Artist and choreographer Nikima Jagudajev presents "Like", a new commission and exhibition at Scuola Piccola Zattere in Venice, running from 7 May to 18 October 2026. The work merges film and video game into a playable experimental piece, housed in the nonprofit's palazzo in Dorsoduro.
Daniel Hopp's exhibition "Fictional Healing" at Kunsthaus Hamburg explores how transit spaces like train stations and public squares reveal social divisions, focusing on sites such as Berlin's Leopoldplatz and Hamburg's Drob Inn, a drug consumption counseling center. The show examines the collision of addiction, homelessness, and survival strategies in these urban environments.
The Kunstverein in Hamburg is presenting "Quality of Life," the first comprehensive survey of Swedish Hungarian artist Lenke Rothman outside of Sweden. The exhibition spans Rothman's career from the 1950s until her death in 2008, showcasing her unique oeuvre that juxtaposes everyday life with her biographical and historical experiences, characterized by a radical processing of personal and collective memory.
The article reviews the group exhibition "Show d’Houdini" at CAC Brétigny in Brétigny-sur-Orge, which explores the figure of the magician as a cultural archetype. Drawing on the legacy of Harry Houdini and the historical context of late 19th- and early 20th-century illusionism and spiritualism, the show presents works that examine the magician's dual nature—oscillating between charlatanism and miracle, deception and wonder.
The Henrike Grohs Art Award concludes its final edition, naming Tanzanian artist Rehema Chachage as the 2026 laureate. Chachage, who works across performance, video, text, scent, and installation, creates a "performative archive" in collaboration with her mother and grandmother, transforming personal and ancestral memory into shared sensory experiences. The two finalists are Younès Ben Slimane, a Tunisian filmmaker and visual artist whose silent, disorienting works challenge cinematic narrative structures, and Egyptian artist Rania Atef, whose participatory practice turns domestic spaces into stages for revealing power dynamics. The award received over 600 applications from more than 30 African countries.
Ghanaian painter Kwame Akoto, known for his vibrant signboard works blending bold imagery with urgent text, is the subject of his first major French exhibition, 'Almighty God Art Works', at the Musée du quai Branly – Jacques Chirac in Paris. In an interview with ART AFRICA, Akoto discusses how his paintings transform when moving from the streets of Kumasi—where they function as everyday spiritual and commercial communication—into a European museum context, addressing themes of translation, shared authorship, and the shifting meanings of images across cultural and institutional boundaries.
Photographer Alfredo Cunha presents 'Rostos da Imigração' at the UCCLA gallery in Lisbon, a photographic exhibition featuring portraits of individuals from lusophone communities. The series resists anonymity and aestheticization, instead focusing on the lived experiences of migrants in contemporary Portugal. The exhibition is on view until 20 May 2026.
On April 18, 2026, the performance cycle "Atravesar el lago" (Crossing the Lake) took place in open spaces of Casa del Lago UNAM in Chapultepec Park, curated by Adonay Bermúdez. Artists Marilyn Boror Bor, Seba Calfuqueo, and Julieth Morales activated performances that destabilize dominant knowledge frameworks and confront narratives imposed by colonial modernity. Boror Bor's "Lo que el cemento no puede cubrir" turned the body into a living archive summoning ancestral memories; Calfuqueo's "Guardo mis semillas para el futuro" opened fissures in imposed borders; and Morales's "Enchumbarnos: Cuerpo, Norma y Territorio. Ritual para dos cuerpos" configured a threshold of listening and transformation. The article includes a curatorial text fragment exploring water as a dissident force, drawing on Silvia Rivera Cusicanqui's thought.
Giant Runt Gallery, an artist-run space in Fort Worth's Near Southside, was founded in September 2024 by Cosmo Jones and Max Marshall. The gallery showcases experimental, eclectic art that challenges the local norm of Western-themed work. Its latest exhibition, “Everyone is Someone’s Baby,” opens May 1 featuring artists Megan Solis and Glory West. The gallery recently held its first Juried Show, drawing over 400 applicants and awarding first prize to Jori Jori for her sculpture “The East Wind.” The space occupies a former gallery suite in the Dickson-Jenkins Lofts & Plaza, previously home to Bale Creek Allen’s gallery and Cufflink Art.
This article lists numerous gallery openings and ongoing exhibits in Central Oregon for the current week. Venues include Amejko Artistry, Art Adventure Gallery, Artists’ Gallery Sunriver, ArtHouse LTA, Belknap Exhibit Center, Canyon Creek Pottery, Deschutes Historical Museum, Dry Canyon Community Arts Center, High Desert Museum, Hood Avenue Art, Jeffrey Murray Fine Art Photography, John Paul Designs, Kreitzer Art Gallery and Studio, Lubbesmeyer Fiber Studio, Makin’ It Local, Nancy McGrath Green Gallery, and Nashwood Gallery, featuring works by artists such as Anna Amejko Peterson, Jana Charl, Kenneth Merrill, Jesica Carleton, Jeffrey Murray, Lori and Lisa Lubbesmeyer, Kara Frampton, and Will Nash.
On April 25, 2026, the Hiram Blauvelt Art Museum in Oradell, New Jersey, hosted a private tour and luncheon led by wildlife artist Dwayne Harty, whose exhibition "Bison Legacy" had recently concluded at the museum. The event welcomed over thirty guests, including friends of the artist and Foundation Board President James Bellis Jr. Harty, trained at the Art Students League of New York under Bob Kuhn, Robert Lougheed, and Clarence Tillenius, is known for his accurate and expressive wildlife depictions. The museum will present its Permanent Collection starting at the end of May 2026.
Raheleh Filsoofi and Reza Filsoofi presented a collaborative sound performance titled *Listening: The Fourth String* at the Ismaili Center in Houston on April 11, 2026, alongside a participatory installation of the *ShahTár* (شهتار), a large Persian rug fitted with two four-string instruments. The performance featured Houston musicians Will Adams, Tom Carter, Parham Daighighi, Laura Dykes, Ruthie Langston, Gabriel Martinez, and Firuz Shukrikhudoev, blending improvisational music, poetry, and vocals. Audience members were invited to touch their own bodies and eventually join the stage, fostering an immersive, embodied experience.
Joy Machine's exhibition 'Feel Free' explores themes of order, change, and the limits of control through a series of artworks. The show presents a visual dialogue between structured systems and the unpredictable forces that disrupt them, inviting viewers to reflect on the tension between stability and transformation.
Former IndyStar reporter Will Higgins has opened a new exhibition titled "The Speedway's Attic" at the Contemporary Art Museum of Indianapolis (CAMi), running until August 16. The show presents nine quirky, true stories from the margins of the Indianapolis 500, featuring artifacts recreated by Higgins based on his own research. One highlighted tale involves a fake 1938 Mercedes Benz convertible linked to Adolf Hitler, which appeared at the 1949 Indy 500 with mannequins and alleged "Hitler's wife's underwear." Higgins, known for his gonzo journalism style, previously created exhibits like "The American Society of Presidential Urine Collectors" and "The Museum of Fabulosity."
Artists in Action (AiA), a nonprofit organization supporting Salem-area artists, is celebrating its 25th anniversary with a public reception on May 3, 2026, at Elsinore Framing & Fine Art Gallery in Salem, Oregon. Founded by Diane Trevett and about five other artists, the group began as a small support network for struggling artists and has grown into an established arts organization with around 65 active members. AiA hosts monthly openings, critique sessions, open-call shows, and special events like Paint and Write the Town, providing opportunities for artists to exhibit and sell their work across various mediums.
Zody Burke and Klara Zetterholm have opened a joint exhibition titled "Ersatz Strata" at Temnikova & Kasela Gallery in Tallinn, Estonia. The show examines how history is staged and reimagined, using reliefs, sculptures, printed works, kinetic elements, and industrial residue to create a fictional archaeological site. A live performance by Los Angeles-based artist 011668 accompanied the opening. The exhibition runs through August 15.
ShanghART Singapore presents 'Simplified', a solo exhibition by Chinese artist Tang Maohong opening on 16 May 2026. The show features paintings developed over the past two years since his relocation to Kuala Lumpur, Malaysia, and marks his return to Singapore after a 2019 solo exhibition and twenty years since his participation in the first Singapore Biennale. Tang's new works explore a technique of mixing colors directly on the painting surface rather than using a palette, collapsing the image and the palette into a single pictorial space.
On the eve of Mother's Day 2026, an art exhibit titled "The Four Lost Sons" opened at [ART] CONSCIOUS gallery in Arabi, Louisiana. The show features large portraits of four Black men from Louisiana who died in police custody or altercations, created by the pseudonymous artist Walta Focq. The exhibit coincides with the anniversary of Ronald Greene's death, who was beaten and tased by Louisiana State Police in 2019. The mothers of the four men are involved in the project and plan to speak at the opening reception.
The article reports on the 2026 Met Gala, where celebrities embraced art-inspired fashion on the red carpet. The event, known for its extravagant themed dress code, featured stars wearing outfits that referenced famous artworks, artistic movements, or museum collections.
Courtney Saunders, a graphic designer and digital artist, has returned to Tallahassee after accepting a position with Grova Creative in early 2025. Her digital painting "Watch Us" earned Third Place in COCA's 2026 Creative Tallahassee exhibition, currently on view at City Hall Gallery through June 8. Saunders, who attended the School of Arts and Sciences in Tallahassee during middle school, credits the city's creative community and her supportive teachers for nurturing her artistic voice. She holds a BFA in graphic design from Andrews University and works across multiple mediums including acrylic, watercolor, collage, and digital illustration.
The Contemporary Lore: Sojourn of Styles and Generations Unfurled, an exhibition at Shailaja Art Gallery in Gurugram, brings together 30 works by 23 artists from across India. Curated by Kiran Mohan, the show features paintings, sculptures, and mixed media by emerging, mid-career, and established artists, including Jai Krishna Agarwal, Prem Singh, Charudatt Pande, Nilisha Phad, Ashok Bhowmick, Asit Patnaik, Bipin Kumar, and Shaji Apukuttan. The exhibition, which previewed at Bikaner House, runs for four weeks at the gallery and aims to present artists as equal partners rather than in a hierarchical art-historical progression.
The article covers three events in Kuala Lumpur as part of the KL Festival and Borneo Native Festival 2026. The 'Untitled' group exhibition at GMBB creative mall features 127 artists and 329 works without labels or artist names, inviting viewers to write personal reflections. Proceeds from admission and 'gift letters' go directly to participating artists, offsetting typical financial burdens for emerging creators. The theatre piece 'Lessons Of Silence' by Indonesian artist Agnes Christina is a wordless performance exploring race, class, and parent-child dynamics during a turbulent period in Indonesian history. Additionally, the Borneo Native Festival 2026 at Central Market showcases Sabah and Sarawak's arts and culture, with a highlight being Pangrok Sulap, a woodcut collective from Ranau, presenting prints, books, and socially engaged art.
The Trapezium Art Gallery in Bradford city centre, a volunteer-run space that has hosted over 70 exhibitions by local artists and community groups over the past eight years, is being forced to close due to the redevelopment of the Kirkgate Shopping Centre site. Its final exhibition celebrates the volunteers who kept the gallery thriving, showcasing a diverse range of artwork including printmaking, painting, digital art, photography, collages, and textiles, and runs until May 30.
Artist Tatana Kellner announces an opening reception for her exhibition "Inequity" at The Sketchbook Gallery @ Jane St. Art Center in Saugerties, New York, running from June 27 to August 1, 2026. The show features works from her ongoing series "Apart," which explores tensions between individuals and societal systems, drawing on her personal history as an immigrant from communist Czechoslovakia and a child of Holocaust survivors.
The New Media Gallery in New Westminster’s Anvil Centre, which operated from 2014 to 2024 showcasing technology-based art, is set to be refreshed and reopened after being paused following the departure of director-curators Sarah Joyce and Gordon Duggan. A 10-year review of the Anvil Centre identified the gallery as a key cultural asset, and city council approved recruitment for a new single director-curator position to lead the renewal, with an annual budget of about $650,000 for the gallery and adjacent Art & Technology LAB.
Rising Melbourne and Battersea Arts Centre (BAC) have announced that British artist and game designer Danielle Brathwaite-Shirley will design the ninth hole artwork for the playable exhibition 'The Art of Mini Golf' when it travels to London this summer. The exhibition, formerly known as 'Swingers', will take over BAC from 17 June to 26 July, featuring nine interactive golf hole artworks by leading women artists including Miranda July, Kaylene Whiskey, Saeborg, Delaine Le Bas, Natasha Tontey, BKTHERULA, Soda Jerk, and Pat Brassington. Brathwaite-Shirley's new commission, 'Enough Is Enough', uses video game language to critique technology's impact on society, addressing issues like surveillance, censorship, and wealth inequality.
Nike Okundaye, founder of Nike Art Gallery, is leading 13 US-based Nigerian artists in a cultural diplomacy initiative titled "Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta." Organized by Fulton County Arts and Culture under Commissioner Robb Pitts and Director David Manuel, alongside Georgia State Representative Kim Schofield, the show opened last Friday at Fulton County Arts and Culture Downtown exhibition space in Atlanta. The event features artists including Shayee Awoyomi, Lasaki Olubunmi, Adeleke Akeem, Ola Balogun, Ajibade Awoyemi, and Bimbo Samson Adenugba, among others, and includes masquerade performances, African-American dances, and cuisines. The exhibition runs through the end of June.
Kettle Art Gallery in Dallas is hosting "OG's Return to Deep Ellum," an exhibition reuniting eight pioneering visual artists who helped shape the creative identity of the Deep Ellum district. The show features works by Bill Haveron, Brad Ellis, Brad Smith, Clay Austin, Dwayne Carter, Frank Campagna, Greg "Ozone" Contestabile, and Thor Johnson, alongside tributes to the late Albert Scherbarth and David "Mosquito" Hawley. The opening reception precedes a run through August 16.
The twentieth edition of Art Dubai opened to VIP visitors on Thursday in a smaller format than originally planned, delayed from mid-April due to regional geopolitical unrest. The fair presented around fifty galleries, roughly 60% fewer than the approximately 120 exhibitors initially expected, yet drew a strong crowd of collectors primarily from the Gulf states and the wider Middle East. Separately, a new gallery, 971 Art Gallery, has opened in Dubai's Art of Living Mall, featuring international artists such as Gérard Rancinan, Isabelle Scheltjens, Riccardo Gusmaroli, Benito Cerna Leon, and Michele Tombolini, and offering curatorial advice and collection management to a growing base of newer collectors.