The Toledo Museum of Art will host a major exhibition titled 'Cursed! The Power of Magic in the Ancient World' from March 21 to July 5. The show features 75 objects spanning two millennia, including Egyptian artwork, Mesopotamian sculptures, and Greek and Roman relics, exploring themes like protective magic, communication with gods, and magic in daily life.
The Marion Art Gallery at Fredonia is presenting "Children of Grass: A Portrait of American Poetry," an exhibition featuring 50 photographic portraits and one video of prominent American poets by photographer B.A. Van Sise. Each portrait visually interprets a poem by its subject, creating a collaborative image. The exhibition runs from February 24 to April 15, with related events including a lecture by Van Sise and a poetry reading by former U.S. Poet Laureate Joy Harjo.
The Hasakah Museum in Syria, a completed but never-opened archaeological museum, is finally being prepared to open to the public after being occupied by military forces for over a decade. The building, constructed in 2002, was seized by the Assad regime's military in 2011 and used as a base and weapons depot, becoming part of a fortified security zone in the city center until the regime's forces withdrew in December 2024.
A federal judge ruled on December 3 that all grants from the Institute of Museum and Library Services (IMLS) must be reinstated, offering relief to museum directors like Scott Stulen of the Seattle Art Museum, which lost $300,000–$400,000 in annual federal funding in 2025. The American Alliance of Museums (AAM) survey of 511 directors found that over half reported fewer visitors than in 2019, with 29% citing declines tied to weakened travel and economic uncertainty. However, some museums like the Toledo Museum of Art and the Art Institute of Chicago have seen local attendance rise, offsetting losses in international tourism.
The Cleveland History Center has opened a new exhibition honoring local Tuskegee Airmen, featuring hand-drawn portraits by students from the Cleveland School of the Arts. The exhibition, part of the Cleveland Heroes Project, is displayed at the Crawford Auto-Aviation Museum and runs through April 30. It highlights airmen with Northeast Ohio roots, including 2nd Lt. Gilbert Cargill, Capt. Erwin Bernard Lawrence Jr., and Cpl. Howard Arthur Tibbs.
The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects across the United States, marking the first grants since the Trump administration dismissed most members of the National Council on the Humanities. Major recipients include the University of Texas at Austin and the Foundation for Excellence in Higher Education, each receiving $10 million for programs focused on civics, strategy, and "Great Books." Other notable grants include $2.2 million for Philadelphia's Museum of the American Revolution and $2 million for Grand Central Atelier, a small art school in Queens that teaches classical realist techniques.
The French government agency Centre national des arts plastiques (CNAP), established in 1982 to support living artists and collect their work, has come under scrutiny following two opposing government reports. A July white paper by Martin Bethenod recommended refocusing CNAP's acquisitions on France-based artists and galleries, while a November report from the Cour des Comptes by Julien Aubert found the agency financially fragile and redundant, noting that 24,472 works—one quarter of its collection—have never been exhibited. Aubert recommended closing the CNAP by 2030, sparking backlash from over 1,000 art professionals who signed an open letter criticizing the ideological attack on public cultural service.
The American Folk Art Museum in New York is presenting "An Ecology of Quilts: The Natural History of American Textiles," an exhibition of 30 quilts from its collection of over 600 pieces. Co-curators Austin Losada and Emelie Gevalt highlight the materials and labor behind the quilts, including indigo dye and cotton, while featuring works by Malissia Pettway of Gee's Bend and Japanese artist Tomie Nagano, the only living artist in the show.
Staff at the Louvre Museum in Paris voted unanimously to strike, with rolling walkouts set to begin on December 15. The unions, representing around 200 employees, filed a strike notice with the French culture ministry, citing insufficient staff, technical failures, and the building's aging condition. They also criticized the museum's director, Laurence des Cars, for a top-down management system that ignores staff alerts. The strike follows a series of incidents, including the theft of the French crown jewels in October, a forced closure of the Campana Gallery due to structural issues, and a water leak that damaged hundreds of books in the Egyptian antiquities library.
Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.
Sasha Fishman '24, an alum and adjunct assistant professor at Columbia, presents her solo exhibition 'Shad Mode' at ILY2 Gallery in Portland, Oregon. The show, which culminates her summer residency at ILY2, features sculptures made from materials like egg yolk-tanned sturgeon skin, ceramics, and lamprey teeth, exploring the relationships between fish, their ecosystems, and human intervention. Works such as 'Immortal by Wifi' and 'Each Time You Bathe Me' blend natural and synthetic elements, while a fish cannon encircles the gallery to highlight modern technologies used to transport fish over dams.
The Maui Arts & Cultural Center will present "Satoru Abe: Reaching for the Sun," a retrospective exhibition showcasing over seven decades of work by the late Hawaiʻi-based artist Satoru Abe (1926–2025). Running from September 16 to November 22, 2025, at the Schaefer International Gallery, the show features more than 70 paintings, sculptures, and works on paper drawn from the Honolulu Museum of Art’s permanent collection and private lenders. Co-curated by HoMA curators Katherine Love and Alejandra Rojas Silva, the exhibition traces Abe’s evolution from figurative works in the 1950s through abstract explorations of natural forms, marking his first solo exhibition on Maui.
Spouses of Pacific Islands Forum (PIF) leaders visited the National Art Gallery in Honiara on Monday as part of the official program for the 54th Pacific Islands Forum Leaders Meeting. Hosted by Madam Jocelyn Manele, spouse of the Solomon Islands Prime Minister, the delegation toured exhibitions featuring shell money, wood carving, and lava-lava textiles, and engaged with local artisans demonstrating traditional crafts. Acting Curator Julie Fakaia noted that the exhibition showcased gallery collections and live demonstrations, including shell money making and weaving from Rennell and Bellona. The spouses also purchased handmade items from the Solomon Islands Artisans, with traditional gifts exchanged during the visit.
Anti-Zionist Jewish artists in Chicago, led by Gabriel Chalfin-Piney-González, founded the Jewish Museum of Chicago in 2023 as a decentralized cultural center without a permanent physical space. The initiative emerged from frustration with the lack of a Jewish museum in the city and a desire to create a welcoming community for anti-Zionist Jews, especially galvanized by the war in Gaza. The museum has since hosted over a dozen exhibitions and events, including a Liberation Seder and an artists collective, and is planning a brick-and-mortar space.
US museums, including the Metropolitan Museum of Art, are lobbying against a bipartisan bill that would strengthen the ability of Holocaust survivors and their families to reclaim Nazi-looted art. The Association of Art Museum Directors (AAMD) paid $8,000 to oppose the bill, which eliminates technical legal defenses such as statutes of limitation and laches that museums have used to dismiss claims. New York Mayor Eric Adams and the World Jewish Restitution Organisation have publicly urged museums to drop their opposition, arguing that the stance contradicts the values of justice and accountability.
Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry to the British Museum, citing warnings from textile restorers that moving the 1,000-year-old embroidered linen could cause irreparable damage. The petition, launched by art historian Didier Rykner, opposes the planned exhibition in London from September 2026 to July 2027, which coincides with the closure of the Bayeux Tapestry Museum in Normandy for renovations. The loan was announced in July by French President Emmanuel Macron and British Prime Minister Keir Starmer. Prominent French cultural figures, including former museum director Isabelle Attard, have voiced strong concerns, and Rykner hopes to ally with British opponents of the exchange, which would also send Anglo-Saxon and Medieval treasures from the British Museum to France.
Shellburne Thurber's retrospective exhibition "Full Circle" runs from October 24, 2025 to March 21, 2026 at the Bates Museum of Art. The show surveys Thurber's decades-long photographic investigation of interior spaces—from her grandmother's home in southern Indiana in the 1970s to psychoanalytic offices published as a book in 2023 by Kehrer Verlag. Curated by Bates curator Samantha Sigmon, the exhibition traces how Thurber has consistently explored the relationship between constructed space and human energy, focusing on private, domestic, and psychological interiors that blur the line between public and private.
A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.
A two-year conservation project by the National Trust has uncovered significant compositional changes in Jacopo Tintoretto's painting *The Wise and Foolish Virgins* (around 1546), which returns to public display at Upton House in Warwickshire, UK on 28 April. X-ray imaging revealed a hidden stone balcony beneath the final architectural setting, matching a balcony in a related version at the Museum Boijmans Van Beuningen in Rotterdam. Infrared scanning and paint analysis also showed that Tintoretto removed criss-cross elements and a balcony section, replacing them with a servant laying a table, while previous restorers had misinterpreted these pentimenti as part of the intended composition.
Warum fürchtet sich die Gegenwartskunst vor der Gegenwart?
The article critiques the 2024 Whitney Biennial, which emphasizes themes of compassion, vulnerability, and community. It argues that the exhibition feels like a capitulation to reality, failing to confront the rise of contemporary fascism and the political urgency of the present moment.
Museumsbau Berlin Modern verzögert sich bis 2030
The completion of Berlin Modern, a major new museum in Berlin, has been delayed again until 2030 due to moisture damage and microbial infestation found in parts of the raw structure. The Stiftung Preußischer Kulturbesitz (SPK) announced an estimated eight-month postponement, though no construction stop was required. The museum, designed by Herzog & de Meuron, is being built near Potsdamer Platz to expand the Neue Nationalgalerie's exhibition space. Costs have risen from an initial €200 million to a projected €507 million.
Condamné par le franquisme, un écrivain réhabilité par le Congrès espagnol
The Spanish Congress has officially rehabilitated Cipriano Salvador (1894-1975), a Republican intellectual wrongly accused by the Franco regime of stealing a Renaissance painting he actually saved. During the Spanish Civil War, Salvador hid Fernando Yáñez's "La Santa Generación" (c. 1525-1532) from destruction. After Franco's victory, a priest sold the work to the Prado Museum for 15,000 pesetas, while Salvador was arrested, sentenced to death (later commuted to 30 years), and spent seven years in prison. He died in 1975 without exoneration. The rehabilitation motion passed with 32 votes in favor, 3 against, and 1 abstention, with only far-right party Vox opposing.
This issue of Le Journal des Arts (No. 676, May 2, 2026) covers a range of visual art news: the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling back the Bourges 2028 project, the opening of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.
The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.
The Metropolitan Museum of Art in New York is hosting the first-ever exhibition dedicated to Raphael in the United States, running until June 28. The show brings together over 200 works by the celebrated Renaissance master, including the enigmatic portrait *La Dame à la licorne* (1505–1506), which exemplifies Raphael's signature qualities of grace, light, and harmony.
The Museum of Contemporary Art, Los Angeles (MOCA) is presenting a major exhibition dedicated to the work of conceptual artist Michael Asher. The show focuses on his site-specific interventions that critically examined the social, economic, and institutional frameworks of the spaces he engaged with.
Photographer and storyteller Giles Duley has opened a two-week exhibition titled “Distortion / Memory / Resilience” at Sutton Tower on the Upper East Side of New York. The show features his powerful images documenting life during war, alongside artistic touches such as wooden school desks filled with artwork by Ukrainian children. Duley, who lost two legs and one arm after an I.E.D. injury in Afghanistan in 2011, continues to work actively in war zones including Sudan, Afghanistan, and Ukraine. Proceeds from the exhibition support his NGO, the Legacy of War Foundation, which has raised over $4 million since 2017 to help communities rebuild after conflict.
The Maison Européenne de la Photographie (MEP) in Paris is presenting a special exhibition titled "La photographie en toutes lettres" from June 10 to September 13, 2026, celebrating the bicentennial of photography. The show brings together 35 artists, including Nan Goldin, Ralph Gibson, Martin Parr, Sophie Calle, and Frank Horvat, organizing works alphabetically around key words to explore the medium's history, evolution, and thematic diversity.
This article is a promotional piece for the DW English program 'Arts Unveiled,' highlighting several upcoming segments. It announces the start of the 61st Venice Biennale, the world's largest art exhibition, and poses questions about its standout features and art's role in times of crisis. Other segments explore the American Dream as a nightmare on the 250th anniversary of US independence, and feature Indigenous artist Britta Marakatt-Labba, who creates embroidered polar landscapes reflecting Sámi culture.
The Hall Art Foundation is reopening its Vermont campus for the 2026 season with three major exhibitions running through November 29. The centerpiece, "A Farewell to the Western World," is a group show of roughly 70 works exploring global power shifts and political instability, featuring artists such as Ai Weiwei, Aleksandra Mir, and Philip Guston. Also on view are Christian Marclay's video installation "Made To Be Destroyed," which compiles film scenes of artworks being damaged or destroyed, and Piotr Uklański's photographic installation "The Nazis," examining how film and popular culture have shaped representations of the Third Reich. The campus, set on a former dairy farm in Reading, includes converted gallery buildings and outdoor sculptures by Olafur Eliasson, Antony Gormley, Richard Long, and Marc Quinn.