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Grand Rapids Art Museum’s big David Hockney exhibition is worth the day trip from Detroit

The Grand Rapids Art Museum (GRAM) has opened "David Hockney: Perspective Should Be Reversed," billed as the largest-ever retrospective of the British artist's prints. Featuring some 170 works across two floors, the exhibition spans six decades of Hockney's career, from early Xerox experiments to recent iPad drawings. The show is drawn from the collection of Jordan D. Schnitzer, a prominent Portland-based collector and philanthropist, and his Jordan Schnitzer Family Foundation. It opened on May 31 and is organized into five thematic sections including "Portraits of Self and Others" and "Tradition and Innovation."

“Berthe Weill, Art Dealer of the Parisian Avant-garde” in Montreal

The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.

Artists Decry Centre Pompidou’s Cancellation of Caribbean Art Exhibition

Nearly 150 artists, curators, and cultural figures signed an open letter denouncing the Centre Pompidou-Metz's abrupt cancellation of an exhibition centering on contemporary Franco-Creole, Caribbean French, and Guyanese art. The survey, titled "Van Lévé: Sovereign Visions from the Maroon and Creole Americas and Amazonia," was slated to run from October 2026 to April 2027 and would have featured artists including Julien Creuzet, Gaëlle Choisne, and the late Hervé Télémaque. Guest curator Claire Tancons had raised concerns about a scheduling overlap with Maurizio Cattelan's ongoing exhibition, leading to tense exchanges with museum director Chiara Parisi before the museum formally canceled the show on June 10, citing a "particularly difficult budgetary context."

Gustave Caillebotte blockbuster that sparked controversy in France opens in Chicago—with one key difference

A major Gustave Caillebotte survey exhibition, originally titled *Gustave Caillebotte: Painting Men* (in French, *Caillebotte: Peindre Les Hommes*), has opened at the Art Institute of Chicago with a revised title: *Gustave Caillebotte: Painting His World*. The change was made after an internal focus group found the original title too narrow, and before the show even debuted in Paris. The exhibition, co-curated by Gloria Groom (AIC), Paul Perrin (Musée d’Orsay), and Scott Allan (Getty), explores Caillebotte’s preference for male subjects—such as rowers, soldiers, and card players—without asserting that the artist had same-sex relationships. It previously sparked controversy in France, where critics accused the curators of imposing an American-influenced, reductive queer reading on the artist.

Ten essential works of art to see at the National Gallery in London

The National Gallery in London, home to over 2,300 paintings spanning Western European art from Giotto to Cézanne and including early modernism by Picasso, has recently completed a comprehensive rehang of its collection at its Trafalgar Square site. This coincides with the reopening of the Sainsbury Wing after a two-year renovation. The article highlights ten essential works to see, including Jan van Eyck's *The Arnolfini Portrait* (1434), Leonardo da Vinci's *The Burlington House Cartoon* (around 1506-08), and Paolo Veronese's *The Adoration of the Kings* (1573), emphasizing the gallery's free admission and its role as a cultural treasure.

LACMA opens its new building for a sneak peek: Photos from the first preview

The Los Angeles County Museum of Art (LACMA) held its first public event inside the new Peter Zumthor-designed David Geffen Galleries on Thursday evening, offering a sneak peek before art is installed. The preview featured a site-specific concert by composer Kamasi Washington, with multiple bands and a choir performing throughout the empty concrete galleries. The building, which has been under construction for five years, is targeted to open in April 2026, though some construction details remain unfinished and landscaping is still settling.

Global Art Market Report 2024–2025

The global art market saw total sales of $57.5 billion in 2024, a 12% decline year-on-year, marking the second consecutive annual drop. Transaction volumes rose 3% to about 40.5 million, driven by works under $50,000 which made up 85% of dealer sales. Sotheby's and Christie's together accounted for roughly half of global fine-art auction turnover, though both saw significant auction revenue declines. The United States led with 43% of global sales, while China's market share fell to 15%, its lowest since 2009. Online art sales grew to 18% of total value, and new buyer momentum was strong, with 44% of dealer buyers being new and 91% of high-net-worth collectors optimistic.

Koons lobster snapped up amid day two sales at Art Basel

On the second day of the Art Basel VIP preview, sales continued at a slower pace. White Cube sold Michael Armitage's 2015 painting *In the garden* for $3.2 million, while Gagosian placed a large lobster sculpture by Jeff Koons for a seven-figure sum. Pace Gallery reported that a Pablo Picasso painting *Homme à la pipe assis et amour* (1969), priced at $30 million, remains on reserve, though it did sell a 1964 bronze by Louise Nevelson for $850,000. Berlin's Galeria Plan B sold an untitled 2025 Adrian Ghenie painting for €1 million, and Hauser & Wirth sold Frank Bowling's *Iceni* (1975) for $1.8 million, with Felix Gonzalez-Torres's *"Untitled" (Go-Go Dancing Platform)* (1991), priced at $16 million, placed on serious hold for an institution.

Christie’s presents Post-War to Present as a highlight of its London Summer Season - Christie's

Christie’s has announced its London Summer Season, running from June to August 2025, with the Post-War to Present sales as a central highlight. The season includes live and online auctions, selling exhibitions such as 75 Years of New Contemporaries and Modern British Art: A Selling Exhibition, and cultural partnerships. Key auction highlights include Lynette Yiadom-Boakye's '8pm Zaragoza' (estimate £500,000–700,000), Victor Man's 'The Chandler' (estimate £300,000–500,000), and works by David Hockney, Cecily Brown, KAWS, and Georg Baselitz. The live sale takes place on 26 June, with online bidding from 17 June to 1 July.

The best museum shows to see alongside Art Basel in Basel 2025

This article highlights the best museum shows to see alongside Art Basel in Basel 2025, covering exhibitions at Fondation Beyeler, Schaulager, Kunsthalle Basel, Kunsthaus Baselland, and Kunstmuseum Basel. Featured artists include Vija Celmins, Jordan Wolfson, Steve McQueen, Ser Serpas, Dala Nasser, and Medardo Rosso, with works ranging from VR installations and immersive light-and-sound pieces to textile art and historical retrospectives.

Everywhere All at Once: A Review of “David Hockney—Perspective Should Be Reversed” at Grand Rapids Art Museum

The Grand Rapids Art Museum has opened "David Hockney: Perspective Should Be Reversed," a comprehensive exhibition of 145 prints and multiples spanning the British artist's six-decade career from 1954 to the present. Sourced from the Jordan Schnitzer Family Foundation's collection, the show is organized thematically rather than chronologically, highlighting Hockney's diaristic subjects and his restless experimentation with print and photographic technologies, from hand-colored lithographs to iPad drawings.

Grand Rapids Art Museum celebrates the artistry of David Hockney in new exhibit

The Grand Rapids Art Museum (GRAM) has opened a new exhibition titled "David Hockney: Perspective Should Be Reversed," featuring over 160 works by the celebrated British artist David Hockney, spanning from 1954 to 2022. The prints on display come from the collection of Jordan D. Schnitzer and His Family Foundation. The exhibit runs from May 31 through November 2, with admission free for members and children under five, and $12 for adults. GRAM curator Jennifer Wcisel discussed the exhibition in a recent interview.

Empathy is in short supply today – artist Saya Woolfalk intends to change that

Saya Woolfalk's largest survey exhibition, 'Empathic Universe,' has opened at New York's Museum of Arts and Design. The show introduces visitors to the Empathics, a fictional plant-human hybrid species that embodies profound understanding and interconnection. Organized by curator Alexandra Schwartz, the exhibition spans two decades of Woolfalk's career and includes video, sculpture, installation, works on paper, and artist-fashioned clothing. It explores themes of empathy, hybridity, and utopia, drawing on Afrofuturist thinkers and science fiction, while addressing issues of racism and sexism in a polarized world.

Christie's 20/21 sales achieve $693 million

Christie's 20th and 21st Century Art sales in New York from 12-15 May 2025 achieved a total of $693 million across six sales, reaching 123% of the low estimate. The top lot was Piet Mondrian's 1922 painting *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue*, which sold for $47.56 million. Other highlights included Claude Monet's *Peupliers au bord de l'Epte, crépuscule* (1891) at $42.96 million, and Marlene Dumas's *Miss January* (1997), which set a record for a living female artist. The Leonard & Louise Riggio collection alone brought $272 million, while the 20th Century Evening Sale achieved $217 million with a 100% sell-through rate. New artist records were set for Dorothea Tanning, Remedios Varo, Louis Fratino, Simone Leigh, and Emma McIntyre.

Marlene Dumas’s $13.6m semi-nude breaks auction record for a living female artist

Christie's 21st century evening sale on Wednesday achieved $79 million ($96.5 million with fees), falling within revised estimates but below original projections and prior sale totals. The standout lot was Marlene Dumas's 1997 painting *Miss January*, which sold for $13.6 million with fees, setting a new auction record for any living female artist. The sale saw three of four records set for women artists, including Simone Leigh, Emma McIntyre, and Louis Fratino, though bidding was subdued overall with heavy reliance on third-party guarantees.

Despite record-breaking results for four women artists, Phillips’s evening auction in New York sparks few fireworks

Phillips’s evening sale of modern and contemporary art in New York on May 13 achieved a total hammer price of $44.2 million ($52 million with fees), falling just below the low pre-sale estimate of $45.3 million. Four works were withdrawn before the sale, and five lots failed to sell. Despite the subdued overall results, the auction set new auction records for four women artists: Kiki Kogelnik, Ilana Savdie, James Turrell (Light and Space artist), and Grace Hartigan. Other strong performers included works by Yu Nishimura, Olga de Amaral, Barbara Hepworth, and Danielle McKinney. The top lot was Jean-Michel Basquiat’s *Untitled* (1984), formerly owned by David Bowie.

A young Richter’s painting of an even younger Polke and a once-grimy Brazilian landscape by Frans Post: our pick of the May auctions

The article previews five major lots coming to auction in New York in May 2025, spanning Phillips, Sotheby's, Christie's, and Bonhams. Highlights include Gerhard Richter's 'Mann mit zwei Kindern' (1966), a portrait of Sigmar Polke estimated at $4–6 million; Frans Post's 'View of Olinda with Ruins of the Jesuit Church' (1666), estimated at $6–8 million and expected to break the artist's record; Andy Warhol's 'Big Electric Chair' (1967–68), estimated around $30 million; and Fernando Botero's 'The Bed' (1982), estimated at $700,000–$1 million. Each work is making its auction debut or is a rare market appearance.

‘The First Homosexuals’ showcases 300 queer artworks amid ‘rise of homophobic politics’

A major new exhibition, “The First Homosexuals: The Birth of a New Identity, 1869–1939,” has opened at Chicago’s Wrightwood 659, featuring over 300 queer artworks from 125 artists across 40 countries. Curated by Jonathan D. Katz and Johnny Willis, the show includes early photographs of drag, a painting of a late-1700s trans pioneer, and what is believed to be the first same-sex wedding depicted in art, alongside works by iconic figures like Gertrude Stein and James Baldwin. The exhibition, eight years in the making, draws loans from institutions such as the Tate and the Metropolitan Museum of Art, as well as private collections, and runs through July 26.

Yayoi Kusama survey at National Gallery of Victoria becomes best-selling art exhibition in Australian history

The National Gallery of Victoria (NGV) in Melbourne has announced that its Yayoi Kusama survey exhibition, titled "Yayoi Kusama," sold 570,537 tickets, making it the most-visited ticketed art exhibition in Australian history. The show, which ran from 15 December 2024 to 21 April 2025, surpassed the NGV's own record of 462,262 tickets for "Van Gogh and the Seasons" in 2017. Featuring 200 artworks spanning nearly nine decades of the artist's career, including ten infinity rooms, the exhibition was the largest the NGV has ever dedicated to a single living artist. The NGV also acquired two major works from the show: "Dancing Pumpkin" (2020) and "Narcissus Garden" (1966/2024).

A Tale of Two Cities: Spring Auctions in Hong Kong and Shanghai

Christie's and Sotheby's held their spring marquee auctions in Hong Kong and Shanghai, timed to coincide with Art Basel Hong Kong for the first time. Christie's evening sale of 20th and 21st century art in Hong Kong achieved HKD 560 million (USD 72 million) with a 95% sell-through rate, led by Jean-Michel Basquiat's *Sabado por la Noche (Saturday Night)* (1984) at HKD 112.6 million. Other highlights included a new artist record for Zhang Enli's *Intimacy* (2002) at HKD 23.4 million, and strong sales for works by Yayoi Kusama, Zao Wou-Ki, and Adrian Ghenie, though most lots sold near their low estimates.

Auction record

A new auction record has been set, with a significant artwork selling for a high price at a major auction house. The sale took place recently, drawing attention from collectors and the art market.

parties cult100 cultured magazine guggenheim

CULTURED magazine hosted its second annual CULT100 party at the Guggenheim Museum in New York, in exclusive partnership with Valentino and Valentino Beauty. The event celebrated the magazine's spring issue, a 400-page edition honoring 100 luminaries and rising talents across food, film, art, fashion, and more. Guests including Keke Palmer, Lena Dunham, Naomi Watts, Adam Scott, and Anne Imhof gathered in the Frank Lloyd Wright-designed rotunda for cocktails, a Valentino Beauty lounge, and a program that coincided with artist Carol Bove's ongoing museum survey exhibition at the Guggenheim.

Le Louvre choisit son entrée côté colonnade

Le Louvre has selected a joint proposal by Studios Architecture Paris and Selldorf Architects for its new entrance via the Perrault colonnade, part of the 'Louvre Nouvelle Renaissance' plan. The project, announced by Emmanuel Macron on January 28, 2025, aims to create a new eastern access to relieve overcrowding at the Pyramid, with two underground entrances, vegetated moats, new services, and a dedicated space for the Mona Lisa. The selection was announced by Culture Minister Catherine Pégard on May 18, despite controversies over funding, heritage constraints, a theft in the Galerie d'Apollon on October 19, 2025, and the departure of museum president Laurence des Cars.

matthiesen gallery lawsuit jill newhouse jon landau courbet

The Matthiesen Gallery in London has filed a lawsuit in the Southern District of New York alleging fraud, breach of contract, and other counts over a Gustave Courbet painting, *Mother and Child on a Hammock*. The gallery claims that Thomas Austin Doyle, a convicted con man, orchestrated a scheme to defraud director Patrick Matthiesen, selling the painting—valued at $650,000—through artist and dealer Shalva Sarukhanishvili to Jill Newhouse Gallery for $115,000, which then sold it to top collector Jon Landau for $125,000. The lawsuit also names Landau, who allegedly viewed the work multiple times at TEFAF fairs knowing its retail price, yet refuses to return it. Doyle has a long criminal history, including prior convictions for art fraud and theft.

‘A daring flash of pubic hair’: the extraordinary, monumental nudes of Sylvia Sleigh

A small London gallery, Malarkey, is exhibiting eight paintings by Welsh-born artist Sylvia Sleigh (1916–2010), including her monumental 1963 work *The Bridge*, which is now for sale. The show, curated by Daniel Malarkey, features Sleigh's earliest-known self-portrait and her first commission, alongside other nudes that challenge traditional objectification by portraying both sexes with dignity. Sleigh, who studied at Brighton School of Art and moved to New York with her second husband, critic Lawrence Alloway, reimagined classical poses like Giorgione's *Sleeping Venus* in modern settings, notably including a daring flash of pubic hair in *The Bridge*.

art criticism lynne tillman paying attention book

Lynne Tillman celebrated the publication of her new collection, *Paying Attention: Essays on Art and Culture*, from David Zwirner Books, at an event hosted by Coco’s at Colette. The article features a conversation between Tillman and the author, in which she discusses her origin story as a critic, her background in fiction writing, and her unconventional entry into art criticism through an invitation from Craig Owens at *Art in America*. She recounts writing a Madame Realism story about a Renoir exhibition after eavesdropping on museum tours, a piece that angered some art historians.

parties moma ps1 50th anniversary

MoMA PS1 kicked off its 50th anniversary year with an intimate cocktail event at the Tribeca townhome of board member Michi Jigarjian, hosted by the museum's patron group the Greater New Yorkers. Over 100 guests—including artists, collectors, dealers, and curators—gathered for remarks from Director Connie Butler, Chief Curator Ruba Katrib, and co-chairs Leslie Fritz, Ed Tang, and Amitha Raman, followed by a performance by experimental cellist Dorothy Carlos. Attendees received a first look at the upcoming quinquennial exhibition "Greater New York 2026," which will feature over 50 New York-based artists, with a partial list including Farah Al Qasimi, Fields Harrington, Hardy Hill, Sofia Sinibaldi, and Julia Wachtel.

parties young artist prize 2025 mz wallace

CULTURED magazine and fashion brand MZ Wallace celebrated the 10-year anniversary of their Young Artists List with an event at (SUB)MERCER in SoHo, where they announced Iraqi-born, Los Angeles-based artist Ali Eyal as the winner of the 2025 Young Artist Prize. Eyal received an unrestricted $30,000 grant, selected by a jury of curators from the Met, the Hammer, and MoMA, for his multidisciplinary practice reflecting on violence endured during his upbringing in Baghdad.

Mario Schifano al Palazzo Esposizioni di Roma. Una grande mostra che ci insegna a guardare

Palazzo Esposizioni in Rome has opened a major exhibition dedicated to Mario Schifano (1934–1998), running alongside a solo show by Marco Tirelli titled "Anni Luce." The exhibition, curated by Daniela Lancioni, explores Schifano's work through the lens of Kazimir Malevich's Suprematism, particularly his 1915 "Black Square." It features Schifano's early monochromes from 1960, his painting "Chiamato K. Malewič" (1965), and a rarely seen pre-1960 phase including landscapes and informal works from 1956–1959, which have often been marginalized in his official catalog.

The Black American Artists Who Dazzled Post-War Paris

An exhibition titled "Paris in Black: Internationalism and the Black Renaissance" at the DuSable Black History Museum and Education Center in Chicago celebrates the Black American artists, writers, and performers who moved to Paris after World War II to escape American racism. Curated by Danny Dunson, the show features over 100 artworks from the museum's permanent collection, including paintings by Archibald J. Motley Jr., sculptures by Richmond Barthé, Augusta Savage, and William Artis, and ephemera related to Josephine Baker. It traces the global influence of the Harlem Renaissance and the cross-pollination between Paris and U.S. cities like Chicago.