‘A more complex picture’: Singapore marks 60th anniversary of independence from British rule with slew of cultural offerings

Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.

Shalini Le Gall named director of the Ackland Art Museum

Shalini Le Gall, deputy director for curatorial affairs at the Portland Museum of Art in Maine, has been named director of the Ackland Art Museum at UNC-Chapel Hill. She will begin her new role on September 8, 2025, bringing over 20 years of experience in museums and higher education, including expertise in exhibit curation, acquisitions, strategic planning, and community engagement. Le Gall succeeds a period of growth at the Portland Museum of Art, where she oversaw more than $10 million in acquisitions and coordinated traveling exhibitions across the U.S.

Art Kids Summer at the Philadelphia Museum of Art

The Philadelphia Museum of Art (PMA) has launched its annual Art Kids Summer program, running from July 5 through August 24, 2025. The initiative offers drop-in art-making, family tours, workshops, and monthly family festivals centered on the theme "Paper, Prints, and Play!" and inspired by the exhibition "Brand X Editions: Innovation in Screenprinting." Activities include printmaking with local artists, silk screen printing, still life sketching, and performances by groups like Ninth Planet and ILL DOOTS. Visitors 18 and under are admitted free.

Monica Rodriguez: Californiana

Monica Rodriguez's exhibition "Californiana" at the de Saisset Museum explores the colonization of California from 1542 to 1846, focusing on the missionization period (1769–1833) when Native Californians were forced into labor within the Alta California Mission system. The installation features twenty-one adobe bells planted with native California plants, architectural plans, and photorealist drawings of historical texts from the Mission Library Collection, all critiquing the colonial mindset and its enduring impact on the land and people.

Louvre forced to close after staff walk out protesting overcrowding

Staff at the Musée du Louvre, the world's most visited museum, walked off the job on Monday morning, forcing an unscheduled closure. Thousands of visitors with pre-booked tickets were left waiting outside I. M. Pei’s glass pyramid in 27°C heat as gallery attendants, ticket agents, and security personnel gathered in the auditorium to protest overcrowded galleries and worsening visiting conditions. The walkout lasted a few hours; management representatives met with staff, and the museum reopened around 2:30pm. It was the second walkout this year.

Fort Worth’s Como public art project showcased at international exhibition

A public art installation from Fort Worth, Texas, titled "Do Something Good For Your Neighbor," has been selected for display at the 19th International Architecture Exhibition — La Biennale di Venezia in Venice, Italy. The weathered steel pavilion, located on Lake Como in Fort Worth's historic Como neighborhood, was designed by Matt Niebuhr and David Dahlquist of the Art Studio at RDG Planning & Design. Built in 2021 and owned by Fort Worth Public Art, it is one of 54 projects featured in the exhibition "PORCH: An Architecture of Generosity," commissioned by the U.S. State Department and organized by the Fay Jones School of Architecture and Design at the University of Arkansas, in partnership with DesignConnects and the Crystal Bridges Museum of American Art. The installation honors community leaders William H. Wilburn, Sr. and Amon G. Carter Sr., and features custom carved benches with phrases from a historic local newspaper.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

The Berlin art legend who found his calling in sneaking into other artists’ shows

Patrick Jambon, a 58-year-old French performance artist living in Berlin, has spent the past 25 years attending gallery openings as a continuous performance piece he calls his 'gallery project.' Dressed in a bright red T-shirt, cartoonish metal-framed glasses, and carrying a yellow bike helmet, he visits dozens of galleries daily, compiling opening lists from websites and social media. His project has become so embedded in the city's art scene that his handwritten lists are now exhibited in spaces like Berlin-Weekly, and artists such as Ae Hee Lee note that 'you aren't a real Berlin artist if you don't know him.'

A small selection of the nation's largest public Haitian art collection is now on display in Des Moines

A selection of 15 pieces from the Waterloo Center for the Arts' Haitian art collection—the largest publicly held collection of its kind in the United States—is now on display at the Des Moines Art Center through summer 2025. The exhibition, titled "Light with Ourselves: Haitian Art in Iowa," includes paintings, metalwork, ritual objects, and beaded sequined banners called drapo, co-curated by Elizabeth Gollnick of the Des Moines Art Center and Chawne Paige of the Waterloo Center for the Arts. The collection began with a donation from F. Harold Reulin and his wife and has grown to over 2,000 pieces since 1977.

What the renovation of the Pergamon Museum costs

Was die Sanierung des Pergamonmuseums kostet

The Pergamon Museum in Berlin is undergoing a major renovation with a total budget of €1.5 billion for both construction phases, including cost risks. The Federal Office for Building and Regional Planning (BBR) has announced that current projections indicate the overall costs will not be exceeded. Phase A, which includes the hall housing the famous Pergamon Altar, is expected to open on June 4, 2027, with a potential cost increase of up to 5% over the originally approved €489 million. Phase B, covering the Ishtar Gate and Babylonian Processional Way, has seen its cost forecast reduced by €27 million to €722.4 million, with an additional €295.6 million set aside for risks and price increases. The museum will fully reopen only in 2037.

Au Royaume-Uni les contraintes budgétaires des musées pèsent sur les effectifs

A survey of 329 museum directors in the UK, published in the Art Fund's Museum Directors Research 2026 report, reveals that staff shortages have overtaken building maintenance as the top concern for cultural institutions. Conducted by Wafer Hadley between January and March 2026, the study shows that 85% of directors cite team size and capacity as the main barrier to programming, ahead of budget constraints (67%) and lack of specialized expertise (23%). The National Gallery in London launched a voluntary redundancy plan in February 2026 to address a projected deficit of £8.2 million, while the Museum of Cambridge cut a third of its staff and reduced opening hours. Local authority grants have decreased or ceased for 45% of institutions between 2024-2025 and 2025-2026, and over a third of museums have reduced or plan to reduce opening hours and annual exhibitions.

The British Museum bets on 'total immersion' to display the Bayeux Tapestry, which will be presented flat

Le British Museum mise sur « l’immersion totale » pour exposer la tapisserie de Bayeux qui sera présentée à plat

The British Museum has announced plans for an exceptional exhibition of the Bayeux Tapestry, which will be displayed flat for the first time in its history, rather than hung vertically as it has been for decades in Bayeux. The 70-meter-long 11th-century embroidery depicting the Norman conquest of England will be shown in London from September 10, 2026, to July 11, 2027, with tickets priced between £25 and £33. The museum promises an 'immersive' experience featuring raking light, digital devices, and loaned objects to contextualize the 58 scenes and 626 characters.

In Rome, the extension of the Galleria Borghese provokes a revolt

À Rome, l’extension de la Galerie Borghèse provoque une fronde

The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.

Kanal-Centre Pompidou sans tête

Yves Goldstein, the general director of the Brussels branch of the Centre Pompidou, has announced his departure just before the scheduled opening of Kanal-Centre Pompidou on November 28. Goldstein stated that his mission is nearly complete and that the museum's daily management phase requires a different leader. A call for applications will be launched by the board of directors, with the selection made by the board of the Fondation Kanal based on profiles proposed by a jury led by president Michèle Sioen. The new director will face immediate challenges, including negotiating a new management contract with the Brussels Region for 2029-2033 and securing an increased annual subsidy, currently set at €10 million, which is deemed insufficient.

Kaatsbaan Cultural Park presents Opening of the 2026 Visual Arts Exhibition

Kaatsbaan Cultural Park in Tivoli, New York, will open its sixth annual Visual Arts Exhibition on June 6, 2026, with a free afternoon reception. Titled "Earthly Delights," the show features works by nine contemporary artists, including returning artists Aurora Robson, Ian McMahon, and Portia Munson, as well as newcomers Thea Berman, Sharon Broit, Laura Battle, Kris Perry, Nadia Yaron, and Virginia L. Montgomery. The exhibition also includes two bronzes by Gaston Lachaise on loan from the Lachaise Foundation. Curated by Hilary Greene, the artworks explore planets, plants, insects, and biological forms inspired by the Hudson Valley landscape.

Man Can’t Tell if Friend’s Art Show Surrealist or Bad

Local man Brian Jacobs attends a friend's high-profile surrealist art show in New York but cannot determine whether the works are genuinely surrealist or simply poorly executed. He describes a painting of a five-eyed fisherman holding a melting bowling ball as looking like it was painted by a first grader. The artist, Gavin McCloud, interprets Jacobs's bewildered reactions as impressed awe and plans to gift him the melting bowling ball painting. Gallery owner Christine Morgan admits she sometimes hosts derivative work from donors' children in exchange for large checks, and advises artists to claim ambiguity as the real art if questioned.

‘In Minor Keys’: discover the themes that define the 61st Venice Biennale exhibition

The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.

Meet the Canadian artists heading to Venice Biennale

Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.

St. Gregory’s College unveils inaugural art exhibition in Lagos

St. Gregory's College in Lagos, Nigeria, launched its inaugural Gregorian Art Exhibition on April 25, 2026, at Jubilee Hall. Organized by the St. Gregory's College Old Boys Association in honor of legendary artist Bruce Onobrakpeya, the three-day event features established and emerging artists under the theme “Celebrating Legacy, Excellence and Continuity.” Speakers included former association chairman Dr. Michael Omolayole and current president Francis Kudayah, who announced plans for an annual art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, who could not attend in person, delivered a vote of thanks reflecting on his career and the school's role in his development.

Paul’s Show of the Month: Cristallina Fischetti – Alchemea

Cristallina Fischetti's solo exhibition 'Alchemea' is on view at the Art Centre in the crypt of St Marylebone Parish Church, London, from 25 April to 18 May. The show presents ten works from the first two acts of a planned 33-painting cycle, incorporating unconventional materials such as coffee, wine, plastic, and leather. Fischetti's process involves ritualistic dance, drawing on her background in ballet, yoga, alchemy, and mystical healing, with influences from abstract expressionists like Frankenthaler and Motherwell, as well as Hilma af Klint.

College launches Art exhibition to celebrate Onobrakpeya

The inaugural Gregorian Art Exhibition opened on April 25, 2026, at St. Gregory's College, Ikoyi, Lagos, organized by the Old Boys Association to honor renowned Nigerian artist Bruce Onobrakpeya. The three-day event, themed “Celebrating Legacy, Excellence and Continuity,” brought together an intergenerational mix of artists, cultural figures, and stakeholders, featuring speeches from alumni leaders Dr. Michael Omolayole and Francis Oluwole Kudayah, who announced plans for a yearly art clinic and a digital platform called the “Gregorian Art Mart.” Onobrakpeya, unable to attend in person, reflected on his decision to remain in Nigeria and credited the school for shaping his artistic identity.

Nelson Félix’s Desire for Ascent

Nelson Félix's exhibition "Pedra de Rumo" is on view at Galeria Almeida & Dale, featuring new sculptures in Carrara marble, bronze, and living plants. The show explores themes of orientation and boundary-breaking, drawing on the artist's long-standing practice of mapping extreme geographical points. The title references Portuguese sailors' navigation stones, and the exhibition extends beyond the gallery to include a metal tip and seedling planted at a point determined by lines drawn between the gallery and the Museum of Contemporary Art of USP, where Félix will have another solo show in May 2025.

Laumeier’s ‘Begin Again: 50 Years and Counting’ exhibit celebrates the sculpture park’s history

Laumeier Sculpture Park in St. Louis County is presenting 'Begin Again: 50 Years and Counting,' an exhibition running from February 7 to December 13, 2026, at the Aronson Fine Arts Center. Curated by Dana Turkovic, the show features works from each decade of the park’s history since 1976, including sketches, photographs, and models that are rarely seen by the public, highlighting the creative processes behind the sculptures. A new installation by visiting artist Juan William Chávez and Kranzberg exhibition artist Kiersten Torrez, titled 'Wak’a Garden,' opened on April 18 as part of Art and Nature Day, made from reclaimed natural materials in an amphitheater-like shape dedicated to plants and pollinators.

Pandolfini presents Julie Hamisky's "Alchemical Garden" at Design Week 2026

Pandolfini Auction House is hosting a solo exhibition titled "Giardino Alchemico" (Alchemical Garden) by French artist Julie Hamisky at its Milan office during Design Week 2026, from April 22 to 26. The exhibition, created in collaboration with Mitterrand gallery, features sculptures and botanical jewelry made through electroplating—a process that preserves organic matter like flowers and leaves in metal. Key works include "La Géante" (2024), an enlarged poppy sculpture, and "Aqua" (2024), a chandelier of galvanized plant elements, alongside wearable jewelry pieces.

ARTISTIC EXPRESSION: Hancock County Arts has full lineup for 2026 - The Daily Reporter

Hancock County Arts has unveiled its comprehensive schedule for 2026, featuring a diverse array of monthly exhibitions and community events at the Twenty North Gallery in Greenfield. The upcoming season includes themed showcases such as the "Black & White" exhibit, the annual "Visions of Hancock County" photography show, and specialized displays focusing on local student work and regional heritage.

Ghost at La Lison Gallery: our photos from the exhibition Before the Ashes

Ghost at La Lison Gallery: our photos from the exhibition Before the Ashes

The La Lison Gallery in Paris is hosting "Avant les cendres" (Before the Ashes), a solo exhibition by the artist Fantôme running from April 9 to May 16, 2026. The showcase features a series of abstract works that utilize black ink, oils, fabric, and ash to explore texture and light, drawing comparisons to the monochromatic depth of Pierre Soulages. The exhibition serves as a prequel to the artist's upcoming show, "Cercles," in Nancy.

Kruso Art in the former Cinema De Amicis and advance lending on auction lots

Kruso Art has inaugurated its new Milan headquarters within the historic former Cinema De Amicis, following a six-million-euro redevelopment by Banca Sistema. The multifunctional space will host its first auction on April 15 during Milano Art Week, featuring 57 contemporary works from a private collection, including pieces by Rémy Zaugg, Giuseppe Stampone, and Darren Almond.

A Look Back at Newport’s Historic 1974 Sculpture Show

The Preservation Society of Newport County is hosting "Full Circle" at the Rosecliff mansion, an exhibition that revisits the landmark 1974 outdoor sculpture show "Monumenta." The current display features scale models, preparatory drawings, and archival photographs of works by modern masters such as Claes Oldenburg, Alexander Calder, and Willem de Kooning. A significant portion of the show is dedicated to Richard Fleischner, whose site-specific earthwork "Sod Maze" remains the only original piece from the 1974 project still standing in its original Newport location.

University of North Texas Shutters Exhibition of Artworks Critical of ICE

The University of North Texas abruptly closed the exhibition 'Ni de Aquí, Ni de Allá' by artist Victor "Marka27" Quiñonez, which was on view at its College of Visual Arts and Design Galleries. The university terminated its loan agreement with Boston University Art Galleries, removed all online mentions of the show, and covered the gallery windows with paper, offering no public explanation. The artist learned of the closure through students and received only a brief email notification.

Michael Joo's 30 Years of Work at a Glance... Solo Exhibition in New York by the Hanwha Cultural Foundation

The Hanwha Cultural Foundation is presenting a major solo exhibition, 'Sweat Models 1991-2026,' by Korean American artist Michael Joo at its New York venue, Space Zero One. The show, running from February 20 to April 18, is a 30-year survey of Joo's work across sculpture, installation, and video, exploring themes of body, system, matter, and information.