collector questionnaire yu chi lyra kuo technology art

Yu-Chi Lyra Kuo, an entrepreneur, investor, and Harvard-educated lawyer, is profiled for her pioneering work at the intersection of frontier technology and art. A former Princeton academic and one of the youngest board members of the Shed in New York, Kuo began collecting art as a child with a jade gourd from her grandfather's museum of Asian carvings. She was an early entrant into blockchain in 2011, co-founded OpenSea 2.0, and now advises frontier tech companies like Orchid Health. Kuo believes technologies such as AI and robotics can enhance human creativity, enabling individualized artworks, autonomous creations, and robot performances, rather than replacing human cultural meaning.

art carol bove guggenheim show

Carol Bove, the Swiss-born, California-raised sculptor known for transforming steel into malleable, seductive forms, has opened a major career survey at the Guggenheim Museum in New York. The exhibition fills the museum's iconic rotunda, marking the largest stage of her career to date. The article also features a Q&A in which Bove discusses her influences (including filmmaker Stanley Kubrick), her love of driving, and her desire for more 'pointlessness' in the art industry.

art artists and mothers nonprofit organization

Since 2024, the nonprofit organization Artists & Mothers has been addressing a critical gap in the art world by offering grants for nine months of childcare to New York-based artists with children under three. The organization was founded by Julia Trotta and Maria De Victoria, with board members including Camille Henrot, Bridget Donahue, Maia Ruth Lee, Sarah Goulet, and Elizabeth Karp-Evans. In a Q&A format, the group discusses their motivations, influences, and hopes for a more equitable art world, highlighting works such as Lea Lublin's 1968 performance "Mon fils" and anticipating Ei Arakawa-Nash's Japanese Pavilion at the Venice Biennale.

art paul mccarthy show performance

Cultured magazine profiles legendary 80-year-old artist Paul McCarthy during his Paris exhibition at Hauser & Wirth, titled “SS EE Saint Santa Eva Elf.” The article follows the journalist's three-day pursuit of McCarthy, covering a screening of his films *A&E Adolf & Eva/ Adam & Eve Cooking Show* (2022/2023) and *A&E Adolf & Eva/Adam & Eve Mother* (2022/2025), which feature psychosexual themes referencing Adolf Hitler and Eva Braun alongside Adam and Eve, co-starring actor Lilith Stangenberg. The exhibition includes large raw drawings created during improvised, multi-camera performances with Stangenberg, where they play twisted Santa and elf characters. McCarthy also has concurrent shows at The Journal Gallery in Los Angeles and SOLO contemporary art space in Madrid.

art exhibition moma marcel duchamp retrospective

The Museum of Modern Art (MoMA) in New York is organizing a major retrospective of Marcel Duchamp, the first in the U.S. since 1973. Curated by Michelle Kuo, Ann Temkin, and Matthew Affron, the exhibition titled "Marcel Duchamp" will run from April 12 through August 22 and feature over 300 artworks, including iconic pieces like *Nude Descending a Staircase, No. 2* and *Fountain*. The curators describe the challenge as extreme, given Duchamp's deliberate confounding of traditional art systems, and they aim for a "deadpan accuracy" in presenting his work, including studies and replications as independent artworks.

art collector questionnaire negotiations acquisition

CULTURED magazine asked art collectors to share their strangest negotiation experiences with artists or dealers. Responses range from a late-night studio sale in a dark East Atlanta alleyway to accidentally bidding on a second impression of a Picasso etching at auction. Other tales include haggling over a borrowed frame after a Christie's purchase, a dealer insisting the artwork be displayed in a specific room, and acquiring a Rick Lowe painting sight unseen from Gagosian after seeing it at the Venice Biennale. The survey reveals the quirky, human side of art transactions often hidden behind market mythology.

art michele oka doner public installation

Michele Oka Doner, an 80-year-old artist known for her public installations, is preparing to unveil "Talisman," a new work composed of 300 illuminated heads that will create a sacred grove on the Park Avenue Mall at 66th Street in New York this spring. In an interview with CULTURED, she discusses the engineering challenges of the project, including weight limits imposed by the MTA due to the tunnel beneath the mall, and reflects on her earlier public works such as the mile-long floor installation at Miami International Airport and "Radiant Site" at the Herald Square subway station, which she won a national competition for in 1987.

art lauren halsey sculpture park los angeles

Los Angeles-based artist Lauren Halsey has realized a long-held dream with the opening of "sister dreamer," a public sculpture park at the corner of Western Avenue and 76th Street in South Central LA. The park features eight 22-foot-tall pillars modeled after local heroes, sphinxes, benches, fountains, native plants, and gardens, and will remain for 18 months before finding a permanent home. It also serves as a hub for Halsey's nonprofit Summaeverythang Community Center, offering free programming in art, education, and wellness, including partnerships with the Broad, tutoring, yoga, and community dinners.

art black museums moad mocada auc

CULTURED magazine assembled a roundtable of three Black women leaders at prominent Black art museums in the U.S.—Key Jo Lee of the Museum of the African Diaspora (MoAD) in San Francisco, Cheryl Finley of the Atlanta University Center Art History and Curatorial Studies Collective (AUC), and Amy Andrieux of the Museum of Contemporary African Diasporan Arts (MoCADA) in New York. The discussion explores how each arrived at her role, the challenges these institutions face—including financial pressures and heightened scrutiny under the current U.S. administration—and their strategies for preserving and building legacies. Lee, who joined MoAD three years ago after a tenure at the Cleveland Museum of Art, is curating the exhibition “UNBOUND: Art, Blackness & the Universe,” named one of Hyperallergic’s top 25 of 2025. Finley, a curator, art historian, critic, and author, directs the AUC collective at Spelman College. Andrieux, who came from music and media roles at Red Bull Media House and MTV World, was recruited in 2018 to save MoCADA from closure and later became its executive director and chief curator, overseeing a capital expansion in 2023.

architecture artists playground design noguchi

The article explores the intersection of art and playground design, highlighting how artists have created inspiring play spaces that double as works of art. It begins with the 1954 Museum of Modern Art competition for creative playground equipment, won by Virginia Dortch Dorazio's Fantastic Village, and discusses Isamu Noguchi's Playscapes, including his only U.S. installation in Piedmont Park, Atlanta, commissioned by the High Museum of Art in 1975. The piece then profiles four artist-designed playgrounds: Carsten Höller's Pink Mirror Carousel in St. Moritz, Toshiko Horiuchi MacAdam's Woods of Net in Japan, Niki de Saint Phalle's Tarot Garden in Italy, and others, each blending sculpture with interactive play.

art abortion warsaw artists feminism

Art critic and writer Jarrett Earnest travels to Warsaw for the opening of "The Woman Question 1550–2025," a major survey of women artists curated by Alison M. Gingeras at the Museum of Modern Art (MSN Warsaw). The exhibition features nearly 200 works spanning from Renaissance to contemporary art, including pieces by Artemisia Gentileschi, Frida Kahlo, Lisa Yuskavage, and many Eastern European artists. Earnest reflects on the enduring theme of the female nude and the political context of Poland, where far-right policies have restricted women's rights.

art young artists list anniversary

Cultured magazine celebrates the tenth anniversary of its Young Artists list by reuniting 27 artists from past editions for a photoshoot at MoMA PS1, photographed by Dana Scruggs. The article reflects on the 247 artists featured since 2016, noting their diverse backgrounds—from MFA graduates to autodidacts—and includes candid responses from artists about challenges like financial survival, creative evolution, and absurd collector questions.

fashion david yurman jewelry phaidon

David and Sybil Yurman, the couple behind the iconic David Yurman jewelry empire, reflect on their origins as artists in New York in a new book, *Sybil and David Yurman: Artists and Jewelers*, published last month. The book draws from their personal archive of paintings, sculptures, photos, and jewelry, tracing their journey from working under sculptor Jacques Lipchitz and ceramicist Shōji Hamada to building a global brand. In an interview with CULTURED, the Yurmans share stories of their first date, Sybil's early career as a ceramicist and painter, and how their partnership evolved from art to jewelry.

beauty francis kurkdjian perfume exhibition

The article reports on "Perfume: Sculpture of the Invisible," a retrospective exhibition at the Palais de Tokyo in Paris celebrating 30 years of work by renowned perfumer Francis Kurkdjian. Curated by Jérôme Neutres and running through Nov. 23, the show features over 40 scents, including collaborations with artists like Sophie Calle, Yann Toma, and musicians Kilo Kish, alongside immersive installations such as L’Alchimie des Sens, which translates Kurkdjian's Baccarat Rouge Édition Millésime into a multi-sensory experience involving taste, sound, and sight.

design art precious okoyomon garden

Precious Okoyomon, editor of CULTURED at Home gardens, selects five unconventional natural landscapes that thrive against difficult odds. These include Dumbarton Oaks in Washington DC with its ancient wisteria, the radioactive waste site Dead Horse Bay in Brooklyn where invasive species bloom, the childhood haven Glen Helen Nature Preserve in Ohio, the Persian-inspired Untermyer Gardens in Yonkers, and Derek Jarman's seaside garden beside a nuclear plant in Dungeness, UK. Each location is described through Okoyomon's personal reflections, illustrated by Erin Knutson.

art met roof garden jennie c jones

The Metropolitan Museum of Art has unveiled its 2025 Roof Garden Commission, titled *Ensemble*, by artist Jennie C. Jones. The installation features three upright sculptures made from concrete travertine and powder-coated steel, whose angular forms are inspired by musical instruments—a zither, an Aeolian harp, and a one-string instrument. A fourth red floor piece acts as a "conductor." The works are equipped with frets and strings that vibrate in the wind, inviting viewers to engage with them as both visual and sonic objects. The exhibition also includes collaborative programming, performances, and a publication with contributions from curator Lauren Rosati and artist Glenn Ligon.

culture jamieson webster psychoanalysis ai sex

Psychoanalyst Jamieson Webster launches a new column for CULTURED titled "Neurotica," exploring the intersection of psychoanalysis, technology, and sexuality. In the debut installment, she interviews artist and theorist Mindy Seu about her work "A SEXUAL HISTORY OF THE INTERNET," which traces how sex workers were integral to developing digital platforms like chat rooms, e-commerce, and webcams, only to have their innovations co-opted by Big Tech. Webster reflects on how AI, chatbots, and online intimacy are reshaping human desire, pleasure, and relationships, drawing on Freud's pleasure-principle and contemporary anxieties about AI psychosis and digital dependency.

art cady noland thomas eggerer jochen klein

Cultured magazine reviews Cady Noland's 2025 exhibition at Gagosian Gallery's 24th Street location in New York, running through October 18. The show features the artist's signature objects—Budweiser cans, shotgun shells, barricades, and images of Patty Hearst and Lee Harvey Oswald—arranged in a fragmented, almost sale-like display. The review notes the inclusion of Steven Parrino's works alongside Noland's, referencing their collaboration at White Columns in 1988, and highlights new elements like "SALE" signs with manicule illustrations. The critic describes the exhibition as a "fascinating mess" rather than a straightforward success.

art fashion dirty looks barbican

A new exhibition titled "Dirty Looks: Desire and Decay in Fashion" opens September 25 at the Barbican in London, exploring how fashion designers have embraced decay, dirt, and imperfection. Curated by Karen Van Godtsenhoven, the show features garments from over 60 designers, including Hussein Chalayan's iron-filing-stained dresses, Vivienne Westwood's transgressive tears, Issey Miyake's gunpowder-speckled pleats, and wine-stained couture by Robert Wun. It also highlights five emerging designers like Elena Velez and Michaela Stark who use dirt and decay to challenge conventional beauty standards.

art culture philadelphia calder gardens

Calder Gardens, a new $90 million cultural institution in Philadelphia, will open on September 21. Designed by Herzog & de Meuron with gardens by Piet Oudolf, the 18,000-square-foot space will feature rotating displays of Alexander Calder's sculptures without wall labels, thematic exhibitions, or a permanent collection. Developed with philanthropist Joseph Neubauer and supported by the Barnes Foundation, the project is led by Alexander S.C. Rower, the artist's grandson and president of the Calder Foundation, and senior director of programs Juana Berrío. The institution aims to prioritize contemplation and personal experience over traditional museum education.

art raul de nieves pioneer works

Raúl de Nieves, a queer Mexico-born artist based in Williamsburg, Brooklyn, is preparing for his latest institutional exhibition, “In Light of Innocence,” opening September 12 at Pioneer Works in Red Hook. The show features 40 new stained glass assemblages made from tape, acetate, and inexpensive materials, installed above a single floor-bound work—a departure from his typically maximalist style. De Nieves, who has exhibited at the ICA Boston, the Baltimore Museum of Art, and the Cleveland Museum of Art, and gained prominence after the 2017 Whitney Biennial, describes the exhibition as a valediction, stating it will be the last time he creates this kind of work.

art basel unlimited ruba katrib curator

Art Basel has appointed Ruba Katrib, Chief Curator and Director of Curatorial Affairs at MoMA PS1, as the curator for the Unlimited sector at its 2026 Swiss edition. Katrib succeeds Giovanni Carmine, who held the role since 2021. Known for championing emerging and cult artists like Jumana Manna and Rirkrit Tiravanija, Katrib has shaped MoMA PS1's curatorial direction for eight years, with prior experience at SculptureCenter and SITE Santa Fe's biennial. Unlimited is a platform for large-scale works beyond traditional booths, and Katrib will oversee installations, sculptures, and ambitious new projects. Art Basel 2026 runs June 18-21 at Messe Basel, with preview days June 16-17.

art burning man dustin yellin

Artist and Pioneer Works founder Dustin Yellin discusses his annual tradition of attending Burning Man in the Nevada desert with journalist Sophia Cohen. Yellin, who first attended the festival in 2012 despite initial skepticism, describes the transformative experience of biking through the Playa with its lights and large-scale artworks. After this year's Burning Man, he will return to New York to complete *The Politics of Eternity*, a 10,000-pound sculpture debuting at the Armory Show.

art pat steir khajistan hc westermann

Pat Steir's early installation "Mirage 1975" has been restaged at Hauser & Wirth's Soho location, marking the 50th anniversary of her first-ever installation originally at the State University of New York in Oneonta. The exhibition runs through August 15, 2025, and coincides with the publication of the monograph "Pat Steir Paintings 2018–2025." Separately, the exhibition "Spasial Program by Khajistan" is on view at SculptureCenter in Long Island City through July 28, 2025, presenting a vast archive of rare, illicit, and suppressed media artifacts from the Islamicate world, curated by Lahore-born filmmaker Saad Khan.

alison saar artist studio

Alison Saar, a Los Angeles-based sculptor known for works rooted in the African diaspora and spirituality, is featured in a studio visit interview. She discusses her creative process, use of salvaged materials, and recent achievements, including a monumental commission for the 2024 Paris Olympics and the 2025 David C. Driskell Prize from the High Museum of Art. The interview covers her daily routines, tool preferences, and reflections on the art world.

paul leong ugly painting young collectors

Paul Leong, a Hawaii-born finance executive and co-chair of Friends at the Foundation for Contemporary Arts, discusses his provocative art collection in an interview with Cultured. Leong favors challenging, conceptual works that he describes as "ugly painting," including pieces by Merlin Carpenter, Jana Euler, Matt Browning, Claire Fontaine, Michael E. Smith, Rayan Yasmineh, and Stefan Tcherepnin. He credits art advisor Thea Westreich with teaching him to prioritize meaning over appearance, and recounts the hard-won acquisition of a Jana Euler work from a 2020 show at Artists Space in New York after persistent engagement with her galleries.

VARINIA BRODSKY ZIMMERMANN: “ENTIENDO AL MUSEO COMO UN CAMPO DE REVERBERACIÓN”

Varinia Brodsky Zimmermann, director of the Museo Nacional de Bellas Artes de Chile, is interviewed as part of a series on contemporary museums in Latin America. She describes the museum as a "field of reverberation" that amplifies social, cultural, and political questions without reacting mechanically to demands. The conversation covers structural challenges facing public museums in Chile, including budget precarity and suspended exhibition projects, and Brodsky advocates for more permeable, horizontal, and sustainable institutions that maintain critical depth while engaging diverse communities.

Form in the Age of Living Materials. Interview with Curator Pablo José Ramírez

LA FORMA EN LA ERA DE LOS MATERIALES VIVOS. ENTREVISTA AL CURADOR PABLO JOSÉ RAMÍREZ

The Hammer Museum in Los Angeles is presenting "Several Eternities in a Day: Form in the Age of Living Materials," an exhibition curated by Pablo José Ramírez running until August 23. Featuring 22 artists from the Americas, the show explores materials such as avocado, cacao, achiote, cochineal, stone, clay, and natural dyes that evolve, degrade, or transform over time. Organized into three acts, the exhibition challenges conventional notions of the art object by treating these materials as living agents with memory and agency, rooted in Indigenous knowledge and the concept of "brownness." In an interview, Ramírez discusses how these materials destabilize extractivist logics and institutional frameworks, forcing a rethinking of conservation protocols and the very conditions of exhibition-making.

GEORGE FEBRES: TRANSLATION, IRONY, AND LIBERATION. AN ECUADORIAN ARTIST IN THE DIASPORA

The article examines the life and work of George Febres (1943–1996), an Ecuadorian artist who spent most of his career in the United States, primarily in New Orleans. Febres’s practice blends Pop Art, Neo-Surrealism, and Southern US culture with his experiences as a migrant and queer subject, using bilingualism and ironic tropical imagery to create a hybrid, irreverent body of work. Despite his significance, no works by Febres exist in Ecuadorian public collections, and no major retrospective has been held in his home country, reflecting a broader erasure of queer narratives from national art history.

GEORGE FEBRES: TRADUCCIÓN, IRONÍA Y LIBERACIÓN. UN ARTISTA ECUATORIANO EN LA DIÁSPORA

George Febres (Guayaquil, 1943 – New Orleans, 1996) was an Ecuadorian artist whose work blended pop art, neo-surrealism, and Southern U.S. culture, shaped by his experience as a migrant and queer individual. The article traces his life from a privileged but unstable childhood in Ecuador to his migration to the United States, where he was drafted during the Vietnam War and eventually settled in New Orleans. Febres used bilingualism and ironic appropriation of tropical imagery to create a hybrid, irreverent body of work that challenges the official historiography of Ecuadorian art.