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The 13th Berlin Biennale opened amid controversy over its handling of the Gaza conflict. In a tense press conference, curator Zasha Colah faced questions about whether any invited artists had withdrawn in solidarity with the Strike Germany campaign, and whether she had experienced state repression for addressing the genocide in Gaza. Colah acknowledged one artist’s withdrawal but denied experiencing state repression, while the biennial’s title, “passing the fugitive on,” and its theme of “the fox” were criticized as evasive. The article describes the event as a case study in how German cultural institutions navigate political pressure and censorship.

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New York galleries are rethinking the traditional summer group show, moving away from ambitious, canon-redefining exhibitions toward more pragmatic, relationship-driven presentations. Dealers and advisers note that these shows now serve primarily to maintain gallery visibility during the slow August season, test emerging artists, and foster networking. The article highlights examples like "Open Eyes" at A Hug from the Art World, curated by 14-year-old Luke Newsom, which balances playfulness with serious curation, featuring works by KAWS, Urs Fischer, and Raymond Pettibon.

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Curator Klaus Biesenbach, now director of the Neue Nationalgalerie in Berlin, gave a lengthy interview to Der Spiegel in which he explained his decision to leave the American art scene, citing what he described as an oppressive climate of "political correctness." He claimed that DEI (diversity, equity, inclusion) initiatives in U.S. museums had become "unbearable" quota requirements, and recounted a story about mandatory Zoom meetings after George Floyd's murder where he felt pressured to share personal experiences of discrimination. He also referenced the resignation of SFMOMA curator Gary Garrels over "reverse discrimination" comments and acknowledged his own controversial tenure at MOCA Los Angeles, which saw two high-profile resignations and a leadership restructuring.

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The Sunday Times's 2025 'Rich List' shows that Top 200 collector and art patron Leonard Blavatnik's net worth fell by more than £3.5 billion to £25.725 billion, dropping him to #3 on the UK wealth ranking. The list includes over a dozen collectors from ARTnews's 2024 Top 200 Collectors list, such as James Dyson, Idan Ofer, Viatcheslav Moshe Kantor, Alan Howard, and Mohammed Mahdi al-Tajir, with Ofer noted as one of the top five individuals whose wealth rose most. Other figures mentioned include Simon Reuben, John Fredriksen, Sri Prakash Lohia, Lakshmi Mittal, Elton John, and former Christie's stakeholder Joe Lewis.

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London's National Gallery has reopened its Sainsbury Wing after a three-year, $113 million renovation, timed to the museum's 200th anniversary. Director Gabriele Finaldi, who was knighted this year, oversaw the project, which was designed by architect Annabelle Selldorf and faced criticism from original architect Denise Scott Brown. The revamped wing features a light-filled foyer, 17 galleries with no prescribed route, and a rehang titled “The Wonder of Art.” The museum also acquired a mysterious painting by an unknown artist, The Virgin and Child with Saints Louis and Margaret and Two Angels (1500–10), for $20 million through Sotheby's.

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The United Kingdom unveiled official coronation portraits of King Charles III and Queen Camilla, painted by artists Peter Kuhfeld and Paul Benney respectively, to commemorate the 2023 coronation. Charles is depicted in a red room wearing coronation regalia beside the Imperial State Crown, while Camilla is shown in photorealistic detail in a powder blue silk dress. The portraits are on view at the National Gallery in London.

Staff at Goldsmiths art college plan industrial action ahead of redundancies

Staff at Goldsmiths, University of London, have voted to take industrial action in response to a massive restructuring plan aimed at saving £22 million by 2027. The University and College Union (UCU) reports that the 'Future Goldsmiths' initiative will lead to significant redundancies for both professional services and academic staff. Tensions have escalated following revelations that the institution spent over £14 million on private consultants and legal fees related to previous restructuring efforts while simultaneously cutting jobs.

The story of London's Great Exhibition, as seen through the eyes of artists

Julius Bryant’s new book, the fourth volume in his history of the Victoria and Albert Museum, re-examines the 1851 Great Exhibition through its visual legacy. By analyzing paintings, prints, and ephemera—including the vast archive of Charles Wentworth Dilke—Bryant reconstructs the 'Crystal Palace' experience, highlighting the youth of its organizers and the staggering speed of its construction. The narrative shifts focus away from traditional social theory toward the actual visual evidence of the event, from David Roberts’s massive panoramic paintings to the 235 sculptures that defined the era's artistic output.

A Brush With... Lorna Simpson—podcast

Artist Lorna Simpson joins the 'A Brush With...' podcast to discuss the vast array of cultural influences that have shaped her conceptual practice. From her early photo-text works to her recent large-scale paintings, Simpson details how she subverts conventional framing of identity and navigates the boundaries between reality, fiction, and historical archives. She highlights the specific impact of figures such as David Hammons, Francisco de Zurbarán, and filmmaker Chantal Akerman on her evolving visual language.

Inside the Fight to Keep a Trove of Frida Kahlo Works from Leaving Mexico

The Gelman Collection, featuring 11 essential masterpieces by Frida Kahlo, is at the center of a heated legal and cultural dispute following news of its transfer from Mexico to Spain. Acquired by the Zambrano family and managed by the Banco Santander Foundation, the collection is slated for a multi-year residency at the new Faro Santander cultural hub. Critics and historians argue the move potentially violates Mexico’s strict heritage laws, which designate Kahlo’s works as national monuments subject to permanent export bans.

Exhibition explores how the US shaped Joan Miró—and he it

A major exhibition titled "Miró and the United States" opens at the Phillips Collection in Washington, DC, exploring the profound artistic dialogue between Catalan artist Joan Miró and the United States. The show features Miró's paintings, sculptures, and works on paper alongside pieces by American contemporaries like Jackson Pollock, Lee Krasner, and Alexander Calder, tracing how his visits and exposure to the New York art scene influenced his work and, in turn, inspired a generation of post-war American artists.

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The National Gallery in London has unveiled its £85 million ($113 million) renovation of the Sainsbury Wing, marking the culmination of the museum's bicentenary celebrations. Led by architect Annabelle Selldorf, the project transformed the postmodernist building into the museum's primary accessible entrance, featuring a more spacious atrium, clear glass walls to invite natural light, and a significant rehang of the permanent collection. The redesign aimed to resolve long-standing issues with visitor flow and accessibility while preserving the building's iconic grand staircase.

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Two Louvre employees and several tour guides have been arrested in connection with a decade-long, large-scale ticket fraud scheme targeting Chinese tour groups. French prosecutors allege the operation involved counterfeit tickets and overbooking, costing the museum an estimated €10 million in lost revenue, with proceeds allegedly invested in real estate in France and Dubai.

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New York's Metropolitan Opera announced it may sell its two iconic Marc Chagall murals, *The Sources of Music* and *The Triumphs of Music*, which have adorned the building's Grand Tier since 1966. The proposal includes a caveat that the paintings must remain in place at the opera, with the owner recognized on a plaque. Sotheby's valued the artworks at a total of $55 million within the past year. The financially beleaguered institution has drawn $120 million from its endowment and reduced its performance schedule since the pandemic, and previously used the Chagalls as collateral for a $35 million loan from J.P. Morgan in 2009.

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The article reports on a growing trend in the art world called a 'strategic pause,' where galleries and art fairs are temporarily suspending operations to reassess their futures. Vienna's Spark Art Fair announced a hiatus, Berlin dealer Mehdi Choukri is pausing exhibitions at his 30-year-old gallery, and the Art Dealers Association of America's Art Show skipped a year to 'reimagine' its direction. Additionally, the Metropolitan Opera in New York is considering selling its iconic Marc Chagall murals, and a fresh-to-market Magritte painting is heading to Christie's London.

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Artist Ai Weiwei will unveil a new exhibition titled “Button Up!” at Factory International in Manchester, England, opening July 2. The show features monumental installations made from 30 tons of buttons he rescued from a shuttered British factory in 2019, along with over 3.5 million Lego pieces. Highlights include eight flags sewn with 9,000 buttons each, referencing the Eight-Nation Alliance that invaded China during the Boxer Rebellion, and a new version of his Lego work *History of Bombs*. The buttons were secretly shipped to China, where artisans assembled the works over 281 days.

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Johannes Vermeer's iconic painting *Girl with a Pearl Earring* will travel to Japan for the first time in over a decade, on view at the Nakanoshima Museum of Art in Osaka from August to September. The loan is necessitated by the closure of its permanent home, the Mauritshuis in The Hague, for renovations. The Mauritshuis had previously pledged not to lend the painting again after its 2012–2014 tour of Japan, Italy, and the U.S., making an exception only for the Rijksmuseum's 2023 Vermeer exhibition. Director Martine Gosselink called the trip a unique opportunity to share the work with the Japanese public, possibly for the last time.

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Louvre staff went on strike again on Monday over understaffing, working conditions, and the museum's $820 million renovation plan, echoing calls for director Laurence des Cars to step down. The walkout forced the museum to close to the public, reopening only a few major attractions like the Mona Lisa, Venus de Milo, and Winged Victory of Samothrace. The strike, originally launched in December, was suspended briefly but resumed after all 350 staff voted unanimously in favor. Unions demand a re-evaluation of the renovation project, dubbed "Nouvelle Renaissance," arguing the high cost is unrealistic and that priorities should shift to urgent technical maintenance.

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Emma McIntyre, a New Zealand-born painter known for her oxidation technique using rust on canvas, has rapidly ascended in the art world. After earning MFAs in Auckland and Pasadena, she joined mega-gallery David Zwirner in 2024, with additional representation by Château Shatto in Los Angeles and Air de Paris. Her auction record was set at Phillips London in October 2025, with her work "Seven types of ambiguity" selling for $225,100. McIntyre's practice blends material experimentation—including iron oxide pigments and bubble wrap—with references spanning Greek myth to Rococo art.

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The Phillips Collection in Washington, D.C. has deaccessioned eight major works by artists including Georges Seurat, Georgia O'Keeffe, and Anish Kapoor at Sotheby's fall sales. O'Keeffe's "Large Dark Red Leaves on White" (1927) sold for $7.9 million, a Seurat drawing fetched $4.9 million, while a painting by Arthur Dove fell short of expectations and a Kapoor sculpture failed to sell. The plan, devised by director Jonathan Binstock, aims to fund future contemporary art commissions and collection care, but has sparked an 18-month dispute between museum leadership and the Phillips family descendants over the interpretation of founder Duncan Phillips's legacy.

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The 24th edition of the Biennale de Arte Paiz, titled "El Arból del Mundo" ("The Tree of Life"), has opened in Guatemala City and Antigua Guatemala. Under Italian curator Eugenio Viola, the biennial has expanded from 30 to 46 artists and doubled its venues from 5 to 10, including the Museo Nacional de Arte de Guatemala (MUNAG) and La Nueva Fabrica. The dates have shifted to December to attract visitors from Miami Art Week and Zona Maco in Mexico City. The show features textile works, research-based art, and ecological themes, with highlights including a street installation by Erick Boror.

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Greece is building a cultural coalition with Italy to strengthen its campaign for the return of the Parthenon Marbles from the British Museum. Italy's culture minister Alessandro Giuli pledged support during a visit to Athens and announced the repatriation of 145 ancient coins. Greek culture minister Lina Mendoni is leading efforts to build international backing, and the two countries have devised joint cultural initiatives, including an exhibition of modern Greco-Italian metaphysical painters. Meanwhile, the U.K.'s Labour government has taken a neutral stance on the issue, departing from the previous Conservative government's opposition, and negotiations between Greece and the U.K. are described as "ongoing and constructive."

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Hamad Butt, a Young British Artist (YBA) whose career was cut short by AIDS in 1994, is finally receiving a retrospective at Whitechapel Gallery in London, titled “Apprehensions,” on view until September 7. The exhibition highlights Butt’s bio-art installation *Transmission* (1990), which features live flies feeding on sugar paper texts about contagion, alongside glass books lit by ultraviolet lamps. The show reassesses Butt’s subtle, layered work in contrast to the more famous YBAs like Damien Hirst, who debuted a strikingly similar fly piece, *A Thousand Years* (1990), shortly after Butt’s work was first exhibited.

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A legal and public battle has erupted in Norway over Kunsthall Stavanger's decision to sell Barbara Hepworth's sculpture *Figure for Landscape* (1960) at Christie's London, with an estimate of £1-2 million. The sale is intended to fund the institution's operating and exhibition budget, as the Kunsthall faces potential closure without the proceeds. Local group Stavanger Byselskap filed a lawsuit to block the sale, which was settled in the Kunsthall's favor, but over 260 community members have signed a petition against the deaccession. The Hepworth estate has also condemned the sale as unethical, noting the work was sold to the institution at a reduced price due to Hepworth's wish to have her work in a Norwegian public collection.

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A child under the age of five recently scratched a Mark Rothko painting at a museum in the Netherlands, forcing its removal for restoration. The article compiles several notorious incidents of children accidentally damaging artworks, including a 12-year-old boy punching a hole through a $1.5 million Baroque painting by Paolo Porpora in Taipei, a 4-year-old shattering a 3,500-year-old vase at the Hecht Museum in Israel, a girl climbing a Donald Judd sculpture at Tate Modern, and kids breaking a glass artwork by Shelley Xue at the Shanghai Museum of Glass. In most cases, the damage was accidental, driven by curiosity or misinterpretation, and often involved lapses in adult supervision.

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The article highlights Medardo Rosso, an Italian sculptor largely overlooked despite his pioneering role in modernist sculpture. A new exhibition at the Kunstmuseum Basel, "Medardo Rosso: The Invention of Modern Sculpture," showcases 50 of his works alongside pieces by over 60 artists including Rodin, Degas, and Brancusi, aiming to reassert his influence. Rosso's radical approach rejected monumentality for materiality and process, embracing subjects from society's fringes and anticipating 20th-century art developments. The show also revisits his bitter rivalry with Rodin, whom Rosso accused of borrowing his signature tilting effect.

What to See This Spring at Museums Across the U.S.

Major museums across the United States are preparing to launch a diverse array of exhibitions for the spring season. Highlights include a comprehensive Marcel Duchamp retrospective at the Museum of Modern Art in New York, an exploration of Etruscan civilization at the de Young Museum in San Francisco, and a major fashion-focused exhibition at the Phoenix Art Museum.

In a Historic Kyoto Neighborhood, a New Hotel Channels the Past

A new hotel, the Ace Hotel Kyoto, has opened in the historic Umekoji neighborhood, housed within a renovated 1920s brick building that was once the Kyoto Central Telephone Office. The project, a collaboration between Ace Hotel Group and Japanese developer NTT Urban Development, blends the original structure's industrial character with contemporary design by Kengo Kuma and Commune Design, featuring guest rooms, restaurants, and a gallery space.

Weekly News Roundup: March 13, 2026

The Kiran Nadar Museum of Art has commissioned artist Nalini Malani for a collateral exhibition at the 2026 Venice Biennale, titled 'Of Woman Born'. Art Collaboration Kyoto announced a shift from a single director to a seven-member leadership committee. Australian artist Datsun Tran won the 2026 Glover Prize for his landscape work 'The giants are falling'. New York Mayor Zohran Mamdani appointed Diya Vij as commissioner of the city's Department of Cultural Affairs.

What you (perhaps) didn't know about Alexander Calder

Ce que vous ne saviez (peut-être) pas sur Alexander Calder

The Fondation Louis Vuitton in Paris has launched the exhibition "Calder. Rêver en équilibre," prompting a retrospective look at the life and technical mastery of Alexander Calder. The article explores the artist's journey from his arrival in Paris in 1926 to his interactions with avant-garde masters like Duchamp and Miró, highlighting how he defied traditional artistic labels through his innovative use of movement and simple materials.