Artnet Auctions has launched its "20th Century Art" sale, featuring works by blue-chip masters including Joan Miró, Yves Klein, and Andy Warhol. The auction, curated by specialists Sylvie François Sturtevant and Jason Rulnick, highlights the distinction between "rarity"—objects that are unusual due to limited production or historical loss—and "scarcity"—where high market demand outstrips the available supply of editioned works.
The article profiles Paul Arnhold, a New York-based glassblower and fourth-generation heir to a major Meissen porcelain collection. He discusses how his hands-on practice as a maker directly informs his eclectic approach to collecting, which spans from ancient Etruscan artifacts to contemporary paintings by artists like Salman Toor. He emphasizes collecting based on personal joy and tactile presence rather than provenance alone.
Two Renoir exhibitions at Musée d’Orsay explore the joy of human connection
The Musée d’Orsay in Paris is opening two concurrent exhibitions dedicated to Pierre-Auguste Renoir, titled 'Renoir and Love: A Joyful Modernity (1865-85)' and 'Renoir Drawings'. The shows focus on the first two decades of his career, featuring major works like 'Luncheon of the Boating Party' and rarely seen pieces from private collections, such as 'Confidence'. The exhibitions will later travel to the National Gallery in London and the Museum of Fine Arts in Boston.
Nifty Gateway, a major NFT marketplace launched in 2020, permanently shut down in February 2026. Its closure coincided with a severe cryptocurrency market sell-off, adding to a list of defunct NFT exchanges and contributing to the perception of a market collapse.
Digital artist Beeple is bringing his viral robotic installation, "Regular Animals (2025)," to the Neue Nationalgalerie in Berlin this April. The work features a pack of AI-powered robotic dogs with heads modeled after tech moguls like Elon Musk and art icons like Pablo Picasso, which roam a pen, capture images of the audience, and "eject" AI-filtered prints from their rears. The presentation will coincide with Gallery Weekend Berlin and include a dialogue with Nam June Paik’s "Andy Warhol Robot (1994)."
The longtime New York City residence and studio of legendary photographer Robert Frank and sculptor June Leaf has been listed for sale at $6.5 million. Located at 7 Bleecker Street in NoHo, the 209-year-old Federal-style townhouse served as the couple's creative base for over four decades, maintaining a raw, unfinished aesthetic that mirrored their artistic sensibilities. Despite its significant art-historical pedigree, the real estate listing omits the artists' names, instead marketing the property as a redevelopment opportunity with significant buildable square footage.
The fifth edition of the Every Woman Biennial, titled "I Will Always Love You," concludes its run at La MaMa Galleria in New York. Featuring over 200 female and non-binary artists, the salon-style exhibition showcases a diverse range of media including neon sculpture, textiles, and video, alongside a series of high-energy performances. Notable participants include Michele Pred, Nadya Tolokonnikova of Pussy Riot, and Swoon, with the event maintaining its tradition of honoring the legacy of Whitney Houston while providing an inclusive platform for contemporary creators.
beeple robot dogs nationalgalerie berlin
Digital artist Beeple is set to make his German institutional debut at Berlin’s Neue Nationalgalerie with "Regular Animals" (2025), an installation featuring ten robotic dogs with heads modeled after tech moguls like Elon Musk and iconic artists like Pablo Picasso. The sculptures, which gained viral fame at Art Basel Miami Beach, use AI to process their surroundings and "defecate" stylized prints for visitors. The 11-day pop-up presentation will place Beeple’s work in dialogue with Nam June Paik’s "Andy Warhol Robot" (1994), exploring the intersection of art, media, and mechanical reproduction.
The Metropolitan Museum of Art is reportedly planning a major retrospective of the American artist Cy Twombly, scheduled for 2029. Evidence of the exhibition surfaced through a job posting for a researcher, which describes a comprehensive show featuring paintings, sculptures, and drawings that explore Twombly’s career across two continents and the influence of ancient myths and literature on his work. While the Met and the Cy Twombly Foundation have not yet officially confirmed the exhibition, the listing remains active on several professional platforms.
LG OLED has partnered with the Whanki Foundation to present "We Meet Again In New York" at Frieze New York, featuring digital reinterpretations of works by the late Korean abstractionist Kim Whanki. The presentation utilizes high-definition screens to showcase five of Kim’s iconic "all-over dot" paintings, animated by contemporary Korean multimedia artists including Je Baak and Mano Ahn. This digital showcase coincides with a physical exhibition of Kim’s work at the Korean Cultural Center New York, marking the artist's first major posthumous return to the city where he spent his final decade.
The 2026 Whitney Biennial marks a shift in contemporary art from literal messaging toward atmospheric 'mood.' This edition is characterized by an immersive aural landscape of drones and whispers, moving away from the overt identity politics of previous years in favor of a 'sincerity first' credo. Key works include Emilie Louise Gosslaux’s emotional tribute to her guide dog, Mo Costello’s community-focused binders, and Nour Mobarak’s intimate recordings of internal bodily sounds.
Zanele Muholi has been named the winner of the 2026 Hasselblad Award, widely considered the world’s most prestigious photography prize. The South African photographer and "visual activist" will receive approximately $218,000, a solo exhibition at the Hasselblad Center in Gothenburg opening in October 2026, and a dedicated publication. Muholi’s work is celebrated for its monumental grayscale portraiture that documents and honors the Black LGBTQIA+ community, challenging historical omissions and systemic oppression.
German sculptor Cosima von Bonin transformed the Loewe Fall/Winter 2026 runway at Paris Fashion Week into a whimsical maritime environment. The presentation featured her signature oversized plush sea creatures—including whales, clams, and crabs—alongside a new series of canine sculptures titled "The Beaux," which referenced her recent survey at Mudam Luxembourg.
Tracey Emin’s major retrospective, "A Second Life," has opened at Tate Modern, marking a significant milestone in the artist's career following her recovery from bladder cancer. The exhibition surveys her evolution from the provocative "Young British Artist" era—featuring iconic works like the 1998 installation 'My Bed' and her early quilted blankets—to her more recent, expressive oil paintings and bronze sculptures. The show specifically highlights her 1996 film 'How it feels,' positioning her early 1990s abortion as the central, transformative event of her life and artistic practice.
The Los Angeles art scene faced a moment of introspection during Frieze Week as logistical hurdles and rumors of New York gallery departures sparked debates about the city's long-term viability. Despite whispers of downsizing from major transplants and the 'quiet quitting' of spaces like Tanya Bonakdar and Sean Kelly, the week was defined by high-energy alternative events. Highlights included a massive group show curated by Barry McGee and Jeffrey Deitch in a defunct 99 Cent Only Store and the 'Away From Desk' micro-fair, which showcased the city's resilient underground and Chinatown-adjacent gallery circuit.
Conservators at the Isabella Stewart Gardner Museum have successfully identified the original 17th-century upholstery for a set of 14 chairs in the Dutch Room, the site of the infamous 1990 art heist. Using a combination of AI colorization software called Palette and the discovery of a single faded thread, the team determined that the chairs were originally vibrant red with pink stripes, rather than the fabric used in a 1970s restoration. This discovery is part of a comprehensive three-year project to restore the room to the founder's original vision.
The Art Institute of Chicago is considering a major expansion that could involve relocating or reshaping the historic Chicago Stock Exchange Trading Room. Located on the museum's east side, the 5,700-square-foot room is a preserved architectural landmark originally designed in the 1890s and saved from demolition in the 1970s. While no final decisions have been made, museum officials identified this area as having the highest potential for increasing gallery capacity to showcase more of the institution's permanent collection.
Unionized staff at the Guggenheim Museum staged a rally outside the institution during a VIP preview for artist Carol Bove, demanding a more robust second contract. Members of UAW Local 2110, including conservators, archivists, and educators, are protesting recent layoffs that cut 7% of the workforce and left remaining employees with unsustainable workloads. The union is currently negotiating for higher wages, lower healthcare benefit costs, and improved job security following a grievance filed against the museum in February 2025.
The Brooklyn Museum is preparing to investigate the restoration of Paul Gauguin’s relief panel, *Te Fare Amu*, which was recently gifted to the institution by the Henry and Rose Pearlman Foundation. The artwork features a crouching nude figure whose genitals were painted over with green pigment by the collector Henry Pearlman in 1954 to bypass U.S. Customs indecency laws. While a 2017 conservation assessment at the Art Institute of Chicago deemed the overpainting too risky to remove, Brooklyn Museum conservators plan to re-evaluate the piece when it arrives for exhibition this fall.
Artist Carol Bove has unveiled a hidden Joan Miró mural as part of her new retrospective at the Guggenheim Museum in New York. The 19-foot-long ceramic work, titled 'Alicia' (1965–67), was commissioned by Harry F. Guggenheim but has been concealed behind a false wall for over two decades because curators felt it clashed with other exhibitions. Bove integrated the masterpiece into her show by cutting a diamond-shaped aperture into the partition, allowing visitors a rare glimpse of the site-specific piece.
Salvador Dalí’s largest ever painting, a monumental 13-panel stage set created for the ballet "Bacchanale," is set to lead Bonhams’s fourth annual Surrealist sale in Paris on March 26. Measuring 65 by 100 feet, the work was originally commissioned for the Ballet Russes de Monte Carlo and features Dalí's signature paranoiac-critical imagery, including a central depiction of Mount Venus. The set, which premiered at the Metropolitan Opera in New York in 1939, is estimated to fetch between $236,000 and $350,000.
The Rijksmuseum in Amsterdam has officially authenticated a long-lost painting, 'Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. The painting had been dismissed by scholars in the 1960s and remained in a private collection for over six decades until the owner approached the museum for a technical analysis. Using advanced imaging and material studies similar to those used on 'The Night Watch', experts confirmed that the pigments, signature, and date align perfectly with Rembrandt’s early Amsterdam period.
Billionaire Ari Emanuel, whose company Endeavor recently acquired the Frieze art fairs, kicked off the VIP opening of Frieze Los Angeles by acquiring three works by 86-year-old Black quiltmaker Yvonne Wells. Emanuel entered the Santa Monica Airport venue ahead of the general VIP crowd, purchasing textile portraits of Michael Jackson, Marilyn Monroe, and Elvis Presley from New York gallery Fort Gansevoort. The transaction, facilitated by Emanuel's long-time advisor Jeffrey Deitch, set a high-energy tone for an opening day that saw brisk sales, including a $3.75 million Ed Ruscha painting at Gagosian.
Billionaire retail magnate and prominent art collector Les Wexner provided a closed-door deposition to the House Oversight Committee regarding his past relationship with Jeffrey Epstein. During the testimony, Wexner characterized himself as "naive, foolish, and gullible" for trusting the disgraced financier, whom he labeled a con man. While Wexner denied any knowledge of or involvement in Epstein’s criminal activities, Democratic lawmakers noted that the 88-year-old offered few new details and frequently cited a lack of memory regarding key events.
tino sehgal
Renowned performance artist Tino Sehgal has launched a major self-titled exhibition at the Museo de Arte de Zapopan (MAZ) in Guadalajara, Mexico. The show’s centerpiece is 'Andador 20 de Noviembre,' a site-specific adaptation of his acclaimed 2012 work 'These Associations.' Staged on a historic pedestrian thoroughfare, the performance involves a 'hive mind' of participants who transition from slow-motion movements to jogging and engaging the public with intimate personal vignettes, creating an immersive experience that blurs the line between audience and performer.
DePaul University has announced the permanent closure of the DePaul Art Museum (DPAM) in Chicago, effective June 30. The decision comes as the private university faces severe financial strain, including a $27.4 million budget deficit that has already led to significant staff layoffs. While the university plans to convene discussions on how the museum's building and its 4,000-object collection might serve future academic needs, the institution as a public-facing museum will cease operations following its final exhibitions in March.
The Brooklyn Academy of Music (BAM) is hosting a revival of the postmodern dance masterpiece "Set and Reset" as part of the ongoing Robert Rauschenberg Centenary celebrations. This landmark 1983 collaboration features choreography by Trisha Brown, a synth-driven score by Laurie Anderson, and extensive visual design by Rauschenberg, including a sculptural projection structure and silkscreened costumes. The program, titled "Dancing with Bob," also includes a rare performance of the 1977 work "Travelogue," a collaboration between Rauschenberg and Merce Cunningham that has not been staged by a professional company in over four decades.
trump arts impact
The Trump administration has initiated a sweeping overhaul of the American cultural landscape, marked by aggressive oversight of the Smithsonian Institution and the termination of numerous National Endowment for the Arts (NEA) grants. Key actions include the disbanding of the Institute of Museum and Library Services (IMLS), the removal of leadership at the National Portrait Gallery, and the implementation of content audits to remove references to Trump's impeachments and information regarding slavery from federal sites. These moves are part of a broader effort to eliminate Diversity, Equity, and Inclusion (DEI) initiatives and enforce 'American values' in cultural programming ahead of the nation's 250th anniversary.
michaelina wautier market appraisal
The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.
muzeu dst braga portugal jose teixeira
The city of Braga, Portugal, is set to welcome a new contemporary art institution, MUZEU—Thought & Contemporary Art dst, scheduled to open on April 25. Founded by José Teixeira, chairman of the engineering firm dstgroup, the museum will house a permanent collection of 1,500 works featuring international heavyweights like Pablo Picasso, Anselm Kiefer, and Nan Goldin alongside prominent Portuguese artists such as Paula Rego and Julião Sarmento.