Photographer Rahim Fortune has opened a new exhibition titled 'Between A Memory and Me' at the Museum of Fine Arts, Houston. The show presents a series of photographs that map memory, land, and Black life across the American South, creating a lyrical cartography where landscape and personal lineage intertwine.
The major retrospective ‘Out of Place’ at ART AFRICA showcases over 200 images by South African photographer Jo Ractliff, spanning four decades of her career. The exhibition traces Ractliff’s evolution from her early 1980s street photography to her mature, atmospheric landscapes that examine the scars of colonialism, apartheid, and regional conflicts in Southern Africa. By focusing on the 'afterlife' of violence rather than the events themselves, the collection highlights her unique ability to capture how history sediments within the physical terrain.
Three prominent Peruvian galleries—Galería Enlace, Forum, and Livia Benavides—are presenting curated selections of artists at the Pinta Lima 2026 art fair. Their proposals blend emerging and established artists from Peru and abroad, working across painting, sculpture, installation, and new media, to foster a dialogue between local traditions and global contemporary practices.
Wallace Chan, a Hong Kong-born sculptor and jeweler who once lived as a Buddhist monk, is presenting his latest exhibition “Vessels of Other Worlds” at the Chapel of Santa Maria della Pietà in Venice on May 8, coinciding with his 70th birthday and the Venice Biennale, followed by a show at Shanghai’s Long Museum on July 18. The exhibition features three monumental titanium sculptures standing seven, eight, and 10 meters tall, evoking religious oil vessels, and explores themes of birth, growth, and rebirth through the demanding medium of titanium, which Chan describes as the material closest to eternity.
A large statue mysteriously appeared in central London earlier this week and has been confirmed as the work of the street artist Banksy. The piece, bearing the artist's signature, depicts a suited man carrying a flag that obscures his face as he walks off a plinth. It was installed in Banksy's signature guerrilla style at Waterloo Place in St. James's, near statues of Edward VII and Florence Nightingale.
In 2026, a rare alignment of major biennial exhibitions will take place globally, including the Venice Biennale (opening May 9, curated by Koyo Kouoh), MoMA PS1's Greater New York, the Whitney Biennial, and the Bronx Museum's AIM Biennial, alongside events in Toronto, Pittsburgh, Gwangju, Sydney, Diriyah, and Busan. CULTURED interviewed curators from four of these shows—such as Marcela Guerrero and Drew Sawyer of the Whitney Biennial—to explore how these sprawling group exhibitions come together, revealing a trend toward smaller, internally organized shows with less declarative themes.
An exhibition titled 'Prelude for a Press' is on view at palace enterprise in Copenhagen from March 19 to April 25, 2026, organized by Jesper List Thomsen. It features works by Marie Angeletti, Gerry Bibby, Ezio Gribaudo, Asger Jorn, Marion Milner, Anastasia Pavlou, Georgia Sagri, Jesper List Thomsen, and Jackie Wang.
Artist Mungo Thomson presented a solo exhibition titled "Fireplace" at the gallery Further Down the Line in Liverpool. The show ran from March 4 to April 4, 2026, and was documented with a series of images.
Austn Fischer, a Wisconsin-born, London-based photographer, creates black-and-white images that explore fashion as performance and identity. His work features striking contrasts, such as lace ruffs paired with athletic wear, and he has collaborated with clients like The New Statesman and Crack Magazine, photographing subjects including Ai Weiwei and David Byrne. Fischer describes his process as working backwards, arranging scenes intuitively and later reflecting on their personal significance, especially regarding his sexuality and masculinity.
British Indian artist Bharti Kher has been commissioned by Powerhouse Parramatta to create a large-scale public artwork for the museum, which is set to open later this year in Parramatta, Western Sydney. Titled *Tree of Life*, the seven-meter-tall bronze sculpture features four stacked heads and incorporates clay fragments from figurines found in Indian secondhand markets, drawing on themes of ancestral memory, interconnectedness, and community.
Art Basel has unveiled the 33 medalists for its 2026 global honors program, recognizing a diverse group of artists, curators, and institutions. The selection highlights a strong Southeast Asian presence, including architect Kulapat Yantrasast and filmmaker Apichatpong Weerasethakul, alongside international figures like Laurie Anderson and Julie Mehretu. These awards celebrate practitioners across categories such as Emerging Artist, Established Artist, and Cross-Disciplinary Creator, with winners to be celebrated at the upcoming Basel fair in June.
The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a major building designed by Pritzker Prize-winning architect Peter Zumthor. The structure, which replaces four older buildings on the museum's campus, is a single-story, concrete-and-glass pavilion spanning Wilshire Boulevard, designed to create a more unified and accessible visitor experience.
Crews have begun filling in the excavation work at the future home of the Vancouver Art Gallery at West Georgia and Cambie, turning the site into a parking lot operated by Easy Park. The project, originally set to open in 2028, has been scaled back after costs rose from $400 million to $600 million, and $60 million had already been spent on planning and pre-construction. The gallery has appointed new architects—Chipewyan architect Alfred Waugh of Formline Architecture and Bruce Kuwabara of Toronto-based KPMB—to lead a redesigned, smaller-scale project, effectively starting from scratch.
In the early hours of Sunday, May 24, 2026, Russia launched a massive attack on Kyiv and its surrounding region, firing 90 missiles and 600 drones. The strike killed four people and injured about 100, while damaging civilian infrastructure including supermarkets, universities, and cultural sites. Among the hardest-hit institutions were the National Art Museum of Ukraine (NAMU) and the Ukrainian National Chernobyl Museum, both recently renovated. The Ukrainian National Chernobyl Museum was "effectively destroyed," with its historic building and 1,350-piece collection sustaining significant damage, though crews rescued about 40 percent of the collection. NAMU's 130-year-old building also suffered critical blows, though its collection of over 40,000 artworks remained safe. Other damaged sites include the Zhytnii Market, Hinaus Gallery, Ukrainian House exhibition hall, Taras Shevchenko Institute of Literature, and two opera houses.
The Serpentine Summer Party, a major fixture in London's art calendar, will take place on 23 June, co-hosted by Mexican actress Salma Hayek Pinault and celebrated filmmakers Alfonso Cuarón and Alejandro González Iñárritu. The event, an invite-only fundraiser, celebrates the Serpentine pavilion, which this year is titled 'a serpentine' and designed by Mexico City-based architecture firm Lanza Atelier. Last year's co-host was movie icon Cate Blanchett.
A giant mural by conservationist artist Robert Wyland, titled *Ocean Life* (1999), was painted over in Dallas to make way for a FIFA promotional mural. The piece was number 82 of Wyland's 100 "whaling wall" murals worldwide, covering two sides of the Texas Utilities Building. Crews began painting over the larger 164-by-82-foot section last week, while a smaller panel remains visible. Wyland and the Wyland Foundation have denied giving permission, calling the city's claim a lie. The building's owner, Slate Asset Management, allowed the North Texas FIFA World Cup Organizing Committee to cover the mural. FIFA plans to unveil a new work by a local artist ahead of the 2026 World Cup, for which Dallas will host nine matches.
A fire broke out at San Francisco's Vaillancourt Fountain on May 4, 2025, as construction crews used torches to dismantle the 1971 Brutalist structure, igniting debris inside its steel tubes. The San Francisco Arts Commission confirmed the fire was quickly extinguished with no major damage, but the incident has raised concerns about safety protocols, as workers were reportedly not wearing protective gear against potential lead or asbestos exposure, and no public warnings were posted. The dismantling proceeded after a California appeals court denied a request from the local coalition Friends of the Plaza to halt the removal, which the city justified citing asbestos and structural risks.
Artist Abbas Akhavan has transformed the Canada Pavilion at the Venice Biennale into a functioning greenhouse for his exhibition "Entre chien et loup." The pavilion now houses a 6,000-gallon pool containing giant Victoria water lilies, with modifications including grow lights, water misters, a new ventilation system, and structural reinforcements to support the 25-ton water tank. The installation evokes Victorian-era Wardian cases and London's Crystal Palace, but Akhavan emphasizes that his interest in the lilies began intuitively, not as a commentary on colonialism or empire. The project, developed with curator Kim Nguyen, involved collaboration with Kew Gardens and the Orto Botanico di Padova to cultivate the plants, and the outcome remains uncertain as the lilies may thrive or wither over the exhibition's six-month run.
Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.
Converge 45, a citywide triennial in Portland, Oregon, has announced the theme and 28 participating artists for its upcoming edition, launching August 27. Curated by New York–based Lumi Tan, the exhibition is titled “Here, To you, Now,” borrowing a phrase from Ursula K. Le Guin’s 1985 novel *Always Coming Home*. More than half of the artists are based in Portland, including Srijon Chowdhury, Aaron Cunningham, and keyon gaskin, while out-of-state participants include Trisha Baga, Rose Salane, and Jacqueline Kiyomi Gork. The triennial will take place across 16 venues, including the Portland Institute of Contemporary Art and Oregon Contemporary.
The 11th edition of the All About Photo awards – The Mind's Eye has announced its 2026 winners, with first place awarded to Matt McClain for his image of an intern working in a historic millinery shop at Colonial Williamsburg, Virginia. The competition features a diverse range of winning photographs, including conceptual self-portraiture by Brooke Shaden, a street scene at the Benin-Togo border by France Leclerc, a train sleeping in Tunisia by Javier Arcenillas, freedivers with sperm whales by Khaichuin Sim, and young monks playing football in the Himalayas by Andrew Newey. Winners receive $5,000 in cash prizes.
The World Press Photo 2026 winners have been announced, with Carol Guzy awarded the top honor for her image of distraught girls clinging to their father as ICE agents detain him after an immigration hearing in New York City. Finalists include Saber Nuraldin’s photograph of Palestinians scrambling for aid in Gaza, Victor J Blue’s image of Achi women outside a Guatemala City court, and other powerful works documenting climate displacement in Mexico, a wedding during a typhoon in the Philippines, police detaining a priest at a pensioners’ protest in Argentina, and a social robot in Europe.
Ruthie Rogers, the chef behind London's Michelin-starred River Cafe, has launched a digital podcast called "Ruthie's Table 4," where guests like Tina Fey, Austin Butler, and Paul McCartney discuss their lives through food. The conversations have been compiled into a new book, "Table 4 at The River Cafe." Rogers reflects on her career, her socially active upbringing, and the restaurant's role as a cultural hub where artists such as Cy Twombly, Ellsworth Kelly, and Damien Hirst have contributed menu illustrations.
The 2026 Sony World Photography Awards have announced their top honors across professional, open, student, and youth categories. Notable winners include Citlali Fabián for her series on Indigenous activists in Mexico, Seungho Kim for a project exploring the intersection of parenting and pet ownership in South Korea, and Dafna Talmor for her abstracted, collaged landscapes. The winning works span a diverse range of subjects, from the documentation of a fire at the Royal Academy of Fine Arts in Stockholm to intimate portraits of faith at the Vatican.
South Africa’s official pavilion at the Venice Biennale will remain empty this year following the government's abrupt cancellation of artist Gabrielle Goliath’s planned exhibition. The controversy erupted when Culture Minister Gayton McKenzie pulled the project just days before the deadline, labeling Goliath’s work "highly divisive" due to its inclusion of a tribute to Palestinian poet Hiba Abu Nada. Despite the official ban and a failed court challenge by the artist and curator, the work, titled *Elegy*, will now be staged independently at the Chiesa di Sant’Antonin nearby.
The Munich gallery Filser and Gräf is presenting a two-person exhibition titled "Medèn ágan – Nothing in Excess," featuring artists Paris Giachoustidis and Toshihiko Mitsuya. The show uses the ancient Greek maxim as a curatorial framework, with Mitsuya's delicate, reflective aluminum sculptures and Giachoustidis's paintings of futuristic, cosmic landscapes exploring themes of balance, scale, and humanity's place in the universe.
Guardian photographer Sarah Lee has published a series of photographs capturing the arrival of spring in the UK. The images, taken as the clocks moved forward for British Summer Time, focus on natural details and scenes that signify the seasonal change.
A new research paper reveals that Sydney's suburban front gardens are shrinking dramatically due to residential redevelopment, with the average front garden declining by 46% in areas where older homes have been replaced by larger modern houses. The study, analyzing 370 properties, found that driveway footprints and artificial surfaces increased by 57%, while tree canopy coverage was reduced by 62%.
The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.
The Ukrainian Pavilion at the 2026 Venice Biennale will present a project titled "Security Guarantees," focusing on the failure of international promises to protect Ukraine, specifically referencing the 1994 Budapest Memorandum. Artist Zhanna Kadyrova will exhibit her concrete sculpture, Origami Deer, which was evacuated from eastern Ukraine as the Russian frontline advanced. The work will be suspended from a crane on a truck along the lagoon, and the pavilion will include archival material and a video installation tracing the sculpture's journey.