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‘The Bed Trick’ by Izabella Scott, Reviewed

Izabella Scott's book *The Bed Trick* examines a British rape case in which Gayle Newland was convicted for pretending to be a man named Kai during a two-year relationship with a woman identified as Miss X. Drawing on court transcripts, Scott explores the legal concept of 'fraud vitiates consent' and traces the historical bed-trick trope from medieval folktales to *The Rocky Horror Picture Show*, questioning how much deception invalidates sexual consent.

Five Artists on Representing India at the 61st Venice Biennale

India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.

After The Complex: The Dublin Art Scene

The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.

The other side of the art world

Isabel Adair recounts her visits to commercial art galleries in London and Cambridge, describing the experience of viewing Eva Pade's exhibition at Galerie Thaddeus Ropac in Mayfair and the abstract works at Byard Art near King's College. She highlights the contrast between the polished, elite atmosphere of a high-end Mayfair gallery and the more accessible, profit-driven local gallery, while noting the freedom and openness of these spaces to the public.

Collectors' collective: Private art enthusiasts work together to bring world-renowned artists to Daejeon

Fourteen Korean collectors have formed a collective called Arche II to jointly acquire and display works by world-renowned artists in Daejeon, a city 140 km from Seoul. Their exhibition "Tracing the Unfinished" at the multidisciplinary complex Heredium features 30 works, including 14 jointly owned pieces, by artists such as Le Corbusier, Robert Longo, Olafur Eliasson, David Hockney, Yang Hae-gue, Anicka Yi, and Choi Byung-so. The group, founded in 2017 by business leaders including a radiologist and a former prosecutor, contributes a fixed annual budget to purchase three to five works at major art fairs, focusing on emerging artists rather than established names.

Ayotunde Ojo Maps Interiority Under the Public Gaze

The article, a critic's guide review by Andrew Durbin, contrasts the US national pavilion presentation at an unspecified biennial with those of Britain and Germany. The US presentation is described as vacuous and lacking in meaning, while the British and German installations are praised for being incisive and moving. The review critically examines the thematic and conceptual approaches of each national pavilion, highlighting a disparity in artistic depth and engagement.

Next Episode of Art21’s Art in the Twenty-First Century to Premiere in June

Art21 has announced the premiere of "Human Nature," the next episode of its documentary series *Art in the Twenty-First Century*, set to air on PBS on June 10, 2026. The episode features artists Lenka Clayton, Josh Kline, Delcy Morelos, and Sin Wai Kin, and explores themes of humanity's impact on the environment, social and economic systems, and interpersonal relationships. Directed by Ian Forster and produced by Andrea Chung, the episode will also be available on Art21.org, YouTube, and PBS Digital Platforms, with an advance screening on May 28 at the SAG-AFTRA Foundation Robin Williams Center in Manhattan.

Fall 2025 Festival Season

Art21 successfully concluded its Fall 2025 festival season, with its films being screened at multiple international festivals including Artecinema in Italy, Bushwick Film Festival in New York, and others in Massachusetts, New Mexico, and North Carolina. The organization also participated as a sponsor and panelist at DOC NYC, and several of its recent films featuring artists like Sophie Calle, Dyani White Hawk, and Guadalupe Maravilla received recognition.

photojournalist wins world press photo award for image of gazan boy mutilatated by israeli airstrike

Palestinian photojournalist Samar Abu Elouf has won the 2025 World Press Photo award for her image of Mahmoud Ajjour, a 9-year-old Gazan boy whose arms were mutilated by an Israeli airstrike. The photo, taken for the New York Times, was honored at a ceremony in Amsterdam. Abu Elouf, herself from Gaza and now living in Qatar, captured the boy in a shaft of sunlight that gives the image the quality of a classical bust. The award, now in its 70th year, drew nearly 60,000 entries from 4,000 photographers across 141 countries.

dalmore artist on artist panel san francisco

The Dalmore whisky distillery hosted a private panel discussion in San Francisco, featuring architect Ben Dobbin of Foster + Partners and artist Sarah Meyohas, moderated by CULTURED Executive Editor Mara Veitch. The event, held at Studio at Mission Rock, brought together local gallerists, designers, and art enthusiasts to explore the intersection of fine art, architecture, and commercial practice. Dobbin was recently selected for the third iteration of The Dalmore's Luminary series, collaborating with master distillers to create limited edition whiskies housed in his custom bronze sculpture and bespoke case.

Newport Art Museum hosts artist panel tied to ‘Springboard’ exhibition April 16

The Newport Art Museum is set to host "Voices of Springboard" on April 16, a moderated panel discussion featuring four artists from its current members' juried exhibition. Led by juror and art consultant Julie Keyes, the event features artists Karin Gielen, Tas Mahr, Saberah S. Malik, and Janice Smyth. The discussion will explore the transition from emerging to professional status, the impact of branding on artistic careers, and how contemporary practices engage with historical museum collections.

Smithsonian’s governing body quietly losing members

The Smithsonian Institution's Board of Regents is shrinking, with two members' terms expiring in March and no replacements announced. A third regent's term expires next week, with three more set to end in the autumn, and there are no concrete plans to fill these vacancies. The delay stems from a requirement for both Congress and the President to approve new members.

philadelphia museum of art rebrands philadelphia art museum

The Philadelphia Museum of Art has rebranded itself as the Philadelphia Art Museum, a change announced on Wednesday. The museum worked with branding studio Gretel, known for clients like the Museum of Modern Art and Crystal Bridges Museum, to develop a new name, logo, custom typography, website, and visual identity. Director and CEO Sasha Suda stated the rebrand aims to place Philadelphia front and center and make the institution more collaborative and future-focused.

Raphael: Sublime Poetry

This article announces the first comprehensive U.S. exhibition on Raphael, titled "Raphael: Sublime Poetry," which offers an immersive look at the artist's meteoric career through drawings, paintings, prints, and tapestries. It traces Raphael's journey from his birth in Urbino in 1483, through his training under his poet-painter father Giovanni Santi and later Pietro Perugino, to his rise as a peer to Leonardo and Michelangelo in Florence and his final decade as the favorite artist of the popes in Rome, where he was celebrated as the "prince of painters."

Frist Art Museum to Present ANILA QUAYYUM AGHA: INTERWOVEN Starting May 2026

The Frist Art Museum in Nashville has announced the upcoming exhibition "Anila Quayyum Agha: Interwoven," scheduled to run from May 22 through August 30, 2026. This career-spanning survey features two decades of the Pakistani American artist's work, including her signature immersive light installations, drawings, and sculptures. The exhibition highlights major pieces such as "All the Flowers Are for Me (Red)" and the poignant installation "A Flood of Tears (Gathering Storms)," which reflects on the catastrophic 2010 Pakistan floods.

Phoenix Airport Museum Celebrates Museum Month

Phoenix Sky Harbor International Airport is celebrating Museum Month and International Museum Day (May 18) by highlighting the Phoenix Airport Museum's exhibitions. The museum, which began as an art program in the 1960s with Paul Coze's mural "The Phoenix" and officially became a museum 38 years ago, has presented over 500 exhibitions focusing on Arizona's culture. It now houses more than 1,000 artworks across 40 display areas, including architecturally integrated pieces and portable works. Current exhibitions include "Spectral Alchemy" (15 local artists exploring light), "Fluoresce" (blacklight paintings), "Time & Place" (paintings by Martin Dimitrov), "Runway Fashion" (vintage flight attendant uniforms), and several others in Terminals 3 and 4, both pre- and post-security.

Tell Me About Love…

Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.

Old toys, new life: Bloomingdale’s Step Mother Nature art gallery opens 'Child's Play'

Michael Greathouse's exhibition "Child's Play" opened at the Step Mother Nature gallery in Bloomingdale, featuring a dozen portraits of discarded stuffed animals. The show marks the gallery's third season reopening and is paired with a toy drive for the Saranac Lake Holiday Helpers, a local volunteer group that collects toys for children at Christmas. Greathouse's paintings depict battle-worn toys with scars, ripped fabric, and chipped paint, aiming to capture the history and soul of each object.

Monet Paintings Hidden for 100 Years Resurface at an Auction in Paris

Two paintings by Claude Monet, hidden from public view for over a century, have resurfaced and been sold at Sotheby’s Paris. The works—*Les Îles de Port-Villez* (1883) and *Vétheuil, effet du matin* (1901)—represent distinct phases of Monet’s career, with the latter setting a record for a Monet sold at auction in France, fetching more than $12 million.

Artexpo New York Returns to Pier 36 for 49th Annual Showcase

Artexpo New York has returned to Pier 36 for its 49th annual edition, featuring over 70,000 square feet of exhibition space. Hosted by Redwood Art Group, the fair showcases a diverse range of media from more than 20 countries, divided into the main Artexpo Pavilion for established galleries and the [SOLO] Pavilion for independent artists. The 2026 program includes interactive Art Labs, the affordable Discoveries Collection, and the prestigious Spotlight Program, which honors six selected artists and galleries.

Counterpublic plans sprawling, socially conscious show of public art for St. Louis in September

The St. Louis-based triennial Counterpublic has announced its artist lineup and thematic framework for its 2026 edition, set to open on September 12. Featuring more than 50 artists across five primary locations, the free public art festival will showcase newly commissioned works by major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija. The exhibition, titled "Coyote Time," explores themes of rapid societal change, community resilience, and the "near future," with specific installations addressing the aftermath of a 2025 tornado and the history of local landmarks like Sumner High School.

Post-Fair delivers by keeping it simple

Post-Fair concluded its second edition in Los Angeles, featuring a curated selection of 31 galleries including PPOW, White Columns, and Tomio Koyama Gallery. Held in a former post office, the event maintained an open floor plan and a relaxed atmosphere that attracted high-profile attendees like artist Paul McCarthy and collectors Beth Rudin DeWoody and Maja Hoffmann. Sales were reported across various price points, with Ehrlich Steinberg selling half of its presentation of Joel Otterson’s sculptures.

New and relaunched satellite fairs spread across Los Angeles during Frieze

A wave of new and relaunched satellite art fairs is debuting in Los Angeles to coincide with Frieze Los Angeles, offering lower-cost alternatives for galleries and artists. Newcomers like the Indianapolis-based Butter Art Fair, the photography-focused Show LA, and the New York-centric Enzo Art Fair are positioning themselves as intimate, artist-centric, or zero-fee options. These ventures aim to capitalize on the influx of global collectors while bypassing the high overhead costs associated with major international fairs.

Sonia Borrell's new StudioToGallery finds 9 in 10 independent artists say connections outweigh talent

Sonia Borrell has launched StudioToGallery, a new platform designed to bridge the gap between independent artists and the commercial art market. A survey conducted by the initiative revealed a striking consensus among creators, with 90% of independent artists stating that professional networking and industry connections are more influential to career success than raw artistic talent.

Black.2; Family Values; Studio Exhibition

Amelia Winata reviews three concurrent group exhibitions in Melbourne galleries: 'Black.2' at Void_Melbourne (15 Nov–20 Dec 2025), 'Family Values' at Futures (6 Dec–20 Dec 2025), and 'Studio Exhibition' at Haydens (6 Dec 2025). The article opens with a metaphor comparing the gallery-goer's experience to the rescue ship Carpathia navigating icebergs, reflecting the glut of end-of-year group shows in Melbourne's commercial spaces. Winata visits each space, describing the deco-chic building housing Void_, the formalist black-themed works by artists like Nick Devlin, Elvis Richardson, Sarah Goffman, and Suzie Idiens, and the broader context of Melbourne's gallery scene.

Looking Beyond the Conflict: What's driving contemporary artists from Sri Lanka?

Contemporary artists from Sri Lanka are gaining visibility across South Asia through gallery exhibitions, institutional shows, and art fairs. At Experimenter in Colaba, Pushpakanthan Pakkiyarajah's solo show 'No Race, No Colour' features installations like 'Charred Hyphal Mat' that explore organic communication and wounded ecologies rooted in the country's three-decade civil war. At the Art Mumbai fair, Hema Shironi uses fabric and green mesh to address post-war reconciliation, while earlier in Delhi, the twin exhibitions 'Homes Wrapped in Cloth, Borders Raised in Flags' and 'After Aphantasias' by Shrine Empire showcased similar themes. Artists such as Anoli Perera, Kingsley Gunatillake, Pala Pothupitye, and others are collectively presenting nuanced perspectives on memory, ecology, and joy beyond the conflict.

Anna Schwartz Gallery, beacon of Australia’s contemporary art world, to close and rebrand

Anna Schwartz Gallery, a cornerstone of Australia’s contemporary art scene, will close in December after 40 years in Melbourne. It will be replaced by a new venture, Anna Schwartz Projects, which will focus on occasional, project-based exhibitions, conversations, and events across installation, performance, publishing, and music. The gallery’s stable has included artists such as Shaun Gladwell, Angelica Mesiti, and Marco Fusinato, each of whom represented Australia at the Venice Biennale.

How Does the Economy Impact the Art Market?

Olivia Gavoyannis's article examines how broader economic factors—such as interest rates, trade policies, inflation, and currency fluctuations—affect the art market. It notes that recent economic volatility, including COVID-19 recessions and tariffs, has led to high-profile auction flops and slower demand for top-tier works, but argues that such coverage only tells part of the story. The piece explores the unique economics of art, where artworks are non-fungible and pricing is driven by perception, scarcity, and insider networks rather than utility, and highlights the lack of transparent pricing data.

A Guide to Minneapolis Art Galleries for Beginners

This article serves as a beginner's guide to art galleries in Minneapolis, highlighting several venues that welcome newcomers. It features All My Relations Arts, a gallery in the American Indian Cultural Corridor showcasing Native artists; Northern Clay Center, which challenges perceptions of pottery with subversive and political clay works; and Dreamsong, a gallery founded in 2021 focusing on female-identified emerging and mid-career artists. The guide emphasizes that galleries are accessible, free, and low-commitment spaces for exploration.

Phillips’ Evening Sale of Modern & Contemporary Art More than Doubles Auction Total from the Previous Year

Phillips’ Evening Sale of Modern & Contemporary Art achieved a total that more than doubled the previous year's auction result, driven by strong demand for works spanning the 19th to 21st centuries. The sale opened with three lots exceeding their high estimates, including record prices for Lee Bontecou's rare 'Untitled' (1985-2001), which set a new record for any two-dimensional work by the artist after nearly five minutes of bidding. Other records were set for Pat Passlof, P.S. Krøyer, and Joseph Yaeger. Top lots included Andy Warhol's 'Sixteen Jackies' ($16.2 million), Claude Monet's 'La Route de Vétheuil, effet de neige' ($9.9 million), and Jackson Pollock's 'Untitled' ($9.2 million). The sale also featured works from The Collection of Ambassador John L. Loeb, Jr., which achieved a combined $8.4 million, with two Vilhelm Hammershøi works acquired by prominent institutions.