A rediscovered painting by Baroque master Artemisia Gentileschi, titled 'Lucretia,' sold for €4.8 million ($5.28 million) at an Artcurial auction in Paris, shattering the artist's previous auction record. The price soared to six times its high estimate, reflecting intense market competition for the rare work.
London's National Gallery has acquired a recently rediscovered self-portrait by Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria' (c. 1615–17), for £3.6 million ($4.7 million). The painting was purchased from a London dealer who had secured it at a Paris auction in December, where it set a new auction record for the artist. The acquisition marks a significant addition to the museum's holdings, as it is only the 21st work by a female artist in its collection of over 2,300 pieces.
Artemisia Gentileschi's 17th-century painting 'Lucretia' sold for €1.88 million ($2 million) at Dorotheum's Old Master sale in Vienna, more than double its high estimate. The work, previously unseen in public, was acquired by an Australian collection, continuing a trend of strong auction results for the Baroque artist.
Frederic Remington's 1905 painting *Coming to the Call* sold for $13.3 million at Christie's in New York, setting a new auction record for the artist. The work was part of the two-part sale "Visions of the West: The William I. Koch Collection," which became the most successful Western art auction ever, realizing $84.1 million.
Zahi Hawass, the 78-year-old former Egyptian minister for antiquities, is the subject of a new self-mythologizing documentary titled "The Man With the Hat." The film recounts his rise to international fame through countless TV appearances, his role in overseeing major discoveries like the 3,000-year-old "lost golden city" in Luxor, and his leadership in building the $1 billion Grand Egyptian Museum (GEM). Hawass is also shown advocating for the repatriation of artifacts such as the Nefertiti bust and the Rosetta Stone, while sidestepping controversies that have marked his career.
A long-lost portrait of Scottish poet Robert Burns, painted by Henry Raeburn in 1803, has been rediscovered after 200 years. The painting was found at a house clearance sale by Wimbledon Auctions in London, where it was estimated at just £300–£500 but sold for £68,000 after a bidding war. It has since been conserved and authenticated by the National Galleries of Scotland, and is now on public display in Edinburgh alongside the original 1787 portrait by Alexander Nasmyth, just in time for Burns Night celebrations.
Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.
A previously unknown Renaissance portrait attributed to Hans Baldung Grien, executed in silverpoint in 1517 and depicting Susanna Pfeffinger, is expected to sell for up to $3.5 million at a Paris auction on March 23. The drawing, which measures just four by six inches, has remained in the Pfeffinger family for 500 years and was only recently discovered by Old Master drawings expert Patrick de Bayser. It is being offered by French auction house Beaussant Lefèvre and Associés and Paris gallery Cabinet de Bayser at Hôtel Drouot.
Two nearly identical portraits of George Washington by Charles Peale Polk, depicting him after the 1777 Battle of Princeton, will be auctioned on consecutive days in New York. Christie’s offers a 1793 version (number 53) on January 23, estimated at $200,000–$300,000, which was selected by Jackie Kennedy for the White House in 1962 and remained there until 1992. Sotheby’s offers a 1790–93 version (number 30) on January 24, estimated at $400,000–$600,000, previously sold at Christie’s in 1971 and at Sotheby’s in 2010 for $458,500. Both paintings have passed through Hirschl and Adler Galleries and depict Washington in uniform with Princeton’s Nassau Hall in the background.
Artist Ming Wong has created a new video installation titled "Dance of the Sun on the Water / Saltatio Solis in Aqua," currently on view at the National Gallery in London. The work reimagines the figure of Saint Sebastian, drawing inspiration from the museum's collection of classical paintings, including a 1475 altarpiece by Antonio and Piero del Pollaiuolo, as well as Derek Jarman's 1976 queer film "Sebastiane." Wong, the fifth artist selected for the National Gallery's Modern and Contemporary program, completed the piece during a one-year residency, exploring how the martyr's image has evolved across centuries and what it means in contemporary times.
Digital artist Mike Winkelmann, known as Beeple, joined Ben Davis on the Artnet News podcast "The Art Angle" to discuss his work and the evolving perception of digital art. Beeple first gained global attention in 2021 when his NFT artwork "Everydays, The First 5,000 Days" sold for $69 million at Christie's, making him a symbol of the NFT boom. Since then, he has continued to experiment with new media, including interactive video sculptures shown at LACMA and robot dogs with human heads displayed at Art Basel Miami Beach 2025.
A new BBC documentary, *L.S. Lowry: The Unheard Tapes*, will mark the 50th anniversary of the artist's death in 1976. The film features never-before-heard recordings of conversations between Lowry and a young fan, Angela Barratt, recorded in his living room—the last and longest interview he ever gave. These tapes will be brought to life through dramatic reenactments, with Ian McKellen lip-syncing Lowry's words and Annabel Smith portraying Barratt. The documentary is produced by Wall to Wall Media and aims to reveal intimate insights into Lowry's thoughts, ambitions, regrets, and humor.
The National Endowment for the Arts (NEA) has updated its 2026 fiscal year grant guidelines, cancelling the Challenge America grants that targeted underserved communities and replacing them with a focus on projects celebrating the 250th anniversary of the United States (America250). The changes, announced in response to executive orders by President Donald Trump, eliminate DEI-related funding and require applicants to have a five-year history of arts programming. Organizations that had applied for the $10,000 Challenge America grants must now resubmit under the broader Grants for Arts Projects category, with extended deadlines.
Marie Antoinette, the final queen of France, is the subject of a blockbuster exhibition titled "Marie Antoinette Style" at London's V&A museum, running through March 22. The show highlights her boldly modern taste, her patronage of women artists like Élisabeth Vigée Le Brun and Anne Vallayer-Coster, and her role as the first French queen to own and redecorate her own palace, the Petit Trianon. The article details how she used her influence to secure Vigée Le Brun's admission to the Académie Royale and pressured the Louvre to exhibit Vallayer-Coster's work, while also exploring how her extravagant spending earned her the epithet "Madame Déficit" and contributed to her downfall during the French Revolution.
Wong Ping and Heidi Lau have been named joint winners of the third edition of the Sigg Prize, a biennial award stewarded by Hong Kong's M+ museum since 2018. This marks the first time the prize has recognized two artists simultaneously. Wong, based in Hong Kong, won for his animated narrative *Debts in the Wind* (2025), a lo-fi, darkly humorous commentary on a local land dispute over a golf course. Lau, born in Macau and now based in New York, won for *Pavilion Procession* (2025), an altar-like ceramic installation with a robotic spider inspired by the ancient Chinese text *Shanhaijing*. Both artists were selected from a shortlist of six, all born after the 1980s and '90s.
Workers at two major museums, the Tate in the U.K. and the Metropolitan Museum of Art in New York, are taking labor action to demand higher wages and job security. Over 150 Tate staff from the PCS Tate United union went on strike across four locations, with picketing at Tate Britain, Tate Modern, and Tate Liverpool, disrupting the opening of the exhibition "Turner and Constable: Rivals and Originals." Meanwhile, nearly 1,000 employees at the Met have petitioned the National Labor Relations Board for a union election, which would be one of the largest museum unions in the U.S.
Artnet News's weekly roundup highlights six free holiday-themed art installations and events across New York City through early January 2019. Featured works include Bovey Lee's paper snowflake installation 'Flower Knot Snowflake' at 10 Hudson Yards, Studio Cadena's yellow vinyl 'Happy' installation at Flatiron Plaza, David Hoey's window displays at Bergdorf Goodman, a For Freedoms Christmas tree at the New York EDITION hotel, LAB at Rockwell Group's 'Luminaries' light show at Brookfield Place, and a Charles Dickens manuscript exhibition at the Morgan Library & Museum.
Conservators at Blenheim Palace in the U.K. have discovered a mysterious dossier of names and phrases scratched into the ceilings of the Great Hall and Saloon by past workers, dating back to the 19th century. The graffiti was found during a £12 million ($15.9 million) restoration project led by OPUS Conservation, funded by the National Lottery Heritage Fund and the Blenheim Foundation, which is also repairing paintings by Baroque artists James Thornhill and Louis Laguerre. The palace is now asking the public for help identifying the individuals behind the markings, which include names like "W Smith 1888" and "T Harwood Plasterer 1843."
A wave of museum openings has swept the Gulf region in recent weeks, including the Zayed National Museum and the Natural History Museum in Abu Dhabi, as well as new institutions in Qatar and Saudi Arabia. These projects are part of an ambitious cultural building drive fueled by oil wealth, with Western partners such as the Louvre, the British Museum, and consultancies like Cultural Innovations providing expertise in planning, governance, and exhibition design. The Zayed National Museum, designed by Foster + Partners, features objects on loan from the British Museum, while the Natural History Museum displays a T-rex skeleton bought at Christie's.
Diego Marcon, a Milan-based artist working primarily in moving image, is gaining international attention for his unsettling and emotionally charged video installations. His work *Fritz* (2023), featuring a computer-generated boy slowly dangling from a noose while singing, exemplifies his method of dissecting genre cinema through animation, prosthetics, and pop culture references. Marcon has been featured in major exhibitions including the 59th Venice Biennale (2022), Fondazione Between Art and Film in Venice, and Kunsthalle Basel, with a new commission *Krapfen* touring internationally after premiering at the Renaissance Society in Chicago. His upcoming solo exhibition at the Consortium Museum in Dijon opens December 5, 2025.
Argentinian artist Pilar Zeta has unveiled 'The Observer Effect', a monumental public sculpture installed on Miami Beach during Art Basel Miami Beach. The work, presented by the Shelborne by Proper, features a colonnade of columns and arches with a matte automotive paint finish that shifts appearance with light and weather. Zeta activated the piece with sunrise and sunset performances by musician Laraaji. The self-taught artist, who moved to Miami at 19 and previously created album art for Coldplay, has also announced a follow-up installation opening next month at Place du Louvre in Paris.
The New York Botanical Garden's 34th annual "Holiday Train Show" features miniature replicas of New York landmarks crafted from natural materials by the botanical artists of Applied Imagination. This year's edition adds two new models: the recently renovated Delacorte Theater in Central Park and the Whitney Museum of American Art's Meatpacking District flagship, designed by Renzo Piano. The Whitney replica, built over three months by artist Ava Roberts and fabrication director Kaitlin Schmidt, uses a new two-way mirrored acrylic glass technique for the windows and incorporates materials like purple smoke bush branches, horse chestnut bark, and fallen Zelkova bark. The company, founded by Paul Busse in 1991 and now run by his daughter Laura Busse Dolan, creates whimsical versions of landmarks using leaves, sticks, fungi, and other dried plant materials.
French artist JR is presenting two solo exhibitions in China: “La Vie en Mouvement” at Perrotin Shanghai and “Kaleidoscope” at Galleria Continua in Beijing. The shows feature works from the past two decades, including photographs of ballerinas in unexpected urban settings and an installation that appears to crack open the gallery wall to reveal a Summer Palace pavilion. In an interview, JR discussed how architecture shapes his images, his resistance to being labeled an activist, and his reflections on past projects in Shanghai’s now-vanished shantytowns.
At Brooklyn's Pioneer Works, a drag queen professional wrestling event called Choke Hole, part of artist Raúl de Nieves's exhibition, was disrupted when audience member and performer Chiquitita stormed the stage. She objected to a skit that made light of Immigration and Customs Enforcement (ICE) deportations, shouting that 'ICE is not entertainment!' and hurling the microphone into a video screen. The performance, titled ARMAGEDDON, featured an alien queen plot involving nuclear codes and ICE, and Choke Hole later apologized, removing the segment from subsequent shows.
The non-profit organization Earshot, founded by artist Lawrence Abu Hamdan, has been awarded a three-year studio bursary at London's Gasworks. The bursary, backed by Spanish patron Mercedes Vilardell, provides an annual stipend and covers monthly rent for a studio space at the south London exhibition and residency space. Earshot uses sound in the defense of human and environmental rights, and the residency gives it a platform to operate independently after an incubation period with Forensic Architecture. Abu Hamdan and Earshot will also take over the Barbican Centre this autumn for an event titled Repercussions, featuring installations, performances, screenings, and live music.
Artist Sarah Rosalena has completed a monumental 27-foot tapestry titled "Threading the Boundless: Omnidirectional Terrain" (2025), commissioned for the Los Angeles County Museum of Art’s (LACMA) new David Geffen Galleries. The work utilizes an industrial-scale jacquard-rapier loom to weave complex patterns that distort NASA satellite imagery of Earth and Mars. By blending her Wixárika maternal weaving traditions with computational craft, Rosalena transforms scientific data into a tactile, atmospheric landscape that challenges traditional methods of planetary mapping.
The National Gallery in Athens is hosting a major exhibition celebrating the legacy of George Costakis, the visionary collector who rescued thousands of Russian and Soviet avant-garde works from state-sponsored oblivion. Born in Moscow to Greek parents, Costakis spent decades acquiring pieces by artists like Kazimir Malevich and Liubov Popova at a time when such art was vilified by the Soviet regime. The new exhibition reinterprets these works through the lens of humanity's relationship with the environment, marking 30 years since the collection was first shown in Greece.
Over 200 cultural figures, including musician Brian Eno and writer Laleh Khalili, have signed an open letter condemning the British Museum for allegedly removing the word "Palestine" from labels in its Ancient Levant gallery. The letter, published in March, accuses the museum of historical revisionism and links the action to pressure from the advocacy group UK Lawyers for Israel, while also criticizing the museum's broader ties to Israel.
A new installation by artist Cannupa Hanska Luger at the 2026 Biennale of Sydney features seven ceramic dingo skulls with whistles that create a howling sound. The work, titled "Volume III White Bay Power Station," was created before the artist learned of the death of a Canadian backpacker, Piper James, on K'gari (Fraser Island), a ruling for which found she drowned after a dingo attack.
Inside Los Angeles County Museum of Art’s Radical Reinvention
Milan’s art scene takes center stage during the Miart fair with a diverse array of institutional and gallery exhibitions. Highlights include Cao Fei’s exploration of global farming and technology at Pirelli HangarBicocca, Anselm Kiefer’s monumental tributes to female alchemists at Palazzo Reale, and a survey of Italian conceptualist Salvo at Pinacoteca di Brera.