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Morad Montazami appointed artistic director of 2026 Dakar Biennale

Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.

The Interview: Kei Ishikawa

Filmmaker Kei Ishikawa has adapted Kazuo Ishiguro's debut novel, 'A Pale View of Hills,' into a feature film, with Ishiguro serving as executive producer. The film expands the novel's dual-timeline narrative, set in post-war Nagasaki and 1980s England, and introduces a decisive narrative closure not found in the original text. It features performances from leading Japanese actors and meticulous period detail.

Au Louvre, des directeurs de département entre responsabilités internes et rôle national

Maximilien Durand has been reappointed as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum, a role that carries both internal museum responsibilities and national duties on behalf of the French state. Two decrees signed by Culture Minister Catherine Pégard formalize his renewal: one as head of the museum department, and another as head of the corresponding major heritage department, a status held by only nine of the Louvre's departments.

Morad Montazami Named Artistic Director of 16th Dak’Art Biennial

Morad Montazami has been appointed as the artistic director for the sixteenth edition of the Dak’Art Biennial, scheduled to run from November 19 to December 19. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the upcoming biennial will focus on themes of community, co-creation, and the transformation of vulnerability into artistic strength. Montazami, an esteemed art historian and curator known for his work on global modernism and postcolonial narratives, brings extensive experience from previous roles at Tate Modern and various international exhibitions.

European Commission Tells Venice Biennale to Ditch Russian Pavilion

The European Commission has formally accused the Venice Biennale of violating EU sanctions against Russia by planning to reopen the Russian Pavilion for the 2026 edition. In a letter to the Biennale's president, the Commission argues that hosting a government-funded national pavilion constitutes accepting indirect support from the Russian state during its ongoing war in Ukraine. The organization has threatened to withhold a $2.3 million grant intended for the 2028 edition unless the Biennale addresses these concerns by May 11.

LILIA CARRILLO IN NEW YORK THE MEXICAN PAINTER WHO WAS AHEAD OF HER TIME

Americas Society in New York has opened "Lilia Carrillo: Ruptures and Premonitions," curated by Tobias Ostrander. The exhibition presents 24 paintings by Mexican artist Lilia Carrillo (1930–1974), created between 1961 and 1974, alongside archival materials. It introduces Carrillo to New York audiences as a key figure of the Generación de la Ruptura, a postwar movement that broke with Mexican muralism in favor of abstraction. The show highlights her experimental techniques—carving and scraping paint, embedding fabric and paper—and her engagement with mortality, Surrealism, and political turmoil, including the 1968 Tlatelolco massacre.

Bidding battle for Matisse leads Sotheby’s $303.3m Modern art evening sale in New York

Sotheby’s Modern evening auction on 19 May in New York achieved $303.3m with fees, falling within its pre-sale estimate of $244m to $322.8m. The standout lot was Henri Matisse’s 1919 painting *La Chaise lorraine*, which sold for $48.4m after a ten-minute bidding battle, becoming the second most valuable Matisse painting at auction. Other highlights included Alberto Giacometti’s *La Clairière (Composition avec neuf figures)* at $23.1m, Pablo Picasso’s *Arlequin (Buste, 1909)* at $42.6m, and a Mark Rothko untitled work on paper at $9.27m. The sale also saw strong demand for works by female Surrealists Leonor Fini and Leonora Carrington, while a Rodin sculpture was passed and a Gottlieb painting was withdrawn.

Art in America’s Summer “New Talent” Issue Names 20 Artists to Watch

Art in America, the sister publication of ARTnews, has announced its Summer 2026 "New Talent" issue, featuring 20 emerging artists selected by the magazine's editors. The list includes international artists working across various mediums, such as Joeun Kim Aatchim, Jenny Calivas, Kiah Celeste, Malo Chapuy, Mitchell Charbonneau, Isaiah Davis, Elizabeth Glaessner, Juliana Halpert, Craig Jun Li, Kinlaw, Koyoltzintli, Kyung-Me, Chyrum Lambert, Terran Last Gun, Satchel Lee, Claudia Pagès Rabal, Ren Light Pan, Emma Safir, Frank Wang Yefeng, and Alexa West. Profiles of each artist appear in the print edition and will be published online in the coming weeks.

Grayson Perry’s life story to be told in ‘outrageous’ musical

Grayson Perry’s life story is being adapted into a stage musical titled *Grayson the Musical*, co-created with Richard Thomas, composer of *Jerry Springer: The Opera*. The show follows Perry from his childhood in Chelmsford to his rise as a Turner Prize-winning ceramicist and tapestry-maker, featuring his iconic dresses and his teddy bear Alan Measles. Perry wrote the lyrics, with a book by screenwriter Sara-Ella Ozbek and direction by Sean Foley. A workshop production will run for five performances in July at Soho Theatre Walthamstow, the east London borough where Perry once kept a studio and which inspired his famous work *The Walthamstow Tapestry*.

Drained, Drowning, and Decay: The Best National Pavilions at the Venice Biennale

The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.

Keith Haring Before the End of the World

The article reviews Keith Haring's early work from 1980 to 1983, currently on view at the Brant Foundation in New York. The author reflects on initially dismissing Haring's graffiti-inspired style as trite and playful, but now sees darker, prophetic themes in pieces featuring apocalyptic imagery, UFOs, nuclear power, and mindless obedience to higher powers. The exhibition, curated by Dieter Buchhart and Anna Karina Hofbauer, runs through May 31.

Fondazione Sandretto Re Rebaudengo’s New Art Island Made a Sunny Splash in a Rainy Venice Vernissage Week

Patrizia Sandretto Re Rebaudengo, an ARTnews Top 200 collector, inaugurated a new art site on the island of San Giacomo in Venice’s Northern Lagoon during the rainy preview week of the Biennale. The island, purchased in 2018, features two Napoleonic-era powder magazines transformed into exhibition spaces: one hosting the group show “Don’t have hope, be hope!” from the Sandretto Re Rebaudengo Collection, and the other presenting “Fanfare/Lament,” a solo exhibition by Matt Copson curated by Hans Ulrich Obrist. The site also includes permanent installations by artists such as Claire Fontaine, Mario Garcia Torres, Hugh Hayden, Goshka Macuga, Pamela Rosenkranz, and Thomas Schütte, and will serve as a venue for exhibitions, performances, and residencies.

The Price Points Powering the Art Market

The article, part of the Artnet Intelligence Report: Year Ahead 2026, analyzes art market performance by price bracket in 2025. The $1 million-to-$10 million range was the strongest segment, with sales totaling $3.5 billion—a 20.8% increase from 2024. Sales above $10 million rose 36.1% to $2.3 billion, boosted by high-priced masterpieces at New York's November auctions. The $100,000-to-$1 million bracket saw $3.2 billion in sales, up 6%. Meanwhile, works under $10,000 and in the $10,000-to-$100,000 range grew less than 1%, indicating cautious buyer behavior.

How the adoption of canvas in Venice changed the way artists painted

Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.

‘We are complicit’: Austrian artist Florentina Holzinger’s immersive Venice Biennale pavilion brings apocalypse to the city

Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.

What It Takes to Build the Venice Biennale

Three weeks before the Venice Biennale opens on May 5, the city remains a construction site, with the Giardini closed and parts of the Arsenale requiring special access. Artist Faustin Linyekula rehearses his performance *The Galeazze Project* in a 16th-century roofless complex, working with the existing gravel, natural light, and lagoon acoustics rather than imposing a structure. Geopolitical conflicts, supply chain disruptions, and the sudden resignation of the Biennale’s international jury via Instagram add pressure to the already challenging logistics of mounting the global exhibition.

Lucas Museum Aims to Tell the History of Storytelling via 1,200 Objects

The Lucas Museum of Narrative Art in Los Angeles has announced details of its inaugural exhibitions, set to open on September 22, 2026. Founded by filmmaker George Lucas and his wife Mellody Hobson, the museum will feature over 1,200 objects across 30 galleries, tracing the history of visual storytelling from ancient sculptures to Renaissance paintings, photography, comics, and manga. The collection draws from Lucas's personal trove of more than 40,000 works of illustrator art, including pieces by N.C. Wyeth, Norman Rockwell, Frank Frazetta, Beatrix Potter, and Jack Kirby, as well as large-scale murals and photography by artists like Judy Baca and Dorothea Lange. The museum, designed by Ma Yansong of MAD Architects, also includes archives of Lucas's film sets, props, and costumes.

The Art Trade Is Taking Calculated Risks With A.I.

The article examines how the art trade is cautiously experimenting with artificial intelligence, noting that while AI tools are being developed to attract newer collectors, the industry remains heavily reliant on trust and personal relationships that technology cannot replicate. It also reports on Fair Warning's new 'No Warning' sealed-bidding auction format, reflecting a rise in private auctions, and highlights a Sotheby's New York sale of the Jean and Terry de Gunzburg collection that set a U.S. record for design auctions at $96 million, led by a set of 15 mirrors by Claude Lalanne for Yves Saint Laurent that sold for $33.5 million.

How Art Firms Are—or Should Be—Using A.I. Right Now

Art firms are increasingly experimenting with artificial intelligence, but concrete use cases remain limited and industry-specific tools are still in their infancy. A new partnership between Bonhams and tech company ARTDAI aims to apply AI to market analytics, valuation, and specialist research, while companies like Artsy and Artnet are integrating AI capabilities into their platforms. Industry experts, including former Art Basel chief Marc Spiegler, note that the art market's small size has historically discouraged tech development, but AI now makes high-performance tools accessible to smaller businesses.

Artists, clowns, runaways: a stay at the Chelsea Hotel – in pictures

Photographer Albert Scopin has released a new book through Kerber Verlag documenting his residency at New York’s iconic Chelsea Hotel between 1969 and 1971. The collection features rare, intimate portraits of the hotel's legendary inhabitants, including a young Patti Smith and Robert Mapplethorpe before their rise to global fame, alongside long-time manager Stanley Bard and avant-garde figures like Vali Myers and Holly Woodlawn. Scopin’s lens captures the 'creative chaos' of the era, from the art-filled lobby to the eccentric private quarters of residents like composer George Kleinsinger.

NBA Star Devon Booker Finds Perspective at James Turrell’s Fabled Roden Crater

NBA star Devin Booker has developed a significant connection with James Turrell’s Roden Crater, visiting the massive land art project in a dormant Arizona volcano three times since 2020. The Phoenix Suns guard has formed a mutual friendship with Turrell, who praised Booker’s artistic sensibility, while Booker credited the immersive installation with providing a sense of presence and perspective that transcends his professional basketball career.

New Bienal de Yucatán to spotlight Mexican region’s growing art scene

The city of Mérida is set to host the inaugural Bienal de Yucatán from November 2026 to February 2027, marking a significant milestone for the region's burgeoning contemporary art scene. Spearheaded by patron and curator Catherine Petitgas with artist Abraham Cruzvillegas serving as artistic director, the biennial aims to provide a formal platform for the city's dense ecosystem of over 40 galleries, international artist studios, and the Universidad de las Artes de Yucatán (UNAY). The announcement follows the successful debut of the Week of Art Yucatán (WAY), a multi-venue festival that showcased the city's unique blend of repurposed industrial spaces and traditional haciendas.

What Made Marcel Duchamp’s Readymades So Revolutionary?

Marcel Duchamp transformed the trajectory of 20th-century art by introducing the 'Readymade,' a concept where mass-produced, everyday objects are elevated to the status of art through the artist's selection rather than manual craft. Beginning with a bicycle wheel in 1913 and a bottle rack in 1914, Duchamp eventually formalized the term during a 1915 stay in New York, where the city's industrial modernity and lack of rigid class structures inspired him to challenge traditional definitions of creativity.

Obama Presidential Center Announces Final Cohort of Commissions Ahead of June Opening, Including María Magdalena Campos-Pons, Jeffrey Gibson, Lorna Simpson

The Obama Presidential Center in Chicago has unveiled its final cohort of artist commissions ahead of its scheduled opening in June. This group includes high-profile contemporary artists such as Njideka Akunyili Crosby, Jeffrey Gibson, and Lorna Simpson, who will contribute site-specific works ranging from a multi-layered portrait of the Obamas to a 34-foot stainless steel sculpture by Martin Puryear honoring the late John Lewis. These eight artists join a previously announced roster, bringing the total number of new commissions for the 19.3-acre South Side campus to 30.

‘Even more beautiful than I imagined’: the nifty Japanese printing gadget uniting artists worldwide

Designer Gabriella Marcella has curated a new exhibition at Glasgow’s Glue Factory Galleries celebrating the global community of risograph printing. The show highlights work from her 'Riso Club' initiative, a non-profit program that distributes monthly sets of artist-designed postcards from cities ranging from Kyiv to Damascus. Originally developed in Japan in the 1980s as an affordable office tool, the risograph has been reclaimed by independent creatives for its unique soy-ink aesthetic and tactile, screenprint-like quality.

Artist Michelangelo Pistoletto sends message of 'preventive peace' on digital billboards around the world

Italian Arte Povera pioneer Michelangelo Pistoletto has launched a global public art project titled "Three Mirrors," broadcasting digital works across major cities including London, Los Angeles, Seoul, and Milan. Organized by the digital art platform Circa, the series features three filmed performances of the artist drawing on mirrors, illustrating his "Third Paradise" philosophy. The works appear daily at 20:26 local time on prominent advertising screens, transforming commercial spaces into sites for artistic reflection.

The Guide #237: Fab 5 Freddy, the street artist at the heart of New York’s creative zenith

A new memoir by Fred Brathwaite, known as Fab 5 Freddy, chronicles his life as a pivotal figure connecting the emerging hip-hop and graffiti scenes of 1970s and 80s Brooklyn with the downtown Manhattan art world. The book, "Everybody's Fly: A Life of Art, Music, and Changing the Culture," serves as an all-access pass to a transformative era, featuring encounters with icons like Jean-Michel Basquiat, Keith Haring, Andy Warhol, and Debbie Harry.

Björk, Rihanna and a passionate embrace: visions of love – in pictures

A new book titled 'Can Love Be a Photograph: 40 Years of Inez and Vinoodh' has been published, accompanied by an exhibition at the Kunstmuseum Den Haag. The publication celebrates four decades of work by the influential fashion photography duo Inez van Lamsweerde and Vinoodh Matadin, featuring celebrity portraits and surrealist visions organized around 16 thematic connections.

Rare Rauschenberg Experimental Dance Revived at Brooklyn Roller Rink

The Trisha Brown Dance Company is reviving Robert Rauschenberg's first choreographed dance, 'Pelican,' for the first time in 60 years. The single-night performance will take place at the vintage Xanadu roller rink in Brooklyn as part of a 'Pelican Gala,' which also features two long-unseen dances by Trisha Brown. The event coincides with the centennial of Rauschenberg's birth.

Frank Bowling: Seeking the Sublime review – shipwrecked Ophelia points the path to freedom

A new exhibition of Frank Bowling's work traces the artist's early struggle to find his voice within the rigid artistic categories of the 1960s. The show features paintings from his student days in London, where he grappled with expectations to be either a political 'Black artist' or a formalist 'artist' free from identity constraints, resulting in works that felt derivative of figures like Francis Bacon.