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‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

The Founders of Open Restitution Africa (ORA) on Their New Open Data Platform

On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.

Venice Biennale strike sees more than 15 pavilions temporarily or partially close

On 8 May, more than 15 national pavilions at the Venice Biennale temporarily or partially closed in a coordinated strike organized by the Art Not Genocide Alliance (ANGA). The protest opposes Israel’s participation in the event, which organizers say normalizes what they call genocide and exploits precarious labor. Participating countries include Austria, Lebanon, Slovenia, Egypt, Poland, and the Netherlands, whose artist Dries Verhoeven stood outside his shuttered pavilion with a Palestinian flag. Some pavilions, like Japan’s, remained open but suspended interactive elements. The strike follows earlier controversies, including the resignation of the prize jury and an open letter demanding the Israeli pavilion’s cancellation.

S&M-inspired Greek Pavilion in Venice confronts its fascist chains

The Greek Pavilion at the 2026 Venice Biennale, titled "Grecia" and conceived as a drag artist, presents an S&M-inspired installation by artist and architect Andreas Angelidakis. The immersive space features a red neon-lit floor, soft sculptures resembling beanbags, fragmented marble columns wrapped in chains, and souvenirs bearing images of queer artists and the late activist Zak Kostopoulos (Zackie Oh). The pavilion aims to deconstruct the idea of a fixed national identity, exploring themes of queerness, fascism, and historical trauma.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

Abbas Akhavan Transforms the Canada Pavilion Into a Greenhouse, Daring Viewers to Leave Behind Their Preconceptions

Artist Abbas Akhavan has transformed the Canada Pavilion at the Venice Biennale into a functioning greenhouse for his exhibition "Entre chien et loup." The pavilion now houses a 6,000-gallon pool containing giant Victoria water lilies, with modifications including grow lights, water misters, a new ventilation system, and structural reinforcements to support the 25-ton water tank. The installation evokes Victorian-era Wardian cases and London's Crystal Palace, but Akhavan emphasizes that his interest in the lilies began intuitively, not as a commentary on colonialism or empire. The project, developed with curator Kim Nguyen, involved collaboration with Kew Gardens and the Orto Botanico di Padova to cultivate the plants, and the outcome remains uncertain as the lilies may thrive or wither over the exhibition's six-month run.

Comment | Degenerate art all over again? Nazi attack on Modern art is not far away from trends in today’s world

The article draws a provocative parallel between the Nazi regime's attack on modern art—epitomized by the 1937 "Degenerate Art" (Entartete Kunst) exhibition—and contemporary political aesthetics, particularly around President Donald Trump. It traces the Nazi party's early use of visual spectacle, mass rallies, and monumental art to forge a national identity, contrasting this with Trump's proposed National Garden for American Heroes and stalled White House Ballroom, which the author dismisses as kitsch but lacking the cohesive fascist aesthetic of Albert Speer's masterplans.

Venice exhibition of site-specific films aims to capture the hyper stimulating times we are living in

The Fondazione In Between Art Film presents "Canicula," the third and final exhibition in its Trilogy of Uncertainties, opening on 6 May at the Complesso dell’Ospedaletto in Venice. Curated by Leonardo Bigazzi, the show features eight newly commissioned site-specific films that explore themes of excess, sensory overload, and geopolitical tension. Works include Roman Khimei and Yarema Malashchuk's "Affirmations" (2026), depicting fictional deathbed testimonies of Russian soldiers, Lawrence Abu Hamdan's "450XL: The Story of a Fugitive Sound" (2026) about a sonic attack in Belgrade, and Maya Watanabe's "Jarkov" (2025-26) reflecting on Arctic ice melt and Pleistocene remains.

Salisbury Cathedral restores stained-glass treasure by Edward Burne-Jones and William Morris

Salisbury Cathedral has completed a two-year restoration of a stained-glass window designed by Edward Burne-Jones and William Morris. The 6.5-metre "Angels" window, depicting ministering and praising angels, was carefully removed in February 2024, cleaned, and fitted with protective glazing and oak frames. Head glazier Sam Kelly, who began as an apprentice at the cathedral 40 years ago, led the project alongside colleagues Vicky Pearce, Kate Kersey, and Alfie Durrant. Lost details were restored on backing glass rather than the original surface, and the window will be rededicated at an evensong service on 7 May.

In new play, Norval Morrisseau forgery scandal prompts questions about authenticity and Indigenous identity

A new play by Ojibway playwright Drew Hayden Taylor, *The Undeniable Accusations of Red Cadmium Light*, dramatizes the massive Norval Morrisseau art forgery scandal in Canada. The story follows an Indigenous art expert named Nazhi, her adopted daughter Beverly, and a journalist whose investigation into Morrisseau forgeries unravels Nazhi’s own identity and status. The play uses Morrisseau’s iconic imagery and the forensic analysis of paint colors to explore the blurred lines between authentic and fake, both in art and in personal identity. It concluded its run at Vancouver’s Firehall Arts Centre on 3 May.

Oleg Prokofiev’s Lost Trove of Paintings Comes to Light After Decades in Hiding

A trove of abstract paintings and sculptures by Russian artist Oleg Prokofiev, hidden for decades in Moscow after he fled the Soviet Union, has been rediscovered and is now on public display for the first time. Prokofiev concealed the works in the 1950s and 1960s to avoid state persecution—abstract art was banned in the USSR, and his relationship with British scholar Camilla Gray made marriage impossible until 1969. After Gray's death and his move to England, the artworks remained safely stored in Moscow, where he found them intact after the Soviet collapse. The collection, including paintings, sculptures, sketchbooks, and letters, is now exhibited at the newly founded Prokofiev Studio in Hackney, London, established by his four children and curator Anzhela Popova.

Genuine Fake Premium Economy review – brilliantly obnoxious millennial rage at a rigged financial world

The exhibition "Genuine Fake Premium Economy" at a London gallery features works by American artists Jenna Bliss, Buck Ellison, and Jasmine Gregory, all born in the mid-1980s. Their pieces—including Bliss's shaky videos of New York's financial district, Ellison's fictional bank advertisements pairing classical paintings with cynical taglines, and Gregory's luxury watch ads stripped of watches—collectively express millennial rage at a rigged financial system and the aftermath of the 2008 crash.

Museo de Arte Moderno de Bogotá's director departs amid accusations she harassed staff

The Museo de Arte Moderno de Bogotá (Mambo) is in a leadership crisis after its director, Martha Ortiz, resigned amid accusations of harassment and creating a toxic work environment. Her departure follows the dismissal of artistic director Eugenio Viola in February, which sparked an open letter signed by over 140 cultural figures demanding transparency. The museum's board chair, Ángela Royo, and financial manager Francy Hernández are temporarily overseeing operations while searches for both director and artistic director are underway.

Family of Nonagenarian Sculptor Is Fighting to Halt Demolition of Iconic Brutalist Fountain in Downtown San Francisco

The family of 96-year-old Quebecois sculptor Armand Vaillancourt is fighting to halt the demolition of his 710-ton concrete fountain, known as Québec Libre! or the Vaillancourt Fountain, in San Francisco’s Embarcadero Plaza. The city began dismantling the 1971 public artwork this week, citing a planned plaza renovation, and the disassembly is expected to cost $4 million. Vaillancourt’s son Alexis and the group Friends of the Plaza have filed an appellate petition challenging the city’s use of an emergency exemption under the California Environmental Quality Act, arguing that the fountain’s disrepair does not constitute a sudden emergency requiring immediate action.

New space dedicated to Oleg Prokofiev—whose abstract art was censored by Soviet Russia—opens in London

A new art space called Prokofiev Studio has opened in Hackney, London, dedicated to the Russian artist Oleg Prokofiev. Its inaugural exhibition, 'Bending Time,' presents abstract works from the 1950s that were banned under Soviet censorship and long thought lost. The space was founded by Prokofiev’s children, including composer Gabriel Prokofiev, in collaboration with curator Anzhela Popova. The works were rediscovered in 1994 when Prokofiev returned to his former Moscow home and found them preserved by the new owner.

‘Sensitive, sexy and surreal’: Japan’s Kyotographie festival

Kyotographie, Japan's leading international photography festival, opened its 2025 edition with the theme 'Edge,' featuring 14 exhibitions across Kyoto. The festival includes a major retrospective of Daido Moriyama, the 86-year-old pioneer of the 'are-bure-boke' aesthetic, showcasing over 200 images, 400 magazines, and 100 books. Also featured are British artist Linder Sterling, known for her punk-era feminist photomontages and album art for Buzzcocks, and Kenyan photographer Thandiwe Muriu, this year's African artist in residence, who uses patterned kitenge fabric to explore identity and female empowerment.

Who is Gladys Hynes? Show reinstates forgotten artist who once represented Britain at the Venice Biennale

The exhibition "Gladys Hynes: Radical Lives" opens this month at Charleston in Lewes, aiming to resurrect the career of Gladys Hynes (1888-1958), a forgotten artist who once represented Britain at the 1924 Venice Biennale. The show brings together 120 paintings, drawings, graphic designs, and sculptural pieces, including works by Hynes and her contemporaries, curated by Sacha Llewellyn. Hynes trained with Stanhope Forbes, Frank Brangwyn, and William Nicholson, worked with Roger Fry's Omega Workshops, associated with Wyndham Lewis and the Vorticists, and was commissioned by Ezra Pound to illustrate his Cantos. Despite her achievements, only one of her paintings is in a British public collection.

Read a book, flip off a Nazi: when reading meant resistance – in pictures

A new exhibition at Poster House in New York, titled "Reading Under Fire: Arming Minds & Hearts During Wartime," showcases vintage posters from World War I and World War II that promoted reading and book donations to support troops. The posters, drawn from the collections of the American Library Association, the YMCA, and other organizations, encouraged the public to supply soldiers with reading material as a form of morale-boosting and education. The exhibition runs until 1 November and is curated by Molly Guptill Manning.

Michael Jackson Accessories Hit the Market Amid Biopic Buzz

GWS Auctions is offering nine pieces of Michael Jackson memorabilia in a May 2 sale, including a signed pair of the late singer's Florsheim loafers. The auction features 734 items from the collection of Prince Lorenzo de' Medici, with highlights such as a crystal-studded white glove from Jackson's 1984 Victory tour and Swarovski-embellished socks from his Dangerous tour. The loafers, authenticated by Jackson's assistant Rosemary Chavira, carry a starting bid of $7,500, and the sale coincides with the record-breaking opening weekend of a new Michael Jackson biopic.

Israel Addresses Venice Biennale Jury’s ‘Boycott’ of Pavilion: ‘A Contamination of the Art World’

Israel’s foreign ministry has condemned a statement by the Venice Biennale jury, in which the five curators declared they would not consider pavilions from countries charged with crimes against humanity by the International Criminal Court. The jury’s decision effectively boycotts Israel and Russia, whose leaders face ICC arrest warrants. Israel called the move a “contamination of the art world,” while the artist representing Israel, Belu-Simion Fainaru, also denounced the jury for creating a hostile environment. The Biennale’s organizers have distanced themselves from the jury, stating they cannot exclude any recognized state from the exhibition.

Sumac Cottage in Greensboro, Alabama

Sumac Cottage, a historic 1820s building in Greensboro, Alabama, has been restored and transformed into a community arts space by visual artist Aaron Sanders Head and musician Tim Higgins. The cottage, which was nearly demolished and had only three walls remaining, now hosts workshops, exhibitions, performances, and community events. Its most recent exhibition, “Home Once,” featured a visual installation by Jenna Clark with performances by Clark, Jasper Lee, Sam Herman, and Ryan Brown.

Bow Arts launches open call for 2027 East London Art Prize

Bow Arts has announced an open call for the 2027 edition of the East London Art Prize, now entering its third cycle. The prize will support 12 shortlisted artists with exhibitions, mentoring, and career development, awarding one artist £15,000 and a solo exhibition at Nunnery Gallery, and another a year-long studio residency. The judging panel includes Brendan Cormier, Alex Needham, Marine Tanguy, and artist Michelle Williams Gamaker, with submissions open from 14 May to 16 August 2026.

Floral photography makes space for grief at Plug In ICA

Plug In Institute of Contemporary Art in Winnipeg is presenting 'Transcendence,' a dual exhibition pairing Sheila Spence's 'Lexicon of Loss'—floral prints made by pressing roses on a flatbed scanner—with 'Observance,' a video installation by the late Toronto artist April Hickox, who died in 2025. The two artists, who first met at the Banff Centre in 1989, reconnected four years ago after both experienced profound loss: Spence's long-term partner died, and Hickox faced a cancer diagnosis. Their collaboration, conceived during daily conversations, brings together works that explore grief through botanical imagery and moving image.

Tate St Ives to host first UK museum exhibition of groundbreaking artist

Tate St Ives will present the first UK museum exhibition of Aleksandra Kasuba, a Lithuanian American artist (1923–2019), from May 2 to October 4, 2026. The show spans seven decades of her career, featuring early paintings, mosaics, sculptures, and public artworks, including the spatial environment *Spectrum: An Afterthought* and a recreation of her *Live-In Environment*. Works are drawn from the Lithuanian National Museum of Art's collection, where Kasuba donated her pieces.

For the People: Lubbock’s First Friday Art Trail Engages Thousands of Art-Goers Each Month

Lubbock’s First Friday Art Trail (FFAT), now in its 22nd year, has grown from a small gathering of a few dozen attendees to regularly drawing thousands to the downtown arts district each month. In October 2025, the Louise Hopkins Underwood Center for the Arts (LHUCA) distributed 6,000 wristbands before running out. The event features exhibitions, open studios, craft vendors, music, hands-on activities, drinks, and food trucks, with streets closed to traffic and visitors moving on foot or by trolley. The trail began organically in August 2004, spearheaded by artist Steve Teeters of St. Eligius Studio, and was inspired by a First Friday event in Corpus Christi.

In Tuscany, an Artistic Sculpture Hub Thrives

The article profiles Pietrasanta, a small town in Tuscany, Italy, that has evolved into a thriving international sculpture hub. It traces the town's artistic lineage back to Michelangelo, who sourced marble from local quarries in 1518, and highlights how today a dense network of workshops, foundries, and craftspeople attracts artists from around the world. The local government has established the Fondazione Centro Arti Visive di Pietrasanta to promote the town as a year-round art center, not just a seasonal destination. The piece features the Armenian-born artist Mikayel Ohanjanyan, who has seven sculptures on display in the town.

At Frieze New York and Beyond, Indigenous Artists Are in the Spotlight

At Frieze New York and other concurrent exhibitions, Indigenous artists Sara Flores, Suzanne Kite, and Seba Calfuqueo are presenting works that challenge and expand traditional definitions of Indigenous art. Their pieces are on view in New York, Venice, and beyond, marking a significant moment for contemporary Indigenous voices in the global art scene.

Inside the Artist Peter Bradley’s Upstate New York Home

Peter Bradley, a painter, art dealer, and prominent figure in the 1960s and ’70s Manhattan art scene, has lovingly restored an 18th-century home in upstate New York, bringing a loftlike aesthetic to the historic property. The article offers an inside look at his residence, highlighting how his artistic sensibility shaped the renovation.

A Dutch Art Studio Lights Up Venice’s Grand Canal

Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.

For the Painter Michael Armitage, Art Comes With a ‘Sense of Responsibility’

The New York Times profiles Kenyan British painter Michael Armitage, who is currently exhibiting his paintings and studies in Venice. The article explores his artistic practice, his deep connection to his Kenyan roots, and his recent relocation to Indonesia, which has influenced his work and perspective.