Haroutiun Galentz: The Form of Colour
A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.
Deepen Your Creative Practice at Vermont Studio Center
The Vermont Studio Center is now accepting applications for its artist and writer residencies scheduled for the first half of 2027. The program, located in Johnson, Vermont, offers two- to four-week sessions that provide private studio space, lodging, and a structured schedule including resident presentations, open studios, and a Visiting Artist & Writer program. Applications for the January–June 2027 residencies are due by March 31, 2026.
Brian Eno and 200+ Artists Urge British Museum to “Stop Erasing Palestine”
Over 200 artists and cultural groups, led by musician Brian Eno, have published an open letter demanding the British Museum stop what they call the "erasure of Palestine." The letter accuses the museum of altering wall texts in its Middle East Galleries, such as replacing "Palestinian descent" with "Canaanite descent," following pressure from the pro-Israel group UK Lawyers for Israel. The signatories also criticize the institution's past ties to the Israeli embassy and sponsor BP, issuing demands for an expert review of labels and an apology for hosting an Israeli embassy gala.
A group of high-profile artists including Es Devlin, Brian Eno, Nan Goldin, and Grayson Perry are donating works for a London-based charity auction to support humanitarian aid in Palestine. Organized by Choose Love, Gideon Berger Studio, Hope 93 Gallery, and dealer Zayna Al-Saleh, the sale will benefit the Together For Palestine Fund. The auction features a diverse range of media, from Grayson Perry’s ceramics to Nan Goldin’s photography, and will be accompanied by a public exhibition at Hope 93 Gallery from March 26 to April 9.
Artist Joshua Abelow is selling the 100-year-old former Methodist church in Harris, New York, that housed his unconventional gallery Freddy from 2016 until last year. Listed at $649,000, the 3,500-square-foot building served as both Abelow's home and studio, hosting over three dozen exhibitions featuring artists such as Rafael Ferrer, Cheryl Donegan, Jörg Immendorff, and emerging talents. Abelow, who moved to Santa Fe with his family, hopes a creative buyer will continue using the space for cultural endeavors. He has since launched a new collaborative venue called Gene & Fred in Santa Fe with Keith J. Varadi's Gene's Dispensery.
A charity raffle organized by France's Fondation Recherche Alzheimer offers participants the chance to win a Pablo Picasso painting valued at €1 million ($1.2 million) for a €100 ticket. The work, a 1941 gouache on paper titled *Tête de femme*, will be drawn on April 14, 2026, at Christie’s Paris. The raffle is the third of its kind involving a Picasso to support charitable causes, following previous editions in 2013 and 2020 that each raised €5 million for different organizations. The initiative was spearheaded by French TV host Péri Cochin, with the support of the artist's late son Claude Picasso.
SCOPE Miami Beach 2024 features a playful, pop-culture-infused atmosphere with works ranging from a plane-crash installation by Brazilian artist Marcos Amaro at Andrea Rehder Gallery to a marble sculpture by Matthias Contzen at Callan Contemporary. British artist Lucy Sparrow presents a fully stocked fabric deli at Lawrence Alkin Gallery, while other highlights include beaded sculptures by Jan Huling at Duane Reed Gallery and thread paintings by Chris Roberts-Antieau at Heron Arts. The fair also showcases embroidered-style paintings by Joan Salo at Michele Mariaud and a hyperrealistic bust of Picasso by Jamie Salmon at Anthony Brunelli Fine Arts.
Purat 'Chang' Osathanugrah, a longtime art collector, has taken over the leadership of Dib Bangkok, Thailand's first international contemporary art museum, following the death of his father Petch Osathanugrah in 2023. The museum, housed in a repurposed 75,000-square-foot warehouse in Bangkok's Khlong Toei district, is set to open on December 21. In an interview with Artnet News, Osathanugrah discusses the transition from private collector to institutional steward, recent acquisitions including works by Peihang Benoit and Frederic Anderson, and the museum's mission to make art accessible to the public while honoring his father's legacy.
Abu Dhabi Art returns in 2025 with 142 galleries from 34 countries, introducing two new Focus sectors: Focus: Nigeria Spotlight and Focus: Modern Türkiye. The Nigeria section, curated by Tola Akerele, features seven galleries including kò, SOTO Gallery, and O’DA Gallery, showcasing artists like Samuel Nnorom, Bara Sketchbook, and Rufus Ogundele. Focus: Modern Türkiye, curated by Doris Benhalegua Karako, presents modern masters such as Fahrelnissa Zeid, Burhan Doğançay, and Gülsün Karamustafa through Istanbul-based galleries including DG Art Gallery and Projects, Art on Istanbul Gallery, and BüroSarıgedik.
Art Toronto, Canada's oldest and largest international fair for modern and contemporary art, opens to the public on Friday with a strong focus on Indigenous artists. Over half of the fair's 100-plus booths feature works by Indigenous makers from Canada, Australia, New Zealand, and Latin America. The fair includes a mix of Canadian, European, Latin American, and US galleries, with a dedicated 'Arte Sur' section highlighting Mexican and Central and South American art. Notable exhibitors include Ceremonial Art, Fazakas, Feheley Fine Arts, and N. Smith Gallery, showcasing works by artists such as Ningiukulu Teevee, Shuvinai Ashoona, Gerardo Ramírez, and Manuel Mathieu.
Artist Brian Donnelly, known as KAWS, won a $900,000 damages award from a U.S. District Court on May 2 against Dylan Joy An Leong Yi Zhi and two Singapore-based companies, the Penthouse Theory and the Penthouse Collective, for counterfeiting replicas of KAWS's signature "Companion" figure, toys, skateboards, and artworks. The court also ordered the defendants to stop producing the knockoffs, with KAWS's attorney Aaron Richard Golub calling it a significant international case that can now be enforced globally, including in Singapore.
The Contemporary Art Center (CAC) Vilnius has appointed artist Nikita Kadan and curator Natalia Sielewicz as curators of the 16th Baltic Triennial, scheduled for 2027. Kadan is a Kyiv-based artist, while Sielewicz is chief curator at Warsaw's Museum of Modern Art. The duo has proposed "grief and resurrection" as the triennial's theme, framing despair and mourning as spaces for careful listening and potential renewal.
The article previews the spring 2026 visual arts season in San Diego County, highlighting a diverse range of exhibitions and events. It announces the return of Art Gallery Month, a collaborative effort involving 11 local galleries aimed at boosting the visibility of the commercial gallery ecosystem and encouraging local art collecting. Key exhibitions featured include Ruben Ulises Rodriguez Montoya's first California solo museum show, 'In the Garden of Earthly Delights: I Bend to Paradise,' at the Institute of Contemporary Art, San Diego, and the La Jolla Historical Society's 'Space Maker,' which explores the intersection of art and architecture. The preview also notes Richard Allen Morris's work at R.B. Stevenson Gallery and lists numerous participating commercial galleries.
A Christie's auction in New York saw Jackson Pollock's "Number 7A" sell for approximately $181 million, contributing to a total of $1.1 billion in sales for the evening. The auction, covered by Vanity Fair and the New York Times, featured intense bidding between figures like Iwan Wirth and Alex Rotter, while names such as Jeff Bezos and Ken Griffin were speculated to be involved. Combined with sales from Sotheby's and Phillips, the week generated around $2.5 billion. Meanwhile, a separate controversy erupted in France over artist Claire Tabouret's new stained-glass windows for Notre-Dame Cathedral, with critics arguing they violate heritage protection laws. Additionally, the Fondation Beyeler faces allegations that a Cézanne watercolor in its current exhibition may be Nazi-looted art from the collection of Jewish paper wholesaler Gustav Schweitzer.
The Kunsthalle Wien has revived its recurring exhibition format "Lebt und arbeitet in Wien" (Lives and Works in Vienna) for the fifth time since 2000, presenting 56 artists selected from a pool of 700 local practitioners. Curated by Daniel Baumann, Monika Georgieva, and Michelle Cotton, the show spans two venues—the Museumsquartier and Karlsplatz—featuring works in painting, sculpture, installation, film, and video that reflect the city's diverse artistic landscape. The exhibition marks a return after a decade-long hiatus, filling gaps left since the previous edition under the curatorial collective WHW.
German painter Harald Metzkes has died at the age of 97 in Wegendorf, Brandenburg, surrounded by his family. His son, sculptor Robert Metzkes, confirmed the news to the German Press Agency. Metzkes, who grew up in East Germany, was a leading figure of the Berlin School of painting and resisted the official doctrine of socialist realism, instead creating a personal "world theatre" of harlequins, circus scenes, and theatrical figures inspired by Rembrandt, Velázquez, and Paul Cézanne. His best-known work includes "Der Abtransport der sechsarmigen Göttin." After training as a stonemason and studying at the Dresden Academy of Fine Arts, he worked as a freelance artist in Berlin, supporting himself with book illustrations. His work gained international attention when one of his paintings was sent to the Venice Biennale in 1984, and after the fall of the Berlin Wall he built connections with Western collectors.
Der großen Form beim Zerbrechen zuschauen
Marc Brandenburg, a Berlin-based artist born in 1965, is the subject of a comprehensive survey exhibition titled "20th Century Debris" at the Berlinische Galerie. The show presents his meticulous pencil drawings on paper, which invert light and dark and are viewed under blacklight to create ghostly, dissolving images. Brandenburg's works fragment urban spaces, faces, and everyday objects into shimmering, unstable forms, drawing on photography and photocopying to produce a sense of eerie stillness and motion. The exhibition also includes his first films, tracing his stylistic evolution from early 1990s fragmented portraits to large-scale panoramic works with metallic surfaces.
Valie Export, the pioneering Austrian media and performance artist, has died at age 85 in Vienna. Born Waltraud Lehner in Linz in 1940, she adopted the name Valie Export in the late 1960s, derived from a cigarette brand, and became internationally known for provocative works such as "Tapp- und Tastkino" (1968) and "Aktionshose: Genitalpanik." Her practice critically examined gender roles, power structures, and the representation of the female body through film, video, photography, and performance. She participated in major exhibitions including Documenta, the Centre Pompidou, and the Museum of Modern Art, and represented Austria at the Venice Biennale in 1980 alongside Maria Lassnig. She also taught as a professor of media and performance art in Berlin and Cologne, and the VALIE EXPORT Center opened in Linz in 2017.
The ninth edition of the "Various Others" festival in Munich brings together institutions, off-spaces, and galleries for a city-wide series of exhibitions in May. Highlights include Walter Storms Galerie presenting Anselm Reyle's first Munich solo show with Istanbul's Dirimart; Kraupa-Tuskany Zeidler collaborating with Rome's T293 to show Simon Denny's tech-critical works; Max Goelitz pairing Lukas Heerich and Rindon Johnson with Eva Hesse in dialogue with Hauser & Wirth; Lohaus Sominsky and Paris's Mennour featuring Ilit Azoulay and Alicja Kwade; and Rüdiger Schöttle hosting Milena Muzquiz and Elif Saydam. A new parcours exhibition, "Vectors," inspired by Jan Hoet's "Chambres d'Amis," places contemporary art in tech company offices across Munich.
The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.
Salon des Refusés 2.0
A group exhibition titled "we refuse_d" has opened at the Museum van Hedendaagse Kunst (M HKA) in Antwerp, bringing together 15 artists, many of whom faced cancellations or disinvitations from exhibitions following the October 7, 2023 attacks. The show, referencing the historic 1863 Salon des Refusés, aims to reclaim reputation and amplify marginalized voices, specifically focusing on Palestinian history and artists affected by the cultural fallout.
"Nachahmungen eines mittelmäßigen Teenagers auf Tranquilizern"
The Victoria & Albert Museum has reportedly censored exhibition catalogs following pressure from Chinese printing firms, removing images and maps related to sensitive topics like Tibet and Tiananmen Square. This editorial roundup also highlights artist Molly Crabapple’s sharp critique of generative AI as a massive intellectual property theft and a profile of Rirkrit Tiravanija’s communal home in Thailand, which functions as a social sculpture.
Was taugt die Mallorca-Ausgabe der Art Cologne?
The Art Cologne has launched a new satellite edition in Palma de Mallorca, returning to the island 19 years after a previous attempt failed. Held at the modern Palau de Congressos, the fair adopts a 'boutique' format designed to tap into the local market of wealthy European expatriates and second-home owners. Unlike the high-stakes environment of major fairs like Art Basel, this iteration features an innovative pricing model that allows smaller, younger galleries to showcase curated, riskier presentations at more affordable entry points.
"Hinter allen schönen Dingen liegt ein Leiden"
The art market is undergoing a profound structural transformation as a new generation of collectors shifts focus away from traditional blue-chip masters like Cy Twombly and Mark Rothko. These 'NextGen' buyers, socialized through the internet and Instagram, prioritize identity-building over status, favoring streetwear, digital art by figures like Refik Anadol, and music memorabilia over classical painting. Meanwhile, institutional shifts are occurring globally: Greece has introduced specific legislation to criminalize the production of art forgeries, and LACMA director Michael Govan is defending the $724 million Peter Zumthor-designed expansion as a necessary 'magnet' for attracting major donations.
Christine Ruiz-Picasso mit 97 gestorben
Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in the establishment of the Museo Picasso Málaga, has passed away at the age of 97 in her home in Provence. As the widow of Picasso’s eldest son, Paul, she was instrumental in fulfilling the artist's wish to have a dedicated museum in his birthplace. Alongside her son Bernard, she donated over 230 works to form the core of the institution's permanent collection.
The New Museum has unveiled "VENUS VICTORIA," a new public sculpture by British artist Sarah Lucas, inaugurating the museum's outdoor plaza at the junction of Bowery and Prince Street in downtown Manhattan. The sculpture, which features Lucas's signature Bunny figure seated atop a giant washing machine, was selected by an all-artist jury including Teresita Fernández, Joan Jonas, Julie Mehretu, Cindy Sherman, and Kiki Smith. It opens on May 12, 2026, and will remain on view for two years as the first of five commissions dedicated to public sculpture by women artists.
The Hayward Gallery in London, in partnership with the RC Foundation in Taiwan, has announced a new exhibition series for its HENI Project Space running from October 2025 to March 2027. The series features five solo exhibitions by artists Val Lee, Samuel Laurence Cunnane, Kulpreet Singh, Musquiqui Chihying, and Andrius Arutiunian, each exploring themes ranging from political violence and surveillance to climate change, ritual, and alternative cosmologies. The exhibitions are curated by a team including Yung Ma, Rachel Thomas, and others.
Four major art exhibitions are scheduled to conclude their London runs on Sunday, April 12, 2026. The closing shows include the high-profile 'Turner & Constable: Rivals and Originals' at Tate Britain, the 'Theatre Picasso' centenary celebration at Tate Modern, and the 'New Contemporaries' showcase of emerging talent at the South London Gallery.
Christie’s Paris has announced two major contemporary art auctions scheduled for late 2023, consisting of a live sale on December 6 and an online sale running from November 28 to December 8. The auctions feature over 200 lots with a combined global estimate of €8.5 million to €12.3 million, highlighted by two previously unseen paintings by Pierre Soulages and works by Jean Dubuffet and Georges Mathieu. A significant portion of the online sale is dedicated to "A Lifetime Collection," a prestigious private Parisian collection featuring works by David Hockney, Sol LeWitt, and Robert Combas.
This comprehensive guide highlights the 21 premier art institutions across Australia, ranging from major state museums to specialized private galleries. The selection features iconic venues such as the National Gallery of Australia in Canberra, which houses the world’s largest collection of Indigenous art, and David Walsh’s subversive Museum of Old and New Art (MONA) in Tasmania. The list serves as a roadmap for navigating the country's diverse artistic landscape, including contemporary Chinese art at White Rabbit Gallery and significant Aboriginal works at the Araluen Arts Centre.