salman toor keith mcnally art market

This article from Cultured magazine covers multiple art-related stories, including a profile of restaurateur Keith McNally's memoir, a list of must-see museum exhibitions in New York for spring, a review of Mary Abbott's overlooked Abstract Expressionist work now on view at Schoelkopf Gallery, a feature on Salman Toor's major new exhibition "Wish Maker" at Luhring Augustine, and a discussion on designing more empathetic museums. It also includes a beauty and fashion trends piece with creative nominations.

salman toor paintings luhring augustine

Salman Toor's largest exhibition to date, "Wish Maker," opened May 2 across Luhring Augustine's Chelsea and Tribeca galleries in New York. The Chelsea space features new paintings, while the Tribeca show is the artist's first dedicated presentation of works on paper. The two-venue presentation is Toor's first major New York showing since his solo exhibition at the Whitney Museum of American Art in 2020, which launched him to art stardom. The article includes an interview conducted by CULTURED contributor Adam Eli, where Toor discusses his creative process, his attachment to finished paintings, and how his need to come out as queer through painting drove the development of his distinctive style.

Perna, Cruz-Diez, Otero, Barboza: Venezuelan Focus at ISLAA

PERNA, CRUZ-DIEZ, OTERO, BARBOZA: ENFOQUE VENEZOLANO EN ISLAA

The Institute for Studies on Latin American Art (ISLAA) in New York has launched its 2026 exhibition program with a major focus on Venezuelan modern and contemporary art. The season features a significant solo exhibition of Claudio Perna—his first in New York—alongside a showcase of Carlos Cruz-Diez and digital 'Spotlight' presentations on Diego Barboza and Alejandro Otero. The Perna retrospective, titled 'Idea como arte,' gathers over forty works including photography, photocopies, and conceptual cartography created between the 1960s and 1990s.

OSCAR MURILLO: PAINTING AS A WELL OF ACCUMULATION

ÓSCAR MURILLO: LA PINTURA COMO POZO DE ACUMULACIÓN

The article profiles Colombian-born artist Oscar Murillo and his expansive, socially-engaged practice. It details his rise to international prominence in the early 2010s with large-scale paintings that incorporate text, textiles, and studio detritus, and highlights his ongoing, collaborative project 'Frequencies,' which involves students from over thirty countries creating works on canvases attached to school desks. The piece also references his major solo exhibitions, including 'El pozo de agua' at kurimanzutto in Mexico City (2026), 'Masas' at WIELS in Brussels (2024), and 'The flooded garden' at Tate Modern (2024).

The Met’s blockbuster Raphael exhibition looks beyond the artist’s idealised Madonnas

The Metropolitan Museum of Art in New York has opened "Raphael: Sublime Poetry," the first comprehensive exhibition of the Renaissance master in the United States. The ambitious show gathers 237 works, including 33 paintings and 142 drawings, spanning Raphael's entire career and featuring major loans like *The Alba Madonna* from the National Gallery of Art in Washington and *Portrait of Baldassare Castiglione* from the Louvre.

5 Must-See Exhibitions During Milan Art Week 2026

Milan Art Week 2026 features a robust program of institutional exhibitions alongside the miart and Paris Internationale Milano fairs. Key highlights include Cao Fei’s multimedia exploration of smart agriculture at Fondazione Prada, Anselm Kiefer’s monumental tribute to forgotten female alchemists at Palazzo Reale, and a major retrospective of Rirkrit Tiravanija’s architectural research at Pirelli HangarBicocca.

Death of Artist Fabien Verschaere

Disparition de l’artiste Fabien Verschaere

The French contemporary art world is mourning the sudden death of artist Fabien Verschaere at the age of 50. Represented by Galerie Brugier-Rigail since 2012, Verschaere was known for a prolific and singular body of work that blended childhood imagery, fairy tales, and pop culture icons like Mickey Mouse and Batman into a complex personal mythology. His career was marked by significant exhibitions at major institutions including the Palais de Tokyo, the Musée d’art contemporain de Lyon, and the Grand Palais.

New Museum unveils new OMA-designed building ahead of March 21st reopening.

The New Museum in New York has unveiled its major 60,000-square-foot expansion, designed by the architectural firm OMA, specifically Shohei Shigematsu and Rem Koolhaas. The project, which took a decade from architect selection to completion, required a two-year closure and doubles the institution's gallery space. It debuts with new commissions by artists Tschabalala Self and Klára Hosnedlová ahead of its public reopening on March 21st.

Jury Convicts Daniel Sikkema in Killing of New York Dealer Brent Sikkema

Daniel Sikkema, the estranged husband of murdered New York art dealer Brent Sikkema, was found guilty in Manhattan federal court on charges related to a murder-for-hire plot. Prosecutors proved that Daniel orchestrated the killing of Brent Sikkema, founder of the Chelsea gallery Sikkema Jenkins & Co., at his vacation home in Rio de Janeiro in January 2024, amid a bitter divorce and custody dispute. Daniel was convicted on three counts for conspiring to hire Alejandro Triana Prevez, a Cuban former security officer, who stabbed the dealer 18 times. Daniel faces a mandatory life sentence.

Ancient Treasures From Lost Egyptian City Head to San Francisco

Dozens of ancient Egyptian artifacts from the newly discovered lost city of Aten—built under King Amenhotep III in the 1300s B.C.E.—will debut in the United States this summer at the de Young Museum in San Francisco. The exhibition, titled “Treasures of the Pharaohs,” features 130 objects spanning over 2,000 years of Egyptian history, including 20 relics from the Aten site itself. The show premiered in Rome in November 2024 and is organized with loans from the Egyptian Museum in Cairo and the Luxor Museum, with a catalog by famed archaeologist Zahi Hawass.

M+ in Hong Kong and Centre Pompidou in Paris Plan New Five-Year Partnership

M+ in Hong Kong and the Centre Pompidou in Paris have announced a new five-year partnership beginning next year. The agreement, announced at M+ on May 15, includes lending artworks for exhibitions, collaborative research and commissions, curator exchanges, and a four-year postdoctoral fellowship. A major exhibition focusing on visual culture in France and Greater China will debut at the Pompidou when it reopens in 2029 or 2030, then travel to M+.

Independent art fair makes the most of more spacious digs

The Independent art fair in New York has relocated from Spring Studios in Tribeca to Pier 36 on the East River, doubling its footprint while slightly reducing the number of exhibitors from 87 to 76. The move creates a more spacious, single-level layout with larger stands and improved circulation, allowing for more ambitious installations. Dealers report strong early collector turnout, with over a third of exhibitors presenting solo stands by artists showing in New York for the first time, including Omar Mismar and Julia Maiuri. Notable presentations include Charles Moffett’s revival of late textile artist Silvia Heyden, James Fuentes’s cross-generational downtown New York showcase, and a large-scale installation by Gretchen Bender.

'I get strong gut reactions': Jonathan Travis on what he collects and why

Jonathan Travis, a realtor and art collector who has helped drive the migration of New York galleries to Tribeca, discusses his collecting habits in an interview with The Art Newspaper. Travis, a partner at Redwood Property Group, has found Tribeca homes for around 40 galleries and co-founded the Wolf Hill artist residency in Chappaqua, New York, with Ethan Rafii. He shares details about his first purchase (a Nicole Eisenman painting), his most recent acquisition (a Masanori Tomita painting), and his strong gut reactions when buying art in person. He also mentions works in his collection by artists such as Sasha Gordon, Jenna Gribbon, and Arcmanoro Niles, and expresses excitement for the Salvador Dalí show at Di Donna and the May auctions.

Lucy Liu Paints the ‘Emotional Truth’ of Family Memories

Lucy Liu, best known for her acting career in films like "Kill Bill" and the TV series "Elementary," is currently presenting a new exhibition of paintings titled "Hard Feelings" at Alisan Fine Arts in New York. The show features works that explore family memory and personal history, including pieces like "Family Portrait" (2016) and newer, more gestural paintings such as "What Stays" (2023) and "Hourglass" (2026). Liu, who studied at the New York Studio School from 2004 to 2007, uses layered and obscured imagery to reflect the unstable, fragmentary nature of memory, drawing on family photographs and her own childhood experiences following her father's death.

‘It smells like my ranch!’ Diva of dirt Delcy Morelos and her amazing 30-tonne earthworks

The article profiles Colombian artist Delcy Morelos and her immersive earthwork installations, focusing on two major works: 'The Womb Space' in Mexico City, which has drawn over 60,000 visitors in its final month, and 'Origo', a new 24-metre-wide outdoor pavilion opening at the Barbican in London. Morelos creates vast soil sculptures sourced from specific regions, evoking sensory experiences of smell, touch, and memory, and invites visitors to contemplate their connection to the earth. The piece includes her reflections on Andean cosmovision, the sacredness of nature, and her 14-year artistic inquiry into soil as a humble yet life-sustaining material.

New fund helps museums make purchases at Frieze New York

The Sherman Family Foundation Acquisition Fund has launched at Frieze New York, providing $50,000 annually to help US museums acquire works from the fair's Focus section, which features solo stands by galleries under 12 years old. In its first year, the Baltimore Museum of Art acquired works by Reika Takebayashi, Seba Calfuqueo, and Joanne Burke, while the Brooklyn Museum acquired two works by Bettina (Bettina Grossman). Each artist also receives an unrestricted $5,000 award.

Mary Lovelace O’Neal, Abstract Painter Who Refused to Conform, Dies at 84

Mary Lovelace O’Neal, an abstract painter known for her gestural, unruly works that defied categorization, died on Sunday in Mérida, Mexico, at age 84. Her galleries, Jenkins Johnson and Marianne Boesky, announced her passing. O’Neal produced sprawling paintings characterized by tangles of drippy strokes, often using lamp black pigment to create intensely black canvases. She rejected labels like Abstract Expressionist or Minimalist, insisting she was simply a painter. Her series "Whales Fucking" (1979) and a 2020 exhibition at Mnuchin Gallery revived her profile, leading to inclusion in the 2024 Whitney Biennial.

Eva Helene Pade Paints the Thin Line Between Ecstasy and Violence

Danish painter Eva Helene Pade, born in 1997, has been working in a borrowed London studio while her Paris home undergoes renovations. Three of her new monumental paintings—Jagt (Hunt), Nærmere (Closer), and Opstand (Surge)—will debut with Thaddaeus Ropac at TEFAF New York this week. Known for tempestuous, large-scale nocturnal scenes filled with writhing naked female bodies, Pade draws on influences from Edvard Munch, James Ensor, and Gustav Klimt, though she now works more intuitively. She signed with Thaddaeus Ropac in 2024 as the gallery's youngest represented artist and was featured in Artnet's Intelligence Report 'Zero to Hero' list for a major spike in search interest.

Female nudity and art that stinks: key takeaways from Venice Biennale 2026

The 2026 Venice Biennale opened with 99 participating countries, including first-timers Somalia and Qatar, under the shadow of curator Koyo Kouoh's death. Her planned theme of "enhancement" and the main show "In Minor Keys" were disrupted by political protests: Pussy Riot objected to Russia's inclusion, and a strike against Israel's participation forced several national pavilions (UK, Austria, France) to close. Key takeaways include pervasive female nudity across pavilions, debates over Russia's presence, criticism of the US pavilion's lackluster art, maritime themes dominating several shows, and the rise of olfactory art.

London Dealer Stephen Friedman Owes $10.6 M. to Dozens of Creditors, Including Artists Deborah Roberts and Kehinde Wiley

London-based gallery Stephen Friedman has accumulated debts of approximately $10.6 million, according to official documents filed with Companies House. Creditors include Coutts & Co. bank (£3.2 million), Pentland Group Ltd. (£1.4 million), the UK tax authority, the Pollen Estate, art logistics company Crozier, and several prominent artists—Alexander Diop (£341,905), Deborah Roberts (£289,232), and Kehinde Wiley (£163,849). The gallery closed its New York space in November 2024 after just two years, then abruptly shut its London location and entered insolvency proceedings in February 2025, shortly after pulling out of Art Basel Qatar. A restructuring proposal by FRP Advisory was approved on 22 April.

Claude Lalanne’s set of bronze mirrors shatters artist's auction record at Sotheby's

A set of 15 bronze and copper mirrors by Claude Lalanne sold for $33.5 million at Sotheby's in New York, shattering the artist's previous auction record and surpassing the record price for works by her late husband and collaborator, François-Xavier Lalanne. The ensemble, which far exceeded its $15 million high estimate, drew fierce competition from five bidders over ten minutes.

Ghosts, nudes and lesbian pageant queens: highlights from NYC’s Photography Show – in pictures

Aipad: The Photography Show is taking place at the Park Avenue Armory in New York from April 22-26, 2026, featuring works from over 70 galleries. The exhibition highlights include Bill Brandt's 1952 nude, Rania Matar's portrait of a young woman in Lebanon, and Zanele Muholi's 2009 portrait of a lesbian pageant queen, alongside works by Tania Franco Klein, Ruth Thorne-Thomsen, and others that explore themes of identity, anxiety, and alternative realities.

‘I wanted my work to be shameless’: 93-year-old artist Joan Semmel on her trailblazing nudes

Nonagenarian painter Joan Semmel is preparing for a major career moment with a retrospective at the Jewish Museum and a dual-city exhibition, 'Continuities', at Alexander Gray Associates in New York and Brussels. At 93, Semmel continues to produce large-scale, vibrant works from her SoHo studio that focus on the aging female nude, using her own body as a primary reference. The new works, including 'Here I Am' (2025), maintain her lifelong commitment to depicting the female form through a non-idealized, authentic lens that rejects the traditional male gaze.

The Best Booths at Expo Chicago, From a 16th-Century Belgian Manuscript to a Painting of a Mariachi Band

The 13th edition of Expo Chicago has opened at Navy Pier with a streamlined selection of 130 international exhibitors. This year’s fair features a more curated and manageable scale, drawing a significant crowd of museum directors, curators, and collectors to the Windy City. Notable presentations range from contemporary Canadian artist duos to rare historical artifacts, reflecting a high bar for quality across diverse media.

Segregation stories: Gordon Parks in the US south – in pictures

Jackson Fine Art in Atlanta is hosting "Gordon Parks: The South in Colour," a major exhibition curated by photographer Dawoud Bey. The show features over 30 works from Parks’ seminal 1956 "Segregation Story" series, including several previously unshown images of the Thornton, Causey, and Tanner families in Alabama. The exhibition coincides with the 70th anniversary of the series' original publication in Life magazine and the 20th anniversary of The Gordon Parks Foundation.

Artists respond to the continuing toll of colonialism in the Americas

The Chicago art space Wrightwood 659 is hosting a major survey titled "Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present." Featuring over 35 contemporary Latin American artists, including Regina José Galindo and the late Ana Mendieta, the exhibition is the culmination of a multi-year research project funded by the Mellon Foundation. The show explores the historical and ongoing impacts of colonial dispossession on Indigenous, Afro-descendant, and LGBTQ+ communities through diverse media ranging from performance art to installation.

Alex Heilbron at as-is

Artist Alex Heilbron presents a solo exhibition at the Los Angeles gallery as-is. The show is featured as a lead review in the February 2026 issue of Contemporary Art Review LA, highlighting Heilbron's continued exploration of painting and visual language within the Southern California art scene.

Eddie Kang at Gana Art Los Angeles

The article is a table of contents for the February 2026 issue of Contemporary Art Review LA, listing numerous features, interviews, and reviews. It highlights an interview with artist Eddie Kang at Gana Art Los Angeles, alongside other content covering topics like olfactory art, tarot, video art, and reviews of exhibitions across Los Angeles galleries and museums.

Miart Turns 30 With a Bigger, Bolder Edition in Milan

Miart, Milan's international modern and contemporary art fair, is launching its 30th-anniversary edition in a new, larger venue, the Allianz MiCo South Wing. The 2026 edition, themed "New Directions: Miart, but different," will host 160 galleries from 24 countries across three levels, featuring sections like Emergent for new voices, Established for historical dialogue, and a special film project called Movements.

art market report 2025 growth high end sales

The global art market returned to growth in 2025, reaching $59.6 billion in sales according to the latest Art Basel and UBS Art Market Report. This 4 percent increase ended a two-year decline, driven primarily by a 9 percent surge in public auction sales and a significant revival in high-value transactions for works priced over $10 million. While the United States maintained its dominant 44 percent market share, the recovery was uneven, with the Impressionist and Old Masters sectors seeing major gains while Postwar and Contemporary art continued to cool.