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Makers of Ancient Egypt to be hailed in Cambridge exhibition

The Fitzwilliam Museum in Cambridge is opening an exhibition titled "Made in Ancient Egypt" that shifts focus from pharaohs and iconic treasures to the anonymous craftspeople who built and decorated the civilization's artifacts. Featuring loans from the British Museum, Berlin State Museums, and the Musée du Louvre, the show includes jewelry, ceramics, stonework, and personal items like ostraca—pottery shards used as notepads—that reveal the lives, skills, and even the days off of ancient makers. Curator Helen Strudwick highlights recent discoveries, including a handprint on a "soul house" and an unreadable signature on a shrine, emphasizing the human connection these objects provide.

FSU MoFA exhibition examines Indigenous relationships with water

Florida State University Museum of Fine Arts (MoFA) has opened "Water Ways: Indigenous Ecologies and Florida Heritage," an exhibition examining Indigenous relationships with water through historical artifacts and contemporary art. Curated by Elizabeth A. Cecil, the show features works by Harold García V (El Quinto), Samboleap Tol, and Wilson Bowers, alongside ancient cypress dugout canoes, ceramics, tools, and a mask from the New Orleans Museum of Art. The exhibition runs from September 18, 2025, to March 14, 2026, with accompanying events including artist talks, a symposium, and a book club.

Figge Art Museum marks 100 years with new exhibition

The Figge Art Museum in Davenport, Iowa, is celebrating its 100th anniversary with a new exhibition titled "100 Years of Collecting," opening September 13 and running through January 11, 2026. The show highlights major gifts and donations that have shaped the museum's collection, including American, Haitian, Spanish Colonial, and contemporary works, tracing back to founder Charles August Ficke's initial 334-piece donation in 1925.

Carbon Strata: Billings artist finds meaning in carbon and chaos in Yellowstone Art Museum exhibit

Billings artist Jon Lodge opened his solo exhibition "Carbon Strata" at the Yellowstone Art Museum (YAM) on September 5, 2025. The sprawling multimedia show fills one of the museum's largest galleries with works climbing walls, filling skylights, and spilling onto windows and outdoor spaces, exploring abstraction and the elemental concept of carbon as a unifying thread in life and matter. Lodge, an 80-year-old multimedia creator with a decades-long career, has a long history with YAM as a supporter, donor, and collaborator, including a solo show in 1999.

'Radical' female ceramicists share their stories at the Ackland Art Museum

On August 27, the Ackland Art Museum at the University of North Carolina hosted a panel titled "Artist Conversation: Radical Ceramicists in North Carolina," featuring three female ceramicists: Hitomi Shibata, Isys Hennigar, and Jessica Dupuis. The event was part of programming around the museum's exhibition "Radical Clay," which highlights work by female Japanese ceramicists. Panelists discussed the historical marginalization of women in ceramics—Shibata noted that in 1990s Japan, studios refused to hire women, while Hennigar explained that until the early 20th century in North Carolina, female artists were only allowed to be decorators, not master ceramicists. The conversation also explored how ceramic pieces reflect their geographic origins and the importance of local artistic communities, such as Seagrove, N.C., which has the largest community of potters in the U.S.

Northwest Village Network shows work of 30 area artists

Thirty local artists, primarily from Northwest Philadelphia and members of the Northwest Village Network (NVN), will hold an exhibition at the Center on the Hill in September. The show features collage, painting, drawing, mixed media, and photography, with participants ranging from seasoned professionals to newcomers. Artists include Ron Lieberman, a former New York Times illustrator; Sara Allen, who photographs her aging body; and Dr. Claire EB. Robinson, a retired OB/GYN turned photographer. The exhibition is hosted at the Presbyterian Church of Chestnut Hill, which houses the Center on the Hill, a program for active adults.

Contemporary Art Month in San Antonio Announces Open Call for Texas Artists

Contemporary Art Month (CAM) in San Antonio has announced the open call for its 40th anniversary CAM Perennial exhibition, inviting Texas artists to apply. The 2026 edition will be curated by Casie Lomeli and Leslie Moody Castro, both CAM Board Members, and will take place citywide at multiple artist-run spaces during March. The exhibition is not limited to local artists; past Perennial curators will also nominate artists from cities including El Paso, Dallas, Las Cruces, and Mexico City. Studio visits are planned for fall 2025, and the application deadline is September 26.

Polish artist's new Tartu exhibition explores inherent fragility of living organisms

Polish artist Paweł Matyszewski presents a new solo exhibition titled "Momentary Organisms" at Kogo Gallery in Tartu, Estonia, opening on August 15. The show explores the fragility and transformation inherent in all living organisms through exuberant, patchwork-like abstractions that merge plant and human body parts. The exhibition is part of a regional exchange program involving galleries in Turku, Riga, and Warsaw, curated by Šelda Puķīte, and will run until September 27.

‘A more complex picture’: Singapore marks 60th anniversary of independence from British rule with slew of cultural offerings

Singapore is celebrating its 60th anniversary of independence from British rule on 9 August with a series of cultural offerings under the banner SG60. National Gallery Singapore launched a signature exhibition, *Singapore Stories: Pathways and Detours in Art*, featuring over 400 works from the 19th century to the present, housed in the former supreme court and city hall buildings. The show, curated by Adele Tan, reduces colonial imagery and opens with John Turnbull Thomson's *The Esplanade from Scandal Point* (1951) to present a more complex, multicultural picture of Singapore's history.

4,000-year-old Ancient Egyptian handprint discovered by Cambridge museum

Researchers at the Fitzwilliam Museum in Cambridge, UK, have discovered a 4,000-year-old handprint on the base of an ancient Egyptian "soul house"—a clay model of a building used in burial rituals. The handprint was found during preparations for the museum's upcoming exhibition "Made in Ancient Egypt" (3 October–12 April 2026), when senior conservator Julie Dawson examined the object under different lighting. The soul house, excavated at Deir Rifa north of Luxor, dates to Egypt's First Intermediate Period or Middle Kingdom and was likely left by the artisan who moved it to dry before firing.

Ferris State alumni, faculty, and students recognized among leading regional artists in 2025 West Michigan Area Show

Ferris State University's Kendall College of Art and Design (KCAD) alumni, faculty, and students have been recognized in the 2025 West Michigan Area Show, a juried exhibition hosted by the Kalamazoo Institute of Arts. The 64th annual competition drew nearly 500 entries from 14 Michigan counties, with 64 selected for inclusion. Eleven pieces by artists with KCAD connections were featured, and three received distinguished awards from juror Hubert Massey, a Detroit-based artist and educator. Notable winners include Lee Ann Frame, who won the Ward H. and Cora E. Nay Director’s Purchase Prize and the Southwest Michigan Printmakers Excellence in Printmaking Award, and Tatsuki Hakoyama, who received The Martin Maddox Prize for Imaginative Realism. Other participants include professor emeritus Jay Constantine, alumni Beth Purdy and Jackson Wrede, and students Sydney Donath and Kaylee Dirkmaat.

Friendship Along the Border: Art Galleries Collaborate in Presidio

Two art galleries, Galería Raíces and The Dreamers Gallery, have opened in the small border town of Presidio, Texas, and are collaborating rather than competing. Galería Raíces, owned by Yosdy Valdivia, opened in October 2024 in a building that once housed a clothing store run by the late Olivia Rohana de Spencer, a self-taught painter whose work was featured in the inaugural show. The Dreamers Gallery, owned by Adèle Jancovici, opened nearby. The galleries participate in a community event called Nocturnal Animals, which encourages residents to visit both spaces, located just two blocks apart.

Science inspired art on display at White City

Eight artworks created live during the Great Exhibition Road Festival, as part of the annual science-art project Paint Lab, will go on display at Imperial College London's White City campus from July 16 to September 18. The large-scale paintings were produced by local London artists collaborating with Imperial scientists, drawing inspiration from research topics such as space weather prediction, plant self-preservation, early Parkinson's detection, and human connection during cancer treatment. The festival, organized by Imperial in partnership with the Science Museum, Natural History Museum, and V&A, attracted 55,000 visitors.

Shellburne Thurber: Full Circle

Shellburne Thurber's retrospective exhibition "Full Circle" runs from October 24, 2025 to March 21, 2026 at the Bates Museum of Art. The show surveys Thurber's decades-long photographic investigation of interior spaces—from her grandmother's home in southern Indiana in the 1970s to psychoanalytic offices published as a book in 2023 by Kehrer Verlag. Curated by Bates curator Samantha Sigmon, the exhibition traces how Thurber has consistently explored the relationship between constructed space and human energy, focusing on private, domestic, and psychological interiors that blur the line between public and private.

The Space Between: Denja Harris Brings Innovative Fiber Art to Oceanside Museum

Denja Harris, an innovative fiber artist, is bringing a new exhibition titled "The Space Between" to the Oceanside Museum of Art. The show features her intricate textile works that explore themes of connection, identity, and the physical and emotional spaces between people and places. Harris uses traditional fiber techniques like weaving and knotting, often incorporating unconventional materials to create layered, sculptural pieces that challenge the boundaries of the medium.

Painting of St. Rose of Lima is part of Walters Art Museum exhibition

The Walters Art Museum in Baltimore has unveiled a new permanent installation of Latin American art, featuring a rare 18th-century painting titled "The Allegory of St. Rosa of Peru" by an anonymous artist from the Cuzco School. The oil-on-canvas depicts St. Rose of Lima, the first canonized saint from the New World, emerging from a giant rose alongside an allegorical female figure representing the Americas and a stylized Inca ruler. The artwork, dated between 1730 and 1760, is a rare survivor of colonial-era paintings that were often destroyed after the Tupac Amaru uprising.

Cincinnati Art Museum to open new East Asian inspired exhibit

The Cincinnati Art Museum will open a new exhibition titled "Rediscovered Treasures" this fall, featuring approximately 60 East Asian masterpieces from its own collections, including Japanese armor, Chinese scrolls, Korean lacquer, a Japanese bronze "magic mirror," a Qing dynasty portrait of Lady Nian, and a Meiji period sumo wrestler's embroidered apron. The exhibition runs from September 19, 2025 to January 18, 2026, and is organized into three thematic sections: Rediscovery, New Identities, and Conservation. Admission is free.

Little Gallery Emerging Artist Program 2026

The Devonport Regional Gallery in Tasmania has announced that submissions are now open for the Little Gallery Emerging Artist Program 2026, a initiative supporting early-career artists from across the state. Selected artists will present solo or small group exhibitions in The Little Gallery, with all media forms welcome, and applications close on 25 August 2025. The program is named after arts advocate Jean Thomas, who founded the first public gallery on Tasmania's north-west coast in 1966.

Fort Worth’s Como public art project showcased at international exhibition

A public art installation from Fort Worth, Texas, titled "Do Something Good For Your Neighbor," has been selected for display at the 19th International Architecture Exhibition — La Biennale di Venezia in Venice, Italy. The weathered steel pavilion, located on Lake Como in Fort Worth's historic Como neighborhood, was designed by Matt Niebuhr and David Dahlquist of the Art Studio at RDG Planning & Design. Built in 2021 and owned by Fort Worth Public Art, it is one of 54 projects featured in the exhibition "PORCH: An Architecture of Generosity," commissioned by the U.S. State Department and organized by the Fay Jones School of Architecture and Design at the University of Arkansas, in partnership with DesignConnects and the Crystal Bridges Museum of American Art. The installation honors community leaders William H. Wilburn, Sr. and Amon G. Carter Sr., and features custom carved benches with phrases from a historic local newspaper.

Alison Mustokoff: Breaking Boundaries in Art

Alison Mustokoff, a feminist artist and former teacher, opened The Jane Gallery in Philadelphia's Old City in October 2024. The gallery is dedicated exclusively to showcasing women, nonbinary, and queer artists, offering exhibitions, performances, workshops, artist talks, and community events. Mustokoff, who moved from New York to Philadelphia 16 years ago, cites the statistic that only 17% of artists in museums are women as a driving force behind her mission to support and celebrate underrepresented voices in the visual arts.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

Chirp Chat: Exploring what birds can teach us about ourselves through art

Hattie Grimm, artist-in-residence at the Charles Allis Art Museum in Milwaukee, has created a new exhibition titled "BIRD BODY" featuring 20 original wooden paintings and sculptures. Inspired by her personal relationship with birds formed during a difficult time, the works explore birds as symbols of freedom, intuition, and bodily wisdom. The exhibit includes interactive elements such as drawing activities and storytelling stations, encouraging visitors to reflect on their own connections to birds and their bodies.

metropolitan museum of art's new rockefeller wing to open this weekend with public party

The Metropolitan Museum of Art will reopen its Michael C. Rockefeller Wing on May 31, 2025, after a four-year renovation led by Kulapat Yantrasast and WHY Architecture. The redesigned wing houses the museum's collections of Arts of Africa, Oceania, and the Ancient Americas in distinct galleries with improved sight-lines, filtered daylight, and a more navigable layout. A day-long public festival featuring a ribbon-cutting, live performances, workshops, artist talks, and food will celebrate the opening.

Artists accuse Whitney Museum of censorship for cancelling pro-Palestine performance

The Whitney Museum of American Art has been accused of censorship by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi after canceling their performance titled *No Aesthetics Outside my Freedom: Mourning, Militancy and Performance*, scheduled for May 14 as part of the exhibition *A Grammar of Attention*. The museum cited the work's "exclusionary and inflammatory" content, referencing a prior iteration where Tbakhi called for those who believe in Israel or America to leave the audience and valorized specific acts of violence. The artists argue the cancellation is an act of anti-Palestinian censorship, while the museum claims the decision was necessary to uphold its policies. In response, Sara Nadal-Melsió, associate director of the Whitney Independent Study Program (ISP), canceled a related critical studies symposium, and the ISP cohort alleged the museum surveilled and intervened in their work.

Feeling Lost? Tackle Life’s Biggest Questions Inside Oracle, Denver’s New Introspective Art Exhibit.

Oracle, a new experiential art exhibit curated by Esther Hernandez, opened on May 9 at Union Hall Art Space in Denver. The 1,700-square-foot gallery invites visitors to wear blindfolds and be guided by volunteers to 16 works by six local female artists—Yazz Atmore, Faatma Be Oné, Linda Bishara, Rebecca Peebles, Sarah Tenney, and Harriet Woodman—before removing the blindfold to reflect on pieces that resonate with their personal questions. The exhibit includes interactive works, such as a ceremonial weighted blanket and a mixed-media altar, and runs through August 23.

Tariqa Waters' 'Venus is Missing' at the Seattle Art Museum Tasks Visitors With a Galactic Mission

Tariqa Waters' immersive installation 'Venus is Missing' has opened at the Seattle Art Museum, running through January 5, 2026. The exhibition, which won Waters the museum's Betty Bowen Award in 2023, invites visitors to 'beam' into a futuristic cosmic world via a transporter beam of light. The gallery features a pink retro-futuristic spaceship, an 8-foot-tall ball-barrette sculpture, and a vinyl image of Waters' daughter, all set to staticky music blending Herbie Hancock and Luther Vandross. The installation draws from science fiction, music, and Waters' childhood memories, exploring themes of vulnerability and connection through her signature humor and pop art sensibility.

A pink rocket ship and other sci-fi elements fuel Seattle artist’s latest exhibit

Seattle artist Tariqa Waters presents her first solo exhibition with sci-fi elements, titled "Venus is Missing," at the Seattle Art Museum from May 7, 2025 through January 5, 2026. The show features a retro-futuristic pink rocket ship and oversized glass sculptures of ball barrettes—elastic hair ties from the 1970s and '80s—arranged as constellations. Waters won the Betty Bowen Award in 2023, which led to this exhibition, and she used the extra preparation time to create an immersive narrative about vulnerability, nostalgia, and escape. The exhibition also connects to her upcoming book "WHO RAISED YOU? A Martyr Sauce Guide To Etiquette," published by Minor Matters Books.

Joseph Gargasz Art Exhibition at the Eulalia Building in Monroe Saturday

Local artist Joseph Gargasz will hold an art exhibition titled "A Familiar Place" at the Eulalia Building in Monroe on Saturday, May 3, 2025, from 6 to 9 p.m. The show features over 30 original oil paintings and drawings, all available for purchase. Gargasz, a Lorain, Ohio native with a BFA from the Columbus College of Art and Design, has studied in Japan and participated in international stone carving symposia. His work has been exhibited in China, Germany, and Japan, and is held in collections including the City of Hillsborough, North Carolina, and the Michael C. Carlos Museum at Emory University, where he currently serves as Director of Exhibition Design.

Above & Beyond, Wisconsin folk artist will explore Mexican immigrant experience in next cultural exhibit

Above & Beyond Children's Museum (ABCM) in Sheboygan, Wisconsin, will host a listening session on May 4, 2025, as it prepares the second iteration of its Culture Exchange Exhibit, this time focusing on the Mexican immigrant experience. The museum is partnering with Gabriela Marván, a Mexican artist from Viroqua and co-founder of the Mexican Folk Art Collective, who specializes in cartonería (paper sculpture). Marván will create monumental alebrijes, an ofrenda altar, and papel picado for the exhibit, which will be installed in November. The project also includes workshops, Aztec dance, bilingual story times, and loteria games, aiming to engage visitors in Mexican folk traditions over several years.

Holy ground: why Persian carpets played an important symbolic role in the funeral of Pope Francis

Persian carpets from northwest Iran were used in the funeral proceedings of Pope Francis, placed beneath his casket in St. Peter's Basilica and later in St. Peter's Square. The article traces this tradition back over 600 years, explaining how carpets from Islamic lands—first Anatolia, then Iran, Egypt, and the Levant—were depicted in Renaissance religious paintings as markers of sacred space, appearing at the feet of the Virgin Mary and other holy figures.