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What not to miss at Frieze New York 2025

Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.

Richard Long Commission Opening 10 May at The National Gallery, London, United Kingdom

The National Gallery in London will unveil a new site-specific commission by British artist Sir Richard Long on 10 May 2025. Titled "Mud Sun," the five-meter-wide mud work is hand-applied using tidal mud from the River Avon and installed at the top of the grand staircase in the newly transformed Sainsbury Wing. The work has been donated by Dr. Didi Mei Yi Wong to mark the Gallery’s 200th anniversary and will enter its Contextual Collection. It is Long’s second commission for the Gallery, following "River Avon Mud Crescent" (2023).

Female artists and new buyers breathe life into the art market

The global art market contracted by 12% in 2024, falling to an estimated $57.5 billion in sales from its 2022 peak, according to the Art Basel and UBS Art Market Report 2025 compiled by Dr. Clare McAndrew. Despite the overall decline, the number of transactions grew by 3%, driven by a broadening collector base and increased engagement with more affordable works. The report highlights a surge in interest in female artists, with galleries raising their representation to 41%, and notes that art fairs remain the most common entry point for new buyers. The Aotearoa Art Fair, opening May 1-4 at Auckland's Viaduct Events Centre, exemplifies these trends with strong Indigenous and Pacific representation, emerging artist platforms like Horizons 2025, and affordable works under $5,000 from established galleries such as Gow Langsford Gallery.

Art Brussels 2025 Is Keeping Up with Its European Art Fair Cousins

Art Brussels returned for its 41st edition from April 24-27, 2025, at Brussels Expo Hall on the Heizel Plateau in Laeken, Belgium. The fair featured 165 galleries from 35 countries, 38% of which were first-time exhibitors, showcasing works by over 800 artists across five curated sections: Prime, Solo, Discovery, '68 Forward, and Invited. New initiatives included The Screen, a curated video art section selected by KANAL-Centre Pompidou’s Eliel Jones and filmmaker Alex Reynolds, and Monumental Artworks, a large-scale sculpture section curated by Carine Fol. Highlights included works by Kai-Chung Chang, Guy Van Bossche, Mircea Suciu, Bendt Eyckermans, and others, alongside a special edition of the Belgian Art Prize marking its 75th anniversary.

Activity and optimism at Expo Chicago attest to the city's 'fearless' community of collectors and patrons

Expo Chicago's 12th edition opened at Navy Pier on April 24, featuring over 170 galleries from 36 countries, with a strong South Korean contingent supported by the Galleries Association of Korea and notable participation from Canada, Latin America, and smaller US cities. Highlights include a knitted men's locker room installation by Nathan Vincent at Walter Maciel Gallery and a video project by Deborah Oropallo and Andy Rappaport at Catharine Clark Gallery, alongside a tribute to veteran gallerist Rhona Hoffman, who is closing her namesake gallery after nearly 50 years.

At 90, Rhona Hoffman Is Closing Her Chicago Gallery—but She Isn’t Retiring Yet

Rhona Hoffman, the 90-year-old Chicago gallerist, is closing her eponymous gallery at the end of May 2025 after nearly five decades in operation. The final group show, “Not Just A Pretty Picture,” ends April 26. Hoffman, who opened her gallery in 1976, gave early platforms to artists like Sol LeWitt, Mickalene Thomas, and Carrie Mae Weems, and is especially known for championing women artists such as Cindy Sherman, Barbara Kruger, and Jenny Holzer. She was also made an honorary member of the Guerrilla Girls after documenting her exhibition history of women artists. Hoffman plans to remain in Chicago, curating shows and working with artists, but will not use the term "pop-up" for her future activities.

Fresh blood for an ancient medium: 10 young painters to watch this spring

This article profiles ten young painters to watch this spring, highlighting their innovative approaches to the ancient medium of painting. Featured artists include British painter Francesca Mollett, whose abstractions have exceeded market expectations with works like 'Two Thistles' fetching over GBP 250,000 at auction; Samuel Hindolo, whose mysterious figurative and abstract paintings have caught the attention of critic Hilton Als; and Stanislava Kovalčíková, whose provocative mythological works were exhibited at Aspen Art Museum and who runs the independent space The White Ermine in Düsseldorf. Other artists mentioned include Evelyn Plaschg, who transforms mundane objects into unsettling meditations, with a solo museum exhibition opening at HALLE FÜR KUNST Steiermark.

Rose Art Museum Expands Collection with Sam Hunter Committee Acquisitions of Works By Dhambit Munuŋgurr and Yu-Wen Wu

The Rose Art Museum at Brandeis University has acquired works by artists Dhambit Munuŋgurr and Yu-Wen Wu for its permanent collection, selected by the Sam Hunter Emerging Artist Fund Committee. Munuŋgurr's piece, Bäru (2024), is a larrakitj memorial pole reimagined with white clay and ultramarine, while Wu's Recitations (2024) is a wall installation made from Taiwanese tea, gold, and red thread. Both works will debut in the exhibition Fabricated Imaginaries: Crafting Art opening August 20, 2025.

Expo Chicago connects the Midwest to the global art market

Expo Chicago returns for its second edition under Frieze ownership from April 24-27, featuring over 170 galleries from 93 cities across 36 countries. The fair includes 50 new exhibitors, a new partnership with the Galleries Association of Korea bringing 20 South Korean galleries, and a curated sector called Contrast. Local stalwarts like Rhona Hoffman and Gray gallery are participating, balancing international growth with Midwestern roots.

Jennie C. Jones on her sonic sculptures on the Metropolitan Museum's roof

Artist Jennie C. Jones has unveiled 'Ensemble', a new site-specific commission for the Metropolitan Museum of Art's Roof Garden, on view until October 19. The installation features stark, powder-coated aluminum sculptures inspired by stringed instruments—a zither, a harp, and a Blues-inspired one-string—that incorporate acoustic elements, inviting viewers to listen as well as look. This is Jones's second large-scale outdoor project, following her 2020 work 'These (Mournful) Shores' at the Clark Art Institute, which used Aeolian harp principles to evoke the Middle Passage.

San Francisco Art Fair brings attention to Bay Area scene and sales for exhibitors from near and far

The San Francisco Art Fair opened on April 17 at the Fort Mason Center for Arts & Culture, running through April 20. Rebranded from ArtMrkt San Francisco last year, the fair featured 88 exhibitors, including a strong contingent from the East Bay, such as Oakland-based galleries pt.2, Johansson Projects, and Good Mother Gallery. Notable moments included artist Marc Horowitz using DeBoer Gallery's stand as a live studio, selling paintings for $25,000 and up, and the Alternative Art School showcasing works by four artist-members. Dealers reported healthy sales, with works priced from a few hundred dollars to the lower five figures, and local galleries like Micki Meng donated proceeds to the environmental non-profit Art into Acres.

Michaelina Wautier review – an astounding lost artist steps out of her male contemporaries’ shadows

A major exhibition at the Royal Academy is presenting the work of 17th-century Flemish painter Michaelina Wautier, an artist whose significant oeuvre was long misattributed to her male contemporaries, including her brother Charles. The show acts as a real-time art historical investigation, using scientific analysis, scholarship, and connoisseurship to reconstruct her career and assert her authorship of ambitious works like the monumental 'The Triumph of Bacchus'.

louvre museum acquires first video mohamed bourouissa

The Musée du Louvre has acquired its first video work, *Les 4 temps (The 4 Seasons)*, created by Algeria-born artist Mohamed Bourouissa. The piece centers on the Tuileries Gardens in Paris, which connect the museum to the Place de la Concorde, and also references the 4 Temps mall in La Défense where Bourouissa grew up. The video will be on view in the Salle de la Chapelle from October 22 through January 19, 2026. The acquisition follows Bourouissa's year-long Instagram takeover for the Louvre, during which he posted 52 weekly videos that garnered millions of views.

White Stripes Frontman Jack White Is Showing Art at Damien Hirst’s Gallery

Jack White, frontman of the White Stripes, is opening a sculpture exhibition at Damien Hirst’s Newport Street Gallery in London. Titled “Jack White: THESE THOUGHTS MAY DISAPPEAR,” the show runs from May 29 to September 13 and features found-object sculptures, furniture designs, notebooks, and photography. White and Hirst first met in 2021 when White was opening a Third Man Records store near Hirst’s studio, and Hirst encouraged White to mount a show after seeing his artwork.

Art Collector and ‘Galerie’ Magazine Founder Lisa Fayne Cohen Fawned Over Jeffrey Epstein in Emails: ‘There Is No One Else Like You’

Newly released documents from the Justice Department's Epstein files reveal that New York art collector and Galerie magazine founder Lisa Fayne Cohen and her husband, real estate developer Jimmy Cohen, were in close contact with financier and convicted sex offender Jeffrey Epstein in 2015 and 2016. The emails show Cohen seeking Epstein's advice and arranging to photograph his Paris apartment for her magazine, which later featured the residence anonymously in its second issue.

The Painted Book Cover Is Back

The article reports on a growing trend in book cover design: the use of painted, figurative artwork instead of stock photos or digital renderings. Publishers are increasingly licensing paintings by artists from Hilma af Klint to Shannon Cartier Lucy, seeing them as a way to signal cultural authority and intellectual rigor. The trend is discussed through examples like Victoria Redel's *I Am You* (2025) and Kyung-Ran Jo's *Blowfish* (2025), with insights from LiteraryHub Managing Editor Emily Temple and Astra House publisher Benjamin Schrank.

Sophia Rivera’s Mythology of Everyday New York

The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.

15 Artists Share the Best Advice They Got From Their Mother

Hyperallergic asked 15 artists to share the best advice they received from their mother or a maternal figure, in honor of Mother's Day. The article features reflections from artists including Pat Oleszko, Maddy Inez, Nathaniel Mary Quinn, and Shahzia Sikander, who recount maternal wisdom ranging from encouragement to pursue art to life lessons about empathy and resilience. Each anecdote is accompanied by images of the artists' works or personal photos.

Remembering Georg Baselitz, Nicole Hollander, and Doris Fisher

Hyperallergic's weekly 'In Memoriam' column honors seven figures from the art world who recently passed away, including German Neo-Expressionist painter Georg Baselitz, feminist cartoonist Nicole Hollander, and arts patron Doris F. Fisher, co-founder of The Gap. Other notable figures remembered are photographer Stephanie Chernikowski, West Coast assemblage artist George Herms, Spanish artist and designer José María Cruz Novillo, and Bay Area muralist Dan Fontes. The article provides brief biographies and highlights of their contributions to visual art, photography, comics, and public art.

Pussy Riot Storms Russia Pavilion at Venice Biennale

Pussy Riot staged a dramatic protest at the Russia Pavilion during the Venice Biennale, releasing pink smoke and waving Ukrainian flags while chanting slogans like 'Blood is Russia’s art.' Around 50 protesters, including members of Femen, occupied the area. Pussy Riot founder Nadya Tolokonnikova called for the pavilion to be closed and given to oppressed peoples, challenging Biennale president Pietrangelo Buttafuoco to meet her. The protest lasted about 20 minutes, with performers climbing the pavilion and exposing political slogans on their chests.

Tania Bruguera on Why Today’s Art Must Be Political

Cuban artist and activist Tania Bruguera will stage her performance "Tatlin’s Whisper #6" in Times Square on May 1, International Workers' Day. Originally created for the 2009 Havana Biennial, the work invites participants to speak freely on a platform for one minute, highlighting the conditional nature of free expression under authoritarian rule. Bruguera discusses the performance's relevance amid rising authoritarianism in both Cuba and the United States, noting that when she attempted to restage the work in Havana, she and other participants were arrested.

Édouard Glissant’s Museum-as-Archipelago

The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Venice, Here We Come

Hyperallergic's newsletter previews the upcoming 61st Venice Biennale, noting the charged political climate that may overshadow the art. It highlights the main exhibition "In Minor Keys" conceived by the late Koyo Kouoh, and includes a guide to national pavilions, collateral events, and notable exhibitions in Venice. The edition also features a studio visit with 93-year-old artist Joan Semmel, an interview with Lebanese artist Tania El Khoury about her "revenge art," and news about Barbara Chase-Riboud declining to represent the US at the Biennale, a $116M gift to the National Gallery of Art, and the death of Argentine painter Ides Kihlen at 108.

Can an Artwork Have Personhood?

The article explores a growing trend in contemporary art where artists like Pierre Huyghe, Nina Katchadourian, and Marge Monko create works that blur the line between art objects and sentient beings. These works incorporate human performers, animals, AI, and smart devices, prompting viewers to question whether these entities possess or simulate personhood, and forcing an examination of our instinct to anthropomorphize.

Historic $116M Gift Endows Lending Program at National Gallery of Art

The National Gallery of Art (NGA) has received a historic $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its 'Across the Nation' lending program. This initiative loans artworks from the NGA's collection to smaller regional museums across the United States, covering all associated costs. In its pilot year, the program reached an estimated 900,000 visitors at ten institutions, bringing works by artists like Georgia O'Keeffe, Rembrandt, and Mark Rothko to communities from Alaska to Michigan.

What We Loved (And Didn’t) in “Greater New York”

The article presents a critical review of the 2026 "Greater New York" exhibition at MoMA PS1, a massive survey featuring over 150 works by more than 50 artists. The Hyperallergic editorial team highlights specific artists and works they loved, disliked, or found puzzling, offering a curated list of around 20 standout pieces. The review includes detailed commentary on individual works by artists like Dean Millien, the collective Red Canary Song, and Kameron Neal, capturing the diverse and often contentious reactions the show provokes.

How Pussy Riot Is Challenging Russia’s Return to the Venice Biennale

The feminist art collective Pussy Riot is campaigning to replace the official Russian exhibition at the 2024 Venice Biennale with their own show, "Resistance Imprisoned." The alternative exhibition features art created by nearly 30 current and former political prisoners in Russia, using improvised materials like envelopes, bedding, and blood. The collective's founder, Nadya Tolokonnikova, aims to expose the country's repressive system, drawing from her own experience in a penal colony.

A Blockbuster Take on Ovid’s “Metamorphosis”

The Rijksmuseum in Amsterdam has opened a major exhibition titled 'Metamorphoses,' inspired by Ovid's poem. The show brings together Renaissance masterpieces, antiquities, and contemporary works, grouping them by the myths they depict to explore themes of transformation, desire, and gender through striking visual juxtapositions.

The Future of Museums Is a Dance Floor

Museums and art institutions are increasingly incorporating nightlife and rave culture into their programming, treating the dance floor as a site of cultural and political significance. Exhibitions like Steve McQueen's 2024 Dia Beacon show, the 2018 'Elements of Vogue' in Madrid, the Swiss National Museum's 2025 'Techno' exhibition, and the author's own 2025 curatorial project 'Rave into the Future: Art in Motion' at the Asian Art Museum demonstrate this institutional turn.