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Must-See Museum Exhibits in New Orleans This April

New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," a comprehensive survey of Southern photography and portraiture from the early 20th century to today. Meanwhile, the New Orleans Museum of Art (NOMA) is preparing to open a significant retrospective of Louisiana native Robert Gordy, marking the first major presentation of his multidisciplinary work at the institution in over forty years.

jiadu art center, café, and studio form flexible community art network in china

The Jiadu Art Center in Yanjiao, Hebei Province, represents a strategic architectural intervention by MINOR lab to transform existing residential and commercial stock into a community-focused art network. The project reconfigures three distinct spaces—an ancillary structure, a commercial unit, and a residential apartment—into a cohesive system featuring a flexible exhibition hall, a café, and an adaptable artist studio. Utilizing movable walls, modular furniture, and a consistent material palette of strawboard and hot-rolled steel, the design prioritizes spatial fluidity and multi-functional use.

LACMA’s Soaring New Gallery Was Designed to Give You a Fresh Look at Art History

The Los Angeles County Museum of Art (LACMA) is preparing to open the David Geffen Galleries this spring, marking the culmination of a nearly two-decade campus overhaul led by director Michael Govan. Designed by Pritzker Prize-winning architect Peter Zumthor, the $720 million concrete structure spans 900 feet and is elevated 30 feet above ground to create a public plaza. The new building features 110,000 square feet of gallery space on a single horizontal level, utilizing unconventional materials like gray concrete and floor-to-ceiling windows to integrate natural light.

Whitney Biennial 2026 | Art & Artists

The 2026 Whitney Biennial has opened at the Whitney Museum of American Art in New York, featuring a video and sound installation by artists Basel Abbas and Ruanne Abou-Rahme. Their work, titled 'Until we became fire and fire us,' explores collective feelings of love, longing, and haunting in the context of Palestinian erasure, weaving together traditional songs, contemporary footage of indigenous plants, and personal ephemera like drawings by Abou-Rahme's father.

Rare 'Ponyo' Work From Studio Ghibli Donated To Academy Museum

Studio Ghibli has donated over 120 rare production artifacts to the Academy Museum of Motion Pictures, marking the first time the legendary animation studio has gifted such materials to an external institution. The donation includes original Japanese release posters, artboards, and key animation drawings from the 2008 film 'Ponyo,' which were revealed to be hand-drawn by Hayao Miyazaki himself. These items are currently featured in the museum's new interactive exhibition, 'Studio Ghibli’s Ponyo.'

Caravaggio portrait of influential patron—and future Pope Urban VIII—purchased by Italy for €30m

The Italian government has acquired a rare Caravaggio portrait of Maffeo Barberini, the future Pope Urban VIII, for €30 million following a year of negotiations with private owners. The 17th-century masterpiece, which depicts one of the artist's most influential patrons, will join the permanent collection of the Galleria Nazionale d'Arte Antica at Palazzo Barberini in Rome. It represents one of the largest sums ever paid by the Italian state for a single work of art.

Anime, Manga and Traditional Japanese Art Come Together at an Upcoming Auction—From Hokusai's 'The Great Wave' to Miyazaki's 'My Neighbor Totoro'

Christie’s is set to host a landmark auction in New York titled “Anime Starts Here: Japanese Subculture Imagines Tradition,” marking the first sale of its kind dedicated to the intersection of anime, manga, and traditional Japanese art. The auction features a diverse range of items, from Katsushika Hokusai’s iconic 19th-century woodblock print "The Great Wave" to original production materials and posters from modern masterpieces like Studio Ghibli’s "My Neighbor Totoro" and Osamu Tezuka’s "Astro Boy."

Zimbabwean artist Option Nyahunzvi explores cultural values in a bold new exhibition

Zimbabwean artist Option Dzikamai Nyahunzvi has launched a major solo exhibition titled 'Zvatiri' (Who We Are) at the National Gallery of Zimbabwe. The show features a multidisciplinary approach, combining installations, live-art performances, and paintings created with a unique technique of layering and etching Fabriano paper onto canvas. The works heavily reference Shona identity, specifically the 'hunhu' (or ubuntu) belief system and the artist's own Mbizi (zebra) totem, aiming to reconnect contemporary audiences with ancestral wisdom.

London National Gallery’s deficit bombshell, Simon Schama on birds and art, Vilhelm Hammershøi—podcast

The National Gallery in London has announced unexpected and significant budget cuts, including potential staff reductions, due to a projected deficit of £8.2 million for the upcoming year. This financial crisis comes as a surprise following the recent completion of a major building project and the announcement of another ambitious expansion planned for the 2030s.

Contemporary art on paper at DESA Unicum

The DESA Unicum auction house in Warsaw has opened its latest "Contemporary Art. Works on Paper" exhibition, which will culminate in an auction of the presented works. This edition is notable for its broad historical scope, featuring pieces created between 1940 and 2025, and includes museum-quality works and rare sketches by key Polish avant-garde artists.

Five artists announced for India's Venice Biennale pavilion

India is returning to the Venice Biennale after a seven-year hiatus with a national pavilion in the Arsenale. The presentation, titled 'Geographies of Distance: Remembering Home,' will feature five artists: Alwar Balasubramaniam (Bala), Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The exhibition is curated by Amin Jaffer and is backed by India's Ministry of Culture and two cultural institutions.

Smith College Museum of Art Exhibit Explores Access

The Smith College Museum of Art (SCMA) is presenting the exhibition 'Don’t mind if I do,' a project conceived by artist Finnegan Shannon. The show features a 25-foot conveyor belt loop that displays 30 small, touchable sculptures by eight artists, allowing visitors to view the art from comfortable seating without needing to move through the gallery. The project originated from a 2019 residency at the Museum of Contemporary Art Cleveland and has toured to several university galleries before arriving at Smith.

Portland Art Museum opens gallery focused on Black artists, named for local trailblazer

The Portland Art Museum has opened a new permanent gallery dedicated to Black artists, named for local artist, dancer, and educator Thelma Johnson Streat. The gallery, which opened on the first day of Black History Month, features a variety of works by Black Oregon artists, including multimedia installations, paintings, drawings, and a large photographic grid.

Samantha Nye’s ‘Web of Love’ now open at Cuesta’s Miossi Gallery

Artist Samantha Nye's immersive video installation "Web of Love" has opened at the Harold J. Miossi Gallery at Cuesta College's San Luis Obispo campus. The four-screen work is a scene-by-scene remake of an old Scopitone film, featuring legendary Bay Area artists Annie Sprinkle and Beth Stephens, and is designed with a lounge area of heart-shaped hot tubs on red shag carpet.

Long lost portrait of Scotland’s great poet Robert Burns goes on show for first time

A long-lost portrait of Robert Burns by Henry Raeburn, painted in 1803, has gone on public display for the first time at the National Gallery of Scotland in Edinburgh, just in time for Burns Night on 25 January. The painting resurfaced in a house clearance in Surrey and was auctioned in Wimbledon in March 2025 with a guide price of £300–£500; collector and Burns enthusiast William Zachs purchased it for £68,000 after a tense bidding war, gambling on the Raeburn attribution. Experts including Patricia Allerston and Duncan Thomson have since confirmed the work is authentic, and it is now exhibited alongside Alexander Nasmyth's 1787 portrait of Burns.

Workers at the Metropolitan Museum vote to form union

Workers at the Metropolitan Museum of Art voted overwhelmingly to unionize with the United Auto Workers (UAW), with 542 in favor and 172 against, following nearly four years of organizing efforts. The election, overseen by the National Labor Relations Board, will see 100 challenged votes resolved through arbitration. The new union, part of UAW Local 2110, represents over 50 departments including conservators, curators, librarians, and digital staff, driven by concerns over job security, pay, and policy transparency.

‘Painted Worlds: Color and Culture in Mesoamerican Art’: A colorful journey through time, culture and belief

The Nelson-Atkins Museum of Art has opened 'Painted Worlds: Color and Culture in Mesoamerican Art', a major exhibition featuring over 250 works spanning nearly 3,000 years, from pre-Hispanic times to the present day. Curated by Kimberly Masteller, the show is the first presentation of Mesoamerican art at the museum in nearly 40 years and includes textiles, ceramics, paintings, murals, and codices organized by color categories—white, blue/green/yellow, and red/black—to explore the cultural and spiritual significance of color in Mesoamerican traditions.

Helsinki museum to open new gallery dedicated to Moomin illustrator

The Helsinki Art Museum (HAM) in Finland is opening a new permanent gallery dedicated to Tove Jansson, the illustrator of the Moomins. The Tove Jansson Gallery will open on 13 February, spanning three exhibition halls, with the inaugural exhibition inspired by Jansson’s book *Comet in Moominland* and running through 24 January 2027. The gallery aims to showcase Jansson's art diversely and introduce new perspectives on her as both a Helsinki-based and international artist.

Acquisitions round-up: a rare early Italian portrait of a Black man, a record-breaking Kiddush cup, and a limewood sculpture of the Madonna

The Uffizi Galleries in Florence have acquired Giacomo Ceruti's "Il mendicante moro" (1725–30), one of the earliest known portraits of a Black man in Italian painting. The Toledo Museum of Art has purchased a rare 11th-12th century Kiddush cup that set an auction record for Judaica at Sotheby's for $4m. The Bode-Museum in Berlin has acquired a limewood sculpture of the nursing Madonna from the Circle of the Biberach Master, which was restituted to the heirs of Jakob Goldschmidt in 2023 and sold at Christie's in 2024.

UCR ARTS presents Transgresoras: Mail Art and Messages, 1960s–2020s

UCR ARTS' California Museum of Photography presents "Transgresoras: Mail Art and Messages, 1960s–2020s," an exhibition guest co-curated by Zanna Gilbert of the Getty Research Institute and Elena Shtromberg of the University of Utah. Running from September 13, 2025, to February 15, 2026, the show features over 50 Latinx and Latin American women artists who used mail art to subvert authoritarian censorship, turning the government's own postal system into a tool for creative expression across militarized borders. The exhibition includes video, sculpture, paintings, prints, and installations, organized into thematic sections addressing state control, gender, migration, colonialism, and ecology.

Francis Kéré's design for Las Vegas Museum of Art revealed

The Las Vegas Museum of Art (LVMA) has revealed renderings for its new 60,000-square-foot building, designed by Pritzker Prize-winning architect Francis Kéré. Set to open in 2029 at Symphony Park in downtown Las Vegas, the four-floor museum features a stone mosaic façade sourced from the Red Rock Mountains, a shaded front porch, a canyon-like grand staircase, and galleries inspired by Modernist architect Paul R. Williams. Baobab trees, symbolizing community, inform the design. The $200 million capital campaign, supported by the late Elaine Wynn and other trustees, has passed the halfway mark. The museum is a partnership with the Los Angeles County Museum of Art (Lacma) and will showcase works from its collection, with Lacma director Michael Govan serving as a founding trustee. A satellite exhibition, Family Album, is currently on view, and a 15,000-square-foot gallery and media lab will open next year.

Exhibition Tour— Seeing Silence: The Paintings of Helene Schjerfbeck

The Metropolitan Museum of Art is hosting a virtual exhibition tour of "Seeing Silence: The Paintings of Helene Schjerfbeck," led by Dita Amory, Robert Lehman Curator in Charge, and Max Hollein, Marina Kellen French Director and CEO. The exhibition highlights the Finnish painter Helene Schjerfbeck (1862–1946), who is celebrated in Nordic countries for her highly original style but remains relatively unknown elsewhere. Featuring nearly 60 works, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the show traces her evolution from traditional realism to a spare, abstract style developed in isolation.

Long Overdue, First Museum Retrospective of Mavis Pusey Explores Artist's Geometric Abstraction Over Five Decades

The Institute of Contemporary Art (ICA) at the University of Pennsylvania is hosting "Mavis Pusey: Mobile Images," the first museum retrospective of Jamaican-American artist Mavis Pusey (1928-2019). Curated by Hallie Ringle and Kiki Teshome, the exhibition spans five decades and features over 60 works, including seven paintings shown publicly for the first time. Pusey, who studied at the Art Students League and worked at Robert Blackburn's Printmaking Workshop, was known for her geometric abstraction at a time when many Black artists focused on figuration. The show will travel to the Hammer Museum in Los Angeles and the Studio Museum in Harlem.

British Museum's looted ewer set for return to Ghana on long-term loan

The British Museum is expected to loan the 14th-century Asante Ewer to Ghana on a long-term basis, following discussions between the Manhyia Palace Museum in Kumasi and the London institution. The ewer, made in England and later looted from the Asante royal palace in 1896, has been in the British Museum's collection ever since. Ivor Agyeman-Duah, director of the Manhyia Palace Museum, plans to travel to London to make a formal loan request on behalf of Asantehene Otumfuo Nana Osei Tutu II. The British Museum has already lent other looted artefacts to the Ghanaian museum, and the loan would likely be for three years, with Ghanaian authorities acknowledging British Museum ownership.

Mario Ayala Unveils Life Sized Van Portraits at CAM Houston

Mario Ayala's first U.S. solo museum exhibition, 'Seven Vans,' has opened at the Contemporary Arts Museum Houston (CAMH). The show, on view from November 14, 2025, through June 21, 2026, features seven life-size van paintings that use the vehicle's rear body as a shaped canvas. Ayala removes wheels and functional markers, turning the vans into motionless 'pseudo-portraits' that convey owners' personalities through details like faded stickers, patchy repairs, and custom airbrush work inspired by auto body painting. The artist describes his process as 'Research While Driving,' documenting rear vehicle perspectives over six years.

Don't miss the DIA's expansive Anishinaabe art exhibition

The Detroit Institute of Arts (DIA) has opened "Contemporary Anishinaabe Art: A Continuation," its first major Native American art exhibition in over three decades. The show features 90 works from more than 60 Anishinaabe artists from Michigan and the Great Lakes region, including pieces by Maggie Thompson, Jim Denomie, David Martin, and Jodi Webster. The exhibition runs through April 8, with free admission for residents of Macomb, Oakland, and Wayne counties.

Radical History: Chicano Prints from the Smithsonian American Art Museum exhibition opens at The Huntington

The exhibition "Radical Histories: Chicano Prints from the Smithsonian American Art Museum" opens at The Huntington's Marylou and George Boone Gallery from November 16 to March 2. Curated by E. Carmen Ramos, the show features 60 works by nearly 40 artists and collectives, tracing over six decades of Chicano printmaking as a tool for resistance, community building, and cultural reclamation. The exhibition is organized into five thematic sections—"Together We Fight," "¡Guerra No!," "Violent Divisions," "Rethinking América," and "Changemakers"—and begins with the late 1960s Delano Grape Strike, highlighting how artists used silkscreens, posters, and offset prints to mobilize communities and confront injustice.

Kim Eull Solo Exhibition – Twilight Zone Studio

The Savina Museum of Contemporary Art in Seoul is presenting a solo exhibition of artist Kim Eull titled "Twilight Zone Studio," running from August 23 to October 26, 2025. The show recreates Kim Eull's actual working studio in miniature within the exhibition space, presenting it as an independent artwork, alongside six of his works including "Controversial Painting" (2025), "Beyond the Painting" (2018), "A Weeping Bird" (2025), "Studio" (2025), "Brush, Tear & 망치" (2008), and "Twilight Zone Studio 2" (2025).

Eric Ravilious and Tirzah Garwood woodblocks rescued from eBay sale go on display in UK

A collection of 27 original woodblocks hand-carved by British artists Eric Ravilious and Tirzah Garwood, dating from 1930 to 1950, was rescued from an eBay sale through collaboration between the artists' heirs and the Art Loss Register (ALR). The blocks, believed missing or stolen since the 1950s, were listed on eBay last summer, prompting the family—including daughter Anne Ullman and granddaughter Ella Ravilious—to contact the ALR to halt the sale. The blocks have now been catalogued and split between The Fry Art Gallery in Suffolk and Towner Eastbourne, where they are on public display.

Louvre acquires first-ever video work

The Musée du Louvre has acquired its first-ever video work, a piece titled *Les 4 temps (The 4 Seasons)* by Algeria-born artist Mohamed Bourouissa. The work documents the Tuileries Gardens over the course of a year, originally created as 52 weekly videos for the Louvre’s Instagram channel between February 2024 and February 2025. It will be displayed in the Salle de la Chapelle from 22 October to 19 January 2026. Bourouissa also composed the music for the piece by recording the vibrations of the garden’s plants.