Southern Guild gallery to close in Los Angeles, open in New York

Southern Guild, a gallery founded in Cape Town, South Africa, is closing its Los Angeles location, which opened in February 2024, and will open a new 4,000-square-foot space in Manhattan's Tribeca neighborhood in March 2026. The gallery is making its debut at Art Basel Miami Beach this week, featuring works by artists including Zizipho Poswa, Marcus Leslie Singleton, Zanele Muholi, Chloe Chiasson, and Ambrose Rhapsody Murray. Director Andréa Delph, who led the LA outpost, will relocate to New York to head the new space.

Karma gallery debuts representation of Yvonne Jacquette in Miami

Karma gallery has taken over representation of the estate of Yvonne Jacquette (1934-2023), the American painter known for her aerial nighttime cityscapes and unconventional perspectives. The gallery, with locations in New York, Los Angeles, and Maine, is already showing Jacquette's work in a Manhattan group exhibition and at Art Basel Miami Beach, with a solo show planned for 2026 at its Chelsea space. The decision follows nearly three decades of representation by DC Moore Gallery.

Queer sexuality in Islamic art explored in Norway exhibition

A new exhibition titled "Deviant Ornaments" opens at the National Museum (Nasjonalmuseet) of Norway in Oslo, running from 27 November 2025 to 15 March 2026. Curated by Noor Bhangu, a South Asian curator and scholar based in Norway, the show explores queer desires and practices in the visual cultures of the Islamic world, bringing together over 40 works spanning 1,000 years. It connects historical objects—such as a Safavid textile, a 19th-century armband, and 13th-century Iranian wall tiles—with works by 12 contemporary artists, including Lynette Yiadom-Boakye, Alize Zorlutuna, Shahzia Sikander, Taner Ceylan, Damien Ajavon, Rah Eleh, Kasra Jalilipour, and Sa’dia Rehman. Four works are newly commissioned.

New York gallery Sperone Westwater to close after 50 years amid lawsuit between co-founders

Sperone Westwater, a prominent New York gallery representing artists like Richard Long and Bruce Nauman, will close at the end of 2025 after 50 years. The closure follows a lawsuit filed by co-founder Gian Enzo Sperone against fellow co-founder Angela Westwater, alleging unlawful handling of funds and a "parasitic deadlock" over the gallery's finances, including rent disputes and salary increases. The gallery will continue its current Richard Long exhibition until December 13 and participate in Art Basel Miami Beach before shutting down on December 31.

Heavy in more ways than one: Confederate statues hit the road for Los Angeles exhibition

The exhibition "Monuments" opens this week at the Museum of Contemporary Art (Moca) and the Brick in Los Angeles, featuring decommissioned Confederate statues alongside contemporary artworks. The show includes a double monument of Robert E. Lee and Stonewall Jackson on loan from Baltimore, which required road closures and careful logistics to install, as well as works by Kara Walker, Hank Willis Thomas, and Karon Davis that recontextualize these symbols of white supremacy. Curators Hamza Walker, Bennett Simpson, and Kara Walker collaborated on the exhibition, which runs from October 23 through May 3, 2026.

Altman Siegel, stalwart of San Francisco’s gallery scene for 16 years, will close

Altman Siegel, a prominent San Francisco gallery, will close on 22 November after 16 years in business. Founder Claudia Altman-Siegel announced the decision on 15 October, citing the difficulty for a gallery of its size to scale in the current climate. The gallery, which opened in 2009 at 49 Geary, expanded to a 5,000-square-foot space in the Minnesota Street Project complex and an outpost in Presidio Heights. Over its history, it staged 213 exhibitions and art fairs, representing artists such as Lynn Hershman Leeson, Trevor Paglen, Richard Mosse, Simon Denny, and Kiyan Williams. Its final exhibition will be an eighth solo show with Japanese painter Shinpei Kusanagi.

New York’s Tilton Gallery staging final exhibition after more than four decades in business

New York’s Tilton Gallery has announced that its upcoming exhibition dedicated to German-born American conceptual artist Ruth Vollmer will be its final show, closing after more than four decades in business. The gallery, founded by Jack Tilton in 1983, has been run by his widow Connie Rogers Tilton since his death in 2017. The Vollmer exhibition runs from 30 September to 15 November, after which Rogers Tilton plans to transition to private sales and research projects.

In Hayv Kahraman’s New Show, the Artist Heals From Devastation

Hayv Kahraman's latest solo show, "Ghost Fires," at Jack Shainman Gallery in New York City features paintings of women with smoke rising from their fingertips and pupil-less eyes, using scorched textures and marbled pigments. The body of work is her first since the January wildfires in Los Angeles displaced her and her family from their Altadena home, and it explores trauma, memory, and healing without directly depicting flames.

CSUN Art Exhibits to Focus on Los Angeles, Place and People

California State University, Northridge's Art Galleries presents two new exhibitions exploring Los Angeles, place, and people. The Main Gallery hosts "The Journey is the Destination: Recording Los Angeles," featuring photography, mixed-media, site-specific installations, and sculptures by artists including Marisela Norte, Debra Scacco, Fía Benitez, Aaron Douglas Estrada, Vincent Enrique Hernandez, Erick Medel, and Pamela Smith Hudson. Curated by Holly Jerger, the show challenges colonial mapping conventions and highlights gentrification, environmental depletion, and stereotypes affecting historically neglected parts of the city. In the West Gallery, "The Warmth of the Sun: A Recent Survey of Tierra Del Sol Artists" runs through October 15, the first of a three-part series spotlighting local San Fernando Valley art organizations, with subsequent exhibitions featuring Tia Chucha’s Centro Cultural and 11:11 Projects.

The Slow Death of the Contemporary Art Gallery

The article reports on the decline of the traditional contemporary art gallery model, driven by rising rents, changing collector behavior, and the rise of new artist categories. Tim Blum closed his Blum & Poe galleries in Los Angeles and Tokyo, citing systemic issues rather than market conditions. Art Basel and UBS data show the art market shrank overall but the number of sales increased, indicating a shift toward mid-priced works. Collectors are moving away from "blue-chip" artists toward "red-chip" artists who gain value through viral hype and cultural relevance, exemplified by Olaolu Slawn's accessible solo show at Saatchi Yates. Celebrities like actor Adrien Brody are also entering the market, though his work has been criticized as derivative. Meanwhile, smaller galleries like Tiwa Gallery, Landdd, and Marta are thriving by focusing on genuine connection, and retail spaces like Gentle Monster and Dover Street Market are blending art with commerce.

CLEARING to close its New York and Los Angeles galleries after 14 years.

CLEARING, a New York-based gallery known for representing artists such as Marguerite Humeau, Korakrit Arunanondchai, and Harold Ancart, is closing its Manhattan and Los Angeles locations after 14 years. Founder Olivier Babin announced the closure on Instagram, citing no viable path forward due to rising overhead costs for rent, shipping, and art fairs, alongside declining revenues. The gallery opened in Brooklyn in 2011, later expanded to Brussels, and moved to a larger Bowery space in 2023 before the financial pressures became unsustainable. Its final exhibitions were solo shows by Coco Young in New York and Henry Curchod in Los Angeles.

Art’s new hybrid economy: who is making creative waves in a sector where analogue and digital media exist together?

The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.

Recent NYC Exhibition Highlights: Beverly Fishman, NANNYCAM, Dena Novak, and more

The article reviews two recent New York City art exhibitions. The first, "Creators, Educators Art Show" at BASIS Independent on the Upper West Side (June 6-8, 2025), curated by Carmen Lucia Recio, featured works by 17 New York City art teachers and educators, including Noelle Salaun, Nicholas Leeper, Avani Patel, Lynne Marie Rosenberg, Chris Floyd, and Emily Linares. The second, "Samantha Thomas: Love in a Mist" at Anat Egbi Gallery in Tribeca (April 18-June 14, 2025), marks the artist's first New York solo show in over a decade, showcasing her abstract works blending Abstract Expressionism, Color Field, and Pattern & Decoration.

What Does It Feel Like to Be Called an Emerging Artist at 72? Ask Takako Yamaguchi

Takako Yamaguchi, a 72-year-old Japanese-born artist based in Los Angeles, is experiencing a career resurgence with a new series of seascapes featured in a 2023 show at Ortuzar and the 2024 Whitney Biennial. She is set to receive her first solo museum exhibition in Los Angeles at MOCA's Grand Avenue space starting June 29, where she will present 10 new works. In an interview with CULTURED, Yamaguchi discusses her ambivalent relationship with the sea, her process of drawing inspiration from other artists' seascapes rather than nature itself, and her identity as an outsider who has lived most of her life in the U.S. while retaining Japanese citizenship.

Los Angeles dealer Ariel Pittman launching new gallery in MacArthur Park

Ariel Pittman, a Los Angeles art historian and former director at Vielmetter and Various Small Fires, is opening a new gallery called Official Welcome in the MacArthur Park neighborhood on May 30. The gallery, located in the historic Granada Building, will launch with an inaugural exhibition titled "California Split" featuring works by June Edmonds, Jay Lynn Gomez, Henry Taylor, and others, with prices starting at $800. Pittman plans to diversify revenue by offering consulting services, project management, and space rentals, and aims to keep operations lean before eventually hiring staff and establishing equitable profit-sharing structures.

Contemporary art auction of Greek and international artworks

Kapopoulos Auction House will hold a live auction of over 80 works by Greek and international artists at Kapopoulos Fine Arts gallery in Nicosia, Cyprus, on Wednesday, May 28 at 19:00. The auction features works by artists such as Alecos Fassianos, Angelos Panayiotou, Opy Zouni, Mr. Brainwash, Costas Andreou, and Spyros Vassiliou, with starting prices set at unusually low levels. Preview days run from May 26 to May 28, and written offers are also accepted.

Collections of two leading dealers, Barbara Gladstone and Daniella Luxembourg, hit the auction blocks in New York

Sotheby's will auction collections from two prominent dealers, Barbara Gladstone and Daniella Luxembourg, in New York on May 15. Gladstone's estate consigned 12 lots, including an Andy Warhol painting (est. $1m-$1.5m) and a Richard Prince work (est. $4m-$6m), following a competition between Christie's and Sotheby's. Luxembourg's collection of 15 post-war works, valued at over $30m, features pieces by Lucio Fontana, Salvatore Scarpitta, and Michelangelo Pistoletto, with Fontana's 'Fine di Dio' (1963) expected to lead at $12m-$18m.

Taiwan's newest art institution taps into a flourishing local scene

A new art museum, the New Taipei City Art Museum (NTCAM), will open on 25 April in New Taipei City, Taiwan. Designed by Kris Yao of Artech, the 32,641 sq. m building features eight floors, five exhibition halls, and a 500-seat auditorium, part of a larger complex with a park and creative cluster. Director Lai Hsiang-ling, who previously led Shanghai's Rockbund Art Museum, aims to help the city emerge from Taipei's cultural shadow by leveraging its grassroots creative energy and industrial capabilities. Four inaugural exhibitions will showcase local artists including the Xindian Boys, Yuan Goang-ming, and Wu Mali, alongside an international advisory committee featuring Aric Chen, Patrick Flores, and Clara Kim.

Chicago's cultural affairs department hits crisis point

Chicago's Department of Cultural Affairs and Special Events (DCASE) is in crisis, with at least 18 staff members—about 25% of the department—leaving since Mayor Brandon Johnson appointed former legislative director Clineé Hedspeth as commissioner last year, replacing Erin Harkey (who became CEO of Americans for the Arts). Multiple formal complaints have been filed against Hedspeth alleging bullying, and staff report a lack of communication and strategic direction amid funding challenges. A new advocacy group, Artists for Chicago, delivered a letter with 270 signatures to the mayor on April 14, expressing concerns about dysfunction and unmet needs in the arts sector.

Local art advisors launch pop up art exhibit in Rancho Santa Fe village

A pop-up art exhibition titled 'This is Now' has opened in a long-vacant storefront in Rancho Santa Fe village, curated by the Ryan Campbell Garrett Art Advisory. The show features works by notable artists including Ed Ruscha, Hugo McCloud, Lynne Drexler, and Sam Gilliam, and will run through April 25. The exhibition aims to revitalize the space and engage the local community, with a successful opening reception held on March 29.

Steven Durland, Champion of Performance Art, Dies at 75

Steven Durland, a longtime editor of *High Performance* magazine and a champion of performance art, died on March 11 at age 75 after a brief illness. His life partner, Linda Frye Burnham, confirmed his death in Saxapahaw, North Carolina. Durland was born in Long Beach, California, raised in South Dakota, and trained as a ceramic artist with a BFA from the University of South Dakota and an MFA from the University of Massachusetts Amherst. He became deeply involved in performance and mail art, and from 1986 to 1994 served as editor of *High Performance*, a magazine founded by Burnham that featured thousands of artists including Nancy Buchanan, Carolee Schneemann, Paul McCarthy, Suzanne Lacy, and Ulysses Jenkins. Durland also maintained his own artistic practice, creating performances such as "Win Defeat/BID FOR POWER" (1978) and "Death and Taxis" (1982), and produced the micro-newspaper *Tacit*.

Los Angeles’s Getty Center will close for renovations ahead of the 2028 Olympics.

The Getty Center in Los Angeles has announced a temporary closure beginning March 15, 2027, to undergo its most extensive renovation since opening in 1997. The modernization project aims to enhance the visitor experience across the campus through a series of facility upgrades and reimagined spaces.

Raymond Saunders at David Zwirner

The David Zwirner gallery in Los Angeles is presenting "Raymond Saunders: Notes from LA," a solo exhibition of the late artist's work. The show, curated by Ebony L. Haynes, runs from February 24 to April 25, 2026, and features works courtesy of the artist's estate.

Monopol verlost 5 × 2 Tickets für Graciela Iturbide bei C/O Berlin

German art magazine Monopol is giving away 5 × 2 tickets for the retrospective exhibition "Graciela Iturbide: Eyes to Fly With" at C/O Berlin. The article describes Iturbide's career, including her iconic photograph "Mujer ángel" (Angel Woman) taken in the Sonora Desert while living with the Seri people, and her long-term documentary projects on Mexican cultural practices, such as the Zapotec community in Oaxaca and images like "Nuestra Señora de las Iguanas." Iturbide, born in Mexico City in 1942, began her photography career in the late 1960s as an assistant to Manuel Álvarez Bravo.

Wer vertritt wen in Venedig?

Julia Stoschek Foundation Closes Berlin Location

Julia Stoschek Foundation schließt Berliner Standort

The Julia Stoschek Foundation is closing its Berlin exhibition space at the end of October. The foundation, which specializes in video art, opened the venue in 2016 in a former Czech cultural center on Leipziger Straße, quickly becoming a key destination for time-based art in the city. Over its run, it presented 22 solo and group shows featuring artists such as Arthur Jafa, Ian Cheng, and Mark Leckey, attracting more than 450,000 visitors. The closure is part of a strategic reorientation: the foundation will now focus on its headquarters in Düsseldorf and temporary international projects, building on recent presentations abroad like a show in Los Angeles that drew over 30,000 visitors in early 2026.

Special Interest: Marble

Spezialinteresse: Marmor

Karl Kolbitz has published a new book focusing on the depiction of marble in Early Renaissance paintings. He explores how artists used the fictional representation of marble to visualize the divine, drawing inspiration from art historian Georges Didi-Huberman and employing modern imaging techniques to reveal previously hidden details.

Israel Criticizes Venice Biennale Jury over Pavilion’s Exclusion

The international jury of the 61st Venice Biennale has excluded the Israeli and Russian pavilions from consideration for official prizes, citing that countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible. Israel’s foreign ministry condemned the decision as a political boycott, and Israeli representative Belu-Simion Fainaru called it a hostile act that exceeds the jury’s mandate. The Biennale’s president, Pietrangelo Buttafuoco, has distanced the institution from the jury’s action, insisting the exhibition remain open to all nations recognized by Italy.

Two 17th-Century Dutch Still Lifes Acquired by the Getty

Deux natures mortes hollandaises du XVIIe siècle acquises par le Getty

The J. Paul Getty Museum in Los Angeles has acquired two 17th-century Dutch still-life paintings by Pieter Claesz and Jan Davidsz. de Heem, masters of the genre. The works, including de Heem's "Vase en verre avec fleurs et fruits," were purchased on the New York art market and fill a gap in the museum's Dutch still-life collection, which previously lacked examples by these two artists.

Under pressure, the jury of the 61st Venice Biennale will exclude Russian and Israeli pavilions from the awards

Sous pression, le jury de la 61e Biennale de Venise exclura les pavillons russe et israélien du palmarès

The 61st Venice Biennale, titled "In Minor Keys" and running from May 9 to November 22, 2026, has been embroiled in political controversy after organizers decided to reinstate the Russian pavilion, which had been excluded since Russia's 2022 invasion of Ukraine. Under pressure from the European Commission, which threatened to suspend a €2 million grant, the jury announced it will exclude artists from the Russian and Israeli pavilions from winning prizes, citing that leaders Vladimir Putin and Benjamin Netanyahu face International Criminal Court charges for crimes against humanity. The Russian pavilion will remain closed to the public but open for VIP press previews, while the Israeli pavilion stays open to the public. Italian Culture Minister Alessandro Giuli has refused to attend the opening ceremony in protest.