The article reports on the best-selling Old Master paintings at auction in 2025, highlighting Canaletto's *Venice, the Return of the Bucintoro on Ascension Day*, which sold for $43.8 million at Christie's—three times the next-highest Old Master price. Other notable sales include a $7.55 million triptych of Jesus performing miracles by an unknown 15th-century artist, noted for its exceptional condition and quality.
Art firms are increasingly experimenting with artificial intelligence, but concrete use cases remain limited and industry-specific tools are still in their infancy. A new partnership between Bonhams and tech company ARTDAI aims to apply AI to market analytics, valuation, and specialist research, while companies like Artsy and Artnet are integrating AI capabilities into their platforms. Industry experts, including former Art Basel chief Marc Spiegler, note that the art market's small size has historically discouraged tech development, but AI now makes high-performance tools accessible to smaller businesses.
Julia Stoschek, a leading art collector and ARTnews Top 200 figure, is closing her Berlin exhibition venue after a decade of operation. The 3,000-square-meter space in the former Czech Cultural Center, which opened in 2016, will shut at the end of October 2026, having hosted 22 exhibitions and attracted 450,000 visitors. The Stoschek Foundation will maintain its Düsseldorf venue, while Stoschek shifts focus to international projects, such as the recent Los Angeles exhibition “What a Wonderful World: An Audiovisual Poem,” curated by Udo Kittelmann.
The jury of the 2026 Venice Biennale has ruled that Israel and Russia will be ineligible for the Golden and Silver Lion prizes, citing International Criminal Court charges of crimes against humanity against their leaders. The decision follows years of activism and political pressure, with the European Union withdrawing €2 million in funding from the event in protest of Russia's participation. While groups like Art Not Genocide Alliance praised the move as an unprecedented step, critics argue it falls short of a full ban on participation. Israel's artist representative, Belu-Simion Fainaru, condemned the policy as discriminatory, and an open letter signed by 70 artists and curators called for excluding all regimes committing war crimes, including the United States.
Artist Tom Sanford loaned his hand-painted wooden "Knicks Cutout" portraits of legendary New York Knicks players to New York City Hall at the invitation of Mayor Zohran Mamdani, intended to celebrate the team's playoff run. Tabloid media, including the New York Post and New York Times, framed the gesture as a "curse" on the team, suggesting fans blamed the mayor for the Knicks' losses. Sanford defends the artwork as a sincere, community-driven tribute rooted in New York street-corner cutout traditions, not a cheap stunt.
The Vancouver Biennale has appointed Marcello Dantas as senior curator for its 2027-29 edition. Dantas, a Brazilian curator and art director, has worked on major projects including co-curating Desert X AlUla in Saudi Arabia, curating an Es Devlin exhibition in São Paulo, and serving as art director at Sfer Ik in Tulum. He previously contributed to the Vancouver Biennale's 2013-15 edition with a Vik Muniz project. Dantas emphasizes collaboration with local First Nations and community groups, and plans to explore themes of belonging, displacement, and public art that is ephemeral and participatory.
The Museum of Sonoma County is commemorating the 50th anniversary of Christo and Jeanne-Claude's iconic 1976 installation "Running Fence" with an exhibition featuring blueprints, original construction materials, and documentary photographs. The temporary work, which stretched nearly 25 miles across Sonoma and Marin counties in California, required four years of negotiations with ranchers, 18 public hearings, and the first-ever Environmental Impact Report for a public artwork, ultimately costing $2.25 million funded by the artists through preparatory drawing sales.
Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.
David Zwirner in Los Angeles is presenting an exhibition of works by Magdalena Suarez Frimkess, organized by artist Shio Kusaka, running from April 11 to May 22, 2026. The show includes a press release, checklist, and venue details, with images courtesy of the artist and the gallery, photographed by Elon Schoenholz and Marten Elder.
Yoko Ono will install seven digital billboards across Los Angeles bearing peace messages like "THINK PEACE" and "IMAGINE PEACE," as part of her upcoming exhibition "Yoko Ono: Music of the Mind" at the Broad museum opening May 23. The billboards echo her 1969 "WAR IS OVER!" campaign with John Lennon. Ancillary programming includes re-creations of her performance works "Cut Piece" (1964) and "Sky Piece to Jesus Christ" (1965), plus a concert series "Yoko Only" guest-curated by Yuka Honda featuring Yo La Tengo, Nels Cline, Sleater-Kinney, and others.
L.A. Metro opened the first phase of its D Line extension on Friday, May 1, 2026, adding three new underground stations connecting downtown Los Angeles to Beverly Hills: Wilshire/La Brea, Wilshire/Fairfax, and Wilshire/La Cienega. The stations feature nine site-specific public artworks by artists including Mariana Castillo Deball, Eamon Ore-Giron, Ken Gonzales-Day, Todd Gray, Karl Haendel, Soo Kim, Fran Siegel, Susan Silton, and Mark Dean Veca. The competitive selection process began a decade ago, drawing over 1,200 applicants, with finalists judged by a panel of art professionals including curators from Miracle Mile museums. Metro deputy executive officer Zipporah Yamamoto leads the agency's public art program, which is funded by a 0.5% construction budget set-aside.
Brooklyn-based artist Nick Doyle creates large-scale wall sculptures using layered and bleached denim, exploring American mythology and its contradictions. His solo exhibition "Collective Hallucinations" at Perrotin features works such as stylized cacti, landscapes, tarot cards, and a fortune teller's shop, all rendered in denim. Doyle's practice began after finding a discarded roll of denim in 2018, which he saw as a metaphor for the complexities of American history, including slavery, masculinity, and Manifest Destiny.
MoMA's Kravis Studio is presenting Naufus Ramírez-Figueroa's multimedia work "Lugar de Consuelo (Place of Solace)" (2020), marking the artist's first solo presentation at the museum. The work, jointly acquired in 2022 through MoMA's Latin American and Caribbean Fund and Fund for the Twenty-First Century, includes prints, drawings, costumes, sculptures, videos, and a related performance that explore political and personal histories of Guatemala.
The Taipei Fine Arts Museum of Taiwan is presenting a collateral event titled "Screen Melancholy" by Taiwanese artist Li Yi-Fan at the 61st Venice Biennale. The exhibition will take place at the Palazzo delle Prigioni from May 9 to November 22, 2026, featuring a new work by the artist.
Burnaway's May 2026 Calls for Artists roundup lists multiple opportunities with deadlines in early May. These include the Joan Mitchell Center's call for figurative works, the Michael P. Smith Fund for Documentary Photography for Gulf Coast photographers, the Center for Craft Teaching Artist Cohort offering $10,000 grants to mid-career craft artists, the Hopper Prize grants totaling $13,000, residencies at The Studios of Key West and Trillium Arts, and the National Performance Network Creation & Development Fund. Each opportunity has specific eligibility, fees, and deadlines ranging from May 3 to May 18, 2026.
Newcastle Art Gallery in New South Wales, Australia, will open three new exhibitions on May 23, 2026, following its major expansion and reopening in February. The shows include the largest solo exhibition to date by Torres Strait Islander artist Brian Robinson, titled "Multiverse"; the first institutional solo show by Tiyan Baker, "Mouth Mnemonica"; and "The Mordant Family Gift," featuring 25 works donated by philanthropists Simon Mordant AO and Catriona Mordant AM. The gallery has already attracted over 80,000 visitors, surpassing its previous annual record.
The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" from May 16 to December 6, 2026. The exhibition features over 140 haute couture creations by Dutch fashion designer Iris van Herpen, displayed alongside contemporary art, design objects, and scientific artifacts. It explores her fusion of traditional craftsmanship with cutting-edge technology, sustainability, and themes from nature and science. The show first opened at the Musée des Arts Décoratifs in Paris in 2023 and has traveled to QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam. The Brooklyn presentation coincides with the museum's annual Brooklyn Artists Ball, where Van Herpen will be honored.
The Art Gallery of South Australia is set to launch a new exhibition titled 'MONET TO MATISSE: DEFYING TRADITION,' which will feature works by iconic modern artists such as Claude Monet and Henri Matisse. The show aims to highlight how these artists broke away from conventional artistic norms to pioneer new movements in art history.
Helen Ochyra reports on how Tasmania, particularly Hobart, has emerged as a leading global art destination, driven largely by MONA (Museum of Old and New Art). The privately funded museum, founded by art collector David Walsh, recently opened a $100 million AUD wing housing a towering concrete amphitheatre by German artist Anselm Kiefer. Beyond MONA, Hobart hosts the provocative winter festival Dark Mofo, the science-and-culture Beaker Street Festival, and the inaugural Island Readers & Writers Festival, cementing its reputation for cutting-edge arts and culture.
The Vancouver Art Gallery has opened "Future Geographies: Art in the Century of Climate Change," an exhibition curated by Eva Respini, the gallery's interim co-CEO and curator at large. Featuring over 30 artists and 35 works—including sculptures, paintings, video installations, and photographs—the show explores climate change through themes of living knowledge, consumed earth, speculative worlds, and material memory. Highlights include Brian Jungen's whale-skeleton sculpture made from plastic chairs and Clarissa Tossin's multimedia weaving of Amazon boxes. The exhibition also incorporates sustainability in its organization, using recycled cardboard for labels, overland shipping for loans, and commissioning local artists.
Loveland artist Annie O'Brien Gonzales, who specializes in bold, colorful floral paintings, is featured in 'The Bright Side' exhibition at The Lincoln Center in Fort Collins, Colorado. The show, which runs until June 12, includes her expressive acrylic and mixed-media works alongside pieces by Laura Merage, Tricia Soderberg, and Randall Steinke. O'Brien Gonzales, a former labor and delivery nurse and medical professor who became a full-time artist in 2004, will also teach a floral still life workshop at The Gardens on Spring Creek on May 31.
Christie's is presenting an online sale titled "Modern and Contemporary Middle Eastern Art: Online" from June 2–16, 2026, in London. The auction features 62 lots by leading modern and contemporary artists from the Gulf, the Levant, Iraq, Iran, and North Africa, including works by Samia Halaby, Saliba Douaihy, Baya, Parviz Tanavoli, Mohamed Melehi, and Abdul Halim Radwi. The sale marks 20 years since Christie's inaugural Middle Eastern art auction in the UAE in 2006.
The Art Gallery of New South Wales will open 'Avatar: Forms of Vishnu' in June, its largest exhibition of South and Southeast Asian art in over two decades. Featuring more than 200 works spanning 1,500 years, the show includes ancient sculptures, paintings, textiles, photography, and contemporary installations from institutions such as the British Museum, Ashmolean Museum, and National Museum of Cambodia. Curated by Melanie Eastburn and Chaitanya Sambrani, the exhibition explores artistic interpretations of Vishnu and his avatars across cultural, political, and spiritual contexts, with new commissions by Desmond Lazaro and Sumakshi Singh, and works by Nalini Malani, Pushpamala N, Gulammohammed Sheikh, and Jumaadi.
Fondazione Sandretto Re Rebaudengo in Turin presents "Theatre of the Mind," the first Italian institutional solo exhibition by German-born painter Lenz Geerk. The show features recent works from 2022 to 2024, exploring painting as a perceptual device where figures, objects, and domestic interiors exist in unstable, unresolved configurations. Installation views by Giorgio Perrottino accompany the exhibition, which runs at the foundation's space.
Charles White Elementary School in Los Angeles, in collaboration with LACMA, is presenting the exhibition "From MacArthur Park, with Love" opening May 21, 2025. The show features artworks by over 100 students from the school's Visual Arts Magnet program, celebrating the MacArthur Park neighborhood through diverse media including collaborative diptychs, observational drawings, and paintings of local landmarks and bird species. The exhibition runs Saturdays from May 23 to August 1, with free drop-in art workshops.
A major exhibition opening at The Arc Gallery in Winchester places the Scottish Colourists—SJ Peploe, JD Fergusson, GL Hunter, and FCB Cadell—in dialogue with their European and UK contemporaries for the first time. Running until September, the show features 70 artworks including André Derain's *The Pool of London* (1906) on loan from the Tate, alongside works by Vanessa Bell, Duncan Grant, Walter Sickert, Augustus John, and Roderic O'Connor. The exhibition is presented by Hampshire Cultural Trust in partnership with the Fleming Collection and explores the international "colour revolution" from 1905 to 1914, examining influences of Cubism and Vorticism.
The article surveys 11 art exhibitions opening across the Hudson Valley in May 2026, highlighting a regional preoccupation with structure, materiality, and resistance to singular narratives. Featured shows include "Surface, Structure, String" at Hudson Hall, a textile survey curated by Richard Saja with artists like Portia Munson and Laleh Khoramian; "Jose Picayo: 35 Years in Photographs" at Robin Rice Gallery; "The Linda McCartney Retrospective: From the Light" at the Fenimore Art Museum; "Carol Seitz: Growth in Difficult Places" at Convey/er/or; and "Stephen Olivier: Hazmat" at ASK in Kingston, among others.
Cowley Abbott Fine Art, a Toronto-based auction house, has opened its first permanent western Canada gallery in Calgary's East Village. The new space launches with a three-day public preview of museum-quality artworks heading to its Spring Live Auction on May 27 at the Globe and Mail Centre in Toronto. Highlights include rare works by Pierre-Auguste Renoir, Vincent van Gogh, Emily Carr, and members of the Group of Seven such as Lawren Harris and A.Y. Jackson. Among the standout pieces is Emily Carr's 1936 canvas "Wind," estimated at $500,000 to $700,000, and a Lawren Harris painting valued similarly. The gallery aims to attract both collectors and casual visitors, with Peter Ohler, Western Canada Representative and Director of Private Sales, emphasizing that the space is open to anyone interested in art.
8 Kunstfilme, die sich im Mai lohnen
Monopol magazine presents eight art films worth streaming in May, including a documentary featuring 40,000 slides from critic Jerry Saltz capturing the 1990s New York art scene, Shirin Neshat's film "Women Without Men" about women in 1953 Tehran, Christian Petzold's new film "Miroirs No. 3," and a documentary on the Shroud of Turin. The roundup also includes a politically charged drama directed by Yael Bartana and a Dada-metal film, offering a diverse selection of art-related cinema.
This weekly roundup from ArtAsiaPacific covers four major developments in the art and architecture world. Chinese architects Wang Shu and Lu Wenyu have announced the theme for the 2027 Venice Architecture Biennale, titled “Do Architecture – For the Possibility of Coexistence Facing a Real Reality,” emphasizing hands-on, context-driven design. The 2026 Sovereign Asian Art Prize winners were revealed, with Balinese artist Citra Sasmita winning the Grand Prize for her work "Poetry of the Fountain" (2025). Dubai announced plans for the Museum of Digital Art (MODA), a new institution dedicated to new media and immersive technologies, as part of a major district expansion. Finally, the Asian Cultural Council (ACC) named 70 grantees for its 2026 cycle, awarding over USD 1.6 million to support cultural exchange between the US and Asia.