Un Français gagne un Picasso à la loterie
A Parisian resident has won a painting by Pablo Picasso valued at €1 million through a charity raffle. The winner acquired the masterpiece after purchasing a single lottery ticket for just €100.
Millon reprend Pierre Bergé & Associés
The Millon Auction Group has acquired Pierre Bergé & Associés (PBA), becoming the sole shareholder of the historic house founded in 2002. This acquisition follows a turbulent period for PBA, which was placed in receivership in 2023 and briefly owned by Alexandre Landre after being embroiled in a high-profile antiquities trafficking scandal. Under the leadership of Alexandre Millon and newly appointed Managing Director Marc Chochon, the firm plans to return to Drouot and focus on prestigious collections and rare books.
Les 7 % de Sotheby’s
Sotheby’s has reportedly begun offering sellers a 7% interest rate to delay the payout of their auction proceeds. This unusual financial incentive comes as the auction house, owned by billionaire Patrick Drahi, faces significant liquidity challenges and a reported cash crunch.
Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.
Wallace Chan, a Hong Kong-born sculptor and jeweler who once lived as a Buddhist monk, is presenting his latest exhibition “Vessels of Other Worlds” at the Chapel of Santa Maria della Pietà in Venice on May 8, coinciding with his 70th birthday and the Venice Biennale, followed by a show at Shanghai’s Long Museum on July 18. The exhibition features three monumental titanium sculptures standing seven, eight, and 10 meters tall, evoking religious oil vessels, and explores themes of birth, growth, and rebirth through the demanding medium of titanium, which Chan describes as the material closest to eternity.
Nadav Lapid's fifth feature film, *Yes*, follows an Israeli musician and his artist wife who adopt a hedonistic lifestyle of parties, orgies, and drug use alongside war ministers and Russian oligarchs in the wake of the October 7 attacks and the Gaza conflict. The film, which premiered out of competition at Cannes, faced production challenges including crew walkouts and actor dropouts, and struggled to find US distribution before being picked up by Kino Lorber for a March 27 release in New York and April 3 in Los Angeles.
Leah Ke Yi Zheng, a Chinese-born painter based in Chicago, is the subject of a feature interview discussing her first solo institutional exhibition at the Renaissance Society, on view through April 12. Zheng, who earned her MFA at the School of the Art Institute of Chicago (SAIC) in 2019, has developed a distinctive practice that moves beyond traditional canvas to Chinese silk and explores asymmetric forms. Her exhibition comprises 64 paintings rooted in the I Ching, the ancient Chinese text, featuring motifs of machine gears, haunting absent faces, and hexagrams. The show is designed in dialogue with the Renaissance Society's architecture, with modified windows and wall proportions to create a recursive, reflective experience.
A dinner and party at Raoul's, the iconic SoHo French bistro, celebrated its 50th anniversary in partnership with Moda Operandi. The event drew a crowd of regulars and celebrities including Chloë Sevigny, Jennifer Lawrence, Amy Sedaris, and Dave Gahan, who reflected on the restaurant's history as a haven for artists and its role in the neighborhood's transformation from a gritty gallery hub to a tourist destination. Karim Raoul, the founder's son, spoke about the restaurant's enduring family-run ethos.
Artist Kathleen Ryan creates large-scale sculptures of rotting fruit and food items, meticulously covering them with thousands of semiprecious stones and beads to mimic the textures and colors of mold and decay. Works like "Bad Lemon (Slice of Paradise)" and "Screwdriver" juxtapose luxurious materials like amethyst, turquoise, and serpentine with salvaged metal from vintage cars, creating a dual personality of hidden beauty and grotesque rot.
Mousse Magazine reports on the exhibition “Magnanrama. Portraits, Networks, and News of Nathalie Magnan” at Villa Arson in Nice, which celebrates the life and work of Nathalie Magnan (1956-2016). Magnan was a media theorist, filmmaker, cyberfeminist, educator, webmistress, hacktivist, and interdisciplinary figure who navigated the internet and the high seas, contributing to the history of thought, technology, feminism, and LGBTQI+ struggles. The show presents portraits, networks, and news related to her legacy, positioning her as a mediator and artist despite her reluctance to use that term.
Reba Maybury presents her exhibition "I Come in Peace" at Secession in Vienna, an installation that spans four sites within the building—including the façade, foyer, and upstairs spaces. Maybury, an artist, writer, and political dominatrix, uses her multidisciplinary practice to explore themes of feminism, sexuality, labor, and power, directly engaging with the institution's history by questioning how to dominate the legacy of Gustav Klimt.
Art Fund has announced the five finalists for the 2026 Museum of the Year prize, the world’s largest award of its kind. The shortlist includes Norwich Castle Museum and Art Gallery, the Fitzwilliam Museum in Cambridge, The Box in Plymouth, and London’s National Gallery and V&A East Storehouse. The winner, to be announced on June 25 at the Cutty Sark, will receive £120,000, while the four runners-up will each be awarded £20,000.
The Senior Art Exhibition 2026 at Colby College Museum of Art's Joan Dignam Schmaltz Gallery of Art in Waterville showcases capstone projects from 17 graduating studio art majors. The works span painting, photography, printmaking, digital media, and sculpture, created after a yearlong capstone course coordinated by Associate Professor Bradley Borthwick. The exhibition runs through May 23 and includes a catalog with artist statements and critical essays.
The Greek Pavilion at the 2026 Venice Biennale, titled "Grecia" and conceived as a drag artist, presents an S&M-inspired installation by artist and architect Andreas Angelidakis. The immersive space features a red neon-lit floor, soft sculptures resembling beanbags, fragmented marble columns wrapped in chains, and souvenirs bearing images of queer artists and the late activist Zak Kostopoulos (Zackie Oh). The pavilion aims to deconstruct the idea of a fixed national identity, exploring themes of queerness, fascism, and historical trauma.
Steven Meisel, the legendary fashion photographer, has been named Master of Photography at Photo London 2026. A rare exhibition of his work, titled "Steven Meisel: Master of Photography," will be held at Olympia, London from 13 to 17 May, showcasing his iconic London portraits from the 1990s, particularly his "Anglo-Saxon Attitude" series for British Vogue. The images feature models and muses such as Twiggy, Stella Tennant, Isabella Blow, Honor Fraser, Bella Freud, and Marlon Richards, captured in locations across London and New York.
The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.
A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.
The 11th edition of the All About Photo awards – The Mind's Eye has announced its 2026 winners, with first place awarded to Matt McClain for his image of an intern working in a historic millinery shop at Colonial Williamsburg, Virginia. The competition features a diverse range of winning photographs, including conceptual self-portraiture by Brooke Shaden, a street scene at the Benin-Togo border by France Leclerc, a train sleeping in Tunisia by Javier Arcenillas, freedivers with sperm whales by Khaichuin Sim, and young monks playing football in the Himalayas by Andrew Newey. Winners receive $5,000 in cash prizes.
Archaeologists at Thomas Jefferson’s Monticello estate have unearthed a 250-year-old kiln used to fire bricks for the plantation’s original construction. Located on the East Lawn just feet from the main house, the site was identified through the discovery of specialized curved bricks, including cyma-shaped and ovolo-molded specimens. These architectural details confirm the kiln dates back to the "Monticello I" period (1768–1782), as these specific water table features were omitted during Jefferson’s later 18th-century renovations.
Yuga Labs, the creator of the Bored Ape Yacht Club (BAYC), has reached a confidential settlement with artist Ryder Ripps and his partner Jeremy Cahen, ending a multi-year legal battle over trademark infringement and appropriation art. The dispute began in 2022 when Ripps launched his RR/BAYC NFT collection, which used identical imagery to the original Bored Apes to protest alleged racist and alt-right symbolism within the project. As part of the agreement, Ripps and Cahen are now under a permanent injunction preventing them from using any Yuga Labs trademarks or images.
charles bronson art auction
A collection of 500 artworks by Charles Bronson, one of the United Kingdom’s most notorious prisoners, is scheduled for auction at David Duggleby Auctioneers on March 11. The works, created using crayon, ink, and pencil on prison documents, will be sold as a single lot. The collection explores themes of isolation and endurance, reflecting Bronson’s decades of incarceration and solitary confinement.
The former owners of The Art Newspaper and L’Officiel are embroiled in legal disputes with the Hong Kong-based AMTD Group, alleging they have not received full payment for the sale of their publications. Russian publisher Inna Bazhenova, who sold The Art Newspaper for an estimated $16–17 million, and the Jalou family, former owners of L’Officiel, claim that AMTD owes significant buyout funds despite the media brands being used to anchor high-profile IPOs on the New York and London stock exchanges. Bazhenova specifically alleges that shares provided as part of the payment have been 'parked and frozen' by a brokerage linked to AMTD, preventing her from accessing her capital.
The seventh edition of the Tuwaiq Sculpture symposium has opened in Riyadh, Saudi Arabia. Titled "Traces of What Will Be," the month-long event features 25 international artists creating large-scale, site-specific sculptures in a public, live-sculpting phase. The open-air exhibition showcases works made from local stone and reclaimed materials, responding to themes of memory, sustainability, and the relationship between humans and their environment.
The Ukrainian Pavilion at the 2026 Venice Biennale will present a project titled "Security Guarantees," focusing on the failure of international promises to protect Ukraine, specifically referencing the 1994 Budapest Memorandum. Artist Zhanna Kadyrova will exhibit her concrete sculpture, Origami Deer, which was evacuated from eastern Ukraine as the Russian frontline advanced. The work will be suspended from a crane on a truck along the lagoon, and the pavilion will include archival material and a video installation tracing the sculpture's journey.
Victoria Helena, an artist and former CFO, is launching Artist Money Matters, a financial consultancy designed specifically for artists. The service aims to provide independent, informed support to artists navigating a volatile and opaque art economy, addressing common issues like contract clarity, payment terms, and intellectual property.
This week's episode of HBO's *Industry* features a watercolor of Neuschwanstein Castle signed "A. Hitler," reflecting the real-world market for Adolf Hitler's amateur paintings. The show uses the artwork as a symbol of inherited wealth and moral ambiguity, mirroring actual auction sales—such as a 2015 Nuremberg sale where a group of Hitler watercolors fetched roughly €400,000, with one version of Neuschwanstein selling for €100,000 to an anonymous Chinese buyer. These works continue to circulate legally in Germany as long as they omit Nazi symbols.
Activists took to the streets across the U.S. over the weekend of January 11, 2026, for "No War, No Kings, No ICE" protests, sparked by the killing of Renee Nicole Good by an ICE agent and the U.S. invasion of Venezuela. In New York City, a coalition of 11 activist groups led by the NYC Democratic Socialists of America organized a march starting at Grand Army Plaza, featuring protest art including giant grayscale posters of Senators Schumer and Gillibrand and Representative Jeffries, as well as signs designed by Brooklyn artist Julie Peppito. An estimated tens of thousands attended the New York rally, part of some 1,000 protests nationwide.
A petition with over 600 signatures is protesting the selection of Prague-based artist Predrag Đaković to represent Serbia at the 2026 Venice Biennale with a project titled “Across Golgotha to Resurrection.” The petition, created by the ZUK Informal Art and Culture Collective, alleges that the selection process was unprofessional and non-transparent, and that commission members are closely linked to President Aleksandar Vučić’s Serbian Progressive Party (SNS). The announcement was reportedly made via Đaković’s Instagram rather than through official channels, and neither the artist nor Serbia’s Ministry of Culture has responded to requests for comment.
New York Mayor-elect Zohran Mamdani visited President Donald Trump at the White House on November 21, where the two former online adversaries found common ground on issues like crime, rent, and affordable housing. They posed together in front of Frank O. Salisbury's portrait of Franklin D. Roosevelt, which Trump claimed to have rediscovered in White House vaults, though it was previously hung by President Joe Biden. The article traces the history of Salisbury's 1935 painting and its copies, including the official White House version commissioned by Harry S. Truman in 1947.
Recent evidence suggests that Mayken Verhulst (ca. 1518–1599), the mother-in-law of Pieter Brueghel the Elder, authored works long attributed to the anonymous Brunswick Monogrammist. A key painting, *Ecce Homo* from the National Museum in Gdańsk, bears a unique double signature combining the initials of her husband, Pieter Coecke van Aelst, with her family name “Bessemer,” indicating her authorial role within the workshop. This discovery, detailed in an essay from the exhibition *The Woman Question 1550–2025* at the Museum of Modern Art Warsaw, challenges centuries of art-historical attribution.