The Art Institute of Chicago is hosting a gallery conversation titled "Life and Death Lessons from Ancient Egypt" on July 20, exploring ancient Egyptian objects and their reflections on mortality and living fully. The event is led by Ashley Arico, associate curator of ancient Egyptian art, and Sam Ramos, director of Gallery Activation, and will take place in Gallery 50 with folding stools provided.
Bonner David Galleries will open 'Reverie in Paint,' a new exhibition by artist Francis Livingston, on May 14 at its New York City location. The show features Livingston's abstract, memory-infused interpretations of New York City architecture, including bridges like the Brooklyn, Manhattan, and Queensboro Bridges, rendered in a restrained palette of blues and greens with expressive paint application.
Two Hyderabad galleries are hosting long-duration summer exhibitions this year, breaking from the city's traditional lean season. Kalakriti Art Gallery in Banjara Hills opened "Prakriti: A Quiet Continuum," a group show of contemporary artists including Lal Bahadur Singh and Sumanto Chowdhury, alongside "Living Lineages," featuring folk and indigenous artists such as Bhuri Bai and Venkat Raman Shyam. Meanwhile, Srishti Art Gallery in Jubilee Hills is presenting the fifth edition of its annual exhibition "Triloka," with works by Moumita Basak, Nayanjyoti Barman, and Nirmal Mondal that explore everyday materials and social change.
Tate St Ives has opened 'Shelters for the Senses', the first UK museum presentation of Lithuanian-American artist Aleksandra Kasuba (1923–2019). Curated by Tate St Ives Director Anne Barlow in collaboration with LNMA curator Elona Lubytė, the exhibition spans seven decades of Kasuba's work, including early paintings, mosaics, public artworks, architectural designs, and spatial environments. A reconstruction of her 'Live-In Environment' (1971) is featured, alongside works donated to Lithuania and kept by the LNMA. The show runs until 4 October.
This article is a local arts listings roundup for the week of May 7, 2026, in Ventura County, California. It includes opening theater productions such as "¡Ay Chihuahua! A Mariachi Musical" at California State University, Channel Islands, "Eleanor" at Rubicon Theatre Company, and "It's a Trip, Man: An Evening with a Hollywood Has-Been" at Ojai Art Center Theatre. Art openings feature the Camarillo Art Center's gourd class and exhibition "May I Have Your Attention!," Canvas and Paper's show of work by L.S. Lowry, and the Carolyn Glasoe Bailey Foundation's "r/evolve: celebrating the circular" by Christopher Noxon. The piece also lists auditions for "The Importance of Being Earnest" at Moorpark College and a call for submissions to the Ojai Art Center Theater's 2027 season.
Two group exhibitions, *Prakriti: A Quiet Continuum* and *Living Lineages*, have opened in Hyderabad, showcasing a mix of contemporary and folk artists. *Prakriti* features artists like Lal Bahadur Singh, Sumanto Chowdhury, Roy K John, and K. Sudheesh, each exploring nature as both external landscape and inner state through personal lenses. *Living Lineages* brings together indigenous and folk artists including Bhuri Bai, Balu Jivya Mashe, Saroj Venkat Shyam, and Venkat Raman Shyam, highlighting traditions such as Warli, Bhil, Gond art, and Cheriyal scrolls from Telangana. Gallerist Rekha Lahoti notes the exhibitions are designed to create a dialogue between contemporary and living traditions, addressing collector curiosity about their differences.
The Metropolitan Museum of Art's Costume Institute has made a historic shift toward disability and body inclusivity in its annual exhibition, titled "Costume Art." For the first time, the exhibit includes a section called "The Disabled Body," featuring mannequins modeled on disabled bodies, such as those of activist Aimee Mullins, model Aariana Rose Philip, and accessibility consultant Sinéad Burke. Burke and her team at Tilting the Lens consulted on the exhibit for 18 months, suggesting disabled designers like Sugandha Gupta and Helen Cookman, and donated pieces to the permanent collection. The Met Gala also became accessible for the first time since 1948, with wheelchair user Aariana Rose Philip attending as the first ever.
Acme Art Studios, a longtime visual arts institution in downtown Wilmington, North Carolina, has been listed for sale at $4.4 million. The one-acre complex at 711 N. Fifth Ave. includes a 12,000-square-foot warehouse with studio and gallery space, plus four vacant lots. Founded in 1991 by a collective of artists in a former carpet warehouse, Acme has become a vital hub for the local arts scene, renting to dozens of artists and hosting countless shows over more than three decades. The property is owned by five artists, including co-founder Pam Toll, who said the decision to sell was unanimous and that the timing is right for a number of reasons.
This article is a regional arts calendar for Grey Bruce, Ontario, detailing exhibitions and events taking place in May 2026. Highlights include Liz Zetlin's immersive video installation "More Than Human — a year in my garden" at the Tom, John Laughlin's "Lovers and Losers" at Grey Gallery, Tanya Zaryski's mixed-media show at Deep Water Gallery, and a stained-glass exhibition by Chris Malleck at the MAD Gallery. The Durham Art Gallery features Breanne Jeethan's "The System is Broken," and the Southampton Arts Centre presents complementary shows by Brian Hanley and Nancy Cornforth. The article also promotes the BiblioArts print and book arts fair, studio classes at Georgian Bay School for the Arts, and makers markets.
Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.
At the 2026 Met Gala, Puerto Rican superstar Bad Bunny arrived in a transformative look that made him nearly unrecognizable. He wore a black pussy-bow blouse, wrap blazer, and trousers, with prosthetics and makeup by Mike Marin turning him into an old man, accessorized with a cane. The gala's theme, inspired by the Metropolitan Museum of Art's 'Costume as Art' exhibition, had a dress code of 'Fashion is Art,' and Bad Bunny's choice specifically highlighted the aging body, aligning with the exhibition's focus on the body at all stages.
The Metropolitan Museum of Art's Costume Institute will open its spring 2026 exhibition, "Costume Art," on May 10, 2026, running through January 10, 2027. The show features nearly 400 objects from the Met's collection, pairing couture garments with paintings, sculptures, and decorative works across centuries. Organized by "body types" such as "Classical Body" and "Mortal Body," the exhibition will be housed in the new 12,000-square-foot Condé Nast Galleries. The Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, will kick off the exhibition with a dress code of "Fashion is Art."
The 2026 Met Gala, held on May 4, 2026, is co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with honorary chairs Jeff Bezos and Lauren Sánchez. The theme, "Costume Art," celebrates fashion as an embodied art form, with guests interpreting the dress code "Fashion is Art" through sculptural, architectural silhouettes. The accompanying exhibition, also titled "Costume Art," opens at The Met Fifth Avenue on May 10, 2026, and runs through January 10, 2027, pairing garments with artworks from the museum's collection to highlight the connection between fashion and fine art.
The Madison Museum of Contemporary Art (MMoCA) announced a lecture by linguist Dr. Salikoko S. Mufwene, exploring the evolution of language and symbols, alongside an exhibition of Gelsy Verna's artwork "Mother, Father, Please Help Me" (May 7–September 27, 2026). Verna, a Haitian-born Canadian artist and former University of Wisconsin–Madison professor, created the piece as a palimpsest over several years in collaboration with David Dunlap; the reverse side has been reproduced for display. MMoCA has added the work to its permanent collection.
The first section of Berlin's Pergamon Museum will reopen to the public on June 4, 2027, after years of renovation. The Prussian Cultural Heritage Foundation (SPK) announced the date, ending months of uncertainty. The museum has been completely closed since autumn 2023 for comprehensive refurbishment, and the reopening will finally make the famous Pergamon Altar accessible again. However, the south wing, housing the Ishtar Gate and Babylonian Processional Way, will remain closed until 2037, with full museum access expected that year.
The Metropolitan Museum of Art in New York has introduced nine new mannequin bodies for its costume displays, replacing older models to better showcase fashion exhibitions. The new mannequins feature more diverse and realistic body shapes, including different skin tones and poses, aiming to modernize the museum's presentation of historical and contemporary garments.
Artist Koh Sang-woo's solo exhibition "Still Breathing" opened at the Savina Museum of Contemporary Art in Seoul, featuring paintings of wounded, abused, and endangered animals. The show includes portraits of spotted seals from a project with WWF Korea, works from a partnership with Cheongju Zoo (including a vulture named Hana and a zebra named Sero), and a rabbit blinded in cosmetic testing. Koh uses a signature blue-inversion technique, and the exhibition is curated by museum director Lee Myung-ok.
Artist Sarah Spackman is preparing for a new exhibition titled "Continuum" at the Sarah Wiseman Gallery in Summertown, celebrating 20 years of collaboration with the gallery. The show features 30 new still lifes, reflecting Spackman's evolving style toward greater simplicity and focus on single objects, color, and quiet intensity. Spackman, an Oxford-based artist and elected member of the Royal Society of British Artists and Royal Institute of Oil Painters, describes her process as organic, often sketching first thing in the morning and working primarily with color to let it "talk" on the canvas.
The Anchorage Museum is hosting "Everyday Anchorage: Duke Russell & Ward Wells," an exhibition pairing two artists from different generations who capture ordinary life in Anchorage, Alaska. Ward Wells, a commercial photographer, documented the city after World War II, while Duke Russell uses paint to record post-pipeline scenes. The show runs through August 2027.
Carlo D'Anselmi's solo exhibition 'Secrets and Mountains' opens at Fabienne Levy in Lausanne, Switzerland. The show presents a new body of work created during the artist's first stay in Switzerland, overlooking the French Alps, where he observed the transition from winter into spring. His dreamlike paintings blend figures, animals, and landscapes, exploring memory, light, nature, and the shifting boundary between reality and fiction. D'Anselmi holds an MFA from the New York Studio School and is represented by Thierry Goldberg Gallery in New York.
The international jury of the 61st Venice Biennale art exhibition resigned just over a week before the May 9 prize ceremony, after announcing they would not consider artists from countries whose leaders face International Criminal Court charges—an apparent reference to Russia and Israel. The jury included president Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. In response, the Biennale established two Visitors’ Lions to be awarded by ticket-holder vote, postponed the awards to November 22, and reaffirmed that all national participations remain eligible, effectively reinstating Russian and Israeli artists.
The Miller Art Museum in Sturgeon Bay, Wisconsin, announced the award winners of the 52nd-annual Salon of Door County High School Art at a free public reception on April 6. The exhibition features original artwork by 105 students from five local high schools—Gibraltar, Sevastopol, Southern Door, Sturgeon Bay, and Washington Island. Awards of Excellence were given to Abigail DeMeuse, Lilian Saltou, Audrie Schley, Rowan Ploor, and Thomas Pratt, while honorable mentions went to Molly Virlee, Lola Georgenson, Angelina LeCloux Herrera, Ryan Felhofer, and Teagan McGrane. Gianna Roman of Sevastopol won the fourth-annual Jim Rericha Legacy Award, named after a longtime art teacher, which included a $100 cash prize. The museum also announced a Potter’s Panel on May 9 featuring master potters discussing the legacy of Abraham Cohn, and the return of its Art and Treasures fundraiser starting May 30.
Iberdrola has opened the exhibition "Parallels and Meridians" at the Bilbao Fine Arts Museum to celebrate its 125th anniversary. The show features over one hundred works from the company's corporate art collection and coincides with the museum's reopening after a major expansion and refurbishment. The opening ceremony was led by Iberdrola Executive Chairman Ignacio Galán and Lehendakari Imanol Pradales, with attendance from regional officials including Ibone Bengoetxea, Amaia Arregi, Elixabete Etxanobe, Ana Otadui, and museum director Miguel Zugaza. The exhibition runs until 30 August.
The Billy Ireland Cartoon Library & Museum in Columbus, Ohio, is reopening after renovations, featuring a new exhibition of rare comics and original artwork from its extensive collection. The library, part of Ohio State University, holds one of the largest collections of cartoon and comic art in the world, including works by celebrated cartoonists.
Jule Korneffel's third solo exhibition at Spencer Brownstone Gallery in New York, titled 'In Search of Lost Light,' presents a series of paintings that capture the quiet, liminal moments just before dawn. Using artist-mixed natural pigments, Korneffel shifts from her previous twilight-focused work to explore the anticipation of daylight, with pieces like the titular painting (2025) standing out for its playful, musical composition. The show also includes a mural in the gallery's back patio that blends colors into a grey neutral tone reminiscent of early-morning skies.
Le British Museum mise sur « l’immersion totale » pour exposer la tapisserie de Bayeux qui sera présentée à plat
The British Museum has announced plans for an exceptional exhibition of the Bayeux Tapestry, which will be displayed flat for the first time in its history, rather than hung vertically as it has been for decades in Bayeux. The 70-meter-long 11th-century embroidery depicting the Norman conquest of England will be shown in London from September 10, 2026, to July 11, 2027, with tickets priced between £25 and £33. The museum promises an 'immersive' experience featuring raking light, digital devices, and loaned objects to contextualize the 58 scenes and 626 characters.
À Rome, l’extension de la Galerie Borghèse provoque une fronde
The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.
Maximilien Durand, aged 50, has been reappointed for a three-year term as head of the Department of Byzantine and Eastern Christian Arts at the Louvre Museum in Paris. He has been preparing the department's opening since 2022. Durand previously served as director of the Musée des Tissus in Lyon and deputy director of collections at Paris Musées. His role includes overseeing collections, acquisitions, loans, and exhibitions, as well as a national expertise mission. Separately, Sophie Jugie moved to the Musées de France service after her non-renewal as head of the Sculptures department.
Condamné par le franquisme, un écrivain réhabilité par le Congrès espagnol
The Spanish Congress has officially rehabilitated Cipriano Salvador (1894-1975), a Republican intellectual wrongly accused by the Franco regime of stealing a Renaissance painting he actually saved. During the Spanish Civil War, Salvador hid Fernando Yáñez's "La Santa Generación" (c. 1525-1532) from destruction. After Franco's victory, a priest sold the work to the Prado Museum for 15,000 pesetas, while Salvador was arrested, sentenced to death (later commuted to 30 years), and spent seven years in prison. He died in 1975 without exoneration. The rehabilitation motion passed with 32 votes in favor, 3 against, and 1 abstention, with only far-right party Vox opposing.
Olivia Bourrat, a 45-year-old chief heritage curator trained at the École du Louvre, the INP, and the Sorbonne, has been appointed director of the heritage and collections department at the Musée du quai Branly-Jacques Chirac in Paris. She succeeds Anne-Solène Rolland, and returns to the museum after previous stints there, as well as at France-Muséums, the Louvre Abu Dhabi, the French Ministry of Culture, and Paris Musées.