Where to go this weekend?

Wohin am Wochenende?

Major international exhibitions and events are launching this week, headlined by a massive Marcel Duchamp retrospective at the Museum of Modern Art in New York, the first of its scale in the U.S. since the 1970s. In Milan, Cao Fei debuts a research-heavy project at Fondazione Prada exploring the intersection of high-tech agriculture and tradition, while Berlin’s Georg Kolbe Museum recovers the legacy of British constructivist Marlow Moss. Additionally, the inaugural Art Cologne Palma Mallorca art festival opens in Spain, attempting to stimulate the market during a challenging economic period.

The Triumphant New LACMA Has the Potential to Rewrite Art History

The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The building features a radical, non-linear layout that eschews traditional chronological and geographical hierarchies, allowing artworks from 15 different curatorial departments to be displayed in conversation with one of another. Despite years of controversy regarding its concrete design and a 10 percent reduction in exhibition space, the museum is positioning the new structure as a flexible "laboratory" for global art history.

Italian Winemaker Ornellaia Reveals Marina Abramović’s Designs for Its 2023 Vintages

Marina Abramović has collaborated with the Italian winemaker Ornellaia to design labels for its 2023 vintage as part of the annual Vendemmia d’Artista project. The designs range from self-portrait drawings and photographs featuring grapes to a conceptual 9-liter bottle that instructs the drinker to listen to Nino Rota’s theme from La Dolce Vita while consuming the wine. A selection of these limited-edition bottles will be auctioned at Bonhams in June to raise funds for the Guggenheim Museum.

Newly Authenticated Modigliani Heads to Sale at Art Basel Hong Kong via Pace with a $13.3 M. Price Tag

A newly authenticated painting by Amedeo Modigliani, "Jeune femme brune" (1917–18), is being offered for sale by Pace gallery at Art Basel Hong Kong with a price tag of €11.5 million ($13.3 million). The work, the highest-priced piece at the fair, was only recently included in art historian Marc Restellini's forthcoming Modigliani catalogue raisonné after decades of authentication disputes and legal battles.

Raphael Died Before 40. His Met Retrospective Begs the Question: What If He Had Lived?

The Metropolitan Museum of Art is preparing a major spring retrospective dedicated to Raphael, the Italian Renaissance master who died in 1520 before his 40th birthday. This will be his first such exhibition in the United States, aiming to reassess an artist traditionally viewed as a facile, efficient prodigy rather than a deep intellectual.

Congress Adopts HEAR Act, Hockney to Celebrate 90th Birthday at Tate Modern’s Turbine Hall: Morning Links for March 17, 2026

The U.S. House of Representatives passed the HEAR Act, a bipartisan bill designed to extend and strengthen laws for the restitution of Nazi-looted art. The bill's new amendments, which declare looted art a violation of international law and expand U.S. jurisdiction, have drawn both praise for aiding restitution and concern over potentially unfair burdens on current owners.

Billionaire Collector Ken Griffin’s Basquiat Buying Spree Continues

Billionaire collector Ken Griffin has significantly expanded his holdings of Jean-Michel Basquiat, notably acquiring the 1983 masterpiece 'In Italian' from the collection of Peter Brant. The acquisition came to light through press materials for an upcoming exhibition at the Pérez Art Museum Miami (PAMM) titled "Basquiat: Figures, Signs, Symbols," which will showcase nearly a dozen works from Griffin’s private collection. The show, curated by PAMM director Franklin Sirmans and Griffin’s curator Megan Kincaid, includes other high-profile acquisitions such as the 1982 'Untitled (Skull)' previously purchased from Yusaku Maezawa.

An Intimate Portrait of Basquiat’s Early Life Returns to Brooklyn

The exhibition “Our Friend, Jean” returns to Brooklyn this May at The Bishop Gallery, coinciding with Frieze Week. The show features twenty artworks alongside personal ephemera and photographs from Jean-Michel Basquiat’s formative years between 1979 and 1980, primarily sourced from the collection of his former roommate Alexis Adler. This iteration includes previously unseen items from Adler’s trove, such as hand-painted garments and postcards, and will be activated by panels featuring Basquiat’s early collaborators.

Were the Popes Art History’s Ultimate Collectors?

A new exhibition, "Bernini i Barberini," at Rome's Palazzo Barberini explores the profound artistic partnership between Pope Urban VIII and the young sculptor Gian Lorenzo Bernini. This relationship, beginning in 1623, led to decades of Baroque masterpieces that transformed Rome's architecture and urban design, showcasing the papacy's use of art as a tool of power and propaganda.

Paige Powell Didn’t Just Document Warhol’s Inner Circle. She Shaped It, Too

Paige Powell, a close confidante of Andy Warhol and former associate publisher of Interview magazine, is presenting a new exhibition of her photographs titled "Private Andy: Religious Services" at Jeffrey Deitch in Los Angeles. The show features intimate, often accidental images from 1986-87 that document Warhol's final days, including his volunteer work at a church and his funeral, revealing his spiritual side and the overlap of life and death.

Blink and You’ll Miss It! 3 New York Shows With Painfully Short Runs

Blink and You’ll Miss It! 3 New York Shows With Painfully Short Runs

Three notable New York gallery exhibitions are operating on exceptionally short timelines, defying the current standard of month-long runs. These include "Ryan Foerster: Going Green" at Kerry Schuss Gallery, a presentation of Robert Mnuchin's collection at Mnuchin Gallery, and a show by the Japanese artist collective ME at Reena Spaulings Fine Art, each on view for only a matter of days.

Zurich’s controversial Bührle Collection is rehung, including five paintings by Van Gogh—plus one forgery

The Kunsthaus Zurich has unveiled a comprehensive new display of the Emil Bührle Collection, featuring 205 works including five significant paintings by Vincent van Gogh and one acknowledged forgery. This reinstallation marks a shift from previous thematic displays focused on provenance research to a denser presentation of the collection's breadth. Notable works on view include a 1887 self-portrait and the masterpiece 'The Sower at Sunset,' though one Van Gogh remains in conservation and another has been withdrawn due to Nazi-era ownership complications.

Philadelphia art museums celebrate America's 250th anniversary with blockbuster two-venue show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a massive collaborative exhibition titled "A Nation of Artists" to commemorate the 250th anniversary of the Declaration of Independence. Featuring over 1,000 works, the show spans from colonial-era masterpieces like Charles Willson Peale’s portrait of George Washington to contemporary Indigenous art and modern portraiture by Barkley L. Hendricks. The exhibition will also debut 120 works from the Middleton Family Collection, including significant Hudson River School and American Impressionist pieces.

The art of technology jostles for position in venues both new and historic

Canyon, a new 40,000-square-foot institution dedicated to moving image, sound, and performance art, is set to open this autumn on Manhattan’s Lower East Side. Founded by entrepreneur Robert Rosenkranz and led by former Mass MoCA director Joe Thompson, the space aims to bypass the slow curatorial cycles of traditional museums by hosting international media-rich exhibitions with a faster 18-to-24-month turnaround. Unlike traditional collecting institutions, Canyon will focus on public accessibility and domestic-style hospitality rather than building its own permanent archive.

Matisse’s explosive finale and a new chapter for Hong Kong? Plus, Schiaparelli and Dalí—podcast

This week's episode of The Art Newspaper podcast covers three major art world events. A landmark Henri Matisse exhibition at the Grand Palais in Paris focuses on his final, explosive 13 years of work, including his famous cut-outs. In Hong Kong, Art Basel opens amid economic uncertainty, with analysis on whether the market is turning a corner. Meanwhile, London's Victoria and Albert Museum unveils a show on Elsa Schiaparelli, featuring a Salvador Dalí painting that directly inspired her iconic fashion designs.

‘The violence of racist tyranny’: African Guernica goes on display alongside Picasso masterpiece

The Reina Sofía museum in Madrid has installed Dumile Feni's 1967 drawing 'African Guernica' directly opposite Pablo Picasso's iconic 'Guernica' painting. This pairing is the centerpiece of the museum's new annual exhibition series 'History Doesn’t Repeat Itself, But It Does Rhyme,' which aims to place works from different cultural contexts in dialogue with Picasso's masterpiece.

‘Absolutely transformative’: Willem de Kooning exhibition uncovers raw intensity of early work

The Princeton University Art Museum is presenting "Willem de Kooning: The Breakthrough Years," an exhibition revisiting the pivotal period from 1945-1950 that led to the artist's first solo show and established his reputation. The show features 18 paintings, including key works like *Black Friday* and *Dark Pond*, highlighting his intense exploration between figuration and abstraction with a restricted palette.

Curating Around Social Urgencies: How Artists Refuse Quietism

The article focuses on the curatorial approach and artistic ethos of the 2025 edition of the 'Made in L.A.' biennial, highlighting how artists are actively engaging with pressing social and political issues rather than retreating into quietism or abstraction. It examines specific works and the overall thematic drive of the exhibition, which is organized by the Hammer Museum and the Huntington Library, Art Museum, and Botanical Gardens.

Joan Semmel Is Doing Her Best Work at 93

Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.

In an Unlikely Pairing, Giacometti Sculptures Head to The Met's Temple of Dendur

The Metropolitan Museum of Art has announced a major summer exhibition titled "Giacometti in the Temple of Dendur," featuring 17 sculptures by the 20th-century Swiss master Alberto Giacometti. The show, organized in collaboration with the Fondation Giacometti, will place the artist's iconic slender bronze figures within and around the first-century BCE Roman Period Egyptian temple. The installation includes significant loans such as "Femme qui marche I" and "Femme de Venise I," marking a rare dialogue between modern existentialist sculpture and ancient architectural history.

Celeste Dupuy-Spencer, Artist Who Confronted Injustice, Dies at 46

Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.

One Last Chance to See Dürer's Monumental Print in NYC

Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.

Kamrooz Aram Breaks Down the Grid

Kamrooz Aram is the subject of multiple major exhibitions in early 2026, including a solo show at Alexander Gray Associates in New York, a presentation at Nature Morte in Mumbai for Mumbai Art Week, and a significant inclusion in the 2026 Whitney Biennial. The artist, known for his work with the grid, uses painting to explore the connections between Western modernist abstraction and non-Western decorative traditions, particularly from Western Asia.

Frida-Mania Hits MoMA

The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.

10 Exhibitions to See in Chicago This Spring

A guide highlights ten notable art exhibitions opening in Chicago this spring, focusing on shows at smaller, community-focused, and artist-run spaces like Good Weather, Hyde Park Art Center, and the Ukrainian Institute of Modern Art. Featured exhibitions include Hunter Foster's "Involition," which repurposes a Cold War siren to comment on infrastructure and threat, and Alison Ruttan's ceramic installation "The Paradox of Inaction," which visualizes climate disaster.

Why I Wanted to Meet Thaddeus Mosley

The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.

Zarina Brought the World to New York

The article reviews the exhibition "Beyond the Stars" at Luhring Augustine Gallery, showcasing the work of artist Zarina Hashmi (known as Zarina). It highlights her spare, post-minimalist prints and sculptures that explore themes of mapping, home, and migration, rooted in her peripatetic life from pre-Partition India to New York. The show features 32 works that demonstrate her unique visual language, embedded in Urdu, South Asian histories, and mysticisms.

Beverly Buchanan’s Architecture of Care

Beverly Buchanan’s Architecture of Care

A major retrospective and a focused exhibition of artist Beverly Buchanan's work are now on view in Athens, Georgia, where she lived for many years. "Shacks, Stories, and Spirit: Beverly Buchanan’s Art of Home" at the Georgia Museum of Art features her canonical "Medicine Woman" sculpture, while "Beverly’s Athens" at the University of Georgia’s Athenaeum presents a rich archive of her ephemera, sketches, and community-focused works, marking the city's first institutional solo exhibitions of her art posthumously.

The Nearly Sixty-Year Career of Legendary Gallerist Enzo Cannaviello: A Wide-Ranging Interview

I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo

Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.

The Must-See Exhibitions in Milan During Art Week 2026

Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026

Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.