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A Theatre Group of Exiled Belarusian Artists Arrive in Venice, With an Exhibition That Shows What Repression Feels Like

The Belarus Free Theatre, an exiled underground theater group, will stage its first official collateral exhibition at the 61st Venice Biennale, titled “Official. Unofficial. Belarus.” The show, held in the historic La Chiesa di San Giovanni Evangelista di Venezia, features site-specific paintings, a sound installation, and large-scale sculptures that aim to immerse visitors in the experience of repression under authoritarian rule. This marks only the fifth time Belarus has been present at the Biennale, and the first time it appears not as a state but as a self-governing cultural body, challenging the official narratives of nations like Russia.

The Jury of the 2026 Venice Art Biennale Will Be Completely Composed of Women

La giuria della Biennale d’Arte di Venezia 2026 sarà tutta composta da donne

The organizing body of the Venice Biennale has announced the international jury for its 61st International Art Exhibition, titled 'In Minor Keys.' For the first time, the five-member jury is composed entirely of women: Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. They will award the prestigious Golden Lions and special mentions during the awards ceremony on May 9.

Proposed Restitution Law in France Advances in National Assembly

The French National Assembly’s Cultural Affairs Committee has approved a landmark bill aimed at streamlining the restitution of cultural property looted from Africa during the colonial era. Moving away from the previous requirement for case-by-case legislation, the new framework allows restitutions to be ordered by ministerial decree, provided they fall within the 1815–1972 timeframe. This advancement follows years of debate sparked by President Emmanuel Macron’s 2017 pledge and the influential 2018 Sarr-Savoy report.

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Sotheby's Financial Services has priced a $900 million securitization deal backed by loans secured against artworks and, for the first time, collectible cars. The transaction bundles hundreds of loans, using the assets as collateral, and sells bonds representing the future loan payments to institutional investors, providing Sotheby's with upfront capital to issue new loans.

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The 2024 documentary film "Secret Mall Apartment," directed by Jeremy Workman, was released on Netflix on Friday. The film recounts the true story of artist Michael Townsend and seven others, many of them former students from the Rhode Island School of Design, who secretly built and lived in a hidden apartment inside the Providence Place mall from 2003 to 2007 as a protest against gentrification and consumer culture. The group was discovered in 2007, and Townsend was charged with trespassing, receiving probation and a lifetime ban from the mall. Originally released in theaters in March 2024, the documentary had been available on Amazon Prime Video and Apple TV before its Netflix debut.

using flight simulators peggy ahwesh crafts an elegy to a disused palestinian airport and the freedom it represented 1234766630

Peggy Ahwesh's solo exhibition "The Wayfinders," recently on view at New York's Microscope Gallery, marks a new direction for the experimental filmmaker. For the first time, she incorporates footage from an early-2000s flight simulator alongside original video and animation to create a large-scale installation. The work serves as an elegy for the abandoned Qalandia/Atarot airport, situated between Qalandia and Jerusalem, which operated as a civilian airport from 1948 to 1967 before Israel annexed the site. Through poetic voiceover and imagery of travel and navigation, Ahwesh reflects on Palestine's thwarted right to the sky, the history of wayfinding by the stars, and the porous borders of the past contrasted with today's restrictions.

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Phillips auction house will launch a new "priority bidding" fee structure this September, offering a lower buyer's premium rate to bidders who place a binding written bid at least 48 hours before a live auction, provided the bid meets or exceeds the lot's low estimate. The standard buyer's premium will remain at 29/22/15 percent for New York sales, while priority bidding rates drop to 25/20/14 percent. The policy applies to live auctions across New York, London, Hong Kong, Geneva, and Paris, but excludes watch auctions and timed online-only sales.

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President Donald Trump was booed while attending a fundraiser for the musical *Les Misérables* at the John F. Kennedy Center for the Performing Arts. He arrived with Melania Trump to support the center, but faced a mixed reception of boos and chants of 'U-S-A.' The event followed Trump's controversial takeover of the Kennedy Center, where he fired the board of trustees appointed by Joe Biden and George W. Bush, installed himself as chair, and replaced longtime president Deborah Rutter. Several artists, including Ben Folds, Renée Fleming, Shonda Rhimes, Issa Rae, and Rhiannon Giddens, resigned in protest, and the center has seen program cancellations such as *Hamilton* and Pride events.

‘As an artist I have a duty to reflect the times’: photographer Misan Harriman explores protests and solidarity in new London show

Photographer and filmmaker Misan Harriman has opened a permanent installation titled 'The Purpose of Light' at London's Hope 93 gallery. The exhibition features over 100 black-and-white photographs taken over seven years at protests in the UK, US, and South Africa, including demonstrations related to Black Lives Matter, Gaza, and other social justice movements. The project debuted as a solo show last summer and, due to significant public response, has now been established as a long-term fixture with support from private collectors.

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Designer Alexander Wang and his mother Ying Wang have acquired the historic 58 Bowery building in New York's Chinatown for $9.5 million, marking its first Chinese American ownership. They are transforming the former bank into a cultural venue named Wang Contemporary, which will host exhibitions, performances, and festivals focused on Asian and Asian American creatives, with its inaugural exhibition curated by the art collective MSCHF.

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A new digital platform called the Art Marketplace, founded in mid-2025 by Elliot Safra and a group of partners, aims to streamline private art sales by addressing common frustrations in the secondary market. Unlike traditional auction houses or gallery sales, the platform lists artworks without images, revealing only key details like artist name, description, price, and last update. Requests for images or condition reports are vetted to ensure qualified interest, prioritizing confidentiality and avoiding public exposure that could harm a work's market value. Sellers can list works in minutes, bypassing intermediaries like advisors or dealers, while buyers gain access to previously obscure off-market inventory.

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Jonathon Sturgeon has been appointed deputy editor of Artnet News. Sturgeon brings nearly a decade of experience editing arts and culture coverage, having written for publications including Flavorwire, American Reader, n+1 Magazine, e-flux, the Guardian, the Paris Review, Frieze, and the Baffler. He will work closely with editor-in-chief Rozalia Jovanovic to guide the editorial process, handling both news stories and long-form features.

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Rome has introduced a €2.35 entry fee for the Trevi Fountain, one of the world's most famous monuments, effective February 1 during daylight hours (9am to 9pm). The measure, announced by Mayor Roberto Gualtieri, aims to curb overtourism by limiting viewership to 400 people at a time. The fountain currently welcomes up to 70,000 visitors per day, and the fee could raise an estimated $7.6 million annually for maintenance. Similar fees will apply to four other city sites, while Roman citizens retain free access.

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Gallery Les Bois has opened its inaugural exhibition, “Offline,” in London’s Chelsea neighborhood, running through July 22, 2025. The show explores digital saturation, online engagement pressures, and the environmental and human costs of the digital ecosystem. It features work by the artist duo Volcan, including their “Offline Series” (shown at the 60th Venice Biennale) and “Roadworks Series,” alongside contributions from Steve Foster, Oliver Tanay, Miranda Carter, and Jasmine Pradissitto. The gallery, founded by Claire-Julia Hill in 2024, aims to integrate sustainability with contemporary art.

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Sotheby’s held Saudi Arabia’s first-ever international auction on February 8, 2025, in Diriyah, offering fine art and luxury items in a historic amphitheater. The event, led by auctioneer Oliver Barker, underscores the Gulf states’ rapid expansion in the art world, with major firms like Christie’s, Sotheby’s, and Art Basel launching new ventures in the region.

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On June 7, Manila-based Léon Gallery Art and Antiquities held its Spectacular Mid-Year Auction, kicking off the gallery's 15th-anniversary celebrations. The sale featured modern and contemporary works by leading Filipino artists, including Fernando Zóbel, Juan Luna, and Vicente Manansala. A standout lot was Anita Magsaysay-Ho's *Water Carriers / Taga-igib* (1947), an egg tempera work that sold for over PHP 60 million (about $1.08 million). Another key highlight was Fernando Amorsolo's *The Burning of Manila* (1942), which set a record for the artist's wartime paintings at PHP 36.04 million ($645,460). The painting, from the collection of Don Enrique “EZ” Zóbel, had been on loan to the National Museum of Fine Arts, Manila, for about a decade before auction.

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Artist Miriam Simun is currently presenting an exhibition about her Institute for Transhumanist Cephalopod Evolution at the art space Recess in Brooklyn. The centerpiece is a series of workshops titled “How to Become an Octopus (and sometime squid),” where she guides participants through psycho-physical exercises developed with marine biologists, engineers, dancers, and synchronized swimmers. Artnet News co-host Ben Davis attended the workshop and discusses the experience on this week's Art Angle podcast.

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The European Union's Regulation 2019/880, aimed at combating illicit trafficking and terrorism, will take effect on June 28, imposing stricter import controls on antiquities and artworks over 200 years old and valued above €18,000 ($19,500). The regulation requires importers to provide evidence that an object was lawfully exported from its country of origin, even for items exported decades ago when such documentation was not required. This reverses the presumption of innocence, placing the burden of proof on importers. Dealers and experts express concern that the rules are not based on market realities, as importers must be registered within the E.U., forcing non-E.U. dealers to rely on third-party agents or shippers. The regulation also poses challenges for ancient objects, where borders and export controls may be historically ambiguous.

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A ceremonial saber commissioned by Napoleon Bonaparte in 1802 sold for €4.6 million ($5.2 million) at Giquello auction house in Paris on May 22, far exceeding its estimate of €700,000–€1 million. The sword, made by master armorer Nicolas-Noël Boutet, was given to Marshal Emmanuel de Grouchy on the eve of the Battle of Waterloo in 1815 and remained in his family ever since. It features a curved Damascus blade, gold-plated silver mounts, and a stingray-skin sheath, with classical imagery including Medusa, Hercules, and Mars. The sale was part of a 20-lot auction at Hôtel Drouot that also included a 15th-century sword, a Gabonese mask, and a 17th-century tapestry.

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The Chinese art market experienced a 31% year-on-year decline in sales to $8.4 billion in 2024, its lowest level since 2009, according to the latest Art Basel and UBS Art Market Report. The downturn is attributed to slower economic growth, a property market slump, and broader economic uncertainties. However, other Asia Pacific markets showed resilience: Japan saw a 2% increase in sales, Australia's dealer market grew 11%, and China remains the second-largest auction market for postwar and contemporary art. Dealer sentiment is improving, with half expecting stronger sales in 2025.

Pussy Riot Shows Art by Russia’s Prisoners in New Protest Exhibition

Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.

Bvlgari enters the inner circle of the Venice Biennale

Bvlgari has become the first Exclusive Partner of La Biennale di Venezia, a landmark agreement that extends through 2030. The Roman jeweler will inaugurate its role at the 2026 Venice Biennale with two major initiatives: a newly created Bvlgari Pavilion at the Giardini featuring Canadian artist Lotus L. Kang, and an exhibition at the Biblioteca Nazionale Marciana curated by Fondazione Bvlgari, presenting works by Italian artists Lara Favaretto and Monia Ben Hamouda.

'Greater New York' Exhibit Gets Real at MoMA PS1

MoMA PS1 opened the sixth edition of its quinquennial exhibition 'Greater New York,' featuring over 50 artists from the New York area. The show, which debuted in 2000 as the first joint project between the Museum of Modern Art and P.S.1 Contemporary Art Center, fills all floors of the Queens museum with works addressing local themes such as immigration, taxi drivers, massage parlors, rats, and bodega cats. Notable installations include 'Unfree Free Time' by fields harrington, which pays a delivery driver minimum wage for each hour his bike is displayed, and a mural by the Cevallos Brothers, known for their posters for local businesses.

Exhibition | Jorge Molder, 'Lusco-fusco' at Galerie Bernard Bouche, Paris, France

Galerie Bernard Bouche in Paris is presenting 'Lusco-fusco', a new exhibition by Portuguese photographer Jorge Molder, opening March 28. The show features two interrelated photographic series, 'Dorothy' (black and white) and 'Cesare' (color), which extract and rework still images from Robert Wiene's 'The Cabinet of Dr. Caligari' (1920) and Victor Fleming's 'The Wizard of Oz' (1939). Molder halts the cinematic narrative to explore stillness, ambiguity, and the motifs of masks, dreams, and multiple identities through self-portraiture.

Wrapped for Travel: On "The American Connection" by Peter Halley and "Black Painter, White Figuration" by Maxwell Alexandre

Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.

New group exhibition at Art of Contemporary Africa SF

Art of Contemporary Africa (AOCA), the first Pan-African contemporary gallery in San Francisco, will open a major group exhibition titled *Memory in Motion: Identities, Materials and Resonances* on 2 May 2026. Curated by Gilles Yoro (Felin Light), the show brings together contemporary African artists including Gerald Chukwuma, Mederic Turay, Mwass Githinji, Ayanda Mabulu, Opa Bathily, Kebe Ibrahim Bemba, Ndabuko Ntuli, Kenof Franck Kemkeng Noah, Ange Arthur Koua, Alexis Daniel Onguene Tassi, and Dieudonne Djiela Kamgang. Their works in painting, sculpture, assemblage, and mixed media explore memory as an active, evolving force shaping identity across time, geography, and materiality.

New exhibition brings rare Charles Russell artwork to Fort Worth

The Sid Richardson Museum in Fort Worth, Texas, will open a new exhibition titled "Russell’s Retreat: Summers at Glacier National Park" on May 2, 2026. The show focuses on Charles M. Russell’s life and work at his summer home, Bull Head Lodge, and features objects borrowed from museums and private collections, many displayed in Fort Worth for the first time. Highlights include the landscape painting "Storm Over Lake McDonald" (1906), birchbark paintings, and a replica of gnome figures Russell made from moss and twigs.

Troublemakers and Prophets: Elizabeth Allen and Other Visionary Artists

Compton Verney in Warwickshire is staging a major exhibition titled "Troublemakers and Prophets: Elizabeth Allen and Other Visionary Artists," running from 28 March to 31 August 2026. The show reintroduces Elizabeth "Queen" Allen (1883–1967), a self-taught British artist who created intricate patchwork artworks inspired by the Apocrypha and biblical visions, using scraps of fabric, buttons, and sequins. Despite achieving success in her lifetime, Allen fell into obscurity; the exhibition pairs her work with thematically related contemporary artists to contextualize her legacy.

Exhibition | Nick DOYLE, 'Collective Hallucinations' at Perrotin, New York, United States

Perrotin gallery in New York presents 'Collective Hallcinations', an exhibition of new works by Brooklyn-based artist Nick Doyle. The show features wall-mounted denim collages and an immersive installation of a psychic parlor, including Doyle's first use of artificial intelligence. The works explore the fraught relationship between land and technology, progress and destruction, using denim as a material that evokes Americana, capitalism, and masculinity. The centerpiece, 'Mirror, Mirror', is a denim-clad structure housing an AI avatar named Ava, who offers sardonic commentary on the American dream and the digital frontier.

Exhibition | Anna Park, 'Hot Honey' at Lehmann Maupin, London, United Kingdom

Anna Park makes her United Kingdom solo debut at Lehmann Maupin London with 'Hot Honey,' an exhibition of large-scale charcoal works running from April 30 to May 30. The show features Park’s signature fractured, cinematic compositions that explore female archetypes like the 'vixen' and the 'bombshell.' For the first time, the artist introduces shaped supports that turn her drawings into sculptural reliefs, alongside restrained passages of color that heighten the psychological intensity of her social critiques.