Marisa Adesman, a rising artist based in Chicago, is presenting her solo exhibition “Under the Rose” at Anat Ebgi in New York, featuring six new paintings that blend trompe l’oeil and surrealism to create nocturnal interior scenes of magic, eroticism, and domestic disobedience. The show follows her Los Angeles debut “Forklore” in 2021 and her first museum exhibition at KMAC Contemporary Art Museum in 2023, where her painting sold for $90,000 at Art Basel Miami.
Marlow Moss's painting *White, Black, Blue and Red* (1944) sold for £609,600 ($819,912) at Sotheby’s Modern and Contemporary Evening Auction in London, far exceeding its presale high estimate of £480,000. The work, backed by a guarantee, sparked a bidding war among seven bidders and set a new auction record for the British Constructivist artist. The previous record was set in 2022 at Christie’s London.
Creative Australia has reinstated Lebanese-born artist Khaled Sabsabi and curator Michael Dagostino as the representatives for Australia's pavilion at the 2026 Venice Biennale, following an independent review and months of public backlash. The pair were initially removed in February after a column in The Australian criticized Sabsabi's 2007 video installation "You," which includes manipulated footage of Hezbollah leader Hassan Nasrallah, accusing the artist and curator of favoring boycotts of Israel. The abrupt removal prompted resignations from senior Creative Australia staff and board members, widespread condemnation from the art community, and an open letter from shortlisted pavilion candidates demanding reinstatement.
The Goodwood Art Foundation, a new contemporary art destination set within the 11,000-acre Goodwood Estate in West Sussex, England, opens to the public on May 31. The inaugural season features works by Susan Philipsz, Rachel Whiteread (including a monumental staircase sculpture *Down and Up*), Veronica Ryan, Rose Wylie, Isamu Noguchi, and Hélio Oiticica (whose *Magic Square #3* will be the first outdoor sculpture by the late Brazilian artist in Europe). The estate, owned by Charles Gordon-Lennox, the 11th Duke of Richmond, is historically known for sporting events like the Festival of Speed and the Qatar Goodwood Festival, and houses a historic art collection including Canalettos and works by George Stubbs.
Shana Moulton, an artist and chair of the art department at the University of California, Santa Barbara, discusses her exhibition "Meta/Physical Therapy" at the Museum of Modern Art in New York and her retrospective at the Buffalo Institute for Contemporary Art. The article centers on Moulton's semi-autobiographical alter ego, Cynthia, a hypochondriac navigating New Age wellness culture through video installations, performances, and a collection of eccentric objects. Moulton explores themes of hypochondria, hospital art, and the absurdity of wellness consumerism, drawing from her upbringing in a California mobile home park and her long-running video series "Whispering Pines" (2002–18).
The fourth season of the FX series *The Bear* features two photographs by Tyler Mitchell in an episode centered on the character Syd. The works shown are *Untitled (Kiki and Stephan Dancing)*, a grid of shots commissioned by *Vogue* featuring actors KiKi Layne and Stephan James, and *Untitled (Group Hula Hoop)*, a 2019 image of children hula hooping in Brooklyn. Mitchell, who rose to fame for photographing Beyoncé, is now represented by Gagosian and has seen his market prices climb above $24,000 at auction.
Independent curator Brice Arsène Yonkeu has organized "Ever So Present II: Between Home and Elsewhere," the second installment of a two-part exhibition at Gagosian's Park & 75 space in New York. The show features four emerging artists of African descent—including Emma Prempeh and Josèfa Ntjam—whose works in painting, photomontage, and assemblage explore themes of diaspora, memory, migration, and belonging. Yonkeu is the first curator invited to participate in dot.ateliers' new residency program, a foundation and exhibition space launched by Ghanaian painter Amoako Boafo in Accra in 2023. The exhibition expands on questions raised in the first iteration held in Accra, asking what remains "ever so present" in diasporic art across borders and cultures.
The Art Angle podcast team reviews three major art stories from June. First, Canyon, a new museum-like venue dedicated to immersive video art, has been announced for New York's Lower East Side. Second, the team discusses the outcomes of Art Basel in Switzerland, the art world's most important fair, and ongoing volatility in art pricing. Third, they examine the buzz—and mockery—surrounding Oscar-winning actor Adrien Brody's painting exhibition in New York City. Culture editor Min Chen joins host Ben Davis and senior editor Kate Brown to analyze these developments.
Liz Collins created two monumental 16-foot-long tapestries for the 2024 Venice Biennale, titled *Rainbow Mountains: Moon* and *Rainbow Mountains: Weather* (both 2023). Initially conceived as a single 40-foot weaving, the project proved too ambitious and was split in two. Collins worked at the TextielLab in Tilburg, Netherlands, switching to a lighter yarn after a failed trial, and ultimately brought the finished works to New York in duffel bags before curator Adriano Pedrosa selected them for the Biennale. The textiles depict mountain ranges emitting rainbows through dark skies, exploring themes of duality—danger and joy, precarity and euphoria.
London's V&A Museum will open "Marie Antoinette Style" in September, the first U.K. exhibition focused on the French queen's influence on fashion and design. Featuring 250 objects including historical artifacts from Versailles, court dresses, jewels, and contemporary pieces, the show explores how Marie Antoinette's lavish personal style—from pastel gowns and towering wigs to rococo interiors—reshaped 18th-century aesthetics and continues to inspire artists and designers like Alexander McQueen and Sofia Coppola. The exhibition is sponsored by shoemaker Manolo Blahnik and includes immersive scent recreations of the queen's favorite perfume.
The feminist collective Guerrilla Girls began its activism in May 1985 by wheat-pasting posters in SoHo, New York, that listed prominent male artists and revealed that their galleries showed 10 percent or fewer women artists. The group formed after the 1984 MoMA exhibition 'An International Survey of Recent Painting and Sculpture' included only 13 women out of 169 participants, sparking protests that failed to gain traction. For 40 years, the Guerrilla Girls have used statistics-driven, provocative posters to call out sexism and racism in galleries, museums, and the broader art world. This year, their anniversary is marked by retrospective exhibitions at the National Museum for Women in the Arts in Washington, D.C., the Getty Research Institute in Los Angeles, and the National Gallery of Bulgaria in Sofia.
Justin Vivian Bond, a multidisciplinary artist and performer, is profiled in ARTnews as part of their Newsmakers series. Bond, who received a MacArthur Foundation “genius grant” in 2024, discusses their upcoming performances at Joe’s Pub in New York, including a show titled “Well, Well, Well” inspired by lesbian singer-songwriters and the novel *The Well of Loneliness*. They also mention resurrecting their duo Kiki & Herb in London, and reflect on their 2017 exhibition at the New Museum, “Trigger: Gender as a Tool and a Weapon,” whose wallpaper is now installed at the V&A East Storehouse.
Cara Romero, an enrolled citizen of the Chemehuevi Indian Tribe, is the subject of her first institutional solo exhibition, "Panûpünüwügai," at Dartmouth's Hood Museum in New Hampshire. The show features her photography that fuses Indigenous ancestral memory with pop culture, depicting Native women as powerful agents reclaiming space against colonial stereotypes. Romero has also been featured in over 10 museum group exhibitions since last fall, including shows at the Hudson River Museum and Cantor Art Center.
Sotheby's London contemporary evening sale on Tuesday brought in nearly £62.5 million ($84 million), within its pre-sale estimate of £55 million to £74 million. The 48-lot sale achieved an 83% sell-through rate, with five works selling for over £5 million each, led by Tamara de Lempicka's 'La Belle Rafaëla' (1927) at £7.4 million and Pablo Picasso's 'Nu assis dans un fauteuil' (1964–65). The auction saw strong bidding for a Basquiat work on paper, 'Untitled (Indian Head)', which sold for £5.4 million, and a standout result for Yu Nishimura's 'through the snow' (2023), which tripled its high estimate at £230,000.
Elizabeth Peyton's double portrait of Oasis brothers Liam and Noel Gallagher sold for £1,992,000 ($2.7 million) at Sotheby’s Modern and Contemporary Evening Auction in London, just above its low estimate of £1.5 million. The work, depicting the band in 1996, was backed by a house guarantee and irrevocable bid. The consignor had purchased it in 2011 for $511,640, yielding a positive return. The sale coincided with Oasis's upcoming reunion tour starting July 4.
The Smithsonian's National Portrait Gallery in Washington, DC, unveiled the official portraits of former President Barack Obama and former First Lady Michelle Obama on February 12, 2018. The portraits were painted by Kehinde Wiley and Amy Sherald, respectively, marking the first time the museum has commissioned African American artists to paint a presidential couple. The ceremony was attended by notable figures including former Vice President Joe Biden, director Steven Spielberg, and actor Tom Hanks. Wiley depicted Obama seated in a chair surrounded by botanicals symbolizing his heritage, while Sherald painted Michelle Obama in her signature grayscale palette wearing a geometric dress inspired by Piet Mondrian and Gee's Bend quilts.
The UK government has finalized design plans for a national memorial to Queen Elizabeth II in London’s St James’s Park. A team led by architect Norman Foster of Foster + Partners, including British-Nigerian artist Yinka Shonibare CBE RA, will create a natural stone path connecting royal gardens, a translucent cast-glass balustrade on the Blue Bridge inspired by the Queen’s wedding tiara, and figurative sculptures of the Queen and Prince Philip. Landscape designer Michael Desvigne is also part of the team, working with the Queen Elizabeth Memorial Committee. The final design will be announced in April 2026, coinciding with what would have been the Queen’s 100th birthday, with a budget of £23 to £46 million from public funds.
Sotheby's has announced the consignment of Roy Lichtenstein's painting *The Ring (Engagement)* (1962) for its May 12 spring contemporary evening sale in New York, with an estimated price of around $50 million. The work, one of the largest from Lichtenstein's iconic 1961–1964 comic-book-inspired series, has had only two owners in its 53-year history, most recently from the collection of Chicago philanthropist Stefan Edlis, who acquired it at Sotheby's in 1997 for $2.2 million.
Israeli and U.S. military strikes on Iran, occurring since June 13, 2025, have threatened significant damage to the country's cultural heritage. Israeli bombings targeted the headquarters of the Iranian state broadcaster (IRIB) in Tehran, a major work of Modern architecture designed by the firm of renowned Iranian architect Abdol Aziz Farmanfarmaian. U.S. bombings over the weekend struck a nuclear complex near Isfahan, one of Iran's most historically significant cities, though its historic landmarks appear unscathed. The Tehran Museum of Contemporary Art (TMoCA), designed by Kamran Diba and home to a major collection of modern Western art, is also a source of concern.
The Elizabeth Street Garden in New York City has filed a federal lawsuit seeking protection under the Visual Artist Rights Act (VARA) to prevent its destruction for an affordable housing project called Haven Green. The lawsuit, filed by law firms Siegel Teitelbaum and Evans and McLaughlin and Stern, argues that the garden is a unique work of visual art and landscape architecture created by the late Allan Reiver and his son Joseph Reiver, and should be legally protected as a sculptural work. The garden received a temporary stay after eviction papers were served last fall, but the city plans to build 100% deeply affordable senior housing on the site, claiming the project will provide over 15,000 square feet of public space.
A new exhibition at the Gibbes Museum of Art in Charleston, South Carolina, titled “Picturing Freedom,” highlights Harriet Tubman’s role in the Combahee River Raid of 1863, where she guided Union troops to free 756 enslaved people in a single night. The show features works by Jacob Lawrence, Aaron Douglas, Elizabeth Catlett, and Faith Ringgold, alongside contemporary artists, and includes multimedia elements such as audio interviews with descendants, a video reenactment, and landscape photographs by J. Henry Fair. Guest curated by Vanessa Thaxton-Ward of Hampton University Museum, the exhibition is based on Edda L. Fields-Black’s Pulitzer Prize-winning book "COMBEE."
Frank Uwe Laysiepen, known as Ulay, has died at age 76 in Ljubljana, Slovenia. The German-born artist was a pioneer of performance art, photography, and body art, best known for his collaborative works with former partner Marina Abramović, including the iconic "Relation Works" series and their 1988 walk along the Great Wall of China. Ulay had been recovering from lymphatic cancer; the cause of death has not been confirmed. He leaves behind the ULAY Foundation in Amsterdam and a project space in Slovenia.
New York City will gain a major new cultural venue in 2026 called Canyon, a 18,000-square-foot hub on the Lower East Side dedicated to durational, time-based art forms such as video, sound, and performance. Founded by philanthropist and collector Robert Rosenkranz, the space is designed by New Affiliates Architecture and will feature state-of-the-art galleries, a 300-seat performance hall, and a skylit piazza with food and beverage options. Joe Thompson, founding director of MASS MoCA, will serve as the venue's director. Canyon has already appointed conservator Cass Fino-Radin as director of art and technology and curator Sam Ozer as curator-at-large, with partners including Rhizome, Electronic Arts Intermix, and the Archive of Contemporary Music. Its inaugural exhibitions will include a major retrospective of Japanese new media artist Ryoji Ikeda and a show titled "Worldbuilding" curated by Hans Ulrich Obrist.
Marlene Dumas's largest retrospective to date, "The Image as Burden," has opened at Tate Modern, showcasing her uncompromising approach to portraiture. The exhibition features over 200 works, including early ink drawings like "Rejects" (1994-ongoing), political pieces such as "Osama" (2010), and the "Magdalenas" series from the 1995 Venice Biennale. Dumas, a South African painter based in Amsterdam, explores themes of identity, politics, and the female body through her fluid, often dark palette and responses to mass media images.
Barack and Michelle Obama have added several modern and contemporary artworks to the White House collection during their final year in residence. New acquisitions include works by Mark Rothko, Edward Hopper, Sam Francis, Josef Albers, Robert Rauschenberg, and Alma Thomas, replacing traditional portraits of former first ladies. The pieces were sourced partly through museum loans, such as two Hopper paintings from the Whitney Museum of American Art for the Oval Office.
An exhibition titled “The Women of Klimt, Schiele and Kokoschka” has opened at the Belvedere Palace & Museum in Vienna, running from October 22, 2015 to February 28, 2016. The show examines how Gustav Klimt, Egon Schiele, and Oskar Kokoschka depicted women, highlighting the artists' obsessive focus on female subjects against the backdrop of Vienna's changing society and the early 20th-century revolution in gender politics and sexuality.
Sotheby's London will auction three Francis Bacon paintings at its July contemporary art evening sale, including 'Study for a Pope I' (1961), one of six pope paintings Bacon created for a Tate exhibition. The work, previously owned by Gunter Sachs, sold for a record £10 million in 2005, and is now estimated at £25–35 million ($38.3–53.7 million). The sale also features a 1975 Bacon self-portrait and three studies for a 1980 self-portrait, with total sale expectations of £204 million ($312.9 million), 35 percent from British artists.
The article presents a curated selection of presidential portraits from the Smithsonian National Portrait Gallery's permanent exhibition "America's Presidents," spanning the last century from Woodrow Wilson to Barack Obama. It highlights the evolution of the form, from traditional depictions of Harding and Hoover to Norman Rockwell's beaming Nixon, Elaine de Kooning's artful Kennedy, and culminating in Kehinde Wiley's vibrant, almost-surrealist 2018 portrait of Barack Obama, which generated significant public excitement.
Artist Jennie C. Jones has unveiled "Ensemble" (2025), a rooftop commission at New York's Metropolitan Museum of Art featuring three monumental, wind-activated stringed instruments—an Aeolian harp, zither, and one-string—that visitors are asked not to touch. The sculptures, coated in deep red powdered aluminum and concrete panels, are designed to be played by the breeze, though wind did not cooperate during the press preview. Jones drew inspiration from the Met's collection of 5,000 musical instruments, African American folk instrument makers like Moses Williams and Louis Dotson, and Minimalist abstraction, creating a work that explores anticipation and the sonic potential of untouchable objects.
The Kunstmuseum Den Haag in the Netherlands is presenting "Grand Dessert," an exhibition that explores the social significance of sweets through a mix of historical artifacts, contemporary painting, video, and sculpture. Guest curated by dessert expert Janny van der Heijden—host of the Great Dutch Bake Off—alongside curator Suzanne Lambooy, the show features works by Wayne Thiebaud, Piet Mondrian, and Natasja Sadi, among others, and includes sections on pudding, chocolate, cake, and ice cream. The exhibition has been extended by six months due to its popularity, drawing over 250,000 visitors.