A group of 14 watercolors and drawings by Adolf Hitler, dated from 1904 to 1922, will be auctioned at the Weidler auction house in Nuremberg, Germany, between June 18 and 20. The works are expected to sell for between €1,000 and €45,000 each, following a previous sale of a Hitler watercolor that fetched €130,000 in November last year.
Zahi Hawass, the 78-year-old former Egyptian minister for antiquities, is the subject of a new self-mythologizing documentary titled "The Man With the Hat." The film recounts his rise to international fame through countless TV appearances, his role in overseeing major discoveries like the 3,000-year-old "lost golden city" in Luxor, and his leadership in building the $1 billion Grand Egyptian Museum (GEM). Hawass is also shown advocating for the repatriation of artifacts such as the Nefertiti bust and the Rosetta Stone, while sidestepping controversies that have marked his career.
W. David Marx joins Artnet News senior editor Kate Brown on the podcast 'The Art Angle' to discuss his new book, *Blank Space: A Cultural History of the Twenty-First Century*. The book argues that creativity across art, media, and popular culture has stagnated over the past 25 years, driven by commercialization, rapid technology shifts, and a preference for profit-driven formulas over experimentation. Marx identifies a 'conspicuous blank space where art and creativity used to be' and proposes five strategies to revive cultural inventiveness.
A long-lost portrait of Scottish poet Robert Burns by Sir Henry Raeburn has been rediscovered and is now on display at the National Galleries of Scotland in Edinburgh. The painting was found at a London house sale last year, consigned to Wimbledon Auctions with a low estimate of £300–£500, but sold for £68,000 after intense bidding. It was purchased by Edinburgh-based art collector William Zachs, who had it restored and brought to Scotland, where experts confirmed it as an authentic Raeburn. The work is a copy Raeburn made in 1803 of a 1787 portrait by Alexander Nasmyth, commissioned by London publishers Cadell & Davies but lost shortly after completion.
Three Jewish groups issued an open letter to the Kunstakademie Düsseldorf, a prominent German art school, calling for the cancellation of a lecture by Palestinian artist and filmmaker Basma Al-Sharif, scheduled for January 21. The groups alleged, without providing proof, that Al-Sharif's past events and social media posts—including one referring to Israel as a "Zionist entity" and stating "The lie of #neveragain is over"—trivialized terrorism and constituted antisemitism. The Kunstakademie Düsseldorf declined to cancel the event, affirming its commitment to free dialogue and noting that Al-Sharif was invited based on her CV, while also condemning the Hamas terrorist attack as a grave crime.
Museo del Prado director Miguel Falomir announced at a press conference unveiling the museum's 2026 exhibition schedule that the institution does not need more visitors, stating it is comfortable with 3.5 million annual visitors and fears becoming "over-saturated." Falomir cited concerns about circulation around iconic works like Velázquez's *Las Meninas* and Bosch's *The Garden of Earthly Delights*, and emphasized improving visitor experience through optimizing entrances, reducing group sizes, and enforcing photography bans. The Prado, last expanded in 2007, is significantly smaller than the Louvre, which topped 2024 visitor figures with 8.7 million.
Sandra Mujinga, a Congolese-born artist based in Berlin and Oslo, recently unveiled a new performance at the Park Avenue Armory in New York and has a major installation, "Skin to Skin" (2025), finishing its run at the Stedelijk Museum in Amsterdam before traveling to the Belvedere museum in Vienna. The installation features 55 lithe, tentacular figures covered in the artist's own textiles, arranged around mirrored columns in a green-lit environment. In an interview, Mujinga discussed how fashion and clothing function as data and storytelling, reflecting identity and belonging, a theme that permeates her sculptures, videos, and performances.
2025 has been a landmark year for dinosaur fossils in the art world, marked by high-profile sales, seizures, and ethical controversies. In November, a pair of Allosaurus fossils and a Stegosaurus skeleton worth £12 million ($15.6 million) were seized by the UK's National Crime Agency from Binghai Su, a Chinese national linked to a major money-laundering case in Singapore. The fossils had been purchased at Christie's Jurassic Icons auction in 2024. Meanwhile, Sotheby's sold a juvenile Ceratosaurus fossil for $30.5 million in July, far exceeding its $6 million estimate, and Phillips entered the dinosaur market for the first time, selling a juvenile Triceratops skeleton for $5.4 million in November. The most expensive dinosaur fossil ever, a Stegosaurus named Apex bought by hedge fund titan Kenneth Griffin for $44.6 million in 2024, was loaned to the American Museum of Natural History.
Chris Kraus, the influential contemporary art writer, co-editor of Semiotext(e), and novelist best known for her 1997 autobiographical novel *I Love Dick*, has released a new novel titled *The Four Spent the Day Together*. The book follows a character named Catt Greene, who closely mirrors Kraus's own life: a childhood in Connecticut, later success as an art critic and novelist with *I Love Dick* (adapted into an Amazon series), a marriage to an addiction counselor struggling with his own addiction, and online backlash for being a landlord. In the third part, Greene investigates a real-life murder in rural Minnesota, seeking new material as her own life feels depleted.
The Las Vegas Museum of Art (LVMA) has unveiled architectural designs by Pritzker Prize-winning architect Francis Kéré for its first standalone museum, a 60,000-square-foot building at Symphony Park in downtown Las Vegas. The design incorporates local stone, baobab trees, and a canopy for shade, drawing inspiration from the Mojave Desert and the city's culture, with a central staircase evoking a canyon. The museum, supported by a land donation from the city and a partnership with the Los Angeles County Museum of Art (LACMA), has raised over half of its $200 million goal and is slated to open in 2029.
Christie’s will auction an 1804 oil portrait of George Washington by Gilbert Stuart, estimated at $500,000 to $1 million, during its “We the People: America at 250” sale in early 2025. The painting was commissioned by President James Madison and served as a model for the engraving on the one-dollar bill. It was recently deaccessioned by Clarkson University, a technical school in upstate New York, which decided to sell the work to coincide with the 250th anniversary of the United States, with proceeds supporting the university’s educational mission.
Conservators at Blenheim Palace in the U.K. have discovered a mysterious dossier of names and phrases scratched into the ceilings of the Great Hall and Saloon by past workers, dating back to the 19th century. The graffiti was found during a £12 million ($15.9 million) restoration project led by OPUS Conservation, funded by the National Lottery Heritage Fund and the Blenheim Foundation, which is also repairing paintings by Baroque artists James Thornhill and Louis Laguerre. The palace is now asking the public for help identifying the individuals behind the markings, which include names like "W Smith 1888" and "T Harwood Plasterer 1843."
First Presbyterian Church in Topeka, Kansas, is selling one of its ten Tiffany stained-glass windows at Sotheby's Design sale on December 10. The Jonathan Thomas Memorial Window, a rare medallion window designed by Louis Comfort Tiffany himself in 1910, carries an estimate of $1.5 million to $2 million. The church cites the high cost of maintaining its historic building and the Tiffany windows—sending just one window for repair cost over $50,000—as the reason for the sale. The auction also features a magnolia floor lamp designed by Agnes Northrup, estimated at $2 million to $3 million.
An adjunct professor at Hamline University in St. Paul, Minnesota, Erika López Prater, lost her job after showing her art history class two Medieval paintings depicting the Prophet Muhammad during an online lecture on October 6, 2022. She issued a content warning before displaying the images, which came from a 14th-century manuscript by Rashīd al-Dīn and a 16th-century work by Mustafa ibn Vali. A student, Aram Wedatalla, complained, and the university's administration, including associate vice president David Everett, decided not to renew her contract, calling the incident Islamophobic. The decision has sparked widespread debate, with a Change.org petition signed by over 2,500 scholars and a condemnation from PEN America.
Michelangelo, best known for masterpieces like the Sistine Chapel ceiling and the Pietà, also served as the governor and procurator general of fortifications for Florence in 1529, tasked with designing military defenses against the Medici family. After the Medici were expelled in 1527, Michelangelo joined the "Nine of the Militia" committee, but his overly complex drawings were so impractical that almost none were built. The Medici, backed by Pope Clement VII, successfully besieged Florence in 1529–30, forcing Michelangelo into hiding in a secret chamber beneath the Medici Chapel, where he drew figurative works rediscovered in 1975. He was eventually pardoned and went on to create major commissions like the tomb of Pope Julius II and The Last Judgement, but left Florence for Rome in 1534.
David Adjaye has publicly spoken out against the sexual misconduct allegations made against him in 2023, calling a Financial Times article that detailed the claims “deeply unfair” and claiming he was caught in a “#MeToo slam.” In an interview with architecture critic Tim Abrahams for the podcast Superhumanism, reported by Dezeen, Adjaye said the FT story destabilized confidence in him and that there was no interest in hearing his side. He did not explain why he believed the reporting was unfair, despite having declined to comment to multiple outlets at the time. The allegations, which included sexual harassment and assault claims from three women, led several institutions to cut ties with Adjaye, most notably the Studio Museum in Harlem, which had just opened a new building designed by his firm.
Christopher Knight, the Pulitzer Prize-winning art critic for the Los Angeles Times, is retiring after a 45-year career in criticism, including 36 years at the newspaper. His final day is Friday. Knight, one of the few remaining full-time art critics in American journalism, was praised by colleagues for his encyclopedic knowledge and razor-sharp assessments. He won the Pulitzer Prize for criticism in 2020, notably for a series of articles that harshly critiqued the Los Angeles County Museum of Art's (LACMA) proposed redesign by architect Peter Zumthor. He also received a lifetime achievement award from the Dorothea and Leo Rabkin Foundation in 2020, and the College Art Association's Frank Jewett Mather Award in 1997. Before his journalism career, Knight worked as a curator at the Museum of Contemporary Art San Diego and consulted for the Lannan Foundation and the Smithsonian Institution's Archives of American Art.
The article reflects on the #MeToo movement's failure to achieve lasting change, using the case of architect David Adjaye as a central example. Adjaye was accused in 2023 by three women of sexual exploitation, harassment, and creating a hostile work environment at his firm, Adjaye Associates, allegations he denied. Despite initial backlash—including termination from projects like Westminster's Holocaust Memorial—many clients quietly resumed working with him, illustrating a broader pattern of institutional cowardice.
Sotheby's Hong Kong sold 125 works from Japan's Okada Museum of Art in a white-glove auction on Saturday, netting $88 million (plus fees). The sale set auction records for Japanese artists Kitagawa Utamaro and Hokusai, with Utamaro's *Fukagawa in Snow* fetching $7.1 million and Hokusai's *The Great Wave Off the Coast of Kanagawa* selling for $2.8 million. The collection was sold by museum founder Kazuo Okada, an 83-year-old billionaire, to settle a $50 million legal bill stemming from a long-running feud with casino magnate Steve Wynn. Okada's law firm, Bartlit Beck, successfully pursued the fee in binding arbitration after Okada contested the amount.
The British Museum has announced a major 2026 exhibition titled "Samurai" that will trace the 1,000-year history of Japan's warrior class. Spanning armor, woodblock prints, paintings, clothing, ceramics, and contemporary media, the show brings together 280 objects from the museum's own collection and international lenders. Highlights include a 17th-century suit of armor recently acquired by the museum, a portrait of envoy Mancio Itō by Domenico Tintoretto, and works by Katsushika Hokusai. The exhibition also examines the modern myth of the samurai as shaped by film, manga, and video games such as Akira Kurosawa's movies and Assassin's Creed: Shadows.
The article profiles artist Vaginal Davis and her exhibition "Magnificent Product" at MoMA PS1, which opened shortly after the author visited. Davis, born in 1961, is described as a transformative figure who repurposes fragments of popular culture—from classic Hollywood to gay porn—to create immersive, queer alternate realities. The show includes works like *The Wicked Pavillion* (with *Fantasia Library* and *Tween Bedroom*, both 2021) and a collaboration with Jonathan Berger titled *Naked on my Ozgoad: Fausthaus—Anal Deep Throat* (2024–ongoing). Davis's practice is characterized by a playful, femme-centered critique of mainstream culture, centering Black women and inverting traditional gazes.
Fifty-seven curators and museum directors, including Christophe Cherix of MoMA and Michael Govan of LACMA, signed an open letter published by Le Monde expressing solidarity with Louvre director Laurence des Cars following the theft of the museum's crown jewels. The letter emphasizes that museums are not immune to global violence and that such thefts represent a profound fear for museum professionals, while reaffirming that museums must remain open and accessible despite security risks.
British artist and designer Es Devlin, known for stage designs for U2 and Kendrick Lamar, has created a 50-foot-tall revolving library titled 'The Library of Us' for the 10th anniversary of the Faena hotel and cultural complex in Miami Beach. The installation, presented during Art Basel Miami Beach, contains 2,500 books that have influenced Devlin, with visitors able to sit on revolving stools and read. Phrases from 250 books will appear on an LED screen accompanied by Devlin's voice. After the installation closes on December 9, all books will be donated to Miami organizations including public libraries and schools.
Taylor Swift fans have flocked to the Wiesbaden State Museum in Germany to see Friedrich Heyser's painting 'Ophelia' (ca. 1900), which the singer referenced in the opening scene of her music video for the song 'The Fate of Ophelia' from her album 'The Life of a Showgirl'. The museum saw hundreds of additional visitors last weekend, with director Andreas Henning expressing surprise and delight at the attention.
Creative Australia has awarded Khaled Sabsabi a $100,000 grant under its Visual Arts, Craft and Design Framework, supporting a solo show at the Samstag Museum of Art in Adelaide in 2027. This comes after Sabsabi was controversially dropped as Australia’s Venice Biennale representative in February over past works, including one depicting Hezbollah leader Hassan Nasrallah, and claims that he favored boycotts of Israel. Creative Australia cited an “unacceptable risk to public support,” but widespread backlash led to the departure of senior leaders and, in July, the reinstatement of Sabsabi and his curator Michael Dagostino.
The British Museum has launched a high-profile fundraising campaign to acquire the Tudor Heart, a gold pendant from the early reign of Henry VIII, discovered by amateur metal detectorist Charlie Clarke in Warwickshire in 2019. The museum needs to raise £3.5 million ($4.6 million) by early next year to secure the piece, which features symbols of Henry VIII and Katherine of Aragon and is described as the only surviving Tudor jewelry of its kind. Actor Damian Lewis and historian Mary Beard are supporting the appeal, and the museum will host its first British Museum Ball on October 18 to further fundraising efforts.
Upsilon Gallery, founded by German-Argentine dealer Marcelo Zimmler, will open its first continental European location in Milan on November 18. The 200-square-meter space is situated near Via Monte Napoleone in the Quadrilatero fashion district, joining a wave of international galleries—including Thaddaeus Ropac, Cardi Gallery, and Robilant + Voena—that are betting on Milan's potential to become a global art capital. The inaugural exhibition features four canvases from Osvaldo Mariscotti's Valley series, with a bilingual catalogue edited by critics David Ebony and Alex Grimley, and coincides with twin shows in Upsilon's London and New York outposts.
As the U.S. government shutdown enters its third week, museums that had remained open are now closing. The National Portrait Gallery (NPG), part of the Smithsonian Institution, postponed its exhibition “The Outwin 2025: American Portraiture Today,” originally set to open October 18, after the Smithsonian’s surplus funds run out on October 11. The National Gallery of Art (NGA) closed on October 1, leaving two major works by Houston-based multimedia artist Dario Robleto—the film *Until We Are Forged: Hymns for the Elements* and the sculpture *Small Crafts on Sisyphean Seas*—inaccessible to the public.
Moroccan modernist painter Mohamed Hamidi has died at the age of 84, as announced by the Barjeel Art Foundation in Sharjah. Born in Casablanca in 1941, Hamidi studied at the School of Fine Arts of Casablanca and later at the École Nationale Supérieure des Beaux-Arts de Paris. A founding father of Moroccan modern art, he returned to Morocco in 1967 and taught at the Casablanca School, helping to democratize its curriculum. He participated in the landmark 1969 exhibition “Manifesto” in Marrakech and founded the Moroccan Association of Plastic Arts in 1972. His abstract, erotic paintings incorporated traditional Maghreb motifs and geometric shapes.
Glenn Lowry, who stepped down last month after 30 years as director of the Museum of Modern Art, has given a wide-ranging interview on the podcast *The Art World: What If…?!* with Charlotte Burns. He discusses the Trump administration’s threats to museums’ tax-exempt status, his upcoming advisory roles for the Islamic Arts Biennale in Jeddah and the Kiran Nadar Museum of Art in Delhi, a prospective leadership campaign for Alice Walton’s Art Bridges Foundation, and a series of talks at the Louvre titled “I Want a Museum. I Need a Museum. I Imagine a Museum.”