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Art market bounce back continues in New York with Christie's $123.5m 21st-century sale

Christie’s 21st-century evening sale at Rockefeller Centre in New York on 19 November achieved $99.5 million before fees ($123.5 million with fees), surpassing last November’s equivalent sale of $106.5 million with fees. The sale featured 45 lots, with only one unsold (a Cecily Brown abstract), resulting in a 2% buy-in rate. Three artist records were set for Firelei Báez, Joan Brown, and Olga de Amaral. A major highlight was the collection of Chicago collectors Gale Neeson and the late Stefan Edlis, comprising 19 lots that realized $40.3 million ($49.2 million with fees), including works by Andy Warhol, Richard Prince, and Diego Giacometti. Other notable sales included Cindy Sherman’s *Untitled Film Still #13* (1978) at $2.2 million with fees, Ed Ruscha’s *How Do You Do?* at $6.7 million with fees, and a Warhol *The Last Supper* (1986) sold to Paris dealer Frederic Larroque for $8.1 million with fees.

New Year, New View: Eight Places to See Art This Winter (and Beyond)

The article highlights eight must-see art exhibitions for the winter season. Key shows include "Dreamworld: Surrealism at 100" at the Philadelphia Art Museum, a Gerhard Richter retrospective at the Fondation Louis Vuitton in Paris, a survey of avant-garde artist Bettina Grossman at Ruth Arts in Milwaukee, a Jacqueline Humphries exhibition at the Aspen Art Museum, and "Ideas of Africa: Portraiture and Political Imagination" at New York's Museum of Modern Art. Other notable exhibitions are also mentioned, covering a range of historical and contemporary artists.

The Best Art Exhibits to See in New York City Right Now

New York City's autumn art scene features a diverse array of exhibitions across major museums. At the Metropolitan Museum of Art, "Man Ray: When Objects Dream" showcases 60 rayographs alongside 100 paintings and prints, exploring the artist's camera-less photography technique. The Brooklyn Museum presents "Monet and Venice," placing 19 of Monet's Venetian paintings in dialogue with works by John Singer Sargent and others, while also hosting "Breaking the Mold: Brooklyn Museum at 200," a retrospective on the institution's two-century history. The New York Historical Society offers "The Gay Harlem Renaissance," highlighting queer Black artists and writers of the Harlem Renaissance, and "The New York Sari," examining South Asian women's fashion influence since the Gilded Age.

9 artists having major museum moments this year and next

Nine artists are featured in major museum exhibitions this year and next, including John Singer Sargent at the Musée d'Orsay, Alexander Calder at Calder Gardens and the Whitney Museum, Beauford Delaney at the Studio Museum in Harlem, Man Ray at the Metropolitan Museum of Art, and Cecily Brown at the Barnes Foundation. The article highlights key shows such as Sargent: Dazzling Paris, High Wire: Calder's Circus at 100, and When Objects Dream, each presenting significant works and historical context.

Princeton University Art Museum graduates to expansive new home

The Princeton University Art Museum (PUAM) is opening a new 146,000-square-foot facility on October 31, doubling its previous exhibition and education spaces. The original 1880s building, which underwent multiple additions before being demolished in 2021, could only display about 2% of Princeton's 117,000-object collection. Designed by Adjaye Associates with executive architect Cooper Robertson, the new three-story museum features nine interlocking pavilions, 80,000 square feet of exhibition space, classrooms, and a grand hall. Curators have rethought the installation to move away from rigid geographic and chronological categories, instead emphasizing cross-cultural and cross-media pairings, such as placing Andy Warhol's Blue Marilyn (1962) alongside a 14th-century Italian Virgin and Child.

A brush with… Peter Doig—podcast

The article is a podcast interview with renowned painter Peter Doig, who discusses his upcoming exhibition "House of Music" at Serpentine South in London, running from October 10, 2025, to February 8, 2026. Doig reflects on his career, his evolving body of work informed by memory, personal photographs, art history, and music, as well as his time living in Trinidad and Canada. He delves into specific paintings in the show, his influences including Edward Burra, Henri Matisse, and Caravaggio, his collaboration with poet Derek Walcott, and the repertory cinema he founded in Port of Spain.

Fondation Louis Vuitton in Paris opens epic Gerhard Richter retrospective

The Fondation Louis Vuitton in Paris is opening a massive retrospective of Gerhard Richter's work, featuring 275 pieces spanning his entire career from the 1960s to recent ink-cloud drawings. Curated by Dieter Schwarz and Nicholas Serota at Richter's own suggestion, the exhibition is strictly chronological and occupies over 3,000 square meters of Frank Gehry-designed gallery space. It includes iconic works like *Uncle Rudi* (1965) and *Table* (1962), alongside very recent small-scale drawings, and draws from both public and private collections.

Freedom of expression: Tate exhibition offers an overdue showcase of Nigeria’s Modernist artists

Tate Modern's exhibition "Nigerian Modernism" showcases over 300 works by 59 Nigerian modernist artists, curated by Osei Bonsu and Bilal Akkouche. The show follows the 2018 record sale of Ben Enwonwu's portrait "Tutu" at Bonham's for £1.2 million, which highlighted the neglect of modern African artists in art history. It features pioneers like Aina Onabolu, the first African student at an English art school, and Uche Okeke of the Zaria Art Society, whose work blends Western techniques with Nigerian traditions, Islamic aesthetics, and uli mural painting.

Who made ancient Egyptian art? Plus, Michaelina Wautier, Robert Rauschenberg’s ‘Bed’—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major art stories. Alexander Morrison visits the Fitzwilliam Museum in Cambridge to explore 'Made in Ancient Egypt,' an exhibition revealing the untold stories of the craftspeople and techniques behind ancient Egyptian objects. Ben Luke speaks with Katlijne Van der Stighelen about the largest-ever exhibition of Baroque painter Michaelina Wautier at the Kunsthistorisches Museum in Vienna, which will travel to the Royal Academy of Arts in London. The episode also features Robert Rauschenberg's iconic work 'Bed' (1955), part of the exhibition 'Five Friends' at the Museum Ludwig in Cologne, which brings together artists John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, and Cy Twombly.

Kerry James Marshall, National Gallery expansion, Picasso’s Three Dancers—podcast

This podcast episode from The Art Newspaper covers three major art stories. Ben Luke tours Kerry James Marshall's retrospective 'The Histories' at the Royal Academy of Arts in London—the largest European survey of the US artist's work—with curator Mark Godfrey, and visits a related exhibition of Marshall's graphic novel 'Rythm Mastr' at The Tabernacle in Notting Hill. The National Gallery in London announces a £400m expansion called Project Domani, the largest transformation in its 200-year history, with £375m already raised, and a shift in its collecting boundary beyond 1900. Finally, Tate Modern's centenary exhibition 'Theatre Picasso' centers on Pablo Picasso's 'The Three Dancers' (1925), discussed with co-curator Natalia Sidlina and designer Enrique Fuenteblanca.

After 50 years, LA Louver is closing its gallery in Venice, California

LA Louver, the longest-running gallery in Los Angeles, is closing its Venice, California space after 50 years in business. Founder Peter Goulds, who turns 77 next month, is transitioning the gallery into a private dealing model with pop-up exhibitions from its Jefferson Boulevard warehouse in West Adams. The Venice space will be listed for sale but remain open by appointment to sell inventory. The gallery is also donating its extensive archive to the Huntington Library in San Marino, which includes papers of writers like Octavia Butler and Christopher Isherwood.

Portland Art Museum announces major gift to endow Museum’s top position from Portland’s “First Family of the Arts”

The Portland Art Museum announced a $13.5 million gift from the late Arlene Schnitzer and the Schnitzer family, the largest individual donation in the museum's 132-year history. The endowment names the museum's director position, currently held by Brian Ferriso, as the Arlene & Harold Schnitzer Director. The Schnitzers, known as Portland's 'First Family of the Arts,' have supported the museum for nearly half a century through acquisitions, exhibitions, capital campaigns, and the creation of the Arlene and Harold Schnitzer Center for Northwest Art and the Schnitzer Sculpture Court. The gift is part of the museum's Connection Campaign, which will culminate in a transformed campus opening November 20.

Crystal Bridges Museum's expansion will open in June 2026

Crystal Bridges Museum of American Art in Bentonville, Arkansas, announced its expansion will open on June 6, 2026, adding 114,000 square feet—a 50% increase in size. Designed by Safdie Architects, the project began in 2022 and includes hundreds of newly donated works, the largest gift in the museum's history: over 200 pieces from Dallas-based collectors Candace and Michael Humphreys. Additional donations from board chair Olivia Walton and her husband Tom include 18 works by women artists, honoring her late mother, gallerist Monique Knowlton.

Minneapolis Institute of Art announces artists for its first juried crop art exhibition

Minneapolis Institute of Art (Mia) has announced the artists for its first juried crop art exhibition, "Cream of the Crop," opening September 6, 2025. The exhibition features winners and honorable mentions selected from crop art entries at the Minnesota State Fair. Jeanne Morales won best interpretation of a Minnesota landmark, story or tradition with "My Chagall Dream," while Amy and Steve Saupe won best interpretation of an artwork at Mia with "The Treachery of a Pronto Pup." The selections were made by Mia director Katie Luber, associate curator Galina Olmsted, and associate curator Leslie Ureña. Honorable mentions include works by Jill Osiecki, Jill Moe, Amanda Cashman, and Ursula Murray Husted.

Yayoi Kusama Retrospective Becomes Most Visited Exhibition in Australian History

Yayoi Kusama's retrospective at the National Gallery of Victoria (NGV) in Melbourne became the most visited exhibition in Australian history, drawing 570,537 ticket holders from December 2024 to April 2025. The show broke the museum's previous record set by the 2017 exhibition "Van Gogh and the Seasons," which sold 462,262 tickets. Featuring over 200 artworks spanning nine decades, including 10 infinity rooms and early drawings from age nine, the exhibition attracted a diverse audience that included celebrities like Billie Eilish, Dua Lipa, Troye Sivan, and Finneas.

The 7 Best Art Shows to See This Fall, From N.Y.C. to San Francisco

The article previews seven major art exhibitions opening across the United States this fall, from New York City to San Francisco. Highlights include a rare U.S. retrospective of Finnish painter Helene Schjerfbeck at the Metropolitan Museum of Art, the first comprehensive U.S. survey of Afro-Cuban surrealist Wifredo Lam at the Museum of Modern Art, and a long-overdue museum retrospective for multimedia artist Suzanne Jackson at the San Francisco Museum of Modern Art. Other featured shows include Yoko Ono's traveling retrospective at the Museum of Contemporary Art Chicago.

Meet the Lawyer-Turned-Dealer Opening a Jewel-Box Gallery Uptown—and More Juicy Art World Gossip

Artnet News's Wet Paint column reports that former David Zwirner director Felix Rödder is opening his own gallery, Rodder (no umlaut), on September 18 at 22 East 80th Street on the Upper East Side, in the same building as Sprüth Magers. The jewel-box space, formerly Barbara Mathes Gallery, will debut with a solo show of sculptural paintings by Wyatt Kahn. Rödder, a lawyer-turned-dealer, plans to mix contemporary programming with historical exhibitions, keeping overhead low and avoiding art fairs for now. The column also teases a mention of Aby Rosen's involvement in the New York mayoral race.

“Berthe Weill, Art Dealer of the Parisian Avant-garde” in Montreal

The Montreal Museum of Fine Arts (MMFA) has opened a major exhibition titled "Berthe Weill, Art Dealer of the Parisian Avant-garde," showcasing over 100 works that Weill exhibited in her Paris galleries between 1901 and 1940. The show highlights her role in launching the careers of artists such as Picasso, Matisse, Modigliani, and Suzanne Valadon, and includes paintings, drawings, sculptures, and archival materials. Weill, born to a poor Jewish family, opened her first gallery at age 36 using her mother's dowry, never charged for exhibitions, and often sold her own possessions to keep her spaces afloat. Despite her immense contributions, she died in poverty and has been largely omitted from art history.

What Role Do Galleries Play in the Art World?

Maxwell Rabb's article explains the fundamental role of commercial art galleries in the art world, tracing their evolution from 19th-century Parisian storefronts like Goupil & Cie to contemporary spaces. It highlights how galleries function as private businesses that showcase and sell artworks, support artists, organize exhibitions, and connect with collectors, curators, and institutions. The piece also addresses the perception of galleries as exclusive spaces while noting they are often free and open to the public, serving as a bridge between the art world and curious visitors.

Remembering Thomas Neurath, who brought single-minded energy and intellectual bravura to leading the publishers Thames & Hudson

Thomas Neurath, who led the independent publishing house Thames & Hudson for nearly sixty years, has died. The son of founder Walter Neurath, Thomas took over the company in 1967 after his father's early death and built it into one of the most respected imprints for illustrated art books. Known for his single-minded energy and intellectual bravura, he forged close relationships with artists including David Hockney and Barbara Hepworth, and maintained the firm's independence as a family business. His personal collection included works by Oskar Kokoschka and Egon Schiele, and he was an avid book collector who combined business travel with museum visits.

Gustave Caillebotte blockbuster that sparked controversy in France opens in Chicago—with one key difference

A major Gustave Caillebotte survey exhibition, originally titled *Gustave Caillebotte: Painting Men* (in French, *Caillebotte: Peindre Les Hommes*), has opened at the Art Institute of Chicago with a revised title: *Gustave Caillebotte: Painting His World*. The change was made after an internal focus group found the original title too narrow, and before the show even debuted in Paris. The exhibition, co-curated by Gloria Groom (AIC), Paul Perrin (Musée d’Orsay), and Scott Allan (Getty), explores Caillebotte’s preference for male subjects—such as rowers, soldiers, and card players—without asserting that the artist had same-sex relationships. It previously sparked controversy in France, where critics accused the curators of imposing an American-influenced, reductive queer reading on the artist.

Taxidermists—prized by Damien Hirst—open museum in Amsterdam

Two artist-taxidermists, Ferry van Tongeren and Jaap Sinke, have opened the Art Zoo Museum in a restored canal house in Amsterdam, in partnership with the Vrije Academie cultural education institute. The museum, opening on 26 June, is described as a "modern wunderkammer"—a contemporary cabinet of curiosities—featuring taxidermied animals that died natural deaths, arranged in surreal poses alongside preserved flowers and ornate interiors. Van Tongeren, a former advertising agency owner who retrained as a taxidermist, gained international fame after he and Sinke sold their first collection to Damien Hirst in 2016. Their collective is named Darwin, Sinke & Van Tongeren, reflecting the influence of Charles Darwin.

Re-opening of Sainsbury Wing at National Gallery

The Sainsbury Wing at the National Gallery in London has reopened after a three-year refurbishment, inaugurated by King Charles III and Queen Camilla. The wing now serves as the main entrance, featuring large windows that flood the foyer with natural light, a high-tech screen showcasing masterpieces, and a rehang of the collection that groups early Renaissance and early Christian art together in rooms 51-66. Notable highlights include Sir Richard Long's 'Mud Sun', Paula Rego's 'Crivelli's Garden', a new unsigned Netherlandish altarpiece, and the temporary display of the Coronation portraits of the King and Queen until June 5th.

Japan’s art islands gain a new attraction with museum designed by Tadao Ando

The Benesse Art Site Naoshima, a globally acclaimed art destination across three Japanese islands, will open the Naoshima New Museum of Art (NNMA) on May 31. Designed by architect Tadao Ando, the one-story building with two underground floors sits on a hilltop near Honmura village. Its opening exhibition, centered on wellbeing, features works by 12 artists including Takashi Murakami, Aida Makoto, Do Ho Suh, Cai Guo-Qiang, and Martha Atienza. The museum shifts focus to contemporary art from Asia with rotating exhibitions, according to director Akiko Miki.

Empathy is in short supply today – artist Saya Woolfalk intends to change that

Saya Woolfalk's largest survey exhibition, 'Empathic Universe,' has opened at New York's Museum of Arts and Design. The show introduces visitors to the Empathics, a fictional plant-human hybrid species that embodies profound understanding and interconnection. Organized by curator Alexandra Schwartz, the exhibition spans two decades of Woolfalk's career and includes video, sculpture, installation, works on paper, and artist-fashioned clothing. It explores themes of empathy, hybridity, and utopia, drawing on Afrofuturist thinkers and science fiction, while addressing issues of racism and sexism in a polarized world.

Christie's 20/21 sales achieve $693 million

Christie's 20th and 21st Century Art sales in New York from 12-15 May 2025 achieved a total of $693 million across six sales, reaching 123% of the low estimate. The top lot was Piet Mondrian's 1922 painting *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue*, which sold for $47.56 million. Other highlights included Claude Monet's *Peupliers au bord de l'Epte, crépuscule* (1891) at $42.96 million, and Marlene Dumas's *Miss January* (1997), which set a record for a living female artist. The Leonard & Louise Riggio collection alone brought $272 million, while the 20th Century Evening Sale achieved $217 million with a 100% sell-through rate. New artist records were set for Dorothea Tanning, Remedios Varo, Louis Fratino, Simone Leigh, and Emma McIntyre.

Despite record-breaking results for four women artists, Phillips’s evening auction in New York sparks few fireworks

Phillips’s evening sale of modern and contemporary art in New York on May 13 achieved a total hammer price of $44.2 million ($52 million with fees), falling just below the low pre-sale estimate of $45.3 million. Four works were withdrawn before the sale, and five lots failed to sell. Despite the subdued overall results, the auction set new auction records for four women artists: Kiki Kogelnik, Ilana Savdie, James Turrell (Light and Space artist), and Grace Hartigan. Other strong performers included works by Yu Nishimura, Olga de Amaral, Barbara Hepworth, and Danielle McKinney. The top lot was Jean-Michel Basquiat’s *Untitled* (1984), formerly owned by David Bowie.

A young Richter’s painting of an even younger Polke and a once-grimy Brazilian landscape by Frans Post: our pick of the May auctions

The article previews five major lots coming to auction in New York in May 2025, spanning Phillips, Sotheby's, Christie's, and Bonhams. Highlights include Gerhard Richter's 'Mann mit zwei Kindern' (1966), a portrait of Sigmar Polke estimated at $4–6 million; Frans Post's 'View of Olinda with Ruins of the Jesuit Church' (1666), estimated at $6–8 million and expected to break the artist's record; Andy Warhol's 'Big Electric Chair' (1967–68), estimated around $30 million; and Fernando Botero's 'The Bed' (1982), estimated at $700,000–$1 million. Each work is making its auction debut or is a rare market appearance.

After a failed export block by the UK, Nicolas Poussin masterpiece goes on show at Louvre Abu Dhabi

Abu Dhabi’s Department of Culture and Tourism (DCT) will make its vast, previously inaccessible art and artifact holdings public over the coming year, including publishing an online catalogue and offering research opportunities. To mark this shift, DCT is presenting Nicolas Poussin’s *Confirmation* at Louvre Abu Dhabi—a masterpiece that had been held in Britain for 240 years and was blocked from export by the UK government in 2022 when it failed to raise £19m to match the buyer’s offer, now presumed to be DCT. The painting goes on show alongside Poussin’s *Self-portrait* from the Musée du Louvre.

Yayoi Kusama survey at National Gallery of Victoria becomes best-selling art exhibition in Australian history

The National Gallery of Victoria (NGV) in Melbourne has announced that its Yayoi Kusama survey exhibition, titled "Yayoi Kusama," sold 570,537 tickets, making it the most-visited ticketed art exhibition in Australian history. The show, which ran from 15 December 2024 to 21 April 2025, surpassed the NGV's own record of 462,262 tickets for "Van Gogh and the Seasons" in 2017. Featuring 200 artworks spanning nearly nine decades of the artist's career, including ten infinity rooms, the exhibition was the largest the NGV has ever dedicated to a single living artist. The NGV also acquired two major works from the show: "Dancing Pumpkin" (2020) and "Narcissus Garden" (1966/2024).