georges mathieu galerie beres

A sweeping retrospective titled “Georges Mathieu: Gesture, Speed, Movement” has opened at the Monnaie de Paris, running through September 7, 2025. The exhibition traces the career of French artist Georges Mathieu, who coined the term Lyrical Abstraction in 1947 and was a pioneering figure in postwar abstract painting. It features works from the 1940s to the 1990s, including the 1980 painting *Orion I*, loaned by Galerie Berès, Paris. Mathieu was also honored with a major retrospective at the Grand Palais in 1978 and received the Legion of Honour and the Order of Arts and Letters.

women who loved picasso book

A new book titled *Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso* by Sue Roe (published by Faber and W.W. Norton) examines the lives of Picasso's six most significant partners: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. The book challenges the narrative that these women were passive muses, instead revealing their personal ambitions and reasons for entering relationships with the artist, drawing on journals and historical context to present their perspectives.

popular artists march 2025

Artnet News published its quarterly analysis of the most exhibited living artists at over 250 U.S. museums in March 2025, identifying more than 3,700 artists. The top artist is photographer Cara Romero, who appears in multiple museum shows including a major retrospective at the Hood Museum at Dartmouth College. Three of the six most featured artists have Native American backgrounds, reflecting a surge in exhibitions celebrating Indigenous art. The list excludes the late Jaune Quick-to-See Smith, a Native painter and curator who died in January 2025 at age 85 and would have ranked highly.

emily sargent

The article reveals that Emily Sargent (1857–1936), sister of famed portraitist John Singer Sargent, was a dedicated and original watercolorist whose extensive body of work remained hidden for decades. In 1998, a family member discovered a trunk containing 440 of her watercolors, and after nearly 25 years, the Sargent family has begun donating these works to major museums in the U.S. and U.K., including the Museum of Fine Arts, Boston (45 works), the Tate, London (29), the National Gallery of Art in Washington, D.C. (24), the Metropolitan Museum of Art (22), and the Brooklyn Museum (20).

Artists Gala Porras-Kim, Jeremy Frey and Tuan Andrew Nguyen among winners of 2025 MacArthur ‘genius grants'

The John D. and Catherine T. MacArthur Foundation has announced its 2025 cohort of MacArthur Fellows, awarding 27 recipients—including visual artists Gala Porras-Kim, Jeremy Frey, Matt Black, Garrett Bradley, Tonika Lewis Johnson, and Tuan Andrew Nguyen—with $800,000 each over five years. The artists span conceptual institutional critique, Indigenous basketry, documentary photography, film, and social practice, with several currently holding major solo exhibitions or biennial features.

Art of Luxury

The article introduces *Art of Luxury*, a biannual magazine published by *The Art Newspaper* that examines the intersection of high-end fashion, jewelry, travel, and lifestyle with the visual arts. It covers how luxury brands engage with artists, the art market, and museums and heritage institutions.

We are in danger of losing our sense of community

"Wir drohen das Gespür für die Gemeinschaft zu verlieren"

Christophe Cherix, the new director of the Museum of Modern Art in New York, discusses his first months in the role, emphasizing museums as "safe social places" in an era of anxiety and screen-induced isolation. He advocates for collective vision-building with staff and defends the MoMA's independence against political pressure in Trump-era America. Separately, critic Paco Barragán argues in The Observer that biennials are in a structural crisis of repetition, tracing their history from instruments of national soft power to a "Global Neo-Liberal Biennial" system that co-opts diversity without changing its core logic. He introduces the concept of the "vibe-ennial," where discourse is replaced by atmosphere and critique by affect. Meanwhile, longtime Bonn museum director Stephan Berg critiques the boom in immersive art experiences like "Van Gogh – The Immersive Experience," calling them a "surrogate reality" tailored to the Instagram age that destroys the integrity of original works. Artforum reconstructs late-1960s debates on art criticism, focusing on Barbara Rose's challenge to formalists like Clement Greenberg and Rosalind Krauss, arguing that art must engage with societal conflicts such as Black Power and war resistance.

Fair Week in NYC!

New York City is hosting a packed week of art fairs in May 2025, including Frieze at The Shed, Independent Art Fair at Pier 36, TEFAF New York at the Park Avenue Armory, and NADA New York at the Starrett-Lehigh Building. The fairs feature hundreds of international galleries, with Frieze emphasizing Central and South American exhibitors, Independent exploring a dystopian theme, TEFAF offering antiquities and fine art, and NADA celebrating its 12th edition with 121 galleries. The article also notes recent major exhibitions at the New Museum, Whitney Biennial, MoMA PS1, The Met, and MoMA, and includes a guide to Upstate New York art destinations.

Venice Biennale Strike Makes History

On May 8, thousands marched through Venice and more than two dozen national pavilions were partially or fully shuttered during a 24-hour strike organized by the Art Not Genocide Alliance and local activist groups. The strike, which included Palestinian flags draped over artworks, marks the first cultural strike in the Venice Biennale's 131-year history. Italian police beat back protesters as Editor-in-Chief Hakim Bishara reported from the scene. Separately, a nesting seagull near the Polish pavilion became an unexpected star, and the LA Art Book Fair opened with a focus on archival materials.

A Londra si allestisce un’installazione di Christo e Jeanne-Claude che non si era mai vista prima

An unprecedented installation by Christo and Jeanne-Claude, titled "Air Package on a Ceiling," is being exhibited for the first time at Gagosian's Grosvenor Hill space in London, opening May 21, 2026. The work was originally conceived in 1968 for the Institute of Contemporary Art in Philadelphia but never realized due to technical constraints. It was rediscovered in 2018 when Lorenza Giovanelli, Christo's former studio manager, found a detailed scale model hidden inside a pedestal. The exhibition also includes early works such as "Wrapped Automobile—Volvo, Model PV-544" (1981), not seen in thirty years, alongside preparatory drawings and collages.

A Venice Biennale in Protest

Hundreds of protesters, led by the Art Not Genocide Alliance, blocked the entrance to the Israeli pavilion at the Venice Biennale on May 6, waving Palestinian flags and accusing Israel of operating a "genocide pavilion." Activists from Pussy Riot and FEMEN also staged a pink smoke-filled protest against Russia's participation. Meanwhile, the Biennale jury suddenly resigned, and Israeli pavilion artist Belu-Simion Fainaru made legal threats against the Biennale alleging antisemitism and discrimination. The article also covers exhibitions in Upstate New York, a tribute to Beat Generation icon Jack Kerouac, and obituaries for performance art champion Steven Durland, artist Georg Baselitz, cartoonist Nicole Hollander, and arts patron Doris Fisher.

Art Workers Plan Venice Biennale Strike

Cultural workers, labor unions, and grassroots groups are planning a strike at the Venice Biennale on Friday, May 8, organized by the Art Not Genocide Alliance and others. The action, described as the first organized strike within the Biennale, aims to protest Israel's inclusion in the event, with participants withholding their labor and calling to "shut down the genocide pavilion." The article also covers other art news, including exhibitions in Los Angeles, a profile of nonagenarian artist Mohammad Omer Khalil, and memes about the Met Gala.

Behind every great artist... there is a great gallery. A look at the 2026 Venice Biennale

Dietro ogni grande artista… c’è una grande galleria. Un punto sulla Biennale Arte 2026

The 61st Venice Biennale, titled "In Minor Keys" (May 9 – November 22, 2026), features over 90% living artists, a significant shift from recent editions focused on historical rediscoveries. Curated by the late Koyo Kouoh (1967–2025), the first African woman to lead the Biennale, the exhibition includes 111 artists, with a majority of women (64 vs. 48 men) and the highest percentage of African-born artists ever (20%). Notable participants include Nick Cave, Carsten Höller, Alfredo Jaar, and Kader Attia, with a focus on mid-career and established figures rather than emerging or deceased artists.

Remembering Raghu Rai, Jack Thornell, and Jarvis Rockwell

Hyperallergic's weekly 'In Memoriam' column honors eight recently deceased figures from the art world, including Indian photojournalist Raghu Rai (1942–2026), Argentine abstract painter Ides Kihlen (1917–2026), Israeli painter and activist Yair Garbuz (1945–2026), British photographer Mark Gerson (1921–2026), Japanese art collector Kurt Gitter (1937–2026), Danish antiquities dealer Ittai Gradel (1965–2026), indigo textile artist Leigh Magar (1968–2026), and Kenyan muralist Patrick Mukabi (1967–2026). Each entry summarizes their life, career highlights, and contributions to visual art and photography.

The US Pavilion Wants Your Money

The American Arts Conservancy, a new nonprofit with MAGA-aligned leadership, is fundraising for Alma Allen's 2026 US Pavilion at the Venice Biennale through a "Donate" button on its website, having received no institutional financial support. Meanwhile, a sculpture by Pedro Reyes at the newly unveiled LACMA building has sparked controversy for recalling a 2021 commission rejected by Mexico City after Indigenous and feminist protests, and the experimental LA nonprofit The Box has closed after 19 years.

The Bennett Prize Opens Fifth Call for Entries

The Bennett Prize has launched its fifth call for entries, inviting women figurative realist painters to compete for a newly increased grand prize of $75,000. The award, established by collectors Steven Alan Bennett and Dr. Elaine Melotti Schmidt, includes a two-year stipend and a traveling solo exhibition that debuts at the Muskegon Museum of Art. Applications are open through September 19, 2026, with a jury featuring prominent figures like curator Miranda Lash and artist Julie Heffernan.

Beer With a Painter: Tom Burckhardt

Artist Tom Burckhardt discusses his creative process and upbringing in a studio interview, highlighting his upcoming work and the influence of his New York School lineage. The son of artists Yvonne Jacquette and Rudy Burckhardt, he explores the concept of "mouthfeel" in painting—a textural quality that parallels culinary experiences—while utilizing humor and skepticism to challenge artistic pretension.

Art and Springtime in Upstate NY

This regional update highlights a diverse array of developments, ranging from the seasonal art circuit in Upstate New York to significant human rights actions. Lebanese artist Ali Cherri, a former Venice Biennale Silver Lion winner, has filed a formal war crimes complaint against Israel following a strike in Beirut that killed his parents. Simultaneously, a new report reveals systemic staffing crises within POC-led arts organizations in the Northeast, where over a third of institutions operate without a single full-time employee.

david byrne interview

David Byrne, the multi-talented artist best known as the frontman of Talking Heads, discusses his visual art practice in a new interview with Artnet News. He reveals plans for a solo exhibition at Pace Gallery in New York this fall, featuring his drawings and photographs. Byrne also talks about his immersive project 'Theater of the Mind,' which explores neuroscience and perception, traveling to Chicago's Goodman Theatre in 2026, and reflects on his early art school experiences at Rhode Island School of Design and Maryland Institute College of Art.

Taiwan’s New Typologies

Taiwan is undergoing a significant cultural transformation with the opening of several major municipal art institutions, including the New Taipei City Art Museum, the Taoyuan Museum of Fine Arts, and the Taichung Green Museumbrary. The latter, designed by Pritzker Prize-winning architects SANAA, represents a new hybrid typology that merges a public library with an art museum within a sprawling urban park. These institutions are characterized by striking contemporary architecture and a mission to balance international prestige with deep-rooted local art histories.

Para Site 30th Anniversary Programme: Q&A with Junni Chen

Para Site, a Hong Kong contemporary arts center, has launched a year-long 30th anniversary programme featuring exhibitions, performances, and residencies. The programme is structured around acts of response, pairing artists and fostering new collaborations, drawing inspiration from the organization's earliest experimental exhibitions.

Shared Crafting, Touching, and Lying Down

"Gemeinsames Basteln, Anfassen und Hinlegen"

Christie's in New York achieved record auction results, with Jackson Pollock's "Number 7A, 1948" selling for $181.2 million and Constantin Brâncuși's bronze sculpture "Danaïde" reaching $107.6 million, both from the S. I. Newhouse collection. Meanwhile, critic Gesine Borcherdt published a scathing review of the Marina Abramović exhibition "Balkan Erotic Epic" at Gropius Bau Berlin, arguing that museums increasingly demand audience participation—crafting, touching, lying down—under the guise of democracy, which she likens to group therapy and warns carries authoritarian tendencies. In London, makeup artist and designer Isamaya Ffrench opened a hybrid gallery and concept store called Studio Iron, featuring works by Abramović, Paul McCarthy, Kelly Wearstler, and Anne Imhof, aiming to blur boundaries between art, design, and function.

The week around the world in 20 pictures

This photo essay from The Guardian presents 20 images capturing global events from the past week, including a protest by Femen and Pussy Riot activists against Russia's participation at the Venice Biennale art show, Israeli strikes in Gaza, the hantavirus outbreak, and Emma Chamberlain at the Met Gala. Other images document the war in Ukraine, with scenes of Russian military rehearsals in Moscow, damaged monuments, and drone strike aftermath, as well as a political protest in Nashville where Democratic state representative Justin J Pearson was removed from the house gallery during a redistricting protest.

National Museum of Women in the Arts Director Susan Fisher Sterling to Retire

Susan Fisher Sterling, director of the National Museum of Women in the Arts (NMWA) in Washington, D.C., will retire at the end of 2024 after 18 years in the role and nearly four decades at the institution. Sterling joined NMWA as an associate curator in 1988, rose through the ranks to become director in 2008, and oversaw a $67.5 million renovation completed in 2023, expansion of the collection to over 6,000 works, and partnerships with the Louvre, the State Hermitage Museum, and Tate Modern. The board of trustees has begun a search for her successor with executive search firm Howe-Lewis International.

Amy Sherald Dresses As Her Own Award-Winning Painting for Met Gala

Amy Sherald attended the 2025 Met Gala dressed as the subject of her own award-winning painting, *Miss Everything (Unsuppressed Deliverance)* (2014). The work, which won the Outwin Boochever Prize at the National Portrait Gallery and appeared on a *New Yorker* cover, depicts a young girl holding an oversized teacup. Sherald collaborated with designer Thom Browne to recreate the painting's look, including a red fascinator, as part of the gala's theme “Fashion Is Art,” which also aligns with the Costume Institute's exhibition “Costume Art.” Sherald served on the gala's committee alongside artists Anna Weyant and Tschabalala Self.

Refik Anadol’s AI Art Museum DATALAND Will Open in Los Angeles in June

Refik Anadol and Efsun Erkılıç will open DATALAND, a museum dedicated to AI art, in Los Angeles on June 20, 2026. Located in the Grand LA complex designed by Frank Gehry, the 25,000-square-foot venue will feature five gallery spaces plus 10,000 square feet for supporting technology. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses AI trained on ecological datasets to generate sensory experiences, including a version of Anadol's Infinity Room with a 1987 recording of an extinct Hawaiian bird and AI-generated scents. Membership starts at $350 per year.

Refik Anadol’s Dataland Museum Sets an Opening Date

Refik Anadol's Dataland, billed as the world's first A.I. art museum, will open on June 20 in Los Angeles after more than two and a half years of planning. Founded by Anadol and his partner Efsun Erkiliç, the museum is housed inside the Frank Gehry-designed Grand L.A. complex and features five galleries. Its debut exhibition, "Machine Dreams: Rainforest," uses ecological data processed through Anadol's Large Nature Model to create digital sculptures simulating possible rainforests. The museum, designed by Gensler, dedicates nearly a third of its 35,000 square feet to operational hardware and runs on 87 percent carbon-free energy.

Collector Dimitris Daskalopoulos’s NEON to Conclude After ‘Having Fulfilled Its Mission’

NEON, the Athens-based contemporary art initiative founded by collector Dimitris Daskalopoulos, will conclude its activities later this year after 14 years. Its final project is a trilogy of exhibitions by artist Michael Rakowitz at the Acropolis Museum, with the last installment set for 2026. The organization also announced it has fulfilled its cultural and social mission.

The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

Two of Keith Haring’s Painted Cars Roll Into New York for the First Time

Two cars painted by Keith Haring in the 1980s are being exhibited together in New York for the first time. The 1963 Buick Special and 1971 Land Rover are on display at the new West Village gallery Free Parking, operated by the platform CART Dept., from April 9 to 19. The exhibition, "Keith Haring: In The Street," coincides with the release of the book *Keith Haring in 3D* and is owned by collector Larry Warsh.