Goldberg Gallery in New York.

Early career artists are invited to apply to Collective programme

Collective Gallery on Calton Hill in Edinburgh has announced its 2026 exhibition programme, featuring solo shows by Paloma Proudfoot and Katie Paterson in the City Dome Gallery. Proudfoot's exhibition, running from March to May 2026, will include new sculptures and a performance exploring the female voice and body, while Paterson's 'Afterlife' presents nearly 200 amulets made from endangered materials, previously shown at Folkestone Triennial 2025. The gallery also launched a new career-development programme called Time + Space, inviting early-career artists to apply by 14 December 2025, with the first edition featuring Alberta Whittle and Aqsa Arif.

Intermezzo: revisiting Helmut Newton

The Helmut Newton Foundation at Berlin's Museum für Fotografie is overhauling its permanent exhibition after more than 20 years, introducing a cinematic installation called "Intermezzo" that uses eight video projectors across four screens to present a film portrait of Helmut Newton. The film incorporates previously unreleased material, including personal recordings by his wife June Newton, and features interviews with figures from Newton's world such as Philippe Garner, Carla Sozzani, and Matthias Harder. Alongside the immersive film, the ground-floor gallery displays nearly 100 of Newton's exhibition posters and launches a new curatorial series, "Spotlight: behind the frame," which will focus on iconic photographs by Helmut Newton or Alice Springs, starting with Newton's 1975 "Rue Aubriot" and Alice Springs' 1970 Gitanes advertisement.

Photography, a rapidly growing market: global auctions up 19% and increasing space for contemporary art.

The global photography market experienced a significant surge in 2025, with auction turnover at major houses like Christie's, Sotheby's, and Phillips rising 19.1% to $40.4 million. A key trend identified in the Deloitte Private report is the shift away from specialized photography-only auctions toward the integration of high-value photographic works into broader modern and contemporary art sales. This transition has helped drive the average hammer price up by nearly 39%, as seen with million-dollar results for artists like Man Ray, Cindy Sherman, and William Eggleston.

Last Year’s Art Market: Only Works by Proven Artists Survived

The Korea Art Authentication and Appraisal Institute (KAAAI) released its "2025 Art Market Analysis Report" on January 21, 2026, revealing that the Korean art market grew 5.16% in total auction sales to 142.7 billion won, despite a decline in the number of lots offered. The global market saw a similar trend: combined sales at Christie's, Sotheby's, and Phillips rose 11.1% to $4.56 billion, but the number of works sold fell by 33.3%. Demand concentrated on high-priced blue-chip works by artists like Gustav Klimt, Claude Monet, Mark Rothko, René Magritte, and Jean-Michel Basquiat, while ultra-contemporary art sales plunged 39.1%.

Howard Arkley dominates list of year’s top art sales

Howard Arkley has overtaken Brett Whiteley as the top-selling Australian artist at auction in 2025, with his spray-painted depictions of Melbourne suburbia dominating the year's art sales. The shift reflects a growing collector appetite for Arkley's vibrant, airbrushed scenes of brick homes and suburban life, which have surged past Whiteley's iconic Sydney Harbour views in auction results as the 2025 season concludes.

This Historic Art Museum In Seattle Now Has Free Admission For All

Seattle's Henry Art Gallery, located on the University of Washington campus, has permanently waived its admission fee, making entry free for all visitors at any time. Previously, tickets cost between $6 and $10, with free admission limited to the first Thursday of each month and certain groups such as students, children, and military personnel. The museum, which opened in 1927 as Washington state's first public art museum, now spans 40,000 square feet and includes galleries, a cafe, a 154-seat auditorium, and the James Turrell Skyspace installation.

Zurich: Peripheral Presence. by Tibor Bielicky and Ellena Ehrl

Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.

UAE galleries close amid Iran missile strikes

Art galleries and museums across the United Arab Emirates, Bahrain, and Qatar have shuttered their physical spaces following a series of Iranian missile strikes targeting the Arabian Gulf. Major institutions including the Jameel Arts Centre and commercial galleries like Lawrie Shabibi and The Third Line have moved operations online or closed entirely as the UAE government advises residents to remain at home. The regional instability follows a cycle of retaliatory strikes between Iran and US-Israeli forces, resulting in casualties within the UAE.

Speaking in Signs: Kwame Akoto’s Worlds Across Contexts.

Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.

From Minor Keys to Uproar: The Crisis of the Venice Biennale

DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA

The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.

art young photographer michael wolever

Cultured magazine profiles Pennsylvania-born photographer Michael Wolever, nominated by David Brandon Geeting as part of its "28—NEW YORK" series. Wolever creates images that evoke surrealist ’90s filmmaking, exploring themes of shame, attraction, and melodrama through soft lighting, monsters, and woodland scenes. His work draws heavily on his own "pretty weird life" and memories, using photography as a "funhouse mirror" and "shame ritual." The article includes several of his titled works—Big Flirt, Evidence, Tove, and Untitled—and quotes Wolever reflecting on the culture of picture-taking, mass self-awareness, and his critical approach to intention in photography.

'Optical debris': Be transported to a world of light and shadows at unique art exhibit

Two Vancouver-based artists, Emilie Fantuz and Gillian Richards, are showcasing their work in a joint exhibition titled "Liminal City" at the Pendulum Gallery in downtown Vancouver. The show explores the effects of light and shadow in painting, with Fantuz focusing on what she calls "optical debris"—bursts of light and shadows that fracture contemporary vision—while Richards highlights transitional urban spaces and functional architecture, elevating overlooked everyday scenes. Fantuz, who is completing her MFA at Emily Carr University, has shifted from detailed neighborhood paintings to abstract studies of light and perception, often filtered through windows and screens. Richards, a former scenic artist in the film industry, uses photography as a starting point to capture intimate views of utilitarian structures.

Belfast’s murals are an open-air gallery of history and art

Belfast's murals, long used as tools of political expression and territorial marking during the Troubles, are gradually changing. Research shows that three-quarters of the most intimidatory murals in the loyalist Shankill area have disappeared since 1998. Newer murals commemorate figures like Queen Elizabeth II and King Charles III, while non-sectarian artistic murals—including tributes to murdered journalist Lyra McKee—are appearing across the city. However, some paramilitary-linked murals persist, and a 2024 incident saw a wall in north Belfast rebuilt and its threatening imagery repainted, reflecting ongoing tensions and the complex politics of 'conflict transformation' funding.

Competition in the Auction Business’s Middle Market is Fierce, and Growing Fiercer

The auction industry's middle market, generally defined as lots valued below $1 million, is experiencing intense competition and shrinking profit margins. While this segment accounts for the vast majority of transactions and a significant share of auction house earnings, rising overhead and sellers demanding complex financial deals—like enhanced hammers and guarantees—are squeezing profitability. Regional and specialized auction houses are fiercely competing for business against each other and against third-party online platforms.

Asia's Biennials Survey: The Asia Pivot

asias biennials survey asia pivot 2748828

Asia is experiencing a significant surge in biennial exhibitions, with at least eight major events currently running from Singapore to Riyadh and several more scheduled for later this year. These large-scale exhibitions are increasingly serving as strategic tools for soft power, urban regeneration, and economic promotion, often backed by government funding to elevate a city's global profile.

material art fair mexico city venue change stranger things 1234767738

Feria Material, a satellite art fair to Mexico City's Zona Maco, is moving its venue just six weeks before its February 5–8 edition. The fair will relocate from Expo Reforma to Maravilla Studios, a renovated historic factory in Colonia Atlampa, because Expo Reforma is hosting "Stranger Things: The Experience," a Netflix immersive activation, through the end of February. Material cofounder Brett W. Schultz told ARTnews that the fair exhausted all options to stay at Expo Reforma but faced limited venue options and skyrocketing rental prices in Mexico City. Maravilla Studios offered a similar price and features a single-level layout with high ceilings, polished concrete floors, and outdoor spaces, which the fair's production team sees as an improvement over the previous two-floor, carpeted venue.

First and final

The COMO Museum of Art is hosting "Traces: Drawing Practices Now," a major group exhibition curated by Hassan Sheikh featuring 19 artists. The show explores the evolution of drawing from a preparatory medium into an independent, sophisticated art form. Notable participants include Ali Kazim, Muhammad Ali Talpur, and Ghulam Mohammad, whose works range from meticulous mark-making and subverted scripts to expressive, intuitive compositions that challenge traditional linguistic and visual codes.

Sotheby’s On Singapore’s Collectors Driving The Art Market

Sotheby’s resumed Modern & Contemporary Art auctions in Singapore in 2022 after a 15-year hiatus, signaling renewed confidence in the region. In an interview, Jasmine Prasetio, Managing Director for Southeast Asia at Sotheby’s, discusses how Singaporean and Singapore-based collectors are increasingly active in both local and global sales, actively bidding on and acquiring works by Singaporean artists such as Georgette Chen, Kim Lim, and Jane Lee. Notable auction results include Georgette Chen’s “Lychees and Peaches” achieving $1.5 million in July 2023 and Jane Lee’s “Melt VII” selling for $140,877.

Long-running Azores art festival blossoms into a biennial

The Walk&Talk arts festival on São Miguel, the largest island in the Azores archipelago, has formally transitioned from an annual summer street art celebration into a biennial, running until 30 November with over 80 artists. Founded in 2011 by curator Jesse James, the event now features exhibitions, performances, excursions, talks, and educational programming across nine venues, including historic and architecturally significant sites such as Museu Carlos Machado and a former distillery turned contemporary art museum. The shift to autumn allows local school groups to participate, and the inaugural biennial is co-curated by Fatima Bintou Rassoul Sy, Liliana Coutinho, and Claire Shea under the theme "Gestures of Abundance."

‘Volcano Snake Sun, September’: A Poem by Ella Frears

Poet Ella Frears has composed a new literary work in response to Charlie Prodger’s 2024 drawing, 'Volcano Snake Sun, September'. The poem explores themes of observation, physical detachment, and the tension between tranquility and underlying violence, mirroring the shift in Prodger’s practice from conceptual film to representational pencil-and-pastel works on paper.

Merchant at the Fair, but with Art: The Art Edition of the Popular Board Game is Born in Milan

Mercante in Fiera però con l’arte. A Milano nasce l’Art Edition del popolare gioco di società

The creative agency Plus Srl and the curatorial collective The Art Society have launched "Mercante in Fiera – Art Edition," a contemporary art reimagining of the classic Italian card game. Debuting at the forthcoming Luceferma space in Milan, the project replaces traditional game cards with artistic imagery and visual references to spark informal dialogue among participants. The initiative functions as a social device, stripping away academic barriers to engage players in spontaneous interpretation and community building.

Two Visitors’ Lions have been established for the Biennale Arte 2026

La Biennale di Venezia has announced the establishment of two Visitors' Lions for the 61st International Art Exhibition, following the resignation of the International Jury appointed by curator Koyo Kouoh. The awards ceremony, originally scheduled for May 9, has been moved to November 22, the final public day, echoing a similar shift during the 2021 Architecture Exhibition due to COVID-19. The Visitors' Lions will be voted on by ticket holders who visit both exhibition venues between May 9 and November 22, with one award for the Best Participant in the exhibition "In Minor Keys" by Koyo Kouoh and another for the Best National Participation.

‘Radical Clay’ ceramics are more than vessels

The Ackland Art Museum at the University of North Carolina-Chapel Hill has opened 'Radical Clay: Contemporary Women Artists From Japan,' an exhibition featuring sculptural ceramics by 36 contemporary female Japanese artists. The works, drawn from the collection of noted art collector Carol Horvitz, honor centuries-old Japanese ceramic traditions while employing modern techniques to push beyond conventional vessel forms. Highlights include Kawaura Saki and Tanaka Yu, whose piece 'Bag Work' exemplifies the shift from functional pottery to purely sculptural expression. The exhibition runs through August 31 and is only the third U.S. museum to host it.

Gina Blickenstaff Brings Bold Color Home To Fort Collins

Artist Gina Blickenstaff is set to present her second annual solo exhibition, "The Method and the Madness," at the Center for Creativity in Fort Collins. Spanning all three of the venue's galleries, the five-day event coincides with Fort Collins Art Week and features an artist talk alongside a showcase of her vibrant, color-focused paintings. Blickenstaff, a recipient of the Dame JaCkie Erickson Creative Catalyst Award, is transitioning from a primarily digital presence to deeper local engagement through this immersive physical installation.

MAA opens ‘Variations’ national art exhibit

The Marblehead Arts Association (MAA) launched its fourth annual 'Variations' national art exhibition, drawing over 400 attendees. The show features 190 selected works from nearly 800 submissions across fine art, photography, and 3D categories, judged by artists Christina Grace Mastrangelo, Lou Jones, and Simon Kogan. Prizes were awarded in each category, and curator Paul McMahan arranged the galleries thematically to emphasize the exhibition's focus on diverse interpretations.

Global share of contemporary art auction revenue 2024

A Statista chart published in April 2025 shows the geographical distribution of post-war and contemporary art auction revenue worldwide in 2024. The United States dominated with 48% of the combined post-war and contemporary market, followed by China (17%), the United Kingdom (15%), France (6%), Germany (2%), and other countries (11%). When broken down, the U.S. held 50% of post-war and 45% of contemporary revenue, while China captured 13% of post-war and 25% of contemporary revenue, reflecting its stronger position in the contemporary segment.